Songs like Dmaathen by Iannis Xenakis
Based on a tempo of (+/- 10%) and a similar genre
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Krzysztof Penderecki
Threnody to the Victims of Hiroshima (19...
101 bpm • G min • 10:03 • -15.32db
12% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 46% Energy • 25% Liveness
75% Instrumentalness • 3% Positiveness
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Maurice Ravel
Piece en forme de habanera: Vocalise-etu...
101 bpm • G min • 02:45 • -28.58db
12% Popularity • 25% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
12% Popularity • 25% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Wojciech Kilar
Piano Concerto: III. Toccata
101 bpm • C Maj • 06:31 • -18.69db
7% Popularity • 30% Danceability • 50% Energy • 16% Liveness
81% Instrumentalness • 17% Positiveness
7% Popularity • 30% Danceability • 50% Energy • 16% Liveness
81% Instrumentalness • 17% Positiveness
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Iannis Xenakis
6 Chansons: No. 5. Aujourd'hui le ciel e...
101 bpm • C# Maj • 02:20 • -28.29db
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
21% Popularity • 58% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Niccolo Seligmann
Resilience
100 bpm • C# Maj • 05:14 • -16.46db
8% Popularity • 31% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
8% Popularity • 31% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
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Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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Kaija Saariaho
Petals
100 bpm • G Maj • 10:38 • -19db
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 27% Energy • 23% Liveness
73% Instrumentalness • 5% Positiveness
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Serene Rose
Small Windchime
100 bpm • F min • 01:21 • -41.51db
16% Popularity • 34% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
16% Popularity • 34% Danceability • 2% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Toru Takemitsu
Saegirarenai kyusoku (Uninterrupted Rest...
100 bpm • C Maj • 03:03 • -24.95db
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
12% Popularity • 58% Danceability • 0% Energy • 10% Liveness
36% Instrumentalness • 19% Positiveness
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Iannis Xenakis
6 Chansons: No. 3. Une perdrix descendai...
101 bpm • F# min • 01:29 • -29.39db
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
11% Popularity • 33% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Philip Glass
String Quartet No. 2, "Company": I.
100 bpm • F Maj • 02:31 • -24.68db
10% Popularity • 18% Danceability • 4% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Upside Down Upright Bass
Cage is made by you
102 bpm • G Maj • 01:02 • -39.38db
20% Popularity • 42% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 41% Positiveness
20% Popularity • 42% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 41% Positiveness
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Balanescu Quartet
Wedding Preparation
100 bpm • F Maj • 01:41 • -11.69db
13% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
13% Popularity • 53% Danceability • 34% Energy • 28% Liveness
71% Instrumentalness • 41% Positiveness
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Pierre Schaeffer
Etudes Instrumentales: b) Flute Mexicain...
100 bpm • G# Maj • 03:08 • -22db
11% Popularity • 41% Danceability • 44% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
11% Popularity • 41% Danceability • 44% Energy • 10% Liveness
68% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Iannis Xenakis
Pithoprakta
100 bpm • C Maj • 10:40 • -25db
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
8% Popularity • 37% Danceability • 36% Energy • 8% Liveness
75% Instrumentalness • 12% Positiveness
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Philip Glass
Music in Fifths
102 bpm • C min • 05:50 • -19db
20% Popularity • 53% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
20% Popularity • 53% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 78% Positiveness
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Sanseti Sabaru
Dewdrop Dhun
102 bpm • A min • 02:15 • -33.43db
11% Popularity • 16% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
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Gérard Pesson
Nebenstück
100 bpm • C Maj • 08:05 • -37db
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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John Luther Adams
Three High Places (Double Bass Version):...
99 bpm • G Maj • 04:42 • -30.07db
10% Popularity • 28% Danceability • 3% Energy • 21% Liveness
95% Instrumentalness • 5% Positiveness
10% Popularity • 28% Danceability • 3% Energy • 21% Liveness
95% Instrumentalness • 5% Positiveness
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Iannis Xenakis
Persepolis #5
100 bpm • A Maj • 05:36 • -14.65db
5% Popularity • 19% Danceability • 91% Energy • 42% Liveness
90% Instrumentalness • 3% Positiveness
5% Popularity • 19% Danceability • 91% Energy • 42% Liveness
90% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Quartet for the End of Time
103 bpm • F# Maj • 02:39 • -24db
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
12% Popularity • 37% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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Serene Rose
Sound of Wind Chimes
99 bpm • A# min • 01:00 • -41.8db
22% Popularity • 20% Danceability • 1% Energy • 13% Liveness
46% Instrumentalness • 35% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 13% Liveness
46% Instrumentalness • 35% Positiveness
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Kaija Saariaho
7 Papillons: No. 3. —
103 bpm • D Maj • 01:32 • -29.17db
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 30% Danceability • 9% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Steve Reich
Runner: II. Eighths
99 bpm • D# min • 01:27 • -20.27db
19% Popularity • 36% Danceability • 12% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
19% Popularity • 36% Danceability • 12% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: II. Andant...
104 bpm • C# Maj • 08:01 • -27db
11% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
11% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
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Iannis Xenakis
Hunem-Iduhey
100 bpm • D# Maj • 03:01 • -22.33db
0% Popularity • 44% Danceability • 2% Energy • 6% Liveness
36% Instrumentalness • 7% Positiveness
0% Popularity • 44% Danceability • 2% Energy • 6% Liveness
36% Instrumentalness • 7% Positiveness
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The Chitinous Ensemble
Stoned - Remastered
104 bpm • G Maj • 01:23 • -14.81db
24% Popularity • 37% Danceability • 53% Energy • 36% Liveness
77% Instrumentalness • 54% Positiveness
24% Popularity • 37% Danceability • 53% Energy • 36% Liveness
77% Instrumentalness • 54% Positiveness
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Arvo Pärt
Symphony No. 2: III
104 bpm • E Maj • 04:47 • -22db
13% Popularity • 22% Danceability • 14% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
13% Popularity • 22% Danceability • 14% Energy • 9% Liveness
72% Instrumentalness • 5% Positiveness
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Pauline Oliveros
Trio For Trumpet, Accordion, and String ...
98 bpm • D Maj • 01:06 • -13.52db
20% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
20% Popularity • 19% Danceability • 24% Energy • 15% Liveness
86% Instrumentalness • 3% Positiveness
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Steve Reich
Music for Ensemble and Orchestra: V. Six...
99 bpm • G# Maj • 05:23 • -20.43db
12% Popularity • 38% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
12% Popularity • 38% Danceability • 20% Energy • 17% Liveness
97% Instrumentalness • 6% Positiveness
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Narls
This Way
97 bpm • C# Maj • 01:02 • -23.07db
9% Popularity • 47% Danceability • 0% Energy • 5% Liveness
7% Instrumentalness • 24% Positiveness
9% Popularity • 47% Danceability • 0% Energy • 5% Liveness
7% Instrumentalness • 24% Positiveness
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Iannis Xenakis
Xenakis: Morsima-Amorsima
103 bpm • D min • 12:00 • -27.67db
0% Popularity • 30% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Anton Webern
Passacaglia for Large Orchestra, Op. 1
105 bpm • A# min • 10:09 • -19.23db
1% Popularity • 15% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 15% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Meredith Monk
Clusters 1
97 bpm • B Maj • 03:17 • -42.84db
11% Popularity • 15% Danceability • 3% Energy • 76% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 76% Liveness
0% Instrumentalness • 4% Positiveness
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Friedrich Wilckens
Dance in the Moon
97 bpm • F min • 02:48 • -25.52db
11% Popularity • 29% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Steve Reich
Music for 18 Musicians: Section XI
104 bpm • D Maj • 05:44 • -19.59db
12% Popularity • 60% Danceability • 57% Energy • 21% Liveness
96% Instrumentalness • 81% Positiveness
12% Popularity • 60% Danceability • 57% Energy • 21% Liveness
96% Instrumentalness • 81% Positiveness
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Sanseti Sabaru
Sutra Solace
105 bpm • A min • 02:06 • -34.7db
12% Popularity • 18% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
12% Popularity • 18% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 27% Positiveness
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Iannis Xenakis
La Légende d'Eer, Pt. 6
103 bpm • C# Maj • 05:56 • -8.01db
1% Popularity • 19% Danceability • 96% Energy • 28% Liveness
25% Instrumentalness • 3% Positiveness
1% Popularity • 19% Danceability • 96% Energy • 28% Liveness
25% Instrumentalness • 3% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: II. Vocali...
97 bpm • F# min • 05:01 • -19db
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 19% Liveness
8% Instrumentalness • 4% Positiveness
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Kaija Saariaho
7 Papillons: No. 6. —
96 bpm • G Maj • 02:02 • -36db
18% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Meredith Monk
Winter Variation
96 bpm • A min • 01:51 • -32db
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
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Steve Reich
Runner: IV. Eighths
104 bpm • A# min • 02:33 • -15.59db
16% Popularity • 44% Danceability • 27% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 44% Danceability • 27% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Vladimir Ussachevsky
Sonic Contours
106 bpm • C Maj • 01:13 • -48db
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Iannis Xenakis
Ergma
106 bpm • F Maj • 08:20 • -18.87db
1% Popularity • 25% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
1% Popularity • 25% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Terry Riley
The Heaven Ladder, Book 7: Simone's Lull...
96 bpm • B min • 05:43 • -39.06db
28% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
28% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
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Unsuk Chin
Piano Concerto: Movement I
106 bpm • A Maj • 04:07 • -15.96db
8% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 45% Energy • 21% Liveness
50% Instrumentalness • 28% Positiveness
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Toru Takemitsu
Piano Pieces for Children: No. 2. Clouds
96 bpm • A Maj • 01:39 • -33db
38% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Steve Reich
Music for 18 Musicians: Section II
105 bpm • D Maj • 05:13 • -11db
23% Popularity • 62% Danceability • 63% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
23% Popularity • 62% Danceability • 63% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: IX. Turangalîla ...
96 bpm • D# Maj • 04:48 • -23.3db
8% Popularity • 23% Danceability • 23% Energy • 6% Liveness
2% Instrumentalness • 14% Positiveness
8% Popularity • 23% Danceability • 23% Energy • 6% Liveness
2% Instrumentalness • 14% Positiveness
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Iannis Xenakis
6 Chansons: No. 6. Soustra, dance
107 bpm • A# Maj • 01:24 • -18db
8% Popularity • 28% Danceability • 28% Energy • 33% Liveness
86% Instrumentalness • 69% Positiveness
8% Popularity • 28% Danceability • 28% Energy • 33% Liveness
86% Instrumentalness • 69% Positiveness
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Anders Hillborg
11 Gates: No. 11. Waves, Pulse and Elast...
95 bpm • G Maj • 03:20 • -20.42db
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Philip Glass
Naqoyqatsi
107 bpm • A# Maj • 04:53 • -28.79db
8% Popularity • 25% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Jürg Frey
Extended Circular Music No. 2
107 bpm • G# min • 03:45 • -39.86db
16% Popularity • 45% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
16% Popularity • 45% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Steve Reich
Reich/Richter: Opening
106 bpm • A Maj • 09:08 • -15.99db
15% Popularity • 38% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 34% Energy • 13% Liveness
94% Instrumentalness • 13% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VI. Danse ...
107 bpm • C# Maj • 06:03 • -14db
17% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
17% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
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Markku Klami
Göreme: II. The Abyss - Live performan...
95 bpm • D min • 05:06 • -43.65db
16% Popularity • 20% Danceability • 0% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 0% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
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Renato Di Prinzio
Renato Di Prinzio: Iphigenia's Fate (Ins...
108 bpm • D# Maj • 01:37 • -21.41db
18% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
18% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Karlheinz Stockhausen
Klavierstück V, Work No. 4: Klavierstuc...
95 bpm • C# Maj • 05:11 • -20db
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 1% Energy • 10% Liveness
44% Instrumentalness • 22% Positiveness
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Thomas Adès
Arcadiana, Op. 12: I. Venezia notturna
95 bpm • G# Maj • 02:33 • -33.75db
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 1% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
► Preview
Steve Reich
Music for Ensemble and Orchestra: II. Ei...
96 bpm • D# Maj • 03:13 • -14.53db
13% Popularity • 43% Danceability • 30% Energy • 14% Liveness
67% Instrumentalness • 18% Positiveness
13% Popularity • 43% Danceability • 30% Energy • 14% Liveness
67% Instrumentalness • 18% Positiveness
► Preview
Iannis Xenakis
6 Chansons: No. 1. Ca sent le musc… (I...
108 bpm • A min • 01:07 • -29.64db
22% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
22% Popularity • 35% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
► Preview
Philip Glass
Concerto for Saxophone - Quartet: Moveve...
108 bpm • C# Maj • 06:22 • -22db
20% Popularity • 29% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
20% Popularity • 29% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Tomasz Trzcinski
Firestar Dance
94 bpm • B Maj • 06:39 • -13.64db
9% Popularity • 35% Danceability • 40% Energy • 67% Liveness
87% Instrumentalness • 11% Positiveness
9% Popularity • 35% Danceability • 40% Energy • 67% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Karlheinz Stockhausen
Model 1
95 bpm • C min • 01:19 • -30.46db
24% Popularity • 22% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Tan Dun
Double Concerto for Violin, Piano, and S...
108 bpm • A min • 07:28 • -21.74db
12% Popularity • 42% Danceability • 19% Energy • 9% Liveness
65% Instrumentalness • 12% Positiveness
12% Popularity • 42% Danceability • 19% Energy • 9% Liveness
65% Instrumentalness • 12% Positiveness
► Preview
Anis Fuleihan
Pastorale (Arr. for Theremin, Piano & Ce...
94 bpm • C# min • 04:02 • -17.63db
10% Popularity • 15% Danceability • 13% Energy • 15% Liveness
31% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 13% Energy • 15% Liveness
31% Instrumentalness • 6% Positiveness
► Preview
Terry Riley
G Song
109 bpm • G min • 09:39 • -20.98db
23% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
23% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
► Preview
Iannis Xenakis
Persepolis #3
94 bpm • C# Maj • 05:01 • -16.21db
6% Popularity • 11% Danceability • 71% Energy • 56% Liveness
93% Instrumentalness • 4% Positiveness
6% Popularity • 11% Danceability • 71% Energy • 56% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ococoffar
Daily life
109 bpm • C# Maj • 02:19 • -53db
27% Popularity • 16% Danceability • 2% Energy • 33% Liveness
14% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 33% Liveness
14% Instrumentalness • 3% Positiveness
► Preview
Ümit Armağan
Three Doors (II) - Concert Performance
94 bpm • D# Maj • 01:50 • -16.11db
13% Popularity • 62% Danceability • 17% Energy • 34% Liveness
47% Instrumentalness • 40% Positiveness
13% Popularity • 62% Danceability • 17% Energy • 34% Liveness
47% Instrumentalness • 40% Positiveness
► Preview
Luigi Russolo
Intonarumori : gorgogliatore (gurgler) -...
94 bpm • A Maj • 01:22 • -26db
12% Popularity • 44% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 57% Positiveness
12% Popularity • 44% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 57% Positiveness
► Preview
KNOXVILLETRACKZ
HFPSQ
93 bpm • A min • 01:04 • -48.26db
19% Popularity • 24% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 52% Positiveness
19% Popularity • 24% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 52% Positiveness
► Preview
Mellow C Beats
Ex's + Os
94 bpm • D min • 01:08 • -44.86db
8% Popularity • 33% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 34% Positiveness
8% Popularity • 33% Danceability • 2% Energy • 11% Liveness
48% Instrumentalness • 34% Positiveness
► Preview
Iannis Xenakis
Xenakis: Concret PH
109 bpm • D Maj • 02:43 • -32.59db
1% Popularity • 46% Danceability • 38% Energy • 4% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 46% Danceability • 38% Energy • 4% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Steve Reich
The Desert Music: First Movement - Fast
93 bpm • G min • 07:54 • -16db
10% Popularity • 42% Danceability • 40% Energy • 39% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 42% Danceability • 40% Energy • 39% Liveness
55% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 1. Prelu...
93 bpm • C min • 04:58 • -21db
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Arvo Pärt
Symphony No. 1 "Polyphonic": 2. Prelude ...
92 bpm • C# Maj • 07:56 • -20.05db
9% Popularity • 25% Danceability • 25% Energy • 22% Liveness
39% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 25% Energy • 22% Liveness
39% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
Symphony No. 3: Andante con noto
110 bpm • C Maj • 03:34 • -29db
14% Popularity • 16% Danceability • 0% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 0% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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James Dillon
Parjanya-vata
110 bpm • G Maj • 10:03 • -25db
2% Popularity • 54% Danceability • 7% Energy • 52% Liveness
16% Instrumentalness • 18% Positiveness
2% Popularity • 54% Danceability • 7% Energy • 52% Liveness
16% Instrumentalness • 18% Positiveness
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Iannis Xenakis
A r., "Hommage a Ravel"
109 bpm • D# Maj • 02:43 • -20.87db
4% Popularity • 38% Danceability • 33% Energy • 19% Liveness
94% Instrumentalness • 21% Positiveness
4% Popularity • 38% Danceability • 33% Energy • 19% Liveness
94% Instrumentalness • 21% Positiveness
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Steve Reich
Clapping Music
93 bpm • C# Maj • 04:48 • -23.67db
15% Popularity • 61% Danceability • 100% Energy • 8% Liveness
91% Instrumentalness • 2% Positiveness
15% Popularity • 61% Danceability • 100% Energy • 8% Liveness
91% Instrumentalness • 2% Positiveness
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Meredith Monk
Totentanz
111 bpm • G# Maj • 03:07 • -21.67db
12% Popularity • 50% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
12% Popularity • 50% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Milton Babbitt
Semi-Simple Variations
111 bpm • E Maj • 01:15 • -28.82db
12% Popularity • 40% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
12% Popularity • 40% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
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Arvo Pärt
Psalom
92 bpm • A Maj • 02:08 • -33db
11% Popularity • 16% Danceability • 0% Energy • 13% Liveness
4% Instrumentalness • 15% Positiveness
11% Popularity • 16% Danceability • 0% Energy • 13% Liveness
4% Instrumentalness • 15% Positiveness
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Karlheinz Stockhausen
Tierkreis, Work No. 41 1/2: No. 7. Leo
111 bpm • E Maj • 01:58 • -25db
15% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
15% Popularity • 57% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 30% Positiveness
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Iannis Xenakis
Concret PH
111 bpm • C# Maj • 02:49 • -21.39db
5% Popularity • 46% Danceability • 71% Energy • 9% Liveness
95% Instrumentalness • 26% Positiveness
5% Popularity • 46% Danceability • 71% Energy • 9% Liveness
95% Instrumentalness • 26% Positiveness
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Steve Reich
New York Counterpoint (Version for Clari...
92 bpm • F# Maj • 04:56 • -18db
10% Popularity • 75% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
10% Popularity • 75% Danceability • 31% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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John Cage
Sonatas and Interludes for Prepared Pian...
92 bpm • B min • 01:51 • -33.95db
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
33% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Philip Glass
Concerto for Saxophone - Quartet: Moveve...
92 bpm • C# Maj • 08:23 • -20.7db
9% Popularity • 36% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
9% Popularity • 36% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Erwin Schulhoff
5 Pieces for String Quartet: No. 5, Alla...
91 bpm • D min • 02:48 • -17.96db
12% Popularity • 42% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
12% Popularity • 42% Danceability • 35% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
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Olivier Messiaen
4 Etudes de rythme: Mode de valeurs et d...
112 bpm • E Maj • 04:07 • -27db
11% Popularity • 60% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
11% Popularity • 60% Danceability • 2% Energy • 18% Liveness
16% Instrumentalness • 9% Positiveness
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Iannis Xenakis
Evryali
92 bpm • D# min • 10:50 • -16.1db
7% Popularity • 35% Danceability • 54% Energy • 21% Liveness
85% Instrumentalness • 5% Positiveness
7% Popularity • 35% Danceability • 54% Energy • 21% Liveness
85% Instrumentalness • 5% Positiveness
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Steve Reich
Music for 18 Musicians (1976): Section I...
109 bpm • A Maj • 04:34 • -17.42db
9% Popularity • 65% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
9% Popularity • 65% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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John Cage
Sonata V
111 bpm • F# Maj • 01:29 • -13.16db
13% Popularity • 50% Danceability • 57% Energy • 8% Liveness
96% Instrumentalness • 85% Positiveness
13% Popularity • 50% Danceability • 57% Energy • 8% Liveness
96% Instrumentalness • 85% Positiveness
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Henry Cowell
The Tides of Manaunaun - 1912
91 bpm • C# Maj • 02:29 • -20db
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
9% Popularity • 71% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Leoš Janáček
Příhody Lišky Bystroušky, JW I/9, Ac...
91 bpm • C# min • 03:29 • -24.61db
11% Popularity • 24% Danceability • 6% Energy • 17% Liveness
82% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 17% Liveness
82% Instrumentalness • 7% Positiveness