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Do What It Says (James 1:22)
Songs like
Do What It Says (James 1:22)
by
Emily Puckett
Based on a tempo of (+/- 10%) and a similar genre
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Emily Puckett
Do What It Says (James 1:22)
132 bpm • D Maj • 01:44 • -9.63db
0% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Melissa Corbett
Diana Jones (Acoustic)
132 bpm • A Maj • 04:29 • -10db
9% Popularity • 60% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Rama Das
Om Namo Bhagavate Vasudevaya
132 bpm • G Maj • 07:20 • -13.49db
30% Popularity • 53% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Indelible Grace Music
For All the Saints [Dan Haseltine]
132 bpm • D Maj • 04:01 • -10.31db
24% Popularity • 59% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Aoife O'Donovan
Lakes of Pontchartrain (Recorded at Spot...
132 bpm • C Maj • 03:54 • -10.38db
35% Popularity • 38% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Suzanne Vega
Streets of Laredo
132 bpm • G Maj • 03:45 • -15.56db
17% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Sword of the Spirit Worship
Made New
132 bpm • C# Maj • 03:24 • -11.54db
8% Popularity • 47% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Melita and Isaac
Love Songs, Pt. 2: Give Yourself to Love
132 bpm • F Maj • 02:06 • -14.35db
15% Popularity • 62% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Thean
Time in a Bottle
132 bpm • D min • 02:33 • -10.55db
31% Popularity • 58% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Way Productions
You Are with Me
132 bpm • C Maj • 04:10 • -14.14db
8% Popularity • 43% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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VENICE
The Family Tree - 2 Meter Session
133 bpm • D# Maj • 03:49 • -16.65db
9% Popularity • 52% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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KaySha
Travel Wander (Adventure Mix) - Special ...
133 bpm • D# Maj • 06:17 • -16.69db
19% Popularity • 44% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Scott Underwood
O' How I Love Jesus
133 bpm • D Maj • 05:18 • -14.87db
8% Popularity • 35% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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10,000 Maniacs
Eden - Alternate Lyrics Demo Version
133 bpm • B Maj • 03:33 • -9.6db
8% Popularity • 58% Danceability • 53% Energy • 9% Liveness
34% Instrumentalness • 32% Positiveness
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Indigo Girls
Love's Recovery
131 bpm • F Maj • 04:21 • -12.39db
32% Popularity • 49% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Lucy Kaplansky
Scorpion
133 bpm • A Maj • 03:52 • -11.18db
9% Popularity • 68% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Folk Uke
In Case We Die
133 bpm • D Maj • 03:21 • -14.71db
8% Popularity • 45% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Chris O'Gorman
Croissant
131 bpm • C# min • 03:05 • -12.34db
10% Popularity • 56% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jodie Teyna
To Keep Your Lovely Face / Give Me Jesus
133 bpm • A Maj • 05:48 • -18.53db
21% Popularity • 44% Danceability • 2% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness
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Reg Meuross
England Green & England Grey
130 bpm • C Maj • 04:13 • -13.7db
19% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Braidwood
Melt
134 bpm • C# min • 03:59 • -15.61db
17% Popularity • 62% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Kim Richey
Long Way Back
134 bpm • F Maj • 04:43 • -10.97db
8% Popularity • 52% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kristy Wilkins
Into You
130 bpm • C Maj • 03:32 • -17.66db
18% Popularity • 36% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Small Is Beautiful
Maniac
130 bpm • G# min • 04:53 • -11.66db
11% Popularity • 75% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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JJ Heller
Make Believe
130 bpm • A Maj • 04:29 • -9.94db
8% Popularity • 55% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Twarres
Find Your Way
130 bpm • E Maj • 03:23 • -5.94db
10% Popularity • 61% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Lyle Lovett
I've Had Enough
134 bpm • A# Maj • 03:02 • -10.71db
14% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Chloe Halpin
Show Stopper (Demo)
130 bpm • F min • 03:17 • -21db
6% Popularity • 67% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Cardigans
03.45 : No Sleep
130 bpm • C Maj • 03:45 • -11.78db
27% Popularity • 47% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Weddings Parties Anything
For a Short Time
130 bpm • D Maj • 05:11 • -8.37db
19% Popularity • 33% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Wendy Matthews
Homecoming Song
135 bpm • D Maj • 05:05 • -11.05db
9% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Harnam
Yogi's Song - Die Before We Die
129 bpm • D Maj • 02:55 • -19.76db
33% Popularity • 47% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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David Gray
Gutters Full Of Rain
135 bpm • B Maj • 04:22 • -14.04db
29% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Corey Cott
River in the Rain
135 bpm • D Maj • 04:02 • -12.65db
14% Popularity • 57% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lindsey Fish
Today's Not Someday
135 bpm • G Maj • 04:01 • -14.88db
9% Popularity • 68% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Lori McKenna
Swallows Me Whole
135 bpm • D# Maj • 04:13 • -11.21db
23% Popularity • 41% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 32% Positiveness
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Maura O'Connell
Trouble in the Fields
136 bpm • G Maj • 03:22 • -8.06db
27% Popularity • 56% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Lyle Lovett
If I Needed You
129 bpm • D# Maj • 03:46 • -11.12db
36% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dar Williams
The Beauty Of The Rain
136 bpm • G Maj • 02:59 • -11.71db
43% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kristen Nelson
Dare to Do Right
136 bpm • G Maj • 02:20 • -10db
24% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Hedges
Torched
128 bpm • D Maj • 04:51 • -10.1db
7% Popularity • 50% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Noelani Love
Ho'oponopono
136 bpm • G Maj • 04:04 • -11.26db
30% Popularity • 73% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Raquel Hayes
Make a Wish
128 bpm • C Maj • 03:03 • -7.86db
8% Popularity • 58% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Emily Puckett
Two Masters (Matthew 6:24)
128 bpm • A Maj • 01:18 • -8.35db
0% Popularity • 55% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Girlyman
Viola
128 bpm • G Maj • 03:50 • -11.67db
16% Popularity • 68% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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The Jayhawks
Blue (2 Meter Session)
136 bpm • E Maj • 03:08 • -14.17db
7% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Bygone Dave
Creosote (keepsakes)
128 bpm • C Maj • 05:07 • -15.18db
12% Popularity • 56% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Monroe Felton
I Choose You
136 bpm • C Maj • 03:23 • -10.02db
26% Popularity • 56% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Tony Weeks
In The Garden
128 bpm • G# Maj • 02:39 • -10.1db
13% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Darrell Scott
More Love
137 bpm • E Maj • 04:05 • -9.27db
18% Popularity • 60% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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VENICE
The Family Tree
127 bpm • D# Maj • 03:25 • -15.77db
37% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Cherie Call
Promises I Keep
137 bpm • A Maj • 03:00 • -13.68db
8% Popularity • 51% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Vic Chesnutt
Guilty By Association
137 bpm • E Maj • 04:19 • -12.62db
22% Popularity • 55% Danceability • 28% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
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Trailplayer Stew
Holy Ground
127 bpm • G min • 02:50 • -15.44db
20% Popularity • 50% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Indigo Girls
World Falls
137 bpm • F Maj • 03:44 • -8.52db
30% Popularity • 34% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Lizz Wright
Every Grain Of Sand
137 bpm • G Maj • 05:29 • -10.01db
20% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Jones
Roadhouses & Automobiles
137 bpm • C Maj • 06:38 • -15.56db
23% Popularity • 39% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 30% Positiveness
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Emma's Revolution
Swimming to the Other Side
137 bpm • C Maj • 04:51 • -9.18db
14% Popularity • 55% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Godfrey Birtill
I Tried Keeping Rules
127 bpm • G Maj • 03:43 • -7.28db
7% Popularity • 62% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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The Enfield Hymn Sessions
Jesus, I My Cross Have Taken
138 bpm • E Maj • 05:55 • -12.16db
30% Popularity • 40% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Marla Cannon-Goodman
Wild
138 bpm • D Maj • 03:32 • -10.06db
8% Popularity • 73% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Peter Mayer
The Play
138 bpm • F# Maj • 05:13 • -9.68db
9% Popularity • 61% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Angelo Kelly
Oh Shenandoah
126 bpm • C Maj • 04:12 • -14.18db
7% Popularity • 42% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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James Taylor
Yellow and Rose
138 bpm • D Maj • 04:53 • -10.55db
19% Popularity • 67% Danceability • 58% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Marti Jones
Follow You All over the World
126 bpm • A Maj • 04:03 • -19.29db
15% Popularity • 61% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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The Munsick Boys
1922
126 bpm • C Maj • 03:24 • -10.59db
13% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Hootie & The Blowfish
Driver 8
126 bpm • G Maj • 04:27 • -10.16db
16% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Mayer
Holy Now
138 bpm • B min • 04:55 • -14.33db
23% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Dana Dirksen
Gather Together
126 bpm • C Maj • 01:27 • -9.71db
8% Popularity • 62% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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David Wilcox
Last Chance Waltz
139 bpm • D Maj • 03:38 • -17.35db
11% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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ULLSEN
Farewell
139 bpm • D Maj • 04:57 • -10.14db
9% Popularity • 32% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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The Duhks
Annabel
139 bpm • D Maj • 04:23 • -9db
32% Popularity • 53% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Ted Pearce
Kadosh, Kadosh, Kadosh
139 bpm • C Maj • 03:58 • -7.88db
11% Popularity • 40% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Adam Brand
The Anzac
139 bpm • G Maj • 05:13 • -8.2db
9% Popularity • 57% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Sons of Korah
Psalm 1
139 bpm • B Maj • 03:16 • -12db
37% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Norton Hall Band
Grace Greater
125 bpm • E Maj • 04:19 • -10.55db
22% Popularity • 62% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Red Mountain Church
Pass Me Not, O Gentle Savior
125 bpm • D Maj • 06:05 • -11.41db
25% Popularity • 50% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Anita Lipnicka
Knock, Knock
140 bpm • C Maj • 04:46 • -8.64db
12% Popularity • 48% Danceability • 52% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
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Barenaked Ladies
Am I the Only One?
125 bpm • B Maj • 04:49 • -21.61db
19% Popularity • 77% Danceability • 21% Energy • 12% Liveness
4% Instrumentalness • 17% Positiveness
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Kev Rowe
Beautiful to Me
140 bpm • A# Maj • 03:33 • -14.6db
12% Popularity • 56% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Sandra McCracken
Sovereign Grace O'er Sin Abounding
140 bpm • B Maj • 03:53 • -10.39db
11% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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FREDRIK
All alone
140 bpm • G Maj • 03:19 • -12.19db
12% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Yvette Medina
Beauty of the Cross
140 bpm • C Maj • 04:19 • -7.08db
7% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Heloisa Rosa
Amigo Eterno
140 bpm • A Maj • 08:05 • -11.5db
22% Popularity • 45% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Lydia Gray
Something
140 bpm • G Maj • 03:00 • -9.23db
17% Popularity • 67% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Karen Drucker
I Am Healed
140 bpm • G Maj • 05:13 • -12.07db
11% Popularity • 62% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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The Tambourine Social
Kizzy the Koala
140 bpm • C Maj • 02:34 • -13.57db
14% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Hallesby
Now That I've Got You
124 bpm • E Maj • 02:55 • -12.02db
19% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Yvette Medina
I Cling to Jesus
140 bpm • C Maj • 04:12 • -5.33db
12% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Alan Samuel
Silver
140 bpm • G Maj • 01:55 • -13db
22% Popularity • 41% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Bellsburg Sessions
Hard To Get
124 bpm • G Maj • 05:15 • -12.62db
8% Popularity • 58% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Colin Buchanan
The Measure of a Man
140 bpm • C Maj • 04:26 • -13.94db
9% Popularity • 45% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Patty Larkin
Good Thing
141 bpm • F Maj • 06:05 • -16.49db
10% Popularity • 39% Danceability • 37% Energy • 70% Liveness
2% Instrumentalness • 57% Positiveness
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Trinity Seely
Low Maintenance Girl
141 bpm • A Maj • 03:24 • -8.06db
11% Popularity • 50% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Girlyman
Amaze Me
124 bpm • D# Maj • 04:14 • -8.87db
13% Popularity • 36% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Roam Like Ghosts
If Walls Could Talk
124 bpm • E Maj • 04:36 • -10.05db
13% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Dave Carter
Gentle Soldier of My Soul
141 bpm • D# Maj • 03:28 • -19.55db
29% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Fleetwood Mac
Crystal
124 bpm • E min • 05:14 • -21.12db
44% Popularity • 56% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Luanne Hunt
Love Led Us Here
141 bpm • A Maj • 03:24 • -8.9db
12% Popularity • 35% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Mayer
Blue Boat Home
141 bpm • E Maj • 04:02 • -10.61db
22% Popularity • 54% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Do What It Says (James 1:22)