Songs like Do It Mixes - Dub Mix by Andrew Love
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Love
Do It Mixes
126 bpm • F Maj • 03:52 • -2.39db
0% Popularity • 70% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
0% Popularity • 70% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Melanie Moore
Matchmaker
126 bpm • E Maj • 04:33 • -8.1db
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 54% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Borchert
When Love Is True
126 bpm • A Maj • 03:11 • -8.93db
25% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Stephen Weller
I'm Martin Guerre
126 bpm • D Maj • 03:02 • -9db
13% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Benjamin Lewis
Intellectual Boy
126 bpm • E Maj • 03:06 • -11.21db
7% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Andi Alhadeff
What Is Life?
125 bpm • D# min • 02:44 • -6db
8% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Kirsti Kruger
The Beautiful Disguise
125 bpm • F min • 03:08 • -8.41db
10% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Billy Crystal
A Little Joy
125 bpm • G Maj • 03:03 • -12db
7% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Disaster! Original Broadway Cast
Daybreak
127 bpm • F min • 02:01 • -4.94db
12% Popularity • 56% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 56% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 67% Positiveness
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Bryce Pinkham
Stop! Wait! What?!
127 bpm • G min • 01:48 • -10.89db
25% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 75% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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'Brigadoon' 2017 New York City Center Orchestra
I'll Go Home with Bonnie Jean - Dance
125 bpm • C Maj • 03:27 • -8.76db
8% Popularity • 62% Danceability • 30% Energy • 8% Liveness
68% Instrumentalness • 48% Positiveness
8% Popularity • 62% Danceability • 30% Energy • 8% Liveness
68% Instrumentalness • 48% Positiveness
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Superhero Band
Prologue / The Adventures of the Amazing...
125 bpm • G Maj • 04:55 • -5.96db
9% Popularity • 44% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 44% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Kelsey Grammer
Live By The Hook - Original Broadway Cas...
127 bpm • D Maj • 03:47 • -8.5db
26% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 53% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Bows
127 bpm • E Maj • 01:13 • -9.3db
24% Popularity • 49% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 49% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Mary Testa
Fancy Meeting You Here
127 bpm • D Maj • 03:07 • -7.47db
10% Popularity • 58% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 58% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Lea Michele
The Word Of Your Body - Original Broadwa...
124 bpm • E min • 02:58 • -11.06db
38% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Natascia Diaz
I'm Only Thinking of Him
128 bpm • F min • 03:36 • -13.84db
23% Popularity • 58% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 58% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Matthew Morrison
The World Is Upside Down - Original Broa...
127 bpm • C# min • 02:15 • -7.9db
24% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 65% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Katrina Lenk
It Is What It Is
124 bpm • A Maj • 01:07 • -14.59db
22% Popularity • 86% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 86% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Alanna Saunders
True Blood Brothers
128 bpm • F Maj • 03:25 • -6.76db
14% Popularity • 64% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 64% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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John Dossett
The Bottom Line (Reprise)
128 bpm • G Maj • 00:57 • -13.46db
39% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Megan McGinnis
The Oldest Orphan in the John Grier Home
124 bpm • E Maj • 02:56 • -8.59db
21% Popularity • 53% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 53% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Bette Midler
So Long Dearie
124 bpm • G# Maj • 02:43 • -8.52db
24% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Harry Hadden-Paton
Why Can't the English?
129 bpm • C Maj • 02:52 • -10.62db
17% Popularity • 64% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 64% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Sight & Sound Theatres
Not Your Typical Biblical Hero
129 bpm • A# Maj • 02:06 • -9.28db
10% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 48% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Laura Osnes
Welcome Home (Finale)
129 bpm • C Maj • 03:34 • -6.7db
26% Popularity • 49% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 49% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Alan Menken
Overture
123 bpm • F# Maj • 01:12 • -11.92db
39% Popularity • 45% Danceability • 30% Energy • 12% Liveness
59% Instrumentalness • 12% Positiveness
39% Popularity • 45% Danceability • 30% Energy • 12% Liveness
59% Instrumentalness • 12% Positiveness
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Roger Bart
Life, Life
123 bpm • C# min • 03:18 • -7.5db
21% Popularity • 36% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 36% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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'Anything Goes' New Broadway Cast Ensemble
There's No Cure Like Travel / Bon Voyage
129 bpm • G Maj • 01:54 • -7.8db
31% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Karen Olivo
It Won't Be Long Now
129 bpm • D Maj • 04:35 • -9.37db
42% Popularity • 59% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 59% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Sarah Lark
Eastwick Knows
129 bpm • E Maj • 04:35 • -13db
15% Popularity • 52% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 52% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Selena Ingersoll
The Friendly Pirates
130 bpm • C# Maj • 03:08 • -12.94db
28% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Original Television Cast of Annie Live!
We'd Like to Thank You Herbert Hoover
130 bpm • F# Maj • 01:57 • -9.04db
9% Popularity • 48% Danceability • 50% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 48% Danceability • 50% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Dana Al Fardan
Lightning
130 bpm • E min • 03:24 • -8.43db
11% Popularity • 47% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 47% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Company
Act II Finale - Original Broadway Cast R...
122 bpm • C Maj • 03:28 • -5.36db
27% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 42% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Lisa Hull
Like Love
122 bpm • D# Maj • 02:06 • -11db
10% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sarah Charles Lewis
Contact
122 bpm • E Maj • 01:33 • -10.79db
8% Popularity • 76% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 76% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jeanine Tesori
On My Way
130 bpm • G Maj • 04:18 • -8.24db
26% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 47% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Taraji P. Henson
Sign
130 bpm • D Maj • 02:26 • -9.54db
8% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Clockmaker's Daughter Studio Cast
Market Day
122 bpm • G Maj • 07:04 • -10.79db
15% Popularity • 52% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 52% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Tom Wopat
Fifty Checks
122 bpm • F# Maj • 03:18 • -7.04db
21% Popularity • 59% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 59% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Original Broadway Cast "Rent"
Tango: Maureen - Best Of Version
130 bpm • G min • 03:09 • -10.54db
33% Popularity • 70% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 70% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Chip Zien
Threnody
130 bpm • C min • 04:23 • -7.7db
15% Popularity • 54% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 54% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Kate Baldwin
Laundry for Two
130 bpm • A# Maj • 04:11 • -6db
8% Popularity • 52% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 52% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Emily Padgett
What Brought Him Here?
130 bpm • G min • 01:20 • -9.72db
8% Popularity • 61% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 61% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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The Charlottetown Festival
We Clearly Requested a Boy
130 bpm • E min • 02:15 • -17.51db
9% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lindsay Mendez
Give Way
122 bpm • G# Maj • 03:21 • -10.81db
25% Popularity • 37% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 37% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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Billie Brown
Ding Dong the Witch Is Dead
131 bpm • G Maj • 01:29 • -15db
13% Popularity • 48% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 48% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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'Brigadoon' 2017 New York City Center Ensemble
Sword Dance and Reel
131 bpm • A Maj • 03:12 • -6db
8% Popularity • 51% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 51% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Andy Karl
Day One
131 bpm • D Maj • 10:19 • -7.26db
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Rema Webb
Joseph Smith American Moses
132 bpm • A# min • 06:12 • -10.38db
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Corey Cott
Just Like It Was Before
121 bpm • F min • 08:06 • -8db
19% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Allison Williams
Wendy
131 bpm • D Maj • 03:11 • -8.38db
16% Popularity • 44% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 44% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Russell Crowe
Javert At The Barricade
121 bpm • E min • 01:45 • -14.37db
37% Popularity • 60% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 60% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Gavin Creel
Grand Knowing You
121 bpm • A min • 02:19 • -10.04db
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 47% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Colin Donnell
Are You a Man?
120 bpm • A min • 03:57 • -8.6db
10% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Patina Miller
Bless Our Show
120 bpm • A min • 03:04 • -8.03db
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Josh Young
Testimony
120 bpm • D Maj • 03:13 • -7.05db
12% Popularity • 56% Danceability • 49% Energy • 10% Liveness
17% Instrumentalness • 35% Positiveness
12% Popularity • 56% Danceability • 49% Energy • 10% Liveness
17% Instrumentalness • 35% Positiveness
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Jill Martin
Chanson
132 bpm • E Maj • 03:44 • -18db
10% Popularity • 39% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 39% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Norbert Leo Butz
You're Changing
120 bpm • C# Maj • 02:51 • -10.66db
21% Popularity • 70% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 70% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Hugh Jackman
Valjean’s Confession
132 bpm • G# Maj • 02:17 • -20.6db
33% Popularity • 41% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 41% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 18% Positiveness
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Jonathan B. Wright
The Word Of Your Body (Reprise) - Origin...
120 bpm • F# min • 03:10 • -14.62db
33% Popularity • 43% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
33% Popularity • 43% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 19% Positiveness
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Susan Egan
End Duet / Transformation
119 bpm • F Maj • 03:27 • -21db
31% Popularity • 33% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 33% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
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Sight & Sound Theatres
Roaring Lion
119 bpm • G# Maj • 01:48 • -7.21db
11% Popularity • 40% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 40% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Charles Keating
Books
119 bpm • D Maj • 02:32 • -21db
10% Popularity • 57% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 57% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Tom Wopat
Butter Outta Cream
119 bpm • C Maj • 03:42 • -9.4db
29% Popularity • 68% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 68% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Allison Williams
Never Never Land
119 bpm • A Maj • 03:25 • -9.18db
19% Popularity • 39% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 39% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Will Reynolds
Walk Me Around
134 bpm • A Maj • 02:25 • -10.96db
16% Popularity • 57% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 57% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Beth Leavel
As We Stumble Along
118 bpm • A# Maj • 03:25 • -8.2db
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 51% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Sean Palmer as Prince Eric
Her Voice
134 bpm • D Maj • 03:15 • -17.71db
37% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 31% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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David Glover
The Merry Old Land of Oz
118 bpm • G# Maj • 05:08 • -13.66db
16% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Nunsense 30th Anniversary Cast
A Difficult Transition
118 bpm • D Maj • 04:52 • -12.54db
13% Popularity • 79% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 79% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Kim Maresca
Tina's Mother
134 bpm • C Maj • 02:24 • -9db
8% Popularity • 65% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 65% Danceability • 40% Energy • 91% Liveness
0% Instrumentalness • 60% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Michael Nostrand
Hook's Tarantella
135 bpm • B min • 01:07 • -13.99db
14% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Andy Karl
Keep On Standing - Rocky Broadway Cast R...
118 bpm • C# min • 03:17 • -8.22db
10% Popularity • 58% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 58% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
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Lauren Worsham
I've Decided to Marry You
118 bpm • E Maj • 04:03 • -9.02db
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 77% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Bryce Pinkham
Longaville's Sonnet
118 bpm • C min • 01:58 • -8.98db
8% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Laura Osnes
When You're Driving Through the Moonligh...
117 bpm • D Maj • 02:55 • -9.09db
29% Popularity • 54% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 54% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Working: A Musical (Original London Cast)
Something to Point To
136 bpm • A Maj • 03:42 • -13db
11% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Hugh Jackman
Marian the Librarian
117 bpm • C# Maj • 06:29 • -12.39db
23% Popularity • 54% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 54% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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"Dreamland" Studio Cast
New Dawn
136 bpm • C Maj • 02:24 • -6db
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 57% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 71% Positiveness
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Josh Strickland
Who Better Than Me? (Reprise) - Broadway...
136 bpm • C# Maj • 02:02 • -3.36db
17% Popularity • 76% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Love's Labour's Lost Original Cast
The Tuba Song
118 bpm • C Maj • 03:35 • -9db
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Rufus Thomas
Itch And Scratch - Pt. 1
117 bpm • C Maj • 03:12 • -10db
25% Popularity • 88% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 88% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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The Dear Edwina Singers
Say No Thank You
136 bpm • F min • 03:17 • -6db
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Brandi Burkhardt
All This Time
117 bpm • G# Maj • 02:59 • -9.07db
26% Popularity • 30% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 30% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Patrick Wilson
There But For You Go I
136 bpm • C Maj • 03:17 • -8.97db
16% Popularity • 34% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 34% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Bob Martin
As We Stumble Along - Reprise
116 bpm • F Maj • 02:35 • -10db
26% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 65% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Stephen Schwartz
Dear Old Shiz
116 bpm • D# min • 01:26 • -15db
35% Popularity • 39% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 39% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
