Songs like Divine Combat by Danny Baranowsky
Based on a tempo of (+/- 10%) and a similar genre
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flashygoodness
Moonlight Inferno
145 bpm • E min • 01:58 • -5.93db
28% Popularity • 38% Danceability • 100% Energy • 8% Liveness
53% Instrumentalness • 37% Positiveness
28% Popularity • 38% Danceability • 100% Energy • 8% Liveness
53% Instrumentalness • 37% Positiveness
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Deniz Akbulut
Shizuka
145 bpm • A# min • 03:19 • -8.76db
22% Popularity • 45% Danceability • 91% Energy • 12% Liveness
43% Instrumentalness • 65% Positiveness
22% Popularity • 45% Danceability • 91% Energy • 12% Liveness
43% Instrumentalness • 65% Positiveness
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Danny Baranowsky
Dr. Fetus' Castle (Ch 5 Dark World)
145 bpm • A# min • 03:02 • -6.61db
27% Popularity • 44% Danceability • 96% Energy • 31% Liveness
74% Instrumentalness • 49% Positiveness
27% Popularity • 44% Danceability • 96% Energy • 31% Liveness
74% Instrumentalness • 49% Positiveness
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Jeff Broadbent
Every Adventure Has a Beginning
145 bpm • G Maj • 02:35 • -13.36db
27% Popularity • 59% Danceability • 45% Energy • 28% Liveness
84% Instrumentalness • 57% Positiveness
27% Popularity • 59% Danceability • 45% Energy • 28% Liveness
84% Instrumentalness • 57% Positiveness
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Vicarious Visions Audio
Dr. Neo Cortex
145 bpm • C Maj • 01:18 • -15.94db
33% Popularity • 67% Danceability • 55% Energy • 9% Liveness
90% Instrumentalness • 73% Positiveness
33% Popularity • 67% Danceability • 55% Energy • 9% Liveness
90% Instrumentalness • 73% Positiveness
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Motoi Sakuraba
Knight and Executioner [Ornstein and Sm...
145 bpm • C# Maj • 04:14 • -10.55db
20% Popularity • 39% Danceability • 58% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
20% Popularity • 39% Danceability • 58% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Christopher Larkin
Sisters of Battle
145 bpm • A# min • 01:51 • -9.73db
44% Popularity • 40% Danceability • 56% Energy • 16% Liveness
33% Instrumentalness • 49% Positiveness
44% Popularity • 40% Danceability • 56% Energy • 16% Liveness
33% Instrumentalness • 49% Positiveness
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Deniz Akbulut
Battle 2
145 bpm • D Maj • 02:17 • -9db
20% Popularity • 53% Danceability • 84% Energy • 26% Liveness
90% Instrumentalness • 60% Positiveness
20% Popularity • 53% Danceability • 84% Energy • 26% Liveness
90% Instrumentalness • 60% Positiveness
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Danny Baranowsky
Unholy Assault
145 bpm • E min • 02:53 • -9.59db
21% Popularity • 44% Danceability • 84% Energy • 24% Liveness
90% Instrumentalness • 14% Positiveness
21% Popularity • 44% Danceability • 84% Energy • 24% Liveness
90% Instrumentalness • 14% Positiveness
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Clark Aboud
Facing the Elite
144 bpm • B Maj • 01:12 • -13.83db
26% Popularity • 38% Danceability • 23% Energy • 13% Liveness
42% Instrumentalness • 6% Positiveness
26% Popularity • 38% Danceability • 23% Energy • 13% Liveness
42% Instrumentalness • 6% Positiveness
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Tettix
Rogue Legacy (Main Theme)
145 bpm • A# min • 01:52 • -8.82db
19% Popularity • 25% Danceability • 62% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
19% Popularity • 25% Danceability • 62% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
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Hideyuki Fukasawa
Theme of Seth
146 bpm • D Maj • 04:31 • -8db
16% Popularity • 46% Danceability • 72% Energy • 24% Liveness
21% Instrumentalness • 23% Positiveness
16% Popularity • 46% Danceability • 72% Energy • 24% Liveness
21% Instrumentalness • 23% Positiveness
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TADAYOSHI MAKINO
Brutish Indigo - Brachydios: World Versi...
143 bpm • C# Maj • 04:04 • -9.95db
37% Popularity • 54% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
37% Popularity • 54% Danceability • 86% Energy • 10% Liveness
93% Instrumentalness • 55% Positiveness
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Deniz Akbulut
The Path of Justice
145 bpm • D Maj • 01:48 • -9.01db
18% Popularity • 58% Danceability • 56% Energy • 27% Liveness
10% Instrumentalness • 64% Positiveness
18% Popularity • 58% Danceability • 56% Energy • 27% Liveness
10% Instrumentalness • 64% Positiveness
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Danny Baranowsky
Hereafter
143 bpm • F Maj • 01:30 • -28.57db
25% Popularity • 22% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
25% Popularity • 22% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Joel Nielsen
Surface Tension 4
148 bpm • E min • 01:30 • -6.9db
32% Popularity • 44% Danceability • 84% Energy • 9% Liveness
97% Instrumentalness • 12% Positiveness
32% Popularity • 44% Danceability • 84% Energy • 9% Liveness
97% Instrumentalness • 12% Positiveness
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Yasumasa Kitagawa
X4 - BOSS
148 bpm • G# Maj • 02:51 • -7.55db
22% Popularity • 36% Danceability • 94% Energy • 31% Liveness
85% Instrumentalness • 69% Positiveness
22% Popularity • 36% Danceability • 94% Energy • 31% Liveness
85% Instrumentalness • 69% Positiveness
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Hideyuki Fukasawa
Theme of Abel
148 bpm • G# min • 02:34 • -5.36db
20% Popularity • 46% Danceability • 98% Energy • 26% Liveness
81% Instrumentalness • 38% Positiveness
20% Popularity • 46% Danceability • 98% Energy • 26% Liveness
81% Instrumentalness • 38% Positiveness
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Scott Lloyd Shelly
Queen Bee
148 bpm • C Maj • 01:27 • -12.24db
29% Popularity • 61% Danceability • 94% Energy • 37% Liveness
70% Instrumentalness • 53% Positiveness
29% Popularity • 61% Danceability • 94% Energy • 37% Liveness
70% Instrumentalness • 53% Positiveness
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Good Knight Productions
Flight Of The Zinger
148 bpm • E Maj • 03:05 • -10.34db
22% Popularity • 35% Danceability • 71% Energy • 13% Liveness
66% Instrumentalness • 6% Positiveness
22% Popularity • 35% Danceability • 71% Energy • 13% Liveness
66% Instrumentalness • 6% Positiveness
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Danny Baranowsky
Dance of the Decorous
145 bpm • F# min • 02:47 • -6db
32% Popularity • 67% Danceability • 91% Energy • 6% Liveness
93% Instrumentalness • 54% Positiveness
32% Popularity • 67% Danceability • 91% Energy • 6% Liveness
93% Instrumentalness • 54% Positiveness
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Jeremiah George
Groovy Concerto (Death by Glamour)
148 bpm • C# Maj • 03:09 • -11.43db
14% Popularity • 50% Danceability • 77% Energy • 12% Liveness
84% Instrumentalness • 41% Positiveness
14% Popularity • 50% Danceability • 77% Energy • 12% Liveness
84% Instrumentalness • 41% Positiveness
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ROCK-MEN
Mega Man 3 / Snake Man Stage
142 bpm • F min • 03:46 • -8db
18% Popularity • 54% Danceability • 94% Energy • 13% Liveness
96% Instrumentalness • 69% Positiveness
18% Popularity • 54% Danceability • 94% Energy • 13% Liveness
96% Instrumentalness • 69% Positiveness
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The Marcus Hedges Trend Orchestra
Rilgar: Blackwater City
141 bpm • A min • 02:12 • -18.14db
16% Popularity • 51% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 35% Positiveness
16% Popularity • 51% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 35% Positiveness
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Tristan Alric
Trascending, Overpowering, Everlasting
148 bpm • G min • 05:54 • -12.1db
21% Popularity • 47% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
21% Popularity • 47% Danceability • 76% Energy • 10% Liveness
88% Instrumentalness • 47% Positiveness
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岩垂徳行
追求 〜とっつかまえて/バリ�...
149 bpm • C min • 01:48 • -5.99db
30% Popularity • 46% Danceability • 94% Energy • 40% Liveness
87% Instrumentalness • 96% Positiveness
30% Popularity • 46% Danceability • 94% Energy • 40% Liveness
87% Instrumentalness • 96% Positiveness
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Danny Baranowsky
Heart of the Crypt
145 bpm • D# min • 02:41 • -8.15db
27% Popularity • 46% Danceability • 98% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
27% Popularity • 46% Danceability • 98% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
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Chris Christodoulou
Lacrimosum
141 bpm • C Maj • 03:03 • -21db
38% Popularity • 21% Danceability • 21% Energy • 39% Liveness
91% Instrumentalness • 7% Positiveness
38% Popularity • 21% Danceability • 21% Energy • 39% Liveness
91% Instrumentalness • 7% Positiveness
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YUKO KOMIYAMA
Savage of the Ancient Forest
150 bpm • G# Maj • 03:50 • -10db
29% Popularity • 59% Danceability • 72% Energy • 16% Liveness
91% Instrumentalness • 52% Positiveness
29% Popularity • 59% Danceability • 72% Energy • 16% Liveness
91% Instrumentalness • 52% Positiveness
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Masakazu Sugimori
追求 〜追いつめられて/バリ�...
150 bpm • F min • 01:30 • -10db
43% Popularity • 42% Danceability • 88% Energy • 23% Liveness
95% Instrumentalness • 50% Positiveness
43% Popularity • 42% Danceability • 88% Energy • 23% Liveness
95% Instrumentalness • 50% Positiveness
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Clark Aboud
The Guardian Emerges
150 bpm • G# Maj • 02:23 • -13db
31% Popularity • 30% Danceability • 37% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 30% Danceability • 37% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
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岩垂徳行
追求 〜追いつめられて 2004
149 bpm • G# Maj • 01:33 • -7.04db
29% Popularity • 39% Danceability • 95% Energy • 19% Liveness
83% Instrumentalness • 96% Positiveness
29% Popularity • 39% Danceability • 95% Energy • 19% Liveness
83% Instrumentalness • 96% Positiveness
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Christopher Larkin
White Defender
150 bpm • A min • 03:39 • -9db
40% Popularity • 41% Danceability • 45% Energy • 8% Liveness
84% Instrumentalness • 26% Positiveness
40% Popularity • 41% Danceability • 45% Energy • 8% Liveness
84% Instrumentalness • 26% Positiveness
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Danny Baranowsky
Crusade
145 bpm • B min • 02:24 • -9.28db
21% Popularity • 48% Danceability • 87% Energy • 18% Liveness
91% Instrumentalness • 23% Positiveness
21% Popularity • 48% Danceability • 87% Energy • 18% Liveness
91% Instrumentalness • 23% Positiveness
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Harry Mack
Spiral Knights Main Theme
150 bpm • C min • 02:06 • -12.21db
20% Popularity • 50% Danceability • 53% Energy • 12% Liveness
80% Instrumentalness • 59% Positiveness
20% Popularity • 50% Danceability • 53% Energy • 12% Liveness
80% Instrumentalness • 59% Positiveness
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Jake Kaufman
In the Halls of the Usurper (Pridemoor K...
150 bpm • C# min • 03:34 • -3db
32% Popularity • 47% Danceability • 100% Energy • 29% Liveness
93% Instrumentalness • 75% Positiveness
32% Popularity • 47% Danceability • 100% Energy • 29% Liveness
93% Instrumentalness • 75% Positiveness
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Akihiko Narita
Red Glare in the Darkness - Nargacuga: W...
150 bpm • A min • 04:56 • -9db
30% Popularity • 51% Danceability • 73% Energy • 34% Liveness
93% Instrumentalness • 50% Positiveness
30% Popularity • 51% Danceability • 73% Energy • 34% Liveness
93% Instrumentalness • 50% Positiveness
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SIE Sound Team
バトル1
150 bpm • C Maj • 01:30 • -9db
28% Popularity • 49% Danceability • 88% Energy • 21% Liveness
82% Instrumentalness • 66% Positiveness
28% Popularity • 49% Danceability • 88% Energy • 21% Liveness
82% Instrumentalness • 66% Positiveness
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Chris Christodoulou
Surface Tension
150 bpm • G# Maj • 03:42 • -10db
29% Popularity • 59% Danceability • 84% Energy • 8% Liveness
63% Instrumentalness • 34% Positiveness
29% Popularity • 59% Danceability • 84% Energy • 8% Liveness
63% Instrumentalness • 34% Positiveness
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Danny Baranowsky
Burning Ambush
145 bpm • F Maj • 02:23 • -9.26db
22% Popularity • 44% Danceability • 82% Energy • 69% Liveness
90% Instrumentalness • 40% Positiveness
22% Popularity • 44% Danceability • 82% Energy • 69% Liveness
90% Instrumentalness • 40% Positiveness
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アトラスサウンドチーム
Battle -Fiend-
150 bpm • C Maj • 04:16 • -5.25db
20% Popularity • 46% Danceability • 95% Energy • 24% Liveness
55% Instrumentalness • 52% Positiveness
20% Popularity • 46% Danceability • 95% Energy • 24% Liveness
55% Instrumentalness • 52% Positiveness
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Christopher Larkin
Dung Defender
150 bpm • D Maj • 02:07 • -9.03db
47% Popularity • 70% Danceability • 35% Energy • 17% Liveness
78% Instrumentalness • 56% Positiveness
47% Popularity • 70% Danceability • 35% Energy • 17% Liveness
78% Instrumentalness • 56% Positiveness
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Jake Kaufman
High Above the Land (The Flying Machine)
150 bpm • B min • 04:01 • -2db
29% Popularity • 45% Danceability • 100% Energy • 6% Liveness
95% Instrumentalness • 70% Positiveness
29% Popularity • 45% Danceability • 100% Energy • 6% Liveness
95% Instrumentalness • 70% Positiveness
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Keisuke Ito
襲來 -syuurAI-
150 bpm • G Maj • 02:16 • -8.7db
14% Popularity • 63% Danceability • 99% Energy • 30% Liveness
67% Instrumentalness • 33% Positiveness
14% Popularity • 63% Danceability • 99% Energy • 30% Liveness
67% Instrumentalness • 33% Positiveness
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Curtis Schweitzer
Swansong
150 bpm • G Maj • 03:28 • -11.39db
11% Popularity • 49% Danceability • 92% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
11% Popularity • 49% Danceability • 92% Energy • 10% Liveness
87% Instrumentalness • 44% Positiveness
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Danny Baranowsky
Divine Combat
145 bpm • B min • 02:27 • -11.9db
29% Popularity • 50% Danceability • 85% Energy • 13% Liveness
76% Instrumentalness • 25% Positiveness
29% Popularity • 50% Danceability • 85% Energy • 13% Liveness
76% Instrumentalness • 25% Positiveness
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Darren Korb
Water Wall
150 bpm • G Maj • 03:56 • -7db
30% Popularity • 73% Danceability • 80% Energy • 17% Liveness
59% Instrumentalness • 72% Positiveness
30% Popularity • 73% Danceability • 80% Energy • 17% Liveness
59% Instrumentalness • 72% Positiveness
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Christopher Larkin
Truth, Beauty and Hatred
150 bpm • G# Maj • 01:58 • -12db
43% Popularity • 42% Danceability • 62% Energy • 18% Liveness
84% Instrumentalness • 63% Positiveness
43% Popularity • 42% Danceability • 62% Energy • 18% Liveness
84% Instrumentalness • 63% Positiveness
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Jake Kaufman
Main Theme
150 bpm • F Maj • 02:43 • -2db
30% Popularity • 36% Danceability • 98% Energy • 19% Liveness
88% Instrumentalness • 85% Positiveness
30% Popularity • 36% Danceability • 98% Energy • 19% Liveness
88% Instrumentalness • 85% Positiveness
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Chris Christodoulou
Hydrophobia
150 bpm • A Maj • 02:47 • -11db
40% Popularity • 58% Danceability • 86% Energy • 15% Liveness
84% Instrumentalness • 30% Positiveness
40% Popularity • 58% Danceability • 86% Energy • 15% Liveness
84% Instrumentalness • 30% Positiveness
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Scott Lloyd Shelly
Desert
150 bpm • G Maj • 01:29 • -17.1db
30% Popularity • 64% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 42% Positiveness
30% Popularity • 64% Danceability • 28% Energy • 30% Liveness
59% Instrumentalness • 42% Positiveness
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Big Giant Circles
The Clubbing of Isaac (Big Giant Circles...
150 bpm • E min • 03:53 • -10db
30% Popularity • 48% Danceability • 94% Energy • 13% Liveness
82% Instrumentalness • 74% Positiveness
30% Popularity • 48% Danceability • 94% Energy • 13% Liveness
82% Instrumentalness • 74% Positiveness
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Tee Lopes
Flying Battery Zone Act 2
150 bpm • A min • 02:57 • -7db
43% Popularity • 49% Danceability • 96% Energy • 12% Liveness
76% Instrumentalness • 46% Positiveness
43% Popularity • 49% Danceability • 96% Energy • 12% Liveness
76% Instrumentalness • 46% Positiveness
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Re-Logic
Golem
150 bpm • D Maj • 01:28 • -12.48db
31% Popularity • 54% Danceability • 83% Energy • 21% Liveness
76% Instrumentalness • 41% Positiveness
31% Popularity • 54% Danceability • 83% Energy • 21% Liveness
76% Instrumentalness • 41% Positiveness
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Jake Kaufman
Flowers of Antimony (The Explodatorium)
150 bpm • F min • 03:36 • -3db
27% Popularity • 46% Danceability • 96% Energy • 8% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 46% Danceability • 96% Energy • 8% Liveness
92% Instrumentalness • 85% Positiveness
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Tettix
Stereo Blindness (Bonus)
140 bpm • G# Maj • 03:12 • -9.84db
10% Popularity • 48% Danceability • 76% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
10% Popularity • 48% Danceability • 76% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Christopher Larkin
False Knight
150 bpm • D min • 03:04 • -8.14db
48% Popularity • 52% Danceability • 89% Energy • 20% Liveness
90% Instrumentalness • 59% Positiveness
48% Popularity • 52% Danceability • 89% Energy • 20% Liveness
90% Instrumentalness • 59% Positiveness
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Hideyuki Fukasawa
Snowy Rail Yard Stage -Russia-
140 bpm • B Maj • 03:17 • -5.01db
19% Popularity • 56% Danceability • 99% Energy • 5% Liveness
30% Instrumentalness • 51% Positiveness
19% Popularity • 56% Danceability • 99% Energy • 5% Liveness
30% Instrumentalness • 51% Positiveness
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flashygoodness
Fighter Select Final
150 bpm • F# min • 01:36 • -4.54db
25% Popularity • 33% Danceability • 97% Energy • 30% Liveness
42% Instrumentalness • 53% Positiveness
25% Popularity • 33% Danceability • 97% Energy • 30% Liveness
42% Instrumentalness • 53% Positiveness
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Re-Logic
Moon Lord
140 bpm • C Maj • 01:53 • -12db
37% Popularity • 54% Danceability • 94% Energy • 14% Liveness
63% Instrumentalness • 62% Positiveness
37% Popularity • 54% Danceability • 94% Energy • 14% Liveness
63% Instrumentalness • 62% Positiveness
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Jake Kaufman
Of Devious Machinations (Clockwork Tower...
150 bpm • C# Maj • 03:41 • -4db
24% Popularity • 38% Danceability • 99% Energy • 15% Liveness
96% Instrumentalness • 98% Positiveness
24% Popularity • 38% Danceability • 99% Energy • 15% Liveness
96% Instrumentalness • 98% Positiveness
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Curtis Schweitzer
Ocean Battle 1
140 bpm • A Maj • 01:22 • -12.71db
12% Popularity • 59% Danceability • 81% Energy • 20% Liveness
80% Instrumentalness • 75% Positiveness
12% Popularity • 59% Danceability • 81% Energy • 20% Liveness
80% Instrumentalness • 75% Positiveness
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Christopher Larkin
Broken Vessel
140 bpm • G# Maj • 01:59 • -11.16db
47% Popularity • 53% Danceability • 47% Energy • 16% Liveness
94% Instrumentalness • 78% Positiveness
47% Popularity • 53% Danceability • 47% Energy • 16% Liveness
94% Instrumentalness • 78% Positiveness
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Jonah Senzel
The Scrybe of Beasts
140 bpm • F min • 03:45 • -10.37db
30% Popularity • 69% Danceability • 78% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
30% Popularity • 69% Danceability • 78% Energy • 10% Liveness
90% Instrumentalness • 10% Positiveness
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flashygoodness
Fighter Select 2
140 bpm • B min • 02:15 • -5.67db
23% Popularity • 40% Danceability • 94% Energy • 15% Liveness
93% Instrumentalness • 52% Positiveness
23% Popularity • 40% Danceability • 94% Energy • 15% Liveness
93% Instrumentalness • 52% Positiveness
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Scott Lloyd Shelly
Journey's End - Credits
140 bpm • C Maj • 02:12 • -12.9db
27% Popularity • 53% Danceability • 61% Energy • 78% Liveness
72% Instrumentalness • 45% Positiveness
27% Popularity • 53% Danceability • 61% Energy • 78% Liveness
72% Instrumentalness • 45% Positiveness
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Jake Kaufman
The Decadent Dandy (King Knight Battle)
150 bpm • C# Maj • 02:56 • -2db
23% Popularity • 48% Danceability • 100% Energy • 8% Liveness
84% Instrumentalness • 94% Positiveness
23% Popularity • 48% Danceability • 100% Energy • 8% Liveness
84% Instrumentalness • 94% Positiveness
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Curtis Schweitzer
Arctic Battle 3
140 bpm • A Maj • 01:39 • -9.75db
14% Popularity • 51% Danceability • 76% Energy • 16% Liveness
58% Instrumentalness • 89% Positiveness
14% Popularity • 51% Danceability • 76% Energy • 16% Liveness
58% Instrumentalness • 89% Positiveness
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Christopher Larkin
Decisive Battle
140 bpm • A Maj • 02:05 • -8.47db
44% Popularity • 62% Danceability • 80% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
44% Popularity • 62% Danceability • 80% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
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Phyrnna
M3chanical C0n-D4mnation
140 bpm • C# Maj • 06:37 • -7.86db
29% Popularity • 59% Danceability • 96% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
29% Popularity • 59% Danceability • 96% Energy • 11% Liveness
94% Instrumentalness • 77% Positiveness
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Jukio Kallio
Sabasaba Desert
140 bpm • G Maj • 04:24 • -7.84db
17% Popularity • 41% Danceability • 65% Energy • 22% Liveness
59% Instrumentalness • 7% Positiveness
17% Popularity • 41% Danceability • 65% Energy • 22% Liveness
59% Instrumentalness • 7% Positiveness
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Scott Lloyd Shelly
High Wind
140 bpm • G Maj • 01:20 • -10.24db
34% Popularity • 68% Danceability • 59% Energy • 31% Liveness
5% Instrumentalness • 66% Positiveness
34% Popularity • 68% Danceability • 59% Energy • 31% Liveness
5% Instrumentalness • 66% Positiveness
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Hideyuki Fukasawa
Main Menu Screen for USFIV
140 bpm • F min • 03:10 • -4.46db
19% Popularity • 46% Danceability • 96% Energy • 16% Liveness
42% Instrumentalness • 57% Positiveness
19% Popularity • 46% Danceability • 96% Energy • 16% Liveness
42% Instrumentalness • 57% Positiveness
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Vicarious Visions Audio
Cortex Strikes Back Hub
140 bpm • C Maj • 01:42 • -11.85db
35% Popularity • 64% Danceability • 79% Energy • 3% Liveness
37% Instrumentalness • 96% Positiveness
35% Popularity • 64% Danceability • 79% Energy • 3% Liveness
37% Instrumentalness • 96% Positiveness
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Christopher Larkin
Nosk
140 bpm • F min • 01:50 • -11.05db
46% Popularity • 65% Danceability • 77% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
46% Popularity • 65% Danceability • 77% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
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Phyrnna
Petals of the Blade
140 bpm • G# Maj • 05:01 • -8.78db
17% Popularity • 52% Danceability • 74% Energy • 19% Liveness
92% Instrumentalness • 38% Positiveness
17% Popularity • 52% Danceability • 74% Energy • 19% Liveness
92% Instrumentalness • 38% Positiveness
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BAYONETTA
ST03 The Old City Of Vigrid
140 bpm • A min • 05:45 • -12.23db
19% Popularity • 50% Danceability • 51% Energy • 6% Liveness
74% Instrumentalness • 40% Positiveness
19% Popularity • 50% Danceability • 51% Energy • 6% Liveness
74% Instrumentalness • 40% Positiveness
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Danny Baranowsky
Momentum Mori
140 bpm • C# Maj • 02:49 • -10.61db
29% Popularity • 49% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
29% Popularity • 49% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
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Scott Lloyd Shelly
Underground Desert
140 bpm • D Maj • 02:01 • -15.62db
33% Popularity • 61% Danceability • 66% Energy • 19% Liveness
90% Instrumentalness • 30% Positiveness
33% Popularity • 61% Danceability • 66% Energy • 19% Liveness
90% Instrumentalness • 30% Positiveness
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Jonah Senzel
Leshy's Theme
140 bpm • C Maj • 03:46 • -12.67db
35% Popularity • 54% Danceability • 62% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
35% Popularity • 54% Danceability • 62% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Curtis Schweitzer
Arctic Battle 1
140 bpm • A min • 02:24 • -12db
14% Popularity • 53% Danceability • 68% Energy • 31% Liveness
1% Instrumentalness • 48% Positiveness
14% Popularity • 53% Danceability • 68% Energy • 31% Liveness
1% Instrumentalness • 48% Positiveness
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Re-Logic
Boss 1
140 bpm • A# min • 02:16 • -12.88db
42% Popularity • 55% Danceability • 79% Energy • 11% Liveness
87% Instrumentalness • 78% Positiveness
42% Popularity • 55% Danceability • 79% Energy • 11% Liveness
87% Instrumentalness • 78% Positiveness
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A Shell In The Pit
Trilobyte (Game Version)
140 bpm • G Maj • 02:51 • -9.16db
16% Popularity • 55% Danceability • 82% Energy • 28% Liveness
71% Instrumentalness • 21% Positiveness
16% Popularity • 55% Danceability • 82% Energy • 28% Liveness
71% Instrumentalness • 21% Positiveness
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Danny Baranowsky
For Whom the Knell Tolls
140 bpm • G# min • 03:15 • -6.74db
27% Popularity • 48% Danceability • 87% Energy • 6% Liveness
78% Instrumentalness • 59% Positiveness
27% Popularity • 48% Danceability • 87% Energy • 6% Liveness
78% Instrumentalness • 59% Positiveness
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Magnus Pålsson
Positive Force
140 bpm • G# min • 02:50 • -7.43db
28% Popularity • 49% Danceability • 87% Energy • 24% Liveness
87% Instrumentalness • 75% Positiveness
28% Popularity • 49% Danceability • 87% Energy • 24% Liveness
87% Instrumentalness • 75% Positiveness
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flashygoodness
Oceanic Breeze
140 bpm • F# Maj • 01:42 • -5.7db
29% Popularity • 43% Danceability • 96% Energy • 7% Liveness
75% Instrumentalness • 77% Positiveness
29% Popularity • 43% Danceability • 96% Energy • 7% Liveness
75% Instrumentalness • 77% Positiveness
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Simon Chylinski
Rock It!
140 bpm • C# min • 01:06 • -10db
36% Popularity • 54% Danceability • 100% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
36% Popularity • 54% Danceability • 100% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
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Tommy Tallarico
Tangerine
140 bpm • C# Maj • 02:00 • -10db
31% Popularity • 48% Danceability • 90% Energy • 17% Liveness
66% Instrumentalness • 54% Positiveness
31% Popularity • 48% Danceability • 90% Energy • 17% Liveness
66% Instrumentalness • 54% Positiveness
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堀諭史
Golden Mane - Rajang
140 bpm • C Maj • 03:45 • -17.79db
24% Popularity • 45% Danceability • 35% Energy • 16% Liveness
92% Instrumentalness • 5% Positiveness
24% Popularity • 45% Danceability • 35% Energy • 16% Liveness
92% Instrumentalness • 5% Positiveness
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Danny Baranowsky
End Credits
140 bpm • G# Maj • 01:38 • -6.07db
19% Popularity • 47% Danceability • 86% Energy • 34% Liveness
96% Instrumentalness • 52% Positiveness
19% Popularity • 47% Danceability • 86% Energy • 34% Liveness
96% Instrumentalness • 52% Positiveness
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Masakazu Sugimori
サスペンス
140 bpm • A# min • 01:32 • -14.81db
28% Popularity • 42% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
28% Popularity • 42% Danceability • 62% Energy • 14% Liveness
72% Instrumentalness • 31% Positiveness
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BAYONETTA
In Trouble!
140 bpm • B min • 02:23 • -9.12db
13% Popularity • 51% Danceability • 97% Energy • 9% Liveness
87% Instrumentalness • 75% Positiveness
13% Popularity • 51% Danceability • 97% Energy • 9% Liveness
87% Instrumentalness • 75% Positiveness
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A Shell In The Pit
Trilobyte (Castle)
140 bpm • G Maj • 02:52 • -10db
26% Popularity • 55% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 55% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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ROCK-MEN
Mega Man / Cut Man Stage
150 bpm • A Maj • 01:46 • -7.43db
25% Popularity • 40% Danceability • 94% Energy • 34% Liveness
19% Instrumentalness • 55% Positiveness
25% Popularity • 40% Danceability • 94% Energy • 34% Liveness
19% Instrumentalness • 55% Positiveness
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TADAYOSHI MAKINO
The Scorching Blade - Glavenus: World Ve...
139 bpm • F# Maj • 04:28 • -10.03db
31% Popularity • 49% Danceability • 70% Energy • 14% Liveness
97% Instrumentalness • 35% Positiveness
31% Popularity • 49% Danceability • 70% Energy • 14% Liveness
97% Instrumentalness • 35% Positiveness
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Mudeth
Non Funkible Token (Ultra Greed)
139 bpm • C Maj • 04:29 • -7.13db
30% Popularity • 38% Danceability • 94% Energy • 56% Liveness
95% Instrumentalness • 61% Positiveness
30% Popularity • 38% Danceability • 94% Energy • 56% Liveness
95% Instrumentalness • 61% Positiveness
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Masakazu Sugimori
留置所 〜看守たちのエレジー
140 bpm • D# min • 01:49 • -12.35db
28% Popularity • 67% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 62% Positiveness
28% Popularity • 67% Danceability • 15% Energy • 10% Liveness
98% Instrumentalness • 62% Positiveness
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堀諭史
Domain of Dust and Desolation
140 bpm • F Maj • 04:14 • -11.8db
30% Popularity • 46% Danceability • 38% Energy • 30% Liveness
33% Instrumentalness • 36% Positiveness
30% Popularity • 46% Danceability • 38% Energy • 30% Liveness
33% Instrumentalness • 36% Positiveness
