Songs like Dissolving by Hannah Cohen
Based on a tempo of (+/- 10%) and a similar genre
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Sam Evian
Next to You
103 bpm • A# min • 04:25 • -9.23db
42% Popularity • 67% Danceability • 46% Energy • 13% Liveness
43% Instrumentalness • 58% Positiveness
42% Popularity • 67% Danceability • 46% Energy • 13% Liveness
43% Instrumentalness • 58% Positiveness
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Joviale
Dreamboat
103 bpm • A# min • 04:28 • -12db
27% Popularity • 88% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 61% Positiveness
27% Popularity • 88% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 61% Positiveness
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Hannah Cohen
Dissolving
103 bpm • A# min • 03:37 • -12.39db
31% Popularity • 39% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
31% Popularity • 39% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Cornelia Murr
Man On My Mind
103 bpm • G# min • 03:42 • -10db
40% Popularity • 74% Danceability • 40% Energy • 13% Liveness
7% Instrumentalness • 50% Positiveness
40% Popularity • 74% Danceability • 40% Energy • 13% Liveness
7% Instrumentalness • 50% Positiveness
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Shana Cleveland
Face of the Sun
103 bpm • A min • 03:29 • -10.03db
32% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 31% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Whitney
Used To Be Lonely
103 bpm • G# Maj • 03:48 • -9db
42% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
42% Popularity • 57% Danceability • 40% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Sam Evian
Next to You
103 bpm • A# min • 04:20 • -9.46db
31% Popularity • 69% Danceability • 45% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
31% Popularity • 69% Danceability • 45% Energy • 12% Liveness
76% Instrumentalness • 53% Positiveness
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Mereba
Late Bloomer
102 bpm • A Maj • 03:22 • -10.1db
41% Popularity • 22% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 22% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Coco
One Time Villain
104 bpm • A# Maj • 03:11 • -10.42db
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
81% Instrumentalness • 46% Positiveness
31% Popularity • 39% Danceability • 65% Energy • 10% Liveness
81% Instrumentalness • 46% Positiveness
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Sylvan Esso
Funeral Singers
104 bpm • G# Maj • 03:39 • -10.82db
51% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sun June
Everything I had
104 bpm • A Maj • 04:06 • -11.33db
42% Popularity • 75% Danceability • 34% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
42% Popularity • 75% Danceability • 34% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
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Fionn Regan
Riverside Heights
102 bpm • B Maj • 02:34 • -15.59db
27% Popularity • 62% Danceability • 15% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
27% Popularity • 62% Danceability • 15% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
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Angelo De Augustine
Kaitlin
105 bpm • D Maj • 03:51 • -13.35db
24% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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WOOM
Seigfried / Self Control / White Ferrari
101 bpm • F# min • 05:10 • -11.69db
25% Popularity • 33% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 33% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Loma
Half Silences
105 bpm • A# min • 03:46 • -12db
35% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
35% Popularity • 75% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Helena Deland
Baby
101 bpm • F Maj • 04:29 • -11db
37% Popularity • 29% Danceability • 25% Energy • 21% Liveness
6% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 25% Energy • 21% Liveness
6% Instrumentalness • 6% Positiveness
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Sun June
Singing
105 bpm • A Maj • 03:00 • -7.36db
21% Popularity • 62% Danceability • 55% Energy • 35% Liveness
6% Instrumentalness • 32% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 35% Liveness
6% Instrumentalness • 32% Positiveness
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Reverend Baron
Waiting On You
105 bpm • C Maj • 04:38 • -17.11db
28% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Babeheaven
Seabird
100 bpm • C min • 03:02 • -8.74db
51% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Westerman
Outside Sublime
100 bpm • C Maj • 03:32 • -11.69db
24% Popularity • 73% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 44% Positiveness
24% Popularity • 73% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 44% Positiveness
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Sylvan Esso
Frequency
100 bpm • B Maj • 02:50 • -12.02db
40% Popularity • 80% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 80% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Bedouine
When You're Gone
99 bpm • B min • 03:29 • -15.11db
25% Popularity • 44% Danceability • 27% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
25% Popularity • 44% Danceability • 27% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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Angelo De Augustine
Fade
106 bpm • E Maj • 03:34 • -10.15db
14% Popularity • 59% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
14% Popularity • 59% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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The Dove & the Wolf
Free Around You
107 bpm • G Maj • 03:40 • -14.79db
25% Popularity • 33% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
25% Popularity • 33% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Hannah Cohen
Lilacs
107 bpm • G Maj • 05:47 • -11.1db
9% Popularity • 24% Danceability • 34% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 34% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
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Brooke Bentham
Heavy Head (Keep It Near)
107 bpm • A Maj • 04:17 • -12.82db
21% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Westerman
Blue Comanche
107 bpm • C min • 03:28 • -9.26db
37% Popularity • 74% Danceability • 32% Energy • 28% Liveness
33% Instrumentalness • 44% Positiveness
37% Popularity • 74% Danceability • 32% Energy • 28% Liveness
33% Instrumentalness • 44% Positiveness
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Cate Le Bon
Daylight Matters
107 bpm • C Maj • 04:18 • -7.64db
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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River Whyless
All of My Friends
99 bpm • D Maj • 02:48 • -12db
46% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Molly Sarlé
Human
107 bpm • C Maj • 03:54 • -8.76db
39% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
39% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
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Angelo De Augustine
Truly Gone
99 bpm • F# Maj • 03:26 • -12.64db
20% Popularity • 65% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
20% Popularity • 65% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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Hannah Cohen
Baby
108 bpm • C Maj • 05:37 • -17.15db
26% Popularity • 51% Danceability • 11% Energy • 8% Liveness
7% Instrumentalness • 5% Positiveness
26% Popularity • 51% Danceability • 11% Energy • 8% Liveness
7% Instrumentalness • 5% Positiveness
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Westerman
Blue Comanche - Sketch
107 bpm • D# Maj • 02:58 • -14.55db
34% Popularity • 73% Danceability • 23% Energy • 23% Liveness
11% Instrumentalness • 41% Positiveness
34% Popularity • 73% Danceability • 23% Energy • 23% Liveness
11% Instrumentalness • 41% Positiveness
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Adam Torres
Juniper Arms
98 bpm • F# Maj • 06:00 • -11.99db
30% Popularity • 40% Danceability • 21% Energy • 11% Liveness
32% Instrumentalness • 12% Positiveness
30% Popularity • 40% Danceability • 21% Energy • 11% Liveness
32% Instrumentalness • 12% Positiveness
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Coco
Knots
108 bpm • F Maj • 03:09 • -10db
22% Popularity • 51% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 45% Positiveness
22% Popularity • 51% Danceability • 34% Energy • 11% Liveness
5% Instrumentalness • 45% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
48% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
48% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Skullcrusher
Song for Nick Drake
98 bpm • E Maj • 02:57 • -12.26db
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Bedouine
Dizzy
108 bpm • G# min • 04:13 • -12.73db
25% Popularity • 46% Danceability • 70% Energy • 16% Liveness
49% Instrumentalness • 56% Positiveness
25% Popularity • 46% Danceability • 70% Energy • 16% Liveness
49% Instrumentalness • 56% Positiveness
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Kacey Johansing
Hold Steady
98 bpm • C Maj • 03:13 • -10.28db
28% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Julie Byrne
Morning Dove
98 bpm • C Maj • 02:59 • -13.32db
35% Popularity • 48% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
35% Popularity • 48% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Ethan Gruska
On the Outside
109 bpm • G Maj • 03:09 • -10.96db
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Tennis
Island Music
98 bpm • B min • 03:39 • -18.18db
34% Popularity • 29% Danceability • 46% Energy • 9% Liveness
91% Instrumentalness • 31% Positiveness
34% Popularity • 29% Danceability • 46% Energy • 9% Liveness
91% Instrumentalness • 31% Positiveness
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Westerman
Your Hero Is Not Dead
109 bpm • D Maj • 03:35 • -9.1db
29% Popularity • 71% Danceability • 34% Energy • 15% Liveness
2% Instrumentalness • 27% Positiveness
29% Popularity • 71% Danceability • 34% Energy • 15% Liveness
2% Instrumentalness • 27% Positiveness
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Routine
Cady Road
97 bpm • D Maj • 03:10 • -7.25db
27% Popularity • 50% Danceability • 73% Energy • 16% Liveness
5% Instrumentalness • 60% Positiveness
27% Popularity • 50% Danceability • 73% Energy • 16% Liveness
5% Instrumentalness • 60% Positiveness
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Uma
Standing in the Sun
109 bpm • A Maj • 03:36 • -10.86db
18% Popularity • 75% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 9% Positiveness
18% Popularity • 75% Danceability • 44% Energy • 22% Liveness
2% Instrumentalness • 9% Positiveness
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Woman Believer
Ode to Destiny's Child
97 bpm • F min • 03:00 • -9.91db
22% Popularity • 64% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 38% Positiveness
22% Popularity • 64% Danceability • 57% Energy • 22% Liveness
1% Instrumentalness • 38% Positiveness
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Maple Glider
Swimming
110 bpm • A Maj • 04:12 • -6.77db
37% Popularity • 72% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 72% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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The Seshen
Don't Answer
97 bpm • E min • 02:46 • -13.19db
17% Popularity • 30% Danceability • 30% Energy • 11% Liveness
40% Instrumentalness • 13% Positiveness
17% Popularity • 30% Danceability • 30% Energy • 11% Liveness
40% Instrumentalness • 13% Positiveness
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Westerman
Dream Appropriate
97 bpm • D min • 01:44 • -7.34db
32% Popularity • 57% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 55% Positiveness
32% Popularity • 57% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 55% Positiveness
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Sam Valdez
Farther Away
110 bpm • F min • 03:26 • -7db
30% Popularity • 54% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 54% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Helado Negro
I Fell in Love
110 bpm • F Maj • 04:20 • -12.75db
36% Popularity • 70% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 31% Positiveness
36% Popularity • 70% Danceability • 38% Energy • 11% Liveness
60% Instrumentalness • 31% Positiveness
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Barrie
Tal Uno
110 bpm • B min • 04:27 • -9db
40% Popularity • 53% Danceability • 62% Energy • 30% Liveness
89% Instrumentalness • 42% Positiveness
40% Popularity • 53% Danceability • 62% Energy • 30% Liveness
89% Instrumentalness • 42% Positiveness
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Okay Kaya
Dance Like U
110 bpm • C Maj • 02:50 • -14db
37% Popularity • 66% Danceability • 19% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
37% Popularity • 66% Danceability • 19% Energy • 11% Liveness
17% Instrumentalness • 24% Positiveness
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Jess Williamson
Wind on Tin
110 bpm • A min • 03:06 • -9.02db
30% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
30% Popularity • 58% Danceability • 45% Energy • 13% Liveness
14% Instrumentalness • 30% Positiveness
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Coco
Anybody's Guess
110 bpm • A# min • 04:02 • -12.82db
32% Popularity • 65% Danceability • 33% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
32% Popularity • 65% Danceability • 33% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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Helena Deland
Claudion
96 bpm • C# Maj • 04:27 • -13.34db
34% Popularity • 64% Danceability • 39% Energy • 11% Liveness
58% Instrumentalness • 26% Positiveness
34% Popularity • 64% Danceability • 39% Energy • 11% Liveness
58% Instrumentalness • 26% Positiveness
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Tennis
10 Minutes 10 Years - Audiotree Live Ver...
96 bpm • G min • 03:12 • -11.17db
27% Popularity • 33% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
27% Popularity • 33% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 23% Positiveness
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Moses Sumney
Title Of This Song
96 bpm • A Maj • 04:55 • -10.68db
19% Popularity • 41% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 41% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Yumi Zouma
Bruise - Piano Version
111 bpm • A min • 03:50 • -15.01db
16% Popularity • 50% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
16% Popularity • 50% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Buzzy Lee
Coolhand
111 bpm • D min • 03:38 • -8.47db
35% Popularity • 75% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 75% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Sebastian Blanck
The Night Has a Place for Me yet
111 bpm • C Maj • 02:42 • -7.46db
0% Popularity • 52% Danceability • 41% Energy • 13% Liveness
5% Instrumentalness • 17% Positiveness
0% Popularity • 52% Danceability • 41% Energy • 13% Liveness
5% Instrumentalness • 17% Positiveness
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Angelo De Augustine
Crazy, Stoned, and Gone
95 bpm • F Maj • 02:41 • -12.41db
29% Popularity • 62% Danceability • 18% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
29% Popularity • 62% Danceability • 18% Energy • 11% Liveness
58% Instrumentalness • 36% Positiveness
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Okay Kaya
Glitch
95 bpm • C Maj • 02:47 • -13.57db
20% Popularity • 29% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Alice Phoebe Lou
Galaxies
95 bpm • B Maj • 05:08 • -11.54db
36% Popularity • 56% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
36% Popularity • 56% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Wet
Old Bone
95 bpm • F min • 03:07 • -13db
44% Popularity • 62% Danceability • 41% Energy • 27% Liveness
21% Instrumentalness • 23% Positiveness
44% Popularity • 62% Danceability • 41% Energy • 27% Liveness
21% Instrumentalness • 23% Positiveness
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Gena Rose Bruce
The Way You Make Love
95 bpm • A Maj • 03:22 • -9.62db
16% Popularity • 58% Danceability • 58% Energy • 17% Liveness
14% Instrumentalness • 56% Positiveness
16% Popularity • 58% Danceability • 58% Energy • 17% Liveness
14% Instrumentalness • 56% Positiveness
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Hannah Cohen
Get In Line
95 bpm • A Maj • 03:54 • -12db
27% Popularity • 68% Danceability • 48% Energy • 6% Liveness
6% Instrumentalness • 68% Positiveness
27% Popularity • 68% Danceability • 48% Energy • 6% Liveness
6% Instrumentalness • 68% Positiveness
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The Innocence Mission
On Your Side
112 bpm • A Maj • 03:34 • -8db
26% Popularity • 45% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
26% Popularity • 45% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Okay Kaya
Habitual Love
95 bpm • A min • 03:18 • -13.64db
43% Popularity • 78% Danceability • 33% Energy • 9% Liveness
29% Instrumentalness • 46% Positiveness
43% Popularity • 78% Danceability • 33% Energy • 9% Liveness
29% Instrumentalness • 46% Positiveness
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Sonny Elliot
One Day With You
112 bpm • G min • 03:46 • -9.84db
30% Popularity • 63% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Jealous of the Birds
Goji Berry Sunset
112 bpm • A# min • 02:17 • -13.62db
36% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Big Search
Stillness in the Air
112 bpm • F# Maj • 03:56 • -9.8db
20% Popularity • 78% Danceability • 47% Energy • 11% Liveness
11% Instrumentalness • 61% Positiveness
20% Popularity • 78% Danceability • 47% Energy • 11% Liveness
11% Instrumentalness • 61% Positiveness
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Lily Hayes
Soft on Me
112 bpm • B min • 03:36 • -8.38db
33% Popularity • 60% Danceability • 26% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
33% Popularity • 60% Danceability • 26% Energy • 10% Liveness
9% Instrumentalness • 16% Positiveness
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Lucy Rose
White Car
95 bpm • F Maj • 03:26 • -15.49db
33% Popularity • 25% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
33% Popularity • 25% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Laura Veirs
I Was A Fool
95 bpm • D# Maj • 02:44 • -15.57db
21% Popularity • 59% Danceability • 8% Energy • 35% Liveness
68% Instrumentalness • 31% Positiveness
21% Popularity • 59% Danceability • 8% Energy • 35% Liveness
68% Instrumentalness • 31% Positiveness
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Laura Groves
Thinking About Thinking
113 bpm • E min • 04:09 • -12.51db
21% Popularity • 22% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness
21% Popularity • 22% Danceability • 25% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness
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Lichen
End Is Near
94 bpm • D Maj • 03:11 • -16.23db
24% Popularity • 28% Danceability • 23% Energy • 14% Liveness
58% Instrumentalness • 26% Positiveness
24% Popularity • 28% Danceability • 23% Energy • 14% Liveness
58% Instrumentalness • 26% Positiveness
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Helado Negro
Lotta Love
94 bpm • D Maj • 03:17 • -9.56db
41% Popularity • 69% Danceability • 66% Energy • 10% Liveness
64% Instrumentalness • 20% Positiveness
41% Popularity • 69% Danceability • 66% Energy • 10% Liveness
64% Instrumentalness • 20% Positiveness
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Hannah Cohen
What's This All About
113 bpm • C Maj • 03:22 • -15.26db
17% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 53% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Mutual Benefit
Come to Pass
113 bpm • A Maj • 02:42 • -12.01db
24% Popularity • 54% Danceability • 48% Energy • 9% Liveness
44% Instrumentalness • 22% Positiveness
24% Popularity • 54% Danceability • 48% Energy • 9% Liveness
44% Instrumentalness • 22% Positiveness
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Whitney
Far, Far Away
113 bpm • C# Maj • 03:15 • -11db
30% Popularity • 65% Danceability • 28% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
30% Popularity • 65% Danceability • 28% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
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Holy Hive
Float Back To You
114 bpm • C Maj • 04:15 • -6.66db
35% Popularity • 69% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
35% Popularity • 69% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 34% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Big Red Machine
Forest Green
93 bpm • B Maj • 05:49 • -11db
37% Popularity • 62% Danceability • 55% Energy • 9% Liveness
59% Instrumentalness • 35% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 9% Liveness
59% Instrumentalness • 35% Positiveness
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Whitney
Forever Turned Around
93 bpm • G# Maj • 03:59 • -9.63db
34% Popularity • 65% Danceability • 39% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
34% Popularity • 65% Danceability • 39% Energy • 11% Liveness
57% Instrumentalness • 57% Positiveness
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Westerman
Paper Dogs
115 bpm • C Maj • 03:05 • -11.38db
17% Popularity • 75% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 75% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Kevin Morby
A Night At The Little Los Angeles
93 bpm • D Maj • 07:10 • -12.8db
21% Popularity • 56% Danceability • 18% Energy • 9% Liveness
12% Instrumentalness • 16% Positiveness
21% Popularity • 56% Danceability • 18% Energy • 9% Liveness
12% Instrumentalness • 16% Positiveness
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Sam Evian
Where Did You Go?
115 bpm • D Maj • 03:19 • -9.32db
42% Popularity • 72% Danceability • 53% Energy • 24% Liveness
7% Instrumentalness • 71% Positiveness
42% Popularity • 72% Danceability • 53% Energy • 24% Liveness
7% Instrumentalness • 71% Positiveness
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Tomberlin
Untitled 1
114 bpm • A Maj • 04:51 • -15.85db
21% Popularity • 43% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
21% Popularity • 43% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
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CARM
Song of Trouble
92 bpm • D Maj • 02:59 • -13db
22% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Cloth
Old Bear
115 bpm • A Maj • 03:58 • -11.47db
32% Popularity • 91% Danceability • 34% Energy • 11% Liveness
56% Instrumentalness • 16% Positiveness
32% Popularity • 91% Danceability • 34% Energy • 11% Liveness
56% Instrumentalness • 16% Positiveness
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Caoilfhionn Rose
Unravelled
92 bpm • A Maj • 02:05 • -10db
15% Popularity • 37% Danceability • 52% Energy • 12% Liveness
3% Instrumentalness • 40% Positiveness
15% Popularity • 37% Danceability • 52% Energy • 12% Liveness
3% Instrumentalness • 40% Positiveness
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Zelma Stone
Fly
92 bpm • F# min • 03:38 • -11.64db
24% Popularity • 62% Danceability • 34% Energy • 36% Liveness
6% Instrumentalness • 39% Positiveness
24% Popularity • 62% Danceability • 34% Energy • 36% Liveness
6% Instrumentalness • 39% Positiveness
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Sam Evian
IDGAF
115 bpm • D# Maj • 03:16 • -8.11db
42% Popularity • 64% Danceability • 89% Energy • 13% Liveness
86% Instrumentalness • 96% Positiveness
42% Popularity • 64% Danceability • 89% Energy • 13% Liveness
86% Instrumentalness • 96% Positiveness
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Eliza Shaddad
Same as You
92 bpm • A Maj • 02:30 • -10db
16% Popularity • 50% Danceability • 62% Energy • 27% Liveness
36% Instrumentalness • 57% Positiveness
16% Popularity • 50% Danceability • 62% Energy • 27% Liveness
36% Instrumentalness • 57% Positiveness
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Death and Vanilla
A Flaw in the Iris
92 bpm • C# min • 04:45 • -13db
31% Popularity • 59% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
31% Popularity • 59% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
