Songs like Divide by Dermot Kennedy
Based on a tempo of (+/- 10%) and a similar genre
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Birdy
Deep End
172 bpm • D Maj • 03:28 • -8.51db
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 46% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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LÉON
Hope Is a Heartache
171 bpm • F Maj • 03:21 • -6.63db
57% Popularity • 47% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 47% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Grace Carter
Blame
171 bpm • F# min • 04:11 • -8.16db
51% Popularity • 34% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 34% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Dermot Kennedy
Power Over Me
174 bpm • A min • 03:26 • -4.23db
69% Popularity • 42% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
69% Popularity • 42% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Walking On Cars
Try Again
170 bpm • F min • 03:46 • -6.19db
41% Popularity • 50% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 50% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Benson Boone
Ghost Town
174 bpm • C Maj • 03:13 • -10.06db
73% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
73% Popularity • 39% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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ADMT
Best Friend
173 bpm • C Maj • 03:09 • -9.4db
57% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
57% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thunderstorm Artis
Stronger (Grey's Anatomy Version)
174 bpm • F# min • 02:59 • -6.68db
57% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Zach Bryan
Something in the Orange
175 bpm • E min • 03:48 • -12.15db
88% Popularity • 37% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
88% Popularity • 37% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Andy Grammer
Best Of You
176 bpm • A Maj • 03:05 • -5.99db
38% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Hazlett
Never Gonna Give You Up
175 bpm • A# Maj • 02:37 • -13.91db
48% Popularity • 22% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 22% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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James TW
Please Keep Loving Me
176 bpm • F Maj • 03:15 • -8.49db
62% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dermot Kennedy
Outnumbered - Lost In The Soft Light Ses...
177 bpm • A min • 04:02 • -8.69db
35% Popularity • 36% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 36% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sam Ryder
Tiny Riot
177 bpm • C min • 03:24 • -4.19db
50% Popularity • 53% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 53% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Maisie Peters
Favourite Ex
177 bpm • F Maj • 03:21 • -10.28db
56% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 40% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mackenzy Mackay
Venus
166 bpm • C Maj • 02:37 • -12.77db
65% Popularity • 56% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
65% Popularity • 56% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Birdy
Skinny Love
166 bpm • E Maj • 03:21 • -8.49db
72% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
72% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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James Gillespie
Hold Me Down
166 bpm • G# min • 03:46 • -9db
34% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 34% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Dermot Kennedy
Lucky
166 bpm • D# Maj • 05:38 • -7.17db
59% Popularity • 48% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 48% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Jack Curley
Alice
179 bpm • D Maj • 02:39 • -12.53db
42% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Zoe Wees
Overthinking
164 bpm • G Maj • 03:01 • -5db
48% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 56% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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James TW
Incredible
181 bpm • C Maj • 04:06 • -6.21db
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Luca Fogale
You're the One
181 bpm • C Maj • 03:38 • -8.66db
46% Popularity • 25% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 25% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sam Fender
Seventeen Going Under
162 bpm • C# Maj • 04:57 • -4.79db
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
70% Popularity • 48% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Jamie Miller
It Is What It Is
162 bpm • E Maj • 02:05 • -5.62db
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
68% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Hansen
break my bones
183 bpm • E Maj • 02:49 • -9.28db
65% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 42% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Benson Boone
Slow It Down
181 bpm • G# Maj • 02:41 • -4.68db
86% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
86% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Harrison Storm
Breathe Again
184 bpm • B min • 03:20 • -7db
50% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Tom Grennan
All These Nights
160 bpm • A Maj • 02:34 • -2.48db
48% Popularity • 48% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 48% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Will Linley
miss me (when you're gone)
160 bpm • F# Maj • 03:04 • -5.53db
53% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Dermot Kennedy
Two Hearts
159 bpm • C Maj • 04:06 • -8.45db
59% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Hansen
break my heart
160 bpm • B min • 02:58 • -5.51db
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 52% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Benson Boone
ROOM FOR 2
160 bpm • D Maj • 02:31 • -5.64db
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
69% Popularity • 59% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Mumford & Sons
Woman
157 bpm • C# min • 04:34 • -10.5db
58% Popularity • 59% Danceability • 56% Energy • 11% Liveness
45% Instrumentalness • 14% Positiveness
58% Popularity • 59% Danceability • 56% Energy • 11% Liveness
45% Instrumentalness • 14% Positiveness
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Tom Grennan
Before You
160 bpm • E Maj • 02:57 • -3.25db
47% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 59% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Kodaline
All I Want
187 bpm • C Maj • 05:05 • -9.73db
81% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
81% Popularity • 19% Danceability • 41% Energy • 8% Liveness
15% Instrumentalness • 16% Positiveness
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Dermot Kennedy
Giants
158 bpm • G# min • 02:57 • -5.29db
60% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
60% Popularity • 57% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Ryder
More
157 bpm • D Maj • 03:48 • -2.78db
47% Popularity • 26% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 26% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Tompkins
Whole
157 bpm • C# Maj • 02:54 • -5.76db
44% Popularity • 70% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
44% Popularity • 70% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Cian Ducrot
I'll Be Waiting
156 bpm • C# Maj • 02:52 • -4.11db
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
70% Popularity • 52% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Mimi Webb
Freezing
156 bpm • E Maj • 02:56 • -4.95db
55% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Dermot Kennedy
Outnumbered
157 bpm • C Maj • 04:05 • -5.79db
62% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Tors
Anything Can Happen
156 bpm • D Maj • 03:09 • -6.33db
53% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 55% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Alex Warren
Give You Love
155 bpm • C# Maj • 03:03 • -4.09db
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
55% Popularity • 59% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Tom Grennan
How Does It Feel
155 bpm • C Maj • 02:23 • -3.38db
54% Popularity • 63% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
54% Popularity • 63% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Cat Burns
know that you're not alone
155 bpm • D Maj • 02:56 • -2.78db
60% Popularity • 68% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
60% Popularity • 68% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Grace Carter
Fired Up
192 bpm • C Maj • 03:21 • -8.08db
51% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Grace Davies
used to you
154 bpm • C# Maj • 03:28 • -7.94db
46% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 39% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Dermot Kennedy
Young & Free
153 bpm • G# Maj • 04:26 • -6.05db
40% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Walking On Cars
Nothing's Impossible
151 bpm • A# Maj • 04:37 • -8.24db
38% Popularity • 28% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 28% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Fred again..
Dermot (see yourself in my eyes)
150 bpm • C Maj • 03:48 • -7.62db
67% Popularity • 57% Danceability • 73% Energy • 19% Liveness
6% Instrumentalness • 22% Positiveness
67% Popularity • 57% Danceability • 73% Energy • 19% Liveness
6% Instrumentalness • 22% Positiveness
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Bow Anderson
20s
150 bpm • D Maj • 03:04 • -6.72db
58% Popularity • 63% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
58% Popularity • 63% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Jess Glynne
Take Me Home
150 bpm • A Maj • 04:25 • -6.16db
65% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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James Gillespie
What You Do
150 bpm • C min • 03:35 • -10db
46% Popularity • 58% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 58% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Jessie Murph
I Would've
150 bpm • D Maj • 02:30 • -10db
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 60% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Hansen
better off without me
150 bpm • C Maj • 02:50 • -7db
71% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
71% Popularity • 62% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Munn
can you hear me?
150 bpm • D Maj • 03:05 • -7.83db
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Mimi Webb
Before I Go
150 bpm • F# Maj • 03:07 • -5.23db
54% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Ashley Kutcher
Love You From a Distance
149 bpm • E Maj • 03:24 • -8.65db
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 33% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Michael Marcagi
Scared To Start
148 bpm • G Maj • 02:39 • -11.26db
92% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
92% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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James Gillespie
Beyond Today
149 bpm • G# min • 03:57 • -9db
39% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 56% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Kygo
Lose Somebody
148 bpm • C# Maj • 03:19 • -6.88db
68% Popularity • 58% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
68% Popularity • 58% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Cat Burns
sleep at night
148 bpm • B Maj • 02:33 • -7.32db
51% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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James TW
Soldier
148 bpm • F# Maj • 03:44 • -6.16db
50% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
50% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dermot Kennedy
The Corner
148 bpm • D Maj • 03:21 • -8.79db
42% Popularity • 43% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 43% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
67% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Shawn Mendes
When You're Gone
147 bpm • F Maj • 02:52 • -5.81db
74% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
74% Popularity • 60% Danceability • 69% Energy • 58% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Hansen
without you with me
147 bpm • D Maj • 02:54 • -5.95db
62% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Dermot Kennedy
Something to Someone
147 bpm • C Maj • 03:18 • -6.29db
63% Popularity • 52% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
63% Popularity • 52% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jessie Murph
How Could You
147 bpm • B Maj • 03:07 • -11db
70% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
70% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
