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Do This Life
Songs like
Do This Life
by
High Valley
Based on a tempo of (+/- 10%) and a similar genre
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High Valley
Do This Life
112 bpm • A Maj • 03:02 • -3.92db
25% Popularity • 59% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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HUTCH
Dead To Me
112 bpm • A Maj • 02:58 • -5db
22% Popularity • 76% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Mitchell Tenpenny
I Know Something She Don't Know
112 bpm • B Maj • 02:52 • -5.17db
35% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Jordan
Back
112 bpm • B Maj • 03:20 • -5.46db
22% Popularity • 70% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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James Barker Band
Slow Down Town
112 bpm • C# Maj • 03:26 • -5db
33% Popularity • 57% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Noah Hicks
Love You Too
112 bpm • E min • 02:48 • -4.77db
38% Popularity • 60% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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High Valley
Do This Life
112 bpm • A Maj • 02:55 • -4.79db
20% Popularity • 58% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Young
Think of You - Acoustic Version
112 bpm • B Maj • 03:30 • -4.97db
21% Popularity • 67% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Mitch Rossell
A Girl Does
113 bpm • E Maj • 03:24 • -4.42db
27% Popularity • 61% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Hunter Brothers
Country Stuff
111 bpm • A min • 02:57 • -4.92db
24% Popularity • 65% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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James Barker Band
Good Together
113 bpm • F Maj • 03:21 • -5.73db
42% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Logan Mize
Follow Your Heart
111 bpm • F# Maj • 04:13 • -5.25db
25% Popularity • 63% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Mitchell Tenpenny
Obsession
111 bpm • G Maj • 02:24 • -5.58db
39% Popularity • 64% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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River Town Saints
Slow Kiss
113 bpm • E Maj • 02:37 • -5.81db
27% Popularity • 58% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Tim & The Glory Boys
Rich On
111 bpm • F Maj • 03:11 • -5.25db
17% Popularity • 64% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Clayton Johnson
God Made Me
111 bpm • A# Maj • 02:43 • -4.83db
26% Popularity • 30% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Everette
Gonna Be A Problem
111 bpm • D Maj • 03:02 • -6.08db
21% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Roman Alexander
Beautiful Girls
114 bpm • F# Maj • 02:22 • -5.96db
20% Popularity • 69% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Mitch Rossell
Seeing Her
114 bpm • F# Maj • 03:06 • -4.62db
28% Popularity • 51% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Ryan Robinette
Summer Better Than Others
114 bpm • F Maj • 02:53 • -5.55db
26% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tim & The Glory Boys
Take Me Backroad
110 bpm • B Maj • 03:13 • -4.49db
40% Popularity • 59% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Tebey
Till It's Gone
114 bpm • G# Maj • 03:22 • -5db
24% Popularity • 58% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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High Valley
Northern Star
114 bpm • A# Maj • 02:42 • -5.39db
30% Popularity • 38% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Logan Mize
If You Get Lucky
114 bpm • C Maj • 02:52 • -4.54db
36% Popularity • 70% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Ray Fulcher
Anything Like You Dance (Radio Mix)
114 bpm • B Maj • 03:18 • -5.37db
15% Popularity • 67% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Melton
Close Enough
110 bpm • A# Maj • 02:56 • -5.36db
27% Popularity • 67% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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River Town Saints
What Ya Doin' Tonight
110 bpm • C# Maj • 03:02 • -4.31db
21% Popularity • 53% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Tebey
Bad for Me
114 bpm • C# min • 02:45 • -2.59db
23% Popularity • 61% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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Matt Martin
Passenger Seat
110 bpm • B Maj • 02:38 • -3db
13% Popularity • 58% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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High Valley
All My Lovin'
110 bpm • G Maj • 02:44 • -4.02db
17% Popularity • 55% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Filmore
Girl Back
110 bpm • A Maj • 02:58 • -5.81db
9% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Brandon Lay
Good Good Life
115 bpm • E Maj • 03:16 • -6db
21% Popularity • 61% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Kirkness
Anywhere the Night Goes
115 bpm • C# Maj • 02:53 • -6.88db
22% Popularity • 72% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Jake Rose
Like This Like That
115 bpm • A Maj • 03:00 • -5.94db
25% Popularity • 69% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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George Canyon
Your Lips Got In The Way
115 bpm • E Maj • 02:52 • -2.34db
22% Popularity • 58% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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High Valley
Grew up on That
110 bpm • A Maj • 02:52 • -6db
49% Popularity • 65% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Melton
Hometown Buzz
115 bpm • G# Maj • 03:26 • -6db
22% Popularity • 53% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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James Barker Band
Over All Over Again
115 bpm • G# Maj • 03:21 • -3.34db
36% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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CHASE WRIGHT
Hangin' On
115 bpm • G Maj • 02:50 • -6db
33% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Laine Hardy
Here's to Anyone
109 bpm • D Maj • 03:01 • -4.51db
32% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Mitchell Tenpenny
Miss You Cause I'm Drinking
109 bpm • A# Maj • 03:29 • -4.63db
32% Popularity • 66% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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Tenille Arts
Girl to Girl
116 bpm • D Maj • 03:12 • -3.37db
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Kyle Clark
Anyone
116 bpm • C Maj • 03:10 • -6db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Joe Nichols
Reckon
116 bpm • A# Maj • 03:30 • -4.58db
16% Popularity • 57% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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High Valley
I Will Stand By You
116 bpm • C# Maj • 03:44 • -5.16db
21% Popularity • 60% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Catie Offerman
Happyland Trailer Park
116 bpm • G# Maj • 04:03 • -5db
27% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Ray Fulcher
All Gas No Brakes
116 bpm • A# Maj • 03:11 • -6db
25% Popularity • 64% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Tebey
What Was I Drinking
116 bpm • E min • 02:57 • -3db
36% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Hunter & Jordan
You Know Who You Are
116 bpm • C Maj • 03:36 • -6db
17% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
50% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kyle Clark
Out of That Memory
116 bpm • B Maj • 03:14 • -6db
37% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Robyn Ottolini
Say It
108 bpm • D Maj • 03:05 • -5.46db
32% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Melton
Every Last Little Bit
108 bpm • G Maj • 02:58 • -6db
26% Popularity • 59% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Filmore
One Last Time
108 bpm • D Maj • 03:05 • -5db
6% Popularity • 54% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 54% Positiveness
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Conner Smith
Why I Can't Leave
108 bpm • E Maj • 03:25 • -4db
44% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Emerson Drive
Every Girl That Got Away
108 bpm • G# Maj • 02:46 • -4db
21% Popularity • 67% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Chad Brownlee
Forever's Gotta Start Somewhere
108 bpm • C Maj • 03:09 • -4db
44% Popularity • 55% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kane Brown
Dear Georgia
107 bpm • C# min • 03:10 • -6.12db
38% Popularity • 50% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Reklaws
Hometown Kids
108 bpm • F Maj • 03:06 • -6db
37% Popularity • 57% Danceability • 79% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Brian Kelley
Whatever Floats Your Boat
107 bpm • G# min • 02:35 • -4.93db
40% Popularity • 68% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Filmore
Falling Out Of Love
118 bpm • A# Maj • 03:14 • -7db
9% Popularity • 58% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Brandon Lay
Let It
107 bpm • F# Maj • 02:28 • -5.67db
38% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Madeline Merlo
Slide
118 bpm • D Maj • 03:34 • -3.24db
38% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Conner Smith
Summer On Your Lips
118 bpm • F Maj • 03:30 • -4.31db
47% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
40% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Cale Dodds
Livin' That Good Life
118 bpm • F# Maj • 02:18 • -7db
28% Popularity • 70% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Ben Gallaher
Every Small Town
118 bpm • G Maj • 03:22 • -4.41db
24% Popularity • 59% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Young
Cross Every Line
118 bpm • B Maj • 03:25 • -4.16db
30% Popularity • 54% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Petric
Something to Do with You
106 bpm • F# Maj • 03:11 • -5db
13% Popularity • 56% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Scotty McCreery
Small Town Girl
106 bpm • G# Maj • 03:04 • -6.11db
40% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Derek Austin
4WD
106 bpm • C# Maj • 02:38 • -4.68db
24% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Melton
I Get That With You
106 bpm • A Maj • 03:09 • -7db
41% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Grant Gilbert
God & Everybody
106 bpm • G Maj • 02:54 • -3.79db
17% Popularity • 51% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Nate Smith
I Don’t Want to Go To Heaven
105 bpm • C Maj • 03:25 • -6.06db
44% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Nate Haller
Ain't Like Me
106 bpm • D Maj • 02:54 • -3.69db
26% Popularity • 59% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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The Reklaws
People Don't Talk About
105 bpm • A Maj • 03:17 • -4.41db
25% Popularity • 55% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Charly Reynolds
Tonight in Texas
105 bpm • A# Maj • 03:20 • -5.7db
17% Popularity • 55% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Eric Van Houten
Kiss Her
105 bpm • G# Maj • 02:52 • -3db
30% Popularity • 56% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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High Valley
She Loves
105 bpm • A Maj • 02:56 • -5.75db
18% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Mitchell Tenpenny
Losers
105 bpm • D Maj • 02:48 • -5.66db
35% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Smithfield
Like I Never Loved You
120 bpm • G min • 02:26 • -7.17db
27% Popularity • 74% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Eli Young Band
Break Up In A Bar
120 bpm • E Maj • 03:36 • -4.89db
27% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Hunter & Jordan
Dirty Dancing
120 bpm • B Maj • 02:50 • -5db
19% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Andrew Hyatt
Close To You
120 bpm • D Maj • 02:45 • -5.65db
29% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Manny Blu
Looking Forward to Looking Back
120 bpm • G min • 04:06 • -6.84db
28% Popularity • 65% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Steven Lee Olsen
Nashville Or Nothing
120 bpm • C Maj • 02:45 • -4.55db
32% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Chayce Beckham
Love To Burn
120 bpm • C# Maj • 02:29 • -5.52db
35% Popularity • 63% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Reklaws
11 Beers
120 bpm • G Maj • 03:24 • -3db
43% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 82% Positiveness
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Jameson Rodgers
Porch with a View
120 bpm • F# min • 02:43 • -6db
35% Popularity • 60% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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High Valley
Never Not
120 bpm • G# Maj • 02:33 • -5.04db
25% Popularity • 64% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Levi Hummon
Drink On
120 bpm • E Maj • 02:53 • -6db
27% Popularity • 68% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Karli June
Makes You Pretty
120 bpm • D Maj • 02:49 • -2.59db
13% Popularity • 65% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Thomas Rhett
Anything Cold
120 bpm • G Maj • 02:46 • -5.52db
37% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Dean Brody
Paint The Town Redneck
120 bpm • F Maj • 02:48 • -4.36db
23% Popularity • 68% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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After Midtown
Party in My Hometown
120 bpm • D Maj • 03:22 • -6.29db
29% Popularity • 56% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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High Valley
Roads We've Never Taken
120 bpm • F min • 03:17 • -4.94db
19% Popularity • 63% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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LOCASH
Sippin Sunsets
120 bpm • G# Maj • 03:07 • -4.55db
29% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mitchell Tenpenny
Still Thinking 'Bout You
120 bpm • E Maj • 02:50 • -5.37db
36% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Conner Smith
Somewhere In A Small Town
120 bpm • F# Maj • 03:27 • -3db
37% Popularity • 52% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Do This Life