Songs like Djamileh, WD 27: Lamento by Georges Bizet
Based on a tempo of (+/- 10%) and a similar genre
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
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Franz Schubert
Piano Quintet in A major, D. 667 "The Tr...
111 bpm • A Maj • 03:56 • -20.27db
24% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
24% Popularity • 49% Danceability • 15% Energy • 32% Liveness
64% Instrumentalness • 24% Positiveness
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Luigi Boccherini
String Quintet in E Major, G. 275: III. ...
112 bpm • A Maj • 03:24 • -34db
32% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
32% Popularity • 47% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 49% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
35% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
35% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: IV. Allegro mode...
110 bpm • D Maj • 02:04 • -22db
41% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 39% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 27% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Georges Bizet
Carmen / Act II: Toreador Song: "Votre t...
112 bpm • A# min • 03:49 • -12.54db
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 In B Minor, Op. 7,...
113 bpm • B min • 01:32 • -14.6db
42% Popularity • 60% Danceability • 28% Energy • 16% Liveness
27% Instrumentalness • 61% Positiveness
42% Popularity • 60% Danceability • 28% Energy • 16% Liveness
27% Instrumentalness • 61% Positiveness
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Johann Sebastian Bach
Bach, JS / Orch. Marriner: Was mir behag...
109 bpm • A# Maj • 04:39 • -22.32db
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
34% Popularity • 25% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
32% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
Waltz Suite, Op. 110: VI. Happiness
113 bpm • G Maj • 03:16 • -17.75db
27% Popularity • 34% Danceability • 28% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
27% Popularity • 34% Danceability • 28% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": III...
109 bpm • D Maj • 02:27 • -19db
42% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
42% Popularity • 46% Danceability • 14% Energy • 16% Liveness
89% Instrumentalness • 71% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): IV...
109 bpm • F Maj • 02:48 • -22db
44% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
44% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Pablo de Sarasate
Zapateado Op. 23
113 bpm • A Maj • 03:21 • -18db
36% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
36% Popularity • 55% Danceability • 29% Energy • 11% Liveness
30% Instrumentalness • 64% Positiveness
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Felix Mendelssohn
Symphony No. 2 in B-Flat Major, Op. 52, ...
109 bpm • G min • 05:56 • -27.77db
30% Popularity • 21% Danceability • 3% Energy • 26% Liveness
95% Instrumentalness • 10% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 26% Liveness
95% Instrumentalness • 10% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3: Entr'acte
113 bpm • D min • 02:25 • -22db
14% Popularity • 31% Danceability • 9% Energy • 20% Liveness
2% Instrumentalness • 51% Positiveness
14% Popularity • 31% Danceability • 9% Energy • 20% Liveness
2% Instrumentalness • 51% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
36% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
36% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: Calm at Sea
113 bpm • E Maj • 03:02 • -17db
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 22% Energy • 58% Liveness
80% Instrumentalness • 4% Positiveness
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Antonio Salieri
Sinfonia in D Major, "La Veneziana": I. ...
108 bpm • D Maj • 03:41 • -20db
34% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
34% Popularity • 42% Danceability • 11% Energy • 17% Liveness
87% Instrumentalness • 46% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
47% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Georges Bizet
Te Deum: Tu rex gloriae, Christe
109 bpm • F Maj • 03:40 • -15.19db
13% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
33% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Fi...
108 bpm • C Maj • 02:32 • -14.51db
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz 2
108 bpm • C min • 03:13 • -18.31db
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
39% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
39% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62: Sinfonia
115 bpm • A Maj • 00:59 • -37db
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
37% Popularity • 21% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 21% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: Entr'acte
114 bpm • G Maj • 01:40 • -35.59db
19% Popularity • 49% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 49% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
115 bpm • A Maj • 10:27 • -20db
28% Popularity • 26% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
28% Popularity • 26% Danceability • 13% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Rodion Shchedrin
Carmen Ballet Suite (after Bizet): IX. T...
115 bpm • F Maj • 02:42 • -12db
35% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
35% Popularity • 52% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 46% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 in G Minor, WoO 1,...
107 bpm • F# min • 02:30 • -18.67db
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
50% Popularity • 35% Danceability • 5% Energy • 23% Liveness
15% Instrumentalness • 30% Positiveness
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Léo Delibes
Delibes: Sylvia: Act III. Cortège de Ba...
115 bpm • E Maj • 06:01 • -15db
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
31% Popularity • 42% Danceability • 36% Energy • 71% Liveness
86% Instrumentalness • 22% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
115 bpm • F Maj • 10:21 • -16db
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
27% Popularity • 38% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Antonio Vivaldi
Concerto for Strings in A Minor, RV 161:...
115 bpm • A min • 01:38 • -15db
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 67% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
43% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
43% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
54% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
39% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
39% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "Voici l'ordre; pa...
115 bpm • C# Maj • 01:59 • -20.32db
18% Popularity • 37% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 37% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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London Philharmonic Orchestra
1st Movement: Adaggio / Allegro Molto
116 bpm • E min • 09:44 • -15.71db
37% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
37% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Violin Concerto in D Minor, BWV 1052: I....
106 bpm • D min • 07:22 • -17db
47% Popularity • 48% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
47% Popularity • 48% Danceability • 31% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Pablo de Sarasate
Introduction and Tarantella, Op. 43
106 bpm • G Maj • 05:15 • -18.57db
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 12% Energy • 13% Liveness
13% Instrumentalness • 44% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: I. March
116 bpm • F Maj • 03:07 • -14.36db
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 41% Energy • 6% Liveness
58% Instrumentalness • 88% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Georges Bizet
Carmen, WD 31, Act II: Toreador Song. Vo...
115 bpm • F min • 04:48 • -12.1db
29% Popularity • 45% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 45% Danceability • 44% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
118 bpm • B min • 03:37 • -17db
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
47% Popularity • 49% Danceability • 30% Energy • 8% Liveness
19% Instrumentalness • 63% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: III. Un poco pi�...
105 bpm • C min • 01:53 • -27db
33% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
33% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
► Preview
London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
34% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
34% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
► Preview
Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
36% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
36% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Georges Bizet
Scènes bohémiennes la jolie fille de p...
106 bpm • F Maj • 02:01 • -28db
25% Popularity • 22% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
25% Popularity • 22% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
118 bpm • A# Maj • 07:19 • -17db
24% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
24% Popularity • 39% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 19% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act I: Prelude et Variation
104 bpm • B Maj • 01:16 • -29db
34% Popularity • 40% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 19% Positiveness
34% Popularity • 40% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 19% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The voice of Scheherazade
104 bpm • G Maj • 03:47 • -23db
32% Popularity • 25% Danceability • 10% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
32% Popularity • 25% Danceability • 10% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Five Pieces In Folk-style, Op.102: I. Va...
104 bpm • F Maj • 03:18 • -25.66db
33% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
33% Popularity • 38% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
116 bpm • F Maj • 04:52 • -14db
25% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
25% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
► Preview
Sergei Rachmaninoff
Italian Polka
103 bpm • D# Maj • 02:09 • -27db
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
► Preview
Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
119 bpm • G min • 07:15 • -12.97db
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act III: Variation 4
103 bpm • D min • 02:26 • -29.45db
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Ernest Guiraud
L'Arlésienne Suite No. 2 (Arr. E. Guira...
103 bpm • A Maj • 05:27 • -22db
3% Popularity • 27% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
3% Popularity • 27% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
► Preview
Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Georges Bizet
Carmen Suite No. 2: 1. Marche des contre...
106 bpm • C min • 04:13 • -27.19db
18% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
18% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso, Op. 2...
103 bpm • A min • 08:56 • -23db
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
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Ernest Guiraud
L'Arlesienne Suite No. 2: IV. Farandole ...
102 bpm • D Maj • 02:44 • -15db
16% Popularity • 55% Danceability • 42% Energy • 21% Liveness
71% Instrumentalness • 63% Positiveness
16% Popularity • 55% Danceability • 42% Energy • 21% Liveness
71% Instrumentalness • 63% Positiveness
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Georges Bizet
Carmen Suite No. 2: Chanson du toréador
116 bpm • F Maj • 02:33 • -16.87db
17% Popularity • 40% Danceability • 15% Energy • 4% Liveness
93% Instrumentalness • 22% Positiveness
17% Popularity • 40% Danceability • 15% Energy • 4% Liveness
93% Instrumentalness • 22% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Grażyna Bacewicz
Violin Concerto No. 3: III. Vivo
121 bpm • D Maj • 07:18 • -17.88db
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
29% Popularity • 36% Danceability • 23% Energy • 21% Liveness
55% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
48% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
39% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
117 bpm • A Maj • 05:23 • -26.75db
24% Popularity • 27% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 27% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: III. D...
121 bpm • D Maj • 03:34 • -21.9db
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 9% Energy • 16% Liveness
88% Instrumentalness • 22% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
43% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
43% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: Entr'acte...
121 bpm • D Maj • 03:50 • -33db
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
41% Popularity • 18% Danceability • 2% Energy • 12% Liveness
15% Instrumentalness • 6% Positiveness
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Franz Schubert
6 Moments musicaux, D. 780: No. 3, Alleg...
101 bpm • F min • 01:40 • -26.82db
48% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
48% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIV. Fi...
101 bpm • D min • 01:53 • -17db
37% Popularity • 46% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
37% Popularity • 46% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 80% Positiveness
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Georges Bizet
Carmen Suite No. 1: 4. Les dragons d'Alc...
117 bpm • G Maj • 01:38 • -39db
27% Popularity • 53% Danceability • 1% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
27% Popularity • 53% Danceability • 1% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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![Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] cover art](https://i.scdn.co/image/ab67616d00001e024747d8d612db02dd7791a699)
Johann Sebastian Bach
Brandenburg Concerto No. 3 in G Major, B...
101 bpm • F# Maj • 05:32 • -14.77db
50% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol: Scena e canto gitano
122 bpm • D min • 04:55 • -18.03db
24% Popularity • 35% Danceability • 25% Energy • 40% Liveness
82% Instrumentalness • 8% Positiveness
24% Popularity • 35% Danceability • 25% Energy • 40% Liveness
82% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
101 bpm • E Maj • 04:19 • -16.24db
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
58% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
