Songs like Dixit Dominus, HWV 232: 5. Tu es sacerdos in aeternum by George Frideric Handel
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Carl Maria von Weber
Concertino for Clarinet and Orchestra in...
157 bpm • D# Maj • 01:58 • -20db
35% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
35% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: No. 8...
153 bpm • E Maj • 01:10 • -23.3db
37% Popularity • 59% Danceability • 32% Energy • 22% Liveness
98% Instrumentalness • 92% Positiveness
37% Popularity • 59% Danceability • 32% Energy • 22% Liveness
98% Instrumentalness • 92% Positiveness
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Jean-Philippe Rameau
Tambourin
148 bpm • E min • 00:56 • -22.81db
42% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
42% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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Antonio Vivaldi
Mandolin Concerto in C Major, RV 425: II...
148 bpm • C Maj • 01:47 • -24.26db
47% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
47% Popularity • 37% Danceability • 37% Energy • 12% Liveness
90% Instrumentalness • 29% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
56% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
165 bpm • D min • 03:03 • -25.22db
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: IV. A...
152 bpm • E Maj • 04:30 • -19.44db
32% Popularity • 25% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
32% Popularity • 25% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
146 bpm • D Maj • 02:11 • -22.86db
46% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
46% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
31% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Zaide, K. 344/336b, Act 1 Scene ...
166 bpm • G Maj • 06:21 • -22.48db
43% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
53% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: III. ...
151 bpm • E Maj • 02:08 • -17.98db
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: I. ...
143 bpm • G min • 08:10 • -19db
29% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
29% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
143 bpm • C Maj • 06:03 • -22.3db
56% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
56% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Franz Ignaz Beck
Symphony in C Major, Op. 1, No. 6, (Call...
143 bpm • G Maj • 02:05 • -19db
31% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
31% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
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George Frideric Handel
Handel: Organ Concerto in B-Flat Major, ...
146 bpm • A# Maj • 05:14 • -18.15db
3% Popularity • 32% Danceability • 14% Energy • 11% Liveness
31% Instrumentalness • 49% Positiveness
3% Popularity • 32% Danceability • 14% Energy • 11% Liveness
31% Instrumentalness • 49% Positiveness
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Antonio Vivaldi
Credo RV 592 Crucifixus
169 bpm • E min • 02:51 • -20db
36% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 2, Op. 9: I. Alleg...
169 bpm • C# min • 03:54 • -14db
42% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
42% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
30% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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George Frideric Handel
Concerto grosso No. 4 in A Minor, Op. 6/...
165 bpm • F Maj • 02:55 • -30.92db
27% Popularity • 9% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 39% Positiveness
27% Popularity • 9% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 39% Positiveness
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Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
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Janos Sebestyen
Prelude In F Major, BWV 928 : Prelude In...
140 bpm • F Maj • 01:26 • -23.98db
57% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
57% Popularity • 37% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 74% Positiveness
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Felix Mendelssohn
Overture to "A Midsummer Night's Dream",...
140 bpm • E Maj • 05:54 • -23db
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 24% Danceability • 4% Energy • 7% Liveness
69% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act II: The F...
145 bpm • B min • 02:18 • -18.1db
6% Popularity • 42% Danceability • 13% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 42% Danceability • 13% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 1 in ...
172 bpm • E Maj • 04:04 • -14db
40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness
40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
35% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
35% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Janos Sebestyen
Prelude In D Major, BWV 925 : Prelude In...
139 bpm • D Maj • 01:08 • -22db
61% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
61% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
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George Frideric Handel
Trio Sonata in F Major, HWV 392: IV. All...
144 bpm • E Maj • 02:53 • -15.59db
33% Popularity • 35% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
33% Popularity • 35% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
139 bpm • D Maj • 03:40 • -17db
40% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
40% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
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François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
34% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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George Frideric Handel
Water Music, Suite No. 3, HWV 350: XXIi....
174 bpm • C# Maj • 02:39 • -18.35db
29% Popularity • 31% Danceability • 16% Energy • 26% Liveness
88% Instrumentalness • 65% Positiveness
29% Popularity • 31% Danceability • 16% Energy • 26% Liveness
88% Instrumentalness • 65% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
138 bpm • C Maj • 09:05 • -19.03db
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
30% Popularity • 30% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 30% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Concerto for Strings and Continuo in G M...
176 bpm • C# Maj • 01:08 • -15.77db
40% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness
40% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act II: Must ...
170 bpm • E Maj • 04:18 • -22.2db
6% Popularity • 17% Danceability • 9% Energy • 13% Liveness
11% Instrumentalness • 15% Positiveness
6% Popularity • 17% Danceability • 9% Energy • 13% Liveness
11% Instrumentalness • 15% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
176 bpm • C min • 05:22 • -29db
33% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Francesco Maria Veracini
Overture No. 6 in B-Flat Major: I. Alleg...
178 bpm • F# min • 03:33 • -14.05db
25% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness
25% Popularity • 29% Danceability • 29% Energy • 21% Liveness
92% Instrumentalness • 47% Positiveness
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Antonio Vivaldi
Concerto for Recorder, Oboe and 2 Violin...
176 bpm • C Maj • 02:23 • -15db
45% Popularity • 45% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 45% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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George Frideric Handel
Handel: Music for the Royal Fireworks, H...
135 bpm • C# Maj • 05:14 • -10.71db
31% Popularity • 40% Danceability • 43% Energy • 8% Liveness
70% Instrumentalness • 27% Positiveness
31% Popularity • 40% Danceability • 43% Energy • 8% Liveness
70% Instrumentalness • 27% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
► Preview
Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
40% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
40% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
► Preview
Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 1 in ...
133 bpm • C# min • 03:44 • -21db
37% Popularity • 16% Danceability • 9% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 9% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Gloria: Domine Deus, Agnus Dei
179 bpm • C# min • 04:36 • -27db
30% Popularity • 12% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 2% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Rinaldo: Aria: Pregio è sol d’un alma...
179 bpm • E Maj • 03:38 • -6.97db
6% Popularity • 36% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 36% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Carl Philipp Emanuel Bach
Sinfonia In G Major, Wq. 183/4, H. 666: ...
135 bpm • G Maj • 02:16 • -22db
47% Popularity • 59% Danceability • 18% Energy • 22% Liveness
90% Instrumentalness • 75% Positiveness
47% Popularity • 59% Danceability • 18% Energy • 22% Liveness
90% Instrumentalness • 75% Positiveness
► Preview
William Boyce
Symphony No. 2 in A Major, Op. 2, "Birth...
181 bpm • G# Maj • 01:31 • -23db
45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
► Preview
Wolfgang Amadeus Mozart
Divertimento in D major, K. 136: 1. Alle...
132 bpm • D Maj • 04:18 • -17.21db
18% Popularity • 35% Danceability • 26% Energy • 22% Liveness
68% Instrumentalness • 47% Positiveness
18% Popularity • 35% Danceability • 26% Energy • 22% Liveness
68% Instrumentalness • 47% Positiveness
► Preview
Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
30% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
30% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Songs Without Words, Book V...
182 bpm • F# min • 02:01 • -30db
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 6% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
George Frideric Handel
Let Thy Hand Be Strengthened (Coronation...
170 bpm • F# Maj • 08:54 • -18.68db
10% Popularity • 17% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
10% Popularity • 17% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Carl Philipp Emanuel Bach
Keyboard Concerto in D Minor, Wq. 23, H....
133 bpm • D min • 08:14 • -20.49db
19% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
19% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
► Preview
Joseph Boulogne Chevalier de Saint-Georges
Violin Concerto No. 10 in G Major: Largo
186 bpm • D Maj • 06:37 • -24.47db
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness
► Preview
William Boyce
Symphony No. 2 in A Major, Op. 2, "Birth...
187 bpm • G# Maj • 01:04 • -28db
48% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
48% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness
► Preview
Karoly Botvay
Sinfonia in E major, RV 132: III. Allegr...
187 bpm • E Maj • 02:37 • -21.89db
51% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness
51% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness
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George Frideric Handel
Concerto grosso in G Major, Op. 3, No. 3...
171 bpm • E min • 01:08 • -29.47db
36% Popularity • 22% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 38% Positiveness
36% Popularity • 22% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 38% Positiveness
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George Frideric Handel
Apollo e Dafne, HWV 122: Aria: Felicissi...
172 bpm • F# Maj • 05:18 • -20.87db
34% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness
34% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness
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George Frideric Handel
Water Music, Suite No. 3, HWV 350: XVII....
139 bpm • C# Maj • 01:14 • -16.46db
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
96% Instrumentalness • 96% Positiveness
29% Popularity • 54% Danceability • 40% Energy • 16% Liveness
96% Instrumentalness • 96% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
39% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
39% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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George Frideric Handel
Handel: Organ Concerto in F Major, Op. 4...
137 bpm • A# Maj • 05:16 • -23db
7% Popularity • 21% Danceability • 4% Energy • 18% Liveness
94% Instrumentalness • 18% Positiveness
7% Popularity • 21% Danceability • 4% Energy • 18% Liveness
94% Instrumentalness • 18% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu
175 bpm • E Maj • 03:04 • -18.42db
40% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
40% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I: Overture
134 bpm • E Maj • 05:30 • -27db
30% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
30% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
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George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
134 bpm • E Maj • 03:24 • -15.58db
20% Popularity • 41% Danceability • 4% Energy • 24% Liveness
20% Instrumentalness • 31% Positiveness
20% Popularity • 41% Danceability • 4% Energy • 24% Liveness
20% Instrumentalness • 31% Positiveness
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George Frideric Handel
Alcina, HWV 34 / Act 2: Col celarvi a ch...
133 bpm • C# min • 02:30 • -16.92db
7% Popularity • 48% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 48% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
