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Dixie Storms
Songs like
Dixie Storms
by
Lone Justice
Based on a tempo of (+/- 10%) and a similar genre
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Patti Scialfa
Like Any Woman Would
97 bpm • C Maj • 04:14 • -7.18db
9% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Divinyls
If Love Was A Gun
97 bpm • B Maj • 05:37 • -11.46db
19% Popularity • 53% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Lone Justice
Dixie Storms
97 bpm • G Maj • 03:34 • -20.49db
12% Popularity • 65% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Robbie Robertson
Testimony
97 bpm • F min • 04:48 • -12.16db
23% Popularity • 63% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Shawn Colvin
Tenderness On The Block
98 bpm • F Maj • 05:04 • -11.72db
20% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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k.d.lang & The Reclines
Luck in My Eyes
98 bpm • A Maj • 04:12 • -9.13db
23% Popularity • 73% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Gear Daddies
Wear Your Crown
96 bpm • B Maj • 02:50 • -10.82db
27% Popularity • 63% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Penn
Brave New World
98 bpm • E min • 04:31 • -14db
16% Popularity • 53% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Natalie Merchant
Just Can't Last
98 bpm • C Maj • 04:28 • -6.47db
28% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Patti Scialfa
Rose
98 bpm • A# Maj • 05:11 • -5.67db
9% Popularity • 66% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Graham Parker
Sugaree
96 bpm • C Maj • 03:43 • -7.02db
24% Popularity • 52% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Bruce Hornsby
On the Western Skyline
96 bpm • C Maj • 04:41 • -11db
35% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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The Beat Farmers
Rosie
99 bpm • G Maj • 02:23 • -20.68db
11% Popularity • 37% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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David & David
Swimming In The Ocean
99 bpm • D Maj • 03:58 • -14.22db
20% Popularity • 65% Danceability • 70% Energy • 4% Liveness
3% Instrumentalness • 82% Positiveness
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Squeeze
Tempted
95 bpm • E Maj • 04:01 • -7.37db
35% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Bailey
Firewould (just like)
95 bpm • G Maj • 04:50 • -8.12db
10% Popularity • 48% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Graham Parker
I Want You Back
95 bpm • A# Maj • 03:20 • -12db
18% Popularity • 58% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Elvis Costello
Brilliant Mistake
95 bpm • C Maj • 03:45 • -6.09db
37% Popularity • 61% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Lone Justice
When Love Comes Home To Stay
100 bpm • D Maj • 03:07 • -12.26db
2% Popularity • 55% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Nile
Back Home
95 bpm • G Maj • 06:23 • -7.04db
10% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Hothouse Flowers
Movies
94 bpm • G Maj • 04:39 • -9.13db
25% Popularity • 34% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Smithereens
Blue Period - Acoustic
100 bpm • G# Maj • 02:57 • -12db
31% Popularity • 70% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Timbuk 3
Hairstyles And Attitudes
100 bpm • C Maj • 02:52 • -15.51db
13% Popularity • 70% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Pilgrim
Get Me out of Here
100 bpm • D Maj • 02:59 • -8.96db
15% Popularity • 61% Danceability • 80% Energy • 30% Liveness
1% Instrumentalness • 61% Positiveness
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Raspberries
Overnight Sensation
100 bpm • F Maj • 05:36 • -6.7db
29% Popularity • 29% Danceability • 87% Energy • 24% Liveness
23% Instrumentalness • 47% Positiveness
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Graham Parker
I'm Just Your Man
100 bpm • E Maj • 03:43 • -10.01db
6% Popularity • 73% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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John Kilzer
Memory In The Making
100 bpm • B Maj • 04:15 • -13.93db
15% Popularity • 67% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Christine McVie
So Excited
93 bpm • D Maj • 04:05 • -6.97db
16% Popularity • 69% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 79% Positiveness
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Freedy Johnston
Western Sky
94 bpm • C Maj • 04:29 • -9db
11% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Edie Brickell & New Bohemians
Mama Help Me
93 bpm • C Maj • 04:04 • -10.26db
26% Popularity • 63% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Winter Hours
Roadside Flowers
101 bpm • G Maj • 05:39 • -13.13db
9% Popularity • 45% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Timbuk 3
Assholes On Parade
101 bpm • D Maj • 03:28 • -11.22db
10% Popularity • 78% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Little Village
The Solar Sex Panel
102 bpm • F min • 03:46 • -9db
25% Popularity • 71% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Sinéad Lohan
Whatever It Takes
102 bpm • A Maj • 03:35 • -6.35db
26% Popularity • 54% Danceability • 90% Energy • 40% Liveness
1% Instrumentalness • 64% Positiveness
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Lone Justice
Beacon
102 bpm • D Maj • 04:18 • -14.96db
8% Popularity • 56% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Richard Thompson
Turning Of The Tide
92 bpm • F Maj • 02:57 • -15.15db
28% Popularity • 53% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Bourgeois Tagg
I Don't Mind At All
92 bpm • E Maj • 02:33 • -15.65db
22% Popularity • 45% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Timbuk 3
I Need You
92 bpm • E min • 03:58 • -17.53db
11% Popularity • 66% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Maria McKee
I Can't Make It Alone
102 bpm • D Maj • 03:39 • -7.8db
13% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Smithereens
Too Much Passion
92 bpm • F# Maj • 04:35 • -9.6db
27% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Lone Justice
The Gift
92 bpm • D Maj • 04:15 • -13.74db
9% Popularity • 38% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Hothouse Flowers
Hallelujah Jordan
103 bpm • E Maj • 03:07 • -7db
25% Popularity • 35% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Call
Surrender
103 bpm • C Maj • 04:07 • -10.56db
15% Popularity • 43% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Penn
Half Harvest
92 bpm • C Maj • 04:03 • -12db
13% Popularity • 72% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Robbie Robertson
Soap Box Preacher
91 bpm • G Maj • 05:20 • -16.05db
26% Popularity • 74% Danceability • 34% Energy • 8% Liveness
2% Instrumentalness • 63% Positiveness
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Southside Johnny And The Asbury Jukes
It's Been A Long Time
103 bpm • A Maj • 05:31 • -10db
26% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Lone Justice
Don't Toss Us Away
92 bpm • E Maj • 04:19 • -15.33db
16% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Hothouse Flowers
One Tongue
104 bpm • G# Maj • 04:29 • -7.73db
24% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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David & David
Ain't So Easy
104 bpm • C Maj • 04:50 • -14db
28% Popularity • 67% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Michael Penn
No Myth
104 bpm • C Maj • 04:10 • -8db
42% Popularity • 63% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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The Del Fuegos
Fade to Blue
90 bpm • A Maj • 03:52 • -13.62db
7% Popularity • 62% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Pete Townshend
Hiding Out
105 bpm • G# Maj • 03:01 • -13db
31% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Lone Justice
Don't Toss Us Away
92 bpm • E Maj • 04:27 • -11.01db
1% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Syd Straw
People of Earth
105 bpm • A Maj • 04:21 • -7.87db
8% Popularity • 58% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Bruce Cockburn
Tokyo
104 bpm • B Maj • 03:30 • -17db
28% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Connells
Over There
90 bpm • B Maj • 03:29 • -13.72db
23% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 51% Positiveness
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The Del Fuegos
Missing You
104 bpm • A Maj • 02:56 • -10.32db
5% Popularity • 49% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Little Village
Fool Who Knows
105 bpm • E Maj • 03:45 • -8.98db
23% Popularity • 72% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Lone Justice
The Train
92 bpm • A Maj • 02:54 • -5.94db
1% Popularity • 57% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Patti Scialfa
You Can't Go Back
105 bpm • A# Maj • 04:43 • -7.62db
9% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Echo In The Canyon
Go Where You Wanna Go (Jakob Dylan & Jad...
105 bpm • G Maj • 03:07 • -4.38db
33% Popularity • 41% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Graham Parker
Wake Up (Next to You)
106 bpm • A Maj • 05:14 • -13db
16% Popularity • 67% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Shawn Colvin
Shotgun Down The Avalanche
89 bpm • C Maj • 05:02 • -14.44db
29% Popularity • 62% Danceability • 46% Energy • 20% Liveness
1% Instrumentalness • 46% Positiveness
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Bruce Cockburn
Waiting For A Miracle
89 bpm • F Maj • 04:48 • -12.85db
22% Popularity • 68% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Lone Justice
Wheels
104 bpm • G Maj • 06:49 • -15.85db
5% Popularity • 31% Danceability • 23% Energy • 98% Liveness
0% Instrumentalness • 18% Positiveness
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Timbuk 3
Cheap Black And White
106 bpm • C Maj • 02:55 • -16.12db
10% Popularity • 75% Danceability • 63% Energy • 3% Liveness
11% Instrumentalness • 94% Positiveness
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Patti Scialfa
In My Imagination
89 bpm • F# Maj • 04:20 • -8.39db
16% Popularity • 29% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Cowboy Junkies
Sun Comes Up, It's Tuesday Morning
106 bpm • E Maj • 03:56 • -13.67db
36% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Shawn Colvin
Diamond In The Rough
106 bpm • D# Maj • 05:00 • -14db
24% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Joan Osborne
Safety In Numbers
106 bpm • B min • 04:27 • -5.07db
11% Popularity • 66% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Lone Justice
East Of Eden
106 bpm • D Maj • 02:36 • -10.7db
16% Popularity • 56% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
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The J. Geils Band
Angel In Blue
107 bpm • E Maj • 04:51 • -12.23db
37% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Southside Johnny And The Asbury Jukes
All The Way Home
107 bpm • G Maj • 03:55 • -13.13db
28% Popularity • 76% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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X
See How We Are
107 bpm • G Maj • 03:49 • -5.79db
11% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Shawn Colvin
Whole New You
106 bpm • F Maj • 04:00 • -7.26db
7% Popularity • 63% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Gary U.S. Bonds
Love's On The Line
107 bpm • D Maj • 03:45 • -10.73db
10% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Patti Scialfa
State of Grace
107 bpm • C Maj • 04:21 • -6.52db
9% Popularity • 48% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Call
What's Happened To You
87 bpm • G Maj • 04:11 • -7.71db
15% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Southside Johnny And The Asbury Jukes
It's Been a Long Time
107 bpm • A Maj • 08:25 • -8.06db
10% Popularity • 43% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 43% Positiveness
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Warren Zevon
Reconsider Me
107 bpm • G Maj • 03:09 • -12.52db
29% Popularity • 53% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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The Beat Farmers
Make It Last
87 bpm • G Maj • 04:04 • -12.26db
14% Popularity • 49% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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The Alarm
Rain in the Summertime - Remastered
108 bpm • A# Maj • 05:14 • -7.53db
42% Popularity • 53% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Joan Osborne
Ladder
87 bpm • E min • 04:12 • -7.74db
29% Popularity • 50% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Squeeze
Black Coffee In Bed
108 bpm • B min • 06:08 • -4.99db
41% Popularity • 61% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Southside Johnny And The Asbury Jukes
Coming Back
108 bpm • D Maj • 03:58 • -8.8db
18% Popularity • 58% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Robbie Robertson
What About Now
87 bpm • E Maj • 05:11 • -15.76db
21% Popularity • 58% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Richard Thompson
When The Spell Is Broken
109 bpm • D min • 04:31 • -9.17db
18% Popularity • 74% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Patti Scialfa
Rumble Doll
109 bpm • A# Maj • 03:25 • -11db
28% Popularity • 76% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Roxy Music
In The Midnight Hour
109 bpm • C Maj • 03:12 • -5.9db
42% Popularity • 71% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Squeeze
Black Coffee In Bed
109 bpm • F# min • 06:12 • -12.13db
33% Popularity • 59% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Motels
Celia
109 bpm • D Maj • 03:06 • -15.53db
20% Popularity • 87% Danceability • 21% Energy • 9% Liveness
4% Instrumentalness • 80% Positiveness
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Shelby Lynne
Jesus On A Greyhound
110 bpm • D# Maj • 05:02 • -6.38db
11% Popularity • 58% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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The Del Fuegos
Nervous and Shakey
85 bpm • A min • 02:43 • -11.15db
7% Popularity • 47% Danceability • 88% Energy • 50% Liveness
0% Instrumentalness • 74% Positiveness
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k.d.lang & The Reclines
Didn't I
110 bpm • A Maj • 03:39 • -9.59db
13% Popularity • 65% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 80% Positiveness
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Lone Justice
Drugstore Cowboy
110 bpm • F# min • 02:53 • -4.81db
1% Popularity • 63% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Joe Grushecky and the Houserockers
Never Be Enough Time
111 bpm • G Maj • 05:33 • -5db
9% Popularity • 55% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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World Party
It's All Mine
111 bpm • C Maj • 05:32 • -6.51db
19% Popularity • 70% Danceability • 66% Energy • 11% Liveness
26% Instrumentalness • 61% Positiveness
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Patti Scialfa
As Long As I (Can Be With You)
111 bpm • D Maj • 04:46 • -8db
24% Popularity • 52% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Robbie Robertson
Go Back To Your Woods
111 bpm • G min • 04:50 • -10.43db
19% Popularity • 82% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Maria McKee
My Lonely Sad Eyes
111 bpm • C Maj • 02:42 • -7.89db
16% Popularity • 61% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Dixie Storms