Songs like Do Not Claim Them Anymore by Balthazar
Based on a tempo of (+/- 10%) and a similar genre
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Joy Wellboy
Lay Down Your Blade
100 bpm • F min • 03:44 • -11.28db
40% Popularity • 77% Danceability • 48% Energy • 8% Liveness
72% Instrumentalness • 81% Positiveness
40% Popularity • 77% Danceability • 48% Energy • 8% Liveness
72% Instrumentalness • 81% Positiveness
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Klangstof
Close Eyes to Exit
100 bpm • G# min • 03:00 • -10.01db
28% Popularity • 63% Danceability • 52% Energy • 9% Liveness
64% Instrumentalness • 40% Positiveness
28% Popularity • 63% Danceability • 52% Energy • 9% Liveness
64% Instrumentalness • 40% Positiveness
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Burning Peacocks
Tears of Lava
100 bpm • G Maj • 03:40 • -7.44db
33% Popularity • 72% Danceability • 77% Energy • 9% Liveness
27% Instrumentalness • 25% Positiveness
33% Popularity • 72% Danceability • 77% Energy • 9% Liveness
27% Instrumentalness • 25% Positiveness
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Balthazar
Do Not Claim Them Anymore
100 bpm • E min • 03:57 • -10.35db
43% Popularity • 80% Danceability • 54% Energy • 11% Liveness
12% Instrumentalness • 52% Positiveness
43% Popularity • 80% Danceability • 54% Energy • 11% Liveness
12% Instrumentalness • 52% Positiveness
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Millionaire
Ballad of Pure Thought
100 bpm • E min • 03:54 • -3.02db
19% Popularity • 53% Danceability • 86% Energy • 11% Liveness
39% Instrumentalness • 32% Positiveness
19% Popularity • 53% Danceability • 86% Energy • 11% Liveness
39% Instrumentalness • 32% Positiveness
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Sébastien Tellier
L'amour naissant
100 bpm • F min • 03:55 • -8.44db
39% Popularity • 45% Danceability • 84% Energy • 28% Liveness
76% Instrumentalness • 72% Positiveness
39% Popularity • 45% Danceability • 84% Energy • 28% Liveness
76% Instrumentalness • 72% Positiveness
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The Bewitched Hands
Hard To Cry - (album version)
100 bpm • G Maj • 05:19 • -6.31db
10% Popularity • 28% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Compact Disk Dummies
Wht Y Wnt
100 bpm • E min • 02:50 • -10.78db
20% Popularity • 54% Danceability • 64% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
20% Popularity • 54% Danceability • 64% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Husbands
Overseas
100 bpm • F min • 03:24 • -8db
31% Popularity • 70% Danceability • 36% Energy • 10% Liveness
11% Instrumentalness • 24% Positiveness
31% Popularity • 70% Danceability • 36% Energy • 10% Liveness
11% Instrumentalness • 24% Positiveness
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EmilÃana Torrini
Animal Games
100 bpm • D Maj • 02:56 • -10.24db
25% Popularity • 85% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 85% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Her
Five Minutes
100 bpm • A# min • 03:48 • -7.04db
53% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 61% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Papooz
Simply Are
99 bpm • F Maj • 03:56 • -11.61db
35% Popularity • 76% Danceability • 65% Energy • 16% Liveness
5% Instrumentalness • 83% Positiveness
35% Popularity • 76% Danceability • 65% Energy • 16% Liveness
5% Instrumentalness • 83% Positiveness
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Other Lives
2 Pyramids
101 bpm • B min • 03:56 • -9.34db
28% Popularity • 54% Danceability • 73% Energy • 14% Liveness
66% Instrumentalness • 42% Positiveness
28% Popularity • 54% Danceability • 73% Energy • 14% Liveness
66% Instrumentalness • 42% Positiveness
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Arcade Fire
Good God Damn
99 bpm • B min • 03:34 • -8.3db
44% Popularity • 80% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 80% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Black Box Revelation
Kick The Habit
101 bpm • D min • 05:59 • -6db
22% Popularity • 44% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
22% Popularity • 44% Danceability • 68% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Tamino
Tummy
99 bpm • D Maj • 03:10 • -9.15db
46% Popularity • 65% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 65% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Arsenal
Diggin a Hole
102 bpm • E Maj • 03:47 • -13.45db
13% Popularity • 45% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
13% Popularity • 45% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 18% Positiveness
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Papooz
Ann Wants to Dance
101 bpm • F Maj • 03:29 • -10.93db
47% Popularity • 74% Danceability • 45% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
47% Popularity • 74% Danceability • 45% Energy • 16% Liveness
4% Instrumentalness • 70% Positiveness
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Asaf Avidan
Setting Scalpels Free
98 bpm • C Maj • 03:41 • -7.14db
27% Popularity • 59% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
27% Popularity • 59% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
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Sylvie Kreusch
All of Me
101 bpm • F# Maj • 04:41 • -8db
24% Popularity • 49% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
24% Popularity • 49% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Peter Doherty
I Don't Love Anyone (but You're Not Just...
102 bpm • D# min • 03:26 • -8.94db
33% Popularity • 63% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
33% Popularity • 63% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Warhaus
Mad World
98 bpm • F# min • 03:39 • -8.14db
40% Popularity • 68% Danceability • 54% Energy • 43% Liveness
20% Instrumentalness • 77% Positiveness
40% Popularity • 68% Danceability • 54% Energy • 43% Liveness
20% Instrumentalness • 77% Positiveness
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Arsenal
Either
98 bpm • B Maj • 04:52 • -10.17db
20% Popularity • 66% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
20% Popularity • 66% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
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Isbells
As Long as It Takes
98 bpm • F# Maj • 03:34 • -11db
29% Popularity • 56% Danceability • 31% Energy • 9% Liveness
15% Instrumentalness • 11% Positiveness
29% Popularity • 56% Danceability • 31% Energy • 9% Liveness
15% Instrumentalness • 11% Positiveness
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Melissa Laveaux
Generous Bones
102 bpm • G Maj • 02:36 • -5.82db
32% Popularity • 89% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 89% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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J. Bernardt
Wicked Streets - Edit
103 bpm • C Maj • 03:36 • -6.73db
34% Popularity • 69% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
34% Popularity • 69% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Thomas Azier
Talk To Me
103 bpm • G min • 03:58 • -8.92db
33% Popularity • 66% Danceability • 76% Energy • 10% Liveness
43% Instrumentalness • 44% Positiveness
33% Popularity • 66% Danceability • 76% Energy • 10% Liveness
43% Instrumentalness • 44% Positiveness
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Warhaus
It Had To Be You
103 bpm • A# Maj • 03:03 • -7.06db
35% Popularity • 53% Danceability • 57% Energy • 25% Liveness
78% Instrumentalness • 73% Positiveness
35% Popularity • 53% Danceability • 57% Energy • 25% Liveness
78% Instrumentalness • 73% Positiveness
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Nick Mulvey
Cucurucu
97 bpm • F# min • 04:27 • -7.93db
56% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Asaf Avidan
Different Pulses
97 bpm • D# Maj • 04:26 • -5.99db
48% Popularity • 64% Danceability • 53% Energy • 18% Liveness
6% Instrumentalness • 9% Positiveness
48% Popularity • 64% Danceability • 53% Energy • 18% Liveness
6% Instrumentalness • 9% Positiveness
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Balthazar
The Man Who Owns the Place
97 bpm • D Maj • 04:40 • -11.47db
35% Popularity • 62% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 62% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Puts Marie
Obituaries
97 bpm • F min • 04:13 • -10.25db
13% Popularity • 59% Danceability • 45% Energy • 14% Liveness
23% Instrumentalness • 19% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 14% Liveness
23% Instrumentalness • 19% Positiveness
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Cari Cari
Nothing's Older Than Yesterday
97 bpm • C# Maj • 03:21 • -7db
46% Popularity • 70% Danceability • 68% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
46% Popularity • 70% Danceability • 68% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
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Faces on TV
Suspicious
104 bpm • D min • 04:10 • -8.44db
14% Popularity • 81% Danceability • 86% Energy • 10% Liveness
82% Instrumentalness • 31% Positiveness
14% Popularity • 81% Danceability • 86% Energy • 10% Liveness
82% Instrumentalness • 31% Positiveness
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Damon Albarn
Heavy Seas of Love
104 bpm • D min • 03:44 • -11db
35% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Asaf Avidan
Over My Head
96 bpm • G Maj • 02:36 • -7.4db
48% Popularity • 68% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 68% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Absynthe Minded
Easy
96 bpm • D Maj • 05:20 • -10.82db
29% Popularity • 74% Danceability • 40% Energy • 9% Liveness
20% Instrumentalness • 81% Positiveness
29% Popularity • 74% Danceability • 40% Energy • 9% Liveness
20% Instrumentalness • 81% Positiveness
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Deluxe
Pretty Flaws
96 bpm • B min • 04:24 • -10.47db
34% Popularity • 69% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
34% Popularity • 69% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Warhaus
Bruxelles
96 bpm • G min • 04:25 • -8.79db
29% Popularity • 60% Danceability • 55% Energy • 3% Liveness
2% Instrumentalness • 50% Positiveness
29% Popularity • 60% Danceability • 55% Energy • 3% Liveness
2% Instrumentalness • 50% Positiveness
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Faces on TV
Run Against the Stream
96 bpm • C# Maj • 03:30 • -10.3db
30% Popularity • 77% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
30% Popularity • 77% Danceability • 35% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Lou Doillon
Devil Or Angel
96 bpm • G min • 04:04 • -8.32db
40% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 61% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Ghinzu
Take It Easy
104 bpm • C Maj • 04:09 • -5.55db
26% Popularity • 40% Danceability • 88% Energy • 25% Liveness
14% Instrumentalness • 36% Positiveness
26% Popularity • 40% Danceability • 88% Energy • 25% Liveness
14% Instrumentalness • 36% Positiveness
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Absynthe Minded
Cherry Picking
96 bpm • F# Maj • 03:15 • -6.5db
28% Popularity • 78% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
28% Popularity • 78% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 72% Positiveness
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Me And My Drummer
Blue Splinter View
105 bpm • F min • 04:33 • -6db
31% Popularity • 45% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 45% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Kasper Bjørke
Young Again
105 bpm • D min • 04:58 • -8.38db
37% Popularity • 75% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 75% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Janne Schra
Carry On
105 bpm • C Maj • 03:58 • -8.92db
31% Popularity • 74% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 65% Positiveness
31% Popularity • 74% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 65% Positiveness
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Clara Luzia
The Drugs Do Work
105 bpm • A min • 04:20 • -9.62db
13% Popularity • 74% Danceability • 53% Energy • 5% Liveness
42% Instrumentalness • 52% Positiveness
13% Popularity • 74% Danceability • 53% Energy • 5% Liveness
42% Instrumentalness • 52% Positiveness
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Villagers
Courage
105 bpm • C Maj • 04:47 • -11.83db
46% Popularity • 74% Danceability • 30% Energy • 23% Liveness
14% Instrumentalness • 30% Positiveness
46% Popularity • 74% Danceability • 30% Energy • 23% Liveness
14% Instrumentalness • 30% Positiveness
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GOOSE
What You Need
105 bpm • C# min • 03:58 • -9.76db
22% Popularity • 46% Danceability • 64% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 46% Danceability • 64% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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The Mysterons
Thunderbird 1
95 bpm • D min • 03:50 • -7db
16% Popularity • 66% Danceability • 69% Energy • 20% Liveness
2% Instrumentalness • 70% Positiveness
16% Popularity • 66% Danceability • 69% Energy • 20% Liveness
2% Instrumentalness • 70% Positiveness
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Devendra Banhart
Für Hildegard von Bingen
95 bpm • B min • 02:35 • -12.78db
55% Popularity • 86% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 43% Positiveness
55% Popularity • 86% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 43% Positiveness
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Eels
The Deconstruction
95 bpm • D min • 04:10 • -7.6db
42% Popularity • 66% Danceability • 54% Energy • 9% Liveness
7% Instrumentalness • 27% Positiveness
42% Popularity • 66% Danceability • 54% Energy • 9% Liveness
7% Instrumentalness • 27% Positiveness
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The Popopopops
My Mind is Old
95 bpm • B Maj • 03:20 • -7.85db
16% Popularity • 66% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 66% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Lilly Wood and The Prick
L.E.S Artistes
105 bpm • E Maj • 03:37 • -5.25db
40% Popularity • 89% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
40% Popularity • 89% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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J. Bernardt
Taxi
95 bpm • G# min • 03:45 • -7.55db
41% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
41% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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Warhaus
Bang Bang
106 bpm • D# min • 04:16 • -8.14db
34% Popularity • 69% Danceability • 53% Energy • 7% Liveness
7% Instrumentalness • 25% Positiveness
34% Popularity • 69% Danceability • 53% Energy • 7% Liveness
7% Instrumentalness • 25% Positiveness
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Sylvie Kreusch
Girls
106 bpm • E Maj • 03:56 • -9.26db
29% Popularity • 53% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
29% Popularity • 53% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 16% Positiveness
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Eels
That Look You Give That Guy
94 bpm • F Maj • 04:15 • -9.24db
59% Popularity • 78% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
59% Popularity • 78% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Her
Jeanie J
106 bpm • A# min • 04:32 • -7.33db
39% Popularity • 76% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
39% Popularity • 76% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
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Editors
Ocean of Night
106 bpm • C Maj • 05:05 • -10db
47% Popularity • 57% Danceability • 67% Energy • 11% Liveness
25% Instrumentalness • 25% Positiveness
47% Popularity • 57% Danceability • 67% Energy • 11% Liveness
25% Instrumentalness • 25% Positiveness
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Absynthe Minded
Pretty horny flow
94 bpm • C# Maj • 02:36 • -10.14db
23% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Balthazar
Linger On
106 bpm • B min • 04:21 • -10.18db
40% Popularity • 80% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 47% Positiveness
40% Popularity • 80% Danceability • 40% Energy • 12% Liveness
4% Instrumentalness • 47% Positiveness
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Babyshambles
There She Goes
94 bpm • B min • 03:35 • -9db
38% Popularity • 72% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 72% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Arsenal
The Coming - Vinyl Version
94 bpm • E min • 05:44 • -11.37db
19% Popularity • 75% Danceability • 45% Energy • 11% Liveness
75% Instrumentalness • 48% Positiveness
19% Popularity • 75% Danceability • 45% Energy • 11% Liveness
75% Instrumentalness • 48% Positiveness
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Boardwalk
I'm To Blame
106 bpm • F# Maj • 04:34 • -15.59db
34% Popularity • 48% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 48% Danceability • 40% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Faces on TV
Traveling Blind
94 bpm • E min • 03:35 • -6.38db
35% Popularity • 72% Danceability • 59% Energy • 15% Liveness
7% Instrumentalness • 48% Positiveness
35% Popularity • 72% Danceability • 59% Energy • 15% Liveness
7% Instrumentalness • 48% Positiveness
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Protection Patrol Pinkerton
Future = Our Home
107 bpm • F Maj • 04:05 • -6.96db
20% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Balthazar
Halfway
106 bpm • C Maj • 02:48 • -9db
43% Popularity • 87% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 87% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Michelle Gurevich
Keep In Mind
108 bpm • F min • 04:06 • -9.8db
22% Popularity • 80% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 84% Positiveness
22% Popularity • 80% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 84% Positiveness
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Eefje de Visser
Ongeveer
92 bpm • F# min • 04:41 • -18.17db
45% Popularity • 55% Danceability • 15% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
45% Popularity • 55% Danceability • 15% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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Tindersticks
Show Me Everything
93 bpm • C Maj • 05:29 • -9.57db
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
40% Popularity • 71% Danceability • 30% Energy • 9% Liveness
6% Instrumentalness • 42% Positiveness
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Claire Denamur
Hang Me Up to Dry
92 bpm • C Maj • 03:10 • -2db
29% Popularity • 67% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 67% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Balthazar
Entertainment
107 bpm • A min • 03:08 • -6.66db
38% Popularity • 46% Danceability • 88% Energy • 7% Liveness
16% Instrumentalness • 37% Positiveness
38% Popularity • 46% Danceability • 88% Energy • 7% Liveness
16% Instrumentalness • 37% Positiveness
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Damon Albarn
Mr Tembo
92 bpm • C Maj • 03:43 • -9.93db
41% Popularity • 74% Danceability • 56% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
41% Popularity • 74% Danceability • 56% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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H-Burns
Tigress
92 bpm • F# min • 03:27 • -5.2db
36% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 61% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Lou Doillon
Too much
92 bpm • G# Maj • 03:29 • -8db
42% Popularity • 72% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
42% Popularity • 72% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Faces on TV
Looking Glass
92 bpm • F min • 03:27 • -9.69db
18% Popularity • 72% Danceability • 47% Energy • 9% Liveness
22% Instrumentalness • 21% Positiveness
18% Popularity • 72% Danceability • 47% Energy • 9% Liveness
22% Instrumentalness • 21% Positiveness
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Editors
The Phone Book
92 bpm • C# Maj • 04:31 • -9.31db
46% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Balthazar
Bunker
107 bpm • A# min • 04:51 • -8.89db
56% Popularity • 68% Danceability • 44% Energy • 16% Liveness
2% Instrumentalness • 24% Positiveness
56% Popularity • 68% Danceability • 44% Energy • 16% Liveness
2% Instrumentalness • 24% Positiveness
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Warhaus
Leave With Me
92 bpm • C# Maj • 03:18 • -11.63db
45% Popularity • 87% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
45% Popularity • 87% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Django Django
First Light
109 bpm • C# Maj • 04:50 • -7.03db
37% Popularity • 69% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 69% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Baxter Dury
Palm Trees
92 bpm • A Maj • 04:20 • -9db
34% Popularity • 69% Danceability • 59% Energy • 8% Liveness
52% Instrumentalness • 76% Positiveness
34% Popularity • 69% Danceability • 59% Energy • 8% Liveness
52% Instrumentalness • 76% Positiveness
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Foals
London Thunder
92 bpm • F# Maj • 04:14 • -9.75db
52% Popularity • 48% Danceability • 36% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
52% Popularity • 48% Danceability • 36% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Dez Mona
Suspicion
92 bpm • G Maj • 04:18 • -8.42db
15% Popularity • 61% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 61% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Balthazar
Changes
107 bpm • C# Maj • 03:46 • -8.72db
38% Popularity • 75% Danceability • 75% Energy • 36% Liveness
53% Instrumentalness • 69% Positiveness
38% Popularity • 75% Danceability • 75% Energy • 36% Liveness
53% Instrumentalness • 69% Positiveness
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Millionaire
Silent River
109 bpm • E min • 05:22 • -10.74db
8% Popularity • 69% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 36% Positiveness
8% Popularity • 69% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 36% Positiveness
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Patrick Watson
Places You Will Go
92 bpm • F# Maj • 05:03 • -10db
31% Popularity • 25% Danceability • 64% Energy • 7% Liveness
45% Instrumentalness • 35% Positiveness
31% Popularity • 25% Danceability • 64% Energy • 7% Liveness
45% Instrumentalness • 35% Positiveness
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Metronomy
Month Of Sundays
110 bpm • E min • 03:26 • -6.57db
35% Popularity • 66% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
35% Popularity • 66% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 44% Positiveness
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Warhaus
Memory
109 bpm • E Maj • 03:01 • -6.3db
31% Popularity • 61% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 61% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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C Duncan
Say
110 bpm • C min • 04:01 • -7db
36% Popularity • 74% Danceability • 65% Energy • 14% Liveness
71% Instrumentalness • 58% Positiveness
36% Popularity • 74% Danceability • 65% Energy • 14% Liveness
71% Instrumentalness • 58% Positiveness
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Balthazar
So Easy
91 bpm • D Maj • 02:49 • -8.73db
30% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Hanni El Khatib
Two Brothers
110 bpm • E min • 05:47 • -7.49db
35% Popularity • 68% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
35% Popularity • 68% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Arsenal
Saudade, Pt. 2
110 bpm • B min • 04:12 • -9.73db
36% Popularity • 68% Danceability • 53% Energy • 17% Liveness
37% Instrumentalness • 21% Positiveness
36% Popularity • 68% Danceability • 53% Energy • 17% Liveness
37% Instrumentalness • 21% Positiveness
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Jaguar Jaguar
So Long
110 bpm • C min • 03:42 • -8.36db
40% Popularity • 79% Danceability • 72% Energy • 12% Liveness
15% Instrumentalness • 48% Positiveness
40% Popularity • 79% Danceability • 72% Energy • 12% Liveness
15% Instrumentalness • 48% Positiveness
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Syd Matters
Hi Life
110 bpm • B min • 03:51 • -8.04db
28% Popularity • 54% Danceability • 70% Energy • 8% Liveness
39% Instrumentalness • 39% Positiveness
28% Popularity • 54% Danceability • 70% Energy • 8% Liveness
39% Instrumentalness • 39% Positiveness
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Metronomy
Trouble
110 bpm • D Maj • 04:46 • -10.48db
41% Popularity • 40% Danceability • 39% Energy • 10% Liveness
11% Instrumentalness • 14% Positiveness
41% Popularity • 40% Danceability • 39% Energy • 10% Liveness
11% Instrumentalness • 14% Positiveness
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Balthazar
The Oldest of Sisters
110 bpm • B min • 02:43 • -7.82db
33% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
