Songs like Do I Love You (Indeed I Do) by Frank Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Thelma Houston
Jumpin' Jack Flash
133 bpm • G# Maj • 03:28 • -9.13db
32% Popularity • 52% Danceability • 71% Energy • 18% Liveness
43% Instrumentalness • 84% Positiveness
32% Popularity • 52% Danceability • 71% Energy • 18% Liveness
43% Instrumentalness • 84% Positiveness
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Bunny Sigler
Girl Don't Make Me Wait
133 bpm • B min • 02:23 • -5.11db
26% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 69% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Major Lance
You Don't Want Me No More
133 bpm • A min • 02:12 • -9db
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 61% Danceability • 72% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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The Epitome Of Sound
You Don't Love Me
133 bpm • C# Maj • 02:51 • -7.18db
13% Popularity • 48% Danceability • 65% Energy • 9% Liveness
6% Instrumentalness • 85% Positiveness
13% Popularity • 48% Danceability • 65% Energy • 9% Liveness
6% Instrumentalness • 85% Positiveness
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Jackie Lee
The Duck
133 bpm • C# Maj • 02:22 • -7db
15% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 74% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Moses Smith
Try My Love
133 bpm • C min • 02:15 • -8.02db
14% Popularity • 74% Danceability • 61% Energy • 33% Liveness
31% Instrumentalness • 96% Positiveness
14% Popularity • 74% Danceability • 61% Energy • 33% Liveness
31% Instrumentalness • 96% Positiveness
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Cajun Hart
Got to Find a Way
133 bpm • F Maj • 03:07 • -6.98db
20% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 54% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Frank Wilson
After the Rain
133 bpm • F min • 06:08 • -18.81db
0% Popularity • 50% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 42% Positiveness
0% Popularity • 50% Danceability • 22% Energy • 10% Liveness
55% Instrumentalness • 42% Positiveness
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Jane Martin
Lady, Lady, Please Don't Cry
133 bpm • G Maj • 02:57 • -12.05db
0% Popularity • 60% Danceability • 41% Energy • 36% Liveness
4% Instrumentalness • 89% Positiveness
0% Popularity • 60% Danceability • 41% Energy • 36% Liveness
4% Instrumentalness • 89% Positiveness
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Major Lance
Ain't No Soul (In These Old Shoes)
133 bpm • C Maj • 02:21 • -5db
16% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Rose Batiste
This Heart Is Lonely
134 bpm • D Maj • 02:59 • -10.59db
11% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 58% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Chris Clark
Do I Love You (Indeed I Do) - Alternate ...
132 bpm • C Maj • 02:30 • -6.53db
24% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 49% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Cliff Nobles
My Love Is Getting Stronger
133 bpm • G Maj • 02:51 • -7db
28% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 70% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Wilson
Playing with Fire
134 bpm • C Maj • 05:38 • -12.15db
0% Popularity • 66% Danceability • 58% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
0% Popularity • 66% Danceability • 58% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
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Barbara Randolph
I Got a Feeling
132 bpm • E Maj • 03:18 • -5.54db
15% Popularity • 65% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 65% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Barrett Strong
Money (That's What I Want) - Single Vers...
132 bpm • F Maj • 02:38 • -7.32db
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Epitome Of Sound
You Don't Love Me
132 bpm • C# Maj • 02:44 • -11.01db
35% Popularity • 47% Danceability • 55% Energy • 23% Liveness
38% Instrumentalness • 93% Positiveness
35% Popularity • 47% Danceability • 55% Energy • 23% Liveness
38% Instrumentalness • 93% Positiveness
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Eddie Parker
I'm Gone
132 bpm • C min • 02:45 • -9.96db
13% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Spellbinders
Help Me (Get Myself Back Together Again)
132 bpm • A# Maj • 02:23 • -7.72db
14% Popularity • 51% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 51% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Frank Wilson
Do I Love You (Indeed I Do)
134 bpm • C Maj • 02:28 • -8.11db
28% Popularity • 58% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 58% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Miracles
Shop Around
132 bpm • G Maj • 02:50 • -5db
49% Popularity • 55% Danceability • 70% Energy • 80% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 55% Danceability • 70% Energy • 80% Liveness
0% Instrumentalness • 90% Positiveness
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The Velvelettes
He Was Really Sayin' Somethin' - Single ...
134 bpm • C Maj • 02:30 • -6db
43% Popularity • 66% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 66% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Nolan Porter
Keep On Keepin' On
132 bpm • A# Maj • 03:06 • -8.69db
34% Popularity • 80% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 80% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Northern Soul Allstars
If That's What You Wanted
134 bpm • F Maj • 02:38 • -6.93db
17% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 62% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Originals
Suspicion
132 bpm • D# min • 03:07 • -6.52db
29% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 57% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Frank Wilson
A Dame Like This
134 bpm • E Maj • 02:33 • -13.32db
0% Popularity • 67% Danceability • 46% Energy • 16% Liveness
13% Instrumentalness • 44% Positiveness
0% Popularity • 67% Danceability • 46% Energy • 16% Liveness
13% Instrumentalness • 44% Positiveness
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The Flirtations
Need Your Loving - Remastered 1985
132 bpm • F min • 02:50 • -6.23db
25% Popularity • 42% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 42% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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The Exciters
Blowing Up My Mind
134 bpm • D# Maj • 02:47 • -6.14db
23% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Kim Weston
I'm Still Loving You
132 bpm • C# Maj • 02:53 • -5.61db
12% Popularity • 52% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 52% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Frankie & The Classicals
What Shall I Do
132 bpm • A min • 02:01 • -5.71db
24% Popularity • 57% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 57% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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The Soul Twins
It's Not What You Do, It's the Way That ...
134 bpm • F Maj • 02:40 • -9.73db
24% Popularity • 56% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 56% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Bunny Sigler
Sunny Sunday
132 bpm • G# Maj • 02:15 • -6db
12% Popularity • 70% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 70% Danceability • 68% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
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Yvonne Baker
You Didn't Say A Word
132 bpm • D# Maj • 02:37 • -9.08db
33% Popularity • 53% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
33% Popularity • 53% Danceability • 78% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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The Flirtations
Need Your Loving
132 bpm • C min • 02:54 • -4.84db
13% Popularity • 50% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 50% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Kim Weston
You Can Do It
132 bpm • C# Maj • 03:04 • -5.64db
11% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Chairmen Of The Board
You've Got Me Dangling on a String
131 bpm • G Maj • 02:58 • -5.66db
27% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Jackie Moore
Both Ends Against the Middle
135 bpm • A min • 02:30 • -7.45db
16% Popularity • 64% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 64% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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The Formations
At the Top of the Stairs
131 bpm • F# min • 02:18 • -13.73db
29% Popularity • 53% Danceability • 49% Energy • 96% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 53% Danceability • 49% Energy • 96% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Butler
Right Track
135 bpm • F Maj • 02:28 • -8.43db
20% Popularity • 64% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Darrell Banks
Somebody (Somewhere Needs You)
135 bpm • D# Maj • 02:33 • -10db
23% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Gene Chandler
I Can Take Care of Myself
131 bpm • F Maj • 02:34 • -9.28db
12% Popularity • 66% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 66% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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The Tams
Be Young, Be Foolish, Be Happy - Single ...
135 bpm • A# Maj • 02:06 • -12.78db
49% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Gloria Jones
Come Go With Me
135 bpm • G# Maj • 01:53 • -8.01db
18% Popularity • 58% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
18% Popularity • 58% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Darrow Fletcher
What Good Am I Without You
135 bpm • C min • 02:24 • -6.9db
19% Popularity • 44% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 44% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Homer Banks
Aint That A Lot Of Love
131 bpm • A# Maj • 02:37 • -6.62db
27% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 69% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Millie Jackson
My Man, A Sweet Man
135 bpm • G# Maj • 02:34 • -7.38db
36% Popularity • 58% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 58% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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The Showstoppers
Ain't Nothin But A Houseparty
135 bpm • C# Maj • 02:38 • -9db
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 64% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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The Tams
Be Young, Be Foolish, Be Happy
135 bpm • F Maj • 02:42 • -10.93db
8% Popularity • 56% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 56% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Don Covay
It's Better To Have (And Don't Need)
131 bpm • D Maj • 03:10 • -12.24db
18% Popularity • 74% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 74% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Patrice Holloway
Stolen Hours
135 bpm • A# Maj • 02:38 • -8.47db
10% Popularity • 65% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 65% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Drifters
Saturday Night at the Movies
135 bpm • F# Maj • 02:33 • -7db
54% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 71% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Larry Laster
Go for Yourself - Single Version
135 bpm • G Maj • 02:34 • -6.61db
11% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The Showmen
Our Love Will Grow
131 bpm • C Maj • 02:35 • -11db
32% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Kim Weston
Helpless - Stereo Version
136 bpm • F Maj • 02:35 • -6.75db
32% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Patty & The Emblems
Gonna Love You A Long, Long Time
136 bpm • F Maj • 02:15 • -11.27db
13% Popularity • 63% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 63% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Bobby Sheen
Dr. Love
131 bpm • F# Maj • 02:26 • -8db
24% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 62% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Harold Melvin
Get Out (And Let Me Cry)
130 bpm • E Maj • 02:18 • -10db
27% Popularity • 71% Danceability • 59% Energy • 29% Liveness
24% Instrumentalness • 72% Positiveness
27% Popularity • 71% Danceability • 59% Energy • 29% Liveness
24% Instrumentalness • 72% Positiveness
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The Tams
Be Young, Be Foolish, Be Happy
136 bpm • A# Maj • 02:40 • -12.42db
19% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Sheila Anthony
Livin' in Love
130 bpm • F Maj • 04:00 • -10.82db
10% Popularity • 46% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 46% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Carstairs
It Really Hurts Me Girl
130 bpm • G Maj • 03:30 • -6.31db
29% Popularity • 63% Danceability • 85% Energy • 91% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 63% Danceability • 85% Energy • 91% Liveness
0% Instrumentalness • 78% Positiveness
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Linda Jones
I Can't Stop Lovin' My Baby
130 bpm • A# Maj • 02:05 • -8.03db
12% Popularity • 72% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 72% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Darrell Banks
Angel Baby (Don't You Ever Leave Me)
136 bpm • C Maj • 02:56 • -9db
22% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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James Barnett
Keep on Talking
130 bpm • C Maj • 02:35 • -11db
12% Popularity • 61% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 61% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 57% Positiveness
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Steve Elci
Climb a Tree
130 bpm • F# min • 02:50 • -10.93db
0% Popularity • 79% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 79% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Derek And Ray
Interplay
136 bpm • A Maj • 03:02 • -9.98db
13% Popularity • 55% Danceability • 76% Energy • 9% Liveness
48% Instrumentalness • 64% Positiveness
13% Popularity • 55% Danceability • 76% Energy • 9% Liveness
48% Instrumentalness • 64% Positiveness
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Shirley and the Shirelles
Look What You've Done To My Heart
130 bpm • C Maj • 03:09 • -6db
14% Popularity • 61% Danceability • 71% Energy • 60% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 61% Danceability • 71% Energy • 60% Liveness
0% Instrumentalness • 92% Positiveness
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Frankie Valli
You're Ready Now
136 bpm • B Maj • 02:18 • -7.55db
38% Popularity • 63% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 63% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Eddie Parker
I'm Gone
130 bpm • C min • 02:43 • -11.91db
26% Popularity • 55% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 55% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Bobby Paris
I Walked Away
136 bpm • F Maj • 03:10 • -7.19db
29% Popularity • 34% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 34% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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The Sapphires
Gotta Have Your Love
136 bpm • G# Maj • 02:16 • -11.19db
29% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 55% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Tami Lynn
I'm Gonna Run Away from You
137 bpm • A# Maj • 02:48 • -9db
40% Popularity • 81% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 81% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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The Checkerboard Squares
Double Cookin'
137 bpm • C# Maj • 02:45 • -5.11db
15% Popularity • 49% Danceability • 87% Energy • 19% Liveness
86% Instrumentalness • 67% Positiveness
15% Popularity • 49% Danceability • 87% Energy • 19% Liveness
86% Instrumentalness • 67% Positiveness
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Smokey Robinson & The Miracles
Going To A Go-Go
130 bpm • G Maj • 02:45 • -9.7db
42% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
42% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Joey Heatherton
When You Call Me Baby - Single Version
137 bpm • D Maj • 02:18 • -5.84db
14% Popularity • 78% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 78% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Prince Phillip Mitchell
I'm so Happy - Remastered Album Version
129 bpm • E Maj • 04:36 • -5db
24% Popularity • 62% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 62% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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The Flirtations
Little Darling (I Need You)
129 bpm • G# Maj • 02:55 • -6.4db
23% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Chubby Checker
(At The) Discotheque
137 bpm • C min • 02:31 • -4.29db
15% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 60% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Tempests
Someday
129 bpm • D min • 02:30 • -8db
20% Popularity • 38% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 38% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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James & Bobby Purify
Let Love Come Between Us
137 bpm • A Maj • 02:25 • -11db
29% Popularity • 69% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 69% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Martha Reeves & The Vandellas
Nowhere To Run
129 bpm • D min • 03:01 • -9.38db
63% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
63% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Herb Ward
Honest to Goodness - Original 45 Rpm Ver...
137 bpm • A# Maj • 02:51 • -5.08db
9% Popularity • 58% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 58% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Johnson & The Bandwagon
Sweet Inspiration
129 bpm • A Maj • 03:04 • -6db
13% Popularity • 57% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 57% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Jackie Lee
Oh, My Darlin'
129 bpm • F# min • 03:04 • -7db
12% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 83% Positiveness
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Christine Cooper
Heartaches Away My Boy
129 bpm • C Maj • 02:39 • -4db
13% Popularity • 64% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 64% Danceability • 81% Energy • 68% Liveness
0% Instrumentalness • 81% Positiveness
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Shirley Ellis
Soul Time - Single Version
137 bpm • C# Maj • 02:38 • -7.63db
36% Popularity • 59% Danceability • 77% Energy • 7% Liveness
5% Instrumentalness • 89% Positiveness
36% Popularity • 59% Danceability • 77% Energy • 7% Liveness
5% Instrumentalness • 89% Positiveness
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Jimmy James
A Man Like Me
129 bpm • C Maj • 03:01 • -7db
33% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 64% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Smokey Robinson & The Miracles
Whole Lot Of Shakin' In My Heart (Since ...
137 bpm • A# min • 02:43 • -11db
21% Popularity • 59% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 59% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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100 Proof Aged In Soul
Somebody's Been Sleeping
137 bpm • B Maj • 04:12 • -9.84db
13% Popularity • 64% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 64% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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JENJEN
Divine
137 bpm • G min • 04:16 • -18.01db
0% Popularity • 50% Danceability • 23% Energy • 10% Liveness
60% Instrumentalness • 19% Positiveness
0% Popularity • 50% Danceability • 23% Energy • 10% Liveness
60% Instrumentalness • 19% Positiveness
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Freddie Chavez
They'll Never Know Why
129 bpm • C Maj • 02:51 • -5db
33% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 63% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Shirley Ellis
(That's) What The Nitty Gritty Is
129 bpm • C# Maj • 02:34 • -4.78db
17% Popularity • 60% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 60% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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The Incredibles
There's Nothing Else to Say
129 bpm • A# Maj • 02:28 • -7db
20% Popularity • 58% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 58% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 48% Positiveness
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The Valentinos
Sweeter Than The Day Before
137 bpm • D Maj • 02:38 • -9db
17% Popularity • 58% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 58% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 90% Positiveness
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Carolyn Crawford
Ready or Not Here Comes Love
129 bpm • E Maj • 02:25 • -12db
21% Popularity • 55% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 55% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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JENJEN
K Rap
137 bpm • C# Maj • 04:46 • -15.7db
0% Popularity • 54% Danceability • 34% Energy • 19% Liveness
63% Instrumentalness • 15% Positiveness
0% Popularity • 54% Danceability • 34% Energy • 19% Liveness
63% Instrumentalness • 15% Positiveness
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The Invitations
Skiing in the Snow
137 bpm • C min • 02:39 • -5.62db
19% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Marlena Shaw
Let's Wade In The Water
137 bpm • C Maj • 03:34 • -5db
41% Popularity • 68% Danceability • 69% Energy • 18% Liveness
14% Instrumentalness • 93% Positiveness
41% Popularity • 68% Danceability • 69% Energy • 18% Liveness
14% Instrumentalness • 93% Positiveness
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Ann Sexton
You've Been Gone Too Long
129 bpm • D Maj • 02:18 • -8.73db
33% Popularity • 82% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 82% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
