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Distant Lover
Songs like
Distant Lover
by
Kim Waters
Based on a tempo of (+/- 10%) and a similar genre
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Kim Waters
Distant Lover
141 bpm • C min • 06:04 • -7.39db
26% Popularity • 63% Danceability • 48% Energy • 6% Liveness
67% Instrumentalness • 34% Positiveness
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LeBron
Kiss and Tell
140 bpm • C Maj • 04:08 • -10.24db
22% Popularity • 69% Danceability • 52% Energy • 10% Liveness
22% Instrumentalness • 51% Positiveness
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Phil Denny
Solux
140 bpm • C# min • 04:04 • -5.36db
22% Popularity • 74% Danceability • 59% Energy • 4% Liveness
4% Instrumentalness • 60% Positiveness
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Eric Darius
Love T.K.O
140 bpm • G min • 04:52 • -8.77db
26% Popularity • 73% Danceability • 54% Energy • 25% Liveness
61% Instrumentalness • 78% Positiveness
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Warren Hill
Sax In The City
140 bpm • C Maj • 05:16 • -8.45db
27% Popularity • 65% Danceability • 45% Energy • 7% Liveness
13% Instrumentalness • 50% Positiveness
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Urban Knights
You're The One For Me
139 bpm • D min • 04:02 • -8db
48% Popularity • 74% Danceability • 44% Energy • 26% Liveness
25% Instrumentalness • 63% Positiveness
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Kim Waters
Easy On Me
142 bpm • F Maj • 04:21 • -7.89db
5% Popularity • 55% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Steve Cole
Where the Night Begins
144 bpm • E min • 04:37 • -9.49db
52% Popularity • 64% Danceability • 58% Energy • 7% Liveness
74% Instrumentalness • 50% Positiveness
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Chuck Loeb
Love To All
144 bpm • D min • 05:08 • -8db
47% Popularity • 67% Danceability • 61% Energy • 39% Liveness
26% Instrumentalness • 70% Positiveness
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Eric Darius
You're So Fine
140 bpm • F Maj • 04:53 • -8.53db
24% Popularity • 74% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 78% Positiveness
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Joe McBride
Oi Gata
144 bpm • B min • 04:17 • -10db
38% Popularity • 67% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 80% Positiveness
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Urban Knights
You're The One For Me - Instrumental
138 bpm • G min • 04:04 • -8db
32% Popularity • 74% Danceability • 47% Energy • 28% Liveness
36% Instrumentalness • 51% Positiveness
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David Sanborn
Carly's Song
136 bpm • B Maj • 05:10 • -13.18db
27% Popularity • 62% Danceability • 32% Energy • 7% Liveness
55% Instrumentalness • 43% Positiveness
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Cal Harris Jr.
Ordinary Days
146 bpm • C Maj • 03:41 • -12.55db
37% Popularity • 80% Danceability • 47% Energy • 35% Liveness
78% Instrumentalness • 61% Positiveness
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Warren Hill
Take Me As I Am
136 bpm • F min • 04:41 • -10db
21% Popularity • 67% Danceability • 40% Energy • 16% Liveness
80% Instrumentalness • 29% Positiveness
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John Novello
Good to Go
133 bpm • F Maj • 03:54 • -7db
34% Popularity • 75% Danceability • 70% Energy • 10% Liveness
79% Instrumentalness • 96% Positiveness
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Oli Silk
Get out Claws
132 bpm • A# min • 03:29 • -8.84db
35% Popularity • 78% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 68% Positiveness
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Urban Knights
The Rose
147 bpm • G# Maj • 04:36 • -12db
30% Popularity • 44% Danceability • 51% Energy • 18% Liveness
58% Instrumentalness • 24% Positiveness
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David Sanborn
Rikke
150 bpm • D min • 05:03 • -11.66db
41% Popularity • 72% Danceability • 52% Energy • 6% Liveness
68% Instrumentalness • 62% Positiveness
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Kim Waters
In The Mood
132 bpm • E min • 04:38 • -8.11db
15% Popularity • 74% Danceability • 64% Energy • 5% Liveness
18% Instrumentalness • 62% Positiveness
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Paul Jackson, Jr.
Easy, Like Sunday Morning
132 bpm • A min • 04:42 • -7.97db
34% Popularity • 70% Danceability • 62% Energy • 11% Liveness
65% Instrumentalness • 47% Positiveness
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Eric Marienthal
New York State Of Mind
132 bpm • F Maj • 05:15 • -9.85db
21% Popularity • 56% Danceability • 41% Energy • 8% Liveness
48% Instrumentalness • 16% Positiveness
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Fourplay
Any Time Of Day
152 bpm • G# min • 06:16 • -11.96db
29% Popularity • 67% Danceability • 35% Energy • 9% Liveness
81% Instrumentalness • 40% Positiveness
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Dan Siegel
Treasure Hunt
151 bpm • E min • 05:08 • -14.63db
33% Popularity • 71% Danceability • 44% Energy • 3% Liveness
84% Instrumentalness • 72% Positiveness
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Euge Groove
Slow Jam
152 bpm • E min • 05:09 • -7.32db
46% Popularity • 63% Danceability • 65% Energy • 7% Liveness
51% Instrumentalness • 49% Positiveness
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Kim Waters
With Open Arms
156 bpm • C# Maj • 05:21 • -6.33db
5% Popularity • 52% Danceability • 48% Energy • 37% Liveness
71% Instrumentalness • 15% Positiveness
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Cal Harris Jr.
Shade Tree
157 bpm • F Maj • 04:38 • -12db
40% Popularity • 70% Danceability • 62% Energy • 44% Liveness
75% Instrumentalness • 70% Positiveness
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Brian Culbertson
On My Mind
157 bpm • F# min • 04:29 • -12.68db
42% Popularity • 62% Danceability • 52% Energy • 7% Liveness
93% Instrumentalness • 67% Positiveness
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RJC (Rhythm & Jazz Coalition)
Best Part
158 bpm • G Maj • 03:58 • -7.61db
4% Popularity • 61% Danceability • 48% Energy • 9% Liveness
65% Instrumentalness • 40% Positiveness
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Jeff Golub
Turn Off The Lights
126 bpm • C Maj • 04:50 • -8db
42% Popularity • 82% Danceability • 41% Energy • 8% Liveness
53% Instrumentalness • 48% Positiveness
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Adam Hawley
Shuffle
159 bpm • F# Maj • 04:55 • -6.42db
18% Popularity • 66% Danceability • 72% Energy • 14% Liveness
43% Instrumentalness • 87% Positiveness
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Chris Standring
Like This, Like That
125 bpm • F Maj • 04:40 • -11db
39% Popularity • 78% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 83% Positiveness
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Kim Waters
You Are My Lady
160 bpm • D# Maj • 05:17 • -7.71db
30% Popularity • 52% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Cal Harris Jr.
Grown Folks Business
160 bpm • G# Maj • 04:38 • -11db
40% Popularity • 68% Danceability • 57% Energy • 17% Liveness
72% Instrumentalness • 51% Positiveness
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Jessy J
Hot Sauce
124 bpm • G min • 03:17 • -3.86db
40% Popularity • 66% Danceability • 79% Energy • 15% Liveness
73% Instrumentalness • 58% Positiveness
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Paul Jackson, Jr.
To Be Like Him
122 bpm • G# min • 05:35 • -7.36db
33% Popularity • 69% Danceability • 64% Energy • 32% Liveness
77% Instrumentalness • 30% Positiveness
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Jazz Holdouts
Summer Nights
122 bpm • G Maj • 04:06 • -10db
41% Popularity • 74% Danceability • 66% Energy • 10% Liveness
78% Instrumentalness • 56% Positiveness
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Jonathan Fritzén
Turn Back Time
121 bpm • F min • 04:23 • -9.72db
42% Popularity • 78% Danceability • 61% Energy • 5% Liveness
92% Instrumentalness • 81% Positiveness
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Kim Waters
After Midnight
162 bpm • A min • 05:13 • -9.74db
45% Popularity • 61% Danceability • 50% Energy • 11% Liveness
77% Instrumentalness • 40% Positiveness
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Brian Hughes
Pamela
120 bpm • G# min • 05:16 • -10db
36% Popularity • 68% Danceability • 69% Energy • 9% Liveness
84% Instrumentalness • 79% Positiveness
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Chris Standring
Love and Paragraphs
120 bpm • G Maj • 03:51 • -7db
35% Popularity • 80% Danceability • 55% Energy • 6% Liveness
85% Instrumentalness • 94% Positiveness
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Paul Jackson, Jr.
The East from the West
122 bpm • B min • 05:38 • -11.67db
37% Popularity • 74% Danceability • 50% Energy • 4% Liveness
61% Instrumentalness • 40% Positiveness
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The Sax Pack
Sooner Or Later
120 bpm • F min • 03:48 • -7db
36% Popularity • 70% Danceability • 81% Energy • 27% Liveness
88% Instrumentalness • 79% Positiveness
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Gregg Karukas
Manhattan
120 bpm • C# Maj • 04:46 • -11db
39% Popularity • 78% Danceability • 55% Energy • 5% Liveness
84% Instrumentalness • 82% Positiveness
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Kim Waters
Waterfall
121 bpm • G min • 05:12 • -8db
23% Popularity • 80% Danceability • 74% Energy • 7% Liveness
91% Instrumentalness • 69% Positiveness
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Kim Scott
Treetops
120 bpm • F# Maj • 04:17 • -12.5db
42% Popularity • 69% Danceability • 37% Energy • 22% Liveness
81% Instrumentalness • 67% Positiveness
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Pamela Williams
Close The Door
166 bpm • F min • 04:49 • -5.8db
28% Popularity • 65% Danceability • 69% Energy • 6% Liveness
52% Instrumentalness • 75% Positiveness
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Euge Groove
Sneak a Peek
167 bpm • F min • 05:04 • -8.3db
36% Popularity • 69% Danceability • 73% Energy • 11% Liveness
43% Instrumentalness • 77% Positiveness
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Phil Perry
I'm So Proud
167 bpm • B Maj • 03:50 • -6.81db
18% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Eric Darius
Goin' All Out
168 bpm • F min • 04:11 • -6.31db
29% Popularity • 71% Danceability • 82% Energy • 23% Liveness
82% Instrumentalness • 94% Positiveness
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Chuck Loeb
The Music Inside
168 bpm • B min • 05:21 • -11.92db
36% Popularity • 63% Danceability • 58% Energy • 8% Liveness
82% Instrumentalness • 82% Positiveness
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Ronny Jordan
After Hours (The Antidote)
169 bpm • F# min • 05:51 • -17.04db
48% Popularity • 53% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Freddie Fox
Still Lovin' You
170 bpm • C Maj • 04:13 • -11db
45% Popularity • 62% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 78% Positiveness
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Kim Waters
Easy Going
170 bpm • G Maj • 04:49 • -9.29db
18% Popularity • 56% Danceability • 48% Energy • 22% Liveness
87% Instrumentalness • 38% Positiveness
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Fattburger
Spice
170 bpm • G min • 05:32 • -11db
36% Popularity • 60% Danceability • 56% Energy • 7% Liveness
84% Instrumentalness • 76% Positiveness
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Candy Dulfer
Smooth
170 bpm • F min • 04:35 • -7db
39% Popularity • 64% Danceability • 44% Energy • 9% Liveness
75% Instrumentalness • 56% Positiveness
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Art Porter
Inside Myself
170 bpm • G# Maj • 05:37 • -10db
37% Popularity • 50% Danceability • 60% Energy • 20% Liveness
82% Instrumentalness • 60% Positiveness
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George Jinda
Between Dreams
170 bpm • G# Maj • 05:27 • -14db
29% Popularity • 68% Danceability • 65% Energy • 5% Liveness
64% Instrumentalness • 82% Positiveness
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Kirk Whalum
Now 'Til Forever
171 bpm • D Maj • 04:36 • -6.87db
44% Popularity • 54% Danceability • 76% Energy • 16% Liveness
64% Instrumentalness • 57% Positiveness
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Kim Waters
Nina In Tortola
170 bpm • G Maj • 04:21 • -7.09db
13% Popularity • 62% Danceability • 53% Energy • 7% Liveness
80% Instrumentalness • 58% Positiveness
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Steve Cole
It's Gonna Be Alright
171 bpm • A min • 04:01 • -9.01db
33% Popularity • 59% Danceability • 68% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
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Fourplay
Wish You Were Here - 2021 Remastered
172 bpm • G min • 06:11 • -12.94db
27% Popularity • 61% Danceability • 34% Energy • 5% Liveness
88% Instrumentalness • 41% Positiveness
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Sean U
Magic Hour
172 bpm • G min • 04:16 • -8.83db
41% Popularity • 60% Danceability • 77% Energy • 8% Liveness
82% Instrumentalness • 85% Positiveness
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Brian Tarquin
Midnight Blue
172 bpm • G min • 04:49 • -11.28db
37% Popularity • 60% Danceability • 51% Energy • 17% Liveness
69% Instrumentalness • 18% Positiveness
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Bona Fide
El Dorado
172 bpm • F min • 04:15 • -10db
24% Popularity • 61% Danceability • 47% Energy • 18% Liveness
84% Instrumentalness • 60% Positiveness
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Kim Waters
Nightfall
172 bpm • G min • 05:32 • -8.13db
45% Popularity • 57% Danceability • 62% Energy • 30% Liveness
21% Instrumentalness • 52% Positiveness
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Count Basic
M.L. In The Sunshine
172 bpm • F min • 04:35 • -10.65db
34% Popularity • 54% Danceability • 68% Energy • 9% Liveness
87% Instrumentalness • 94% Positiveness
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Nate Harasim
Love's Taken Over
172 bpm • E min • 03:10 • -9db
33% Popularity • 56% Danceability • 82% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
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Urban Knights
My Boo
173 bpm • D min • 04:16 • -6.81db
33% Popularity • 57% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 80% Positiveness
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Spur Of The Moment
In Key
176 bpm • C min • 04:41 • -6.12db
41% Popularity • 53% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 60% Positiveness
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3rd Force
Ready Or Not
176 bpm • A# min • 04:54 • -7.74db
19% Popularity • 58% Danceability • 88% Energy • 6% Liveness
95% Instrumentalness • 81% Positiveness
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Kim Waters
Never Can Say Goodbye
174 bpm • C Maj • 04:21 • -7.19db
12% Popularity • 59% Danceability • 66% Energy • 7% Liveness
65% Instrumentalness • 70% Positiveness
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Rocco Ventrella
Feel Like Making Love
177 bpm • F min • 05:07 • -11.59db
19% Popularity • 64% Danceability • 47% Energy • 8% Liveness
84% Instrumentalness • 59% Positiveness
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Phil Casagrande
Missing You
180 bpm • D min • 03:14 • -8.17db
45% Popularity • 70% Danceability • 34% Energy • 9% Liveness
85% Instrumentalness • 66% Positiveness
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Najee
Sweet Love
186 bpm • A# min • 04:44 • -14.97db
44% Popularity • 48% Danceability • 42% Energy • 6% Liveness
73% Instrumentalness • 74% Positiveness
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Jeff Golub
No Two Ways About It
181 bpm • E Maj • 03:59 • -8.46db
44% Popularity • 52% Danceability • 73% Energy • 6% Liveness
87% Instrumentalness • 90% Positiveness
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Eric Darius
Chillin' Out
186 bpm • F min • 04:20 • -4.58db
28% Popularity • 70% Danceability • 87% Energy • 19% Liveness
84% Instrumentalness • 56% Positiveness
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Kim Waters
The Closer I Get To You
180 bpm • D Maj • 04:58 • -6.57db
19% Popularity • 35% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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She
Hello Stranger - Seems Like a Might Long...
189 bpm • C Maj • 06:25 • -7.65db
1% Popularity • 63% Danceability • 50% Energy • 5% Liveness
2% Instrumentalness • 70% Positiveness
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Kim Scott
Free to Be
199 bpm • G min • 04:31 • -6.09db
32% Popularity • 40% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Pamela Williams
Elixir
202 bpm • F min • 04:49 • -7.58db
19% Popularity • 49% Danceability • 61% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
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Distant Lover