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Do What You Wanna Do
Songs like
Do What You Wanna Do
by
Goran
Based on a tempo of (+/- 10%) and a similar genre
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Goran
Do What You Wanna Do
97 bpm • F# Maj • 03:34 • -8.33db
0% Popularity • 56% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Gary Kyle
Chapter 2
97 bpm • E Maj • 02:51 • -7.63db
12% Popularity • 61% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Elijah Gurley
Goodbye to Us
98 bpm • G# Maj • 03:39 • -6.74db
37% Popularity • 52% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Larkins
The Painter - Acoustic
98 bpm • C# min • 03:27 • -8db
23% Popularity • 61% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Austin English
Walk Away Slow
96 bpm • G Maj • 03:52 • -7.49db
19% Popularity • 60% Danceability • 71% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Dan Davidson
After Hours
96 bpm • E Maj • 03:13 • -6.99db
1% Popularity • 53% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Goran
Am Scos Bani Si Din Pamant
98 bpm • C# min • 03:09 • -7.41db
0% Popularity • 87% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Cameron James Smith
Knew Me When
98 bpm • F# Maj • 03:23 • -6db
10% Popularity • 52% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Gary Kyle
Away From You
96 bpm • C Maj • 02:58 • -6.47db
11% Popularity • 58% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan Sims
Slow Burn
96 bpm • C Maj • 03:05 • -6.47db
11% Popularity • 64% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Alec MacGillivray
All You Had to Do Was Stay (Alec's Versi...
98 bpm • B Maj • 02:51 • -7.84db
22% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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David Unlayao
Without You
96 bpm • B Maj • 02:52 • -5.85db
27% Popularity • 56% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Goran
5 Miles Over Kansas
96 bpm • C Maj • 03:24 • -7.93db
0% Popularity • 55% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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The Springs
Jesus in a Bible
98 bpm • C Maj • 03:20 • -7.79db
24% Popularity • 59% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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First Time Flyers
Looking Back Now
96 bpm • B min • 03:44 • -4.81db
11% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Andie Therio
Where the Highways Running
96 bpm • E Maj • 02:58 • -7.14db
22% Popularity • 64% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Kavana
Had It All
98 bpm • G Maj • 02:56 • -4.62db
17% Popularity • 56% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Drew Parker
The Truck
96 bpm • B Maj • 03:26 • -4.64db
36% Popularity • 47% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Goran
5 Miles Over Kansas
96 bpm • C Maj • 03:25 • -7.77db
0% Popularity • 55% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 75% Positiveness
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Presley Aronson
Live Like Paradise
98 bpm • G Maj • 03:01 • -6.5db
8% Popularity • 54% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Joey Green
Good in the Dark
96 bpm • B Maj • 03:26 • -5.82db
21% Popularity • 55% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Andrea Vasquez
Moving Target
95 bpm • C# Maj • 03:24 • -6.1db
34% Popularity • 55% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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JD Shelburne
Neon Hallelujah
95 bpm • G min • 03:03 • -4.61db
23% Popularity • 41% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Sarina Haggarty
Lipstick To Myself
99 bpm • C# Maj • 03:08 • -8.18db
28% Popularity • 69% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Zach Blair
Yeah Baby
99 bpm • G# Maj • 02:44 • -6.81db
11% Popularity • 70% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Ty Herndon
Love Me Anyway
99 bpm • F Maj • 03:26 • -2.97db
16% Popularity • 63% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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The Roads Below
All Or Nothing
95 bpm • B Maj • 02:54 • -5.96db
26% Popularity • 63% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Hillary Reese
When the Smoke Clears
95 bpm • C# Maj • 03:43 • -5.29db
16% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Sam Rife
Sleeping With Ghosts
95 bpm • A min • 02:48 • -8.02db
0% Popularity • 52% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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HUTCH
You And Me Baby
99 bpm • A Maj • 03:27 • -4db
21% Popularity • 61% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Derek Cate
SATURDAY NIGHTER
95 bpm • C Maj • 03:19 • -10db
10% Popularity • 57% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rob Wolf
The Cowboy Way
100 bpm • E min • 03:32 • -4.6db
34% Popularity • 53% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Levi North
Get Your Story Straight
100 bpm • G Maj • 03:51 • -8.63db
10% Popularity • 64% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Randall Fowler
Two Woman Man
100 bpm • E Maj • 03:14 • -4.19db
23% Popularity • 61% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Brent Michael Wood
Getaway (Let’s Run)
100 bpm • C# Maj • 03:53 • -5.86db
22% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jake Davey
Second Chance
100 bpm • C# Maj • 03:14 • -5.6db
16% Popularity • 63% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Autumn Ever Land
Pray (I Don't See You Around)
100 bpm • G Maj • 02:56 • -9.48db
18% Popularity • 66% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Zach Blair
Candle to You
100 bpm • A Maj • 03:03 • -6.11db
11% Popularity • 68% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Erin Kinsey
I Ain't Crazy
100 bpm • C Maj • 02:56 • -4.18db
54% Popularity • 56% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Page Mackenzie
She's Gonna Kill Me
100 bpm • D Maj • 02:47 • -4.85db
10% Popularity • 60% Danceability • 75% Energy • 51% Liveness
0% Instrumentalness • 46% Positiveness
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Mary Sarah
CHAIN SMOKIN'
100 bpm • B min • 03:11 • -4.03db
14% Popularity • 58% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Joe Hanson
Young Got Old
100 bpm • G# Maj • 03:09 • -6.73db
9% Popularity • 61% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Jessica Russell
Pause On Over
94 bpm • D Maj • 03:06 • -3.78db
12% Popularity • 64% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Nolan Gray
Damn Girl
94 bpm • E Maj • 02:46 • -4.78db
16% Popularity • 48% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Goran
Red Eye
101 bpm • G# Maj • 03:44 • -10.8db
0% Popularity • 52% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Austin Bohannon
Never Ends
101 bpm • C# Maj • 02:41 • -7.77db
28% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Brett Landin
Leaving Boots
101 bpm • F# min • 03:09 • -8.18db
12% Popularity • 58% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Nayana
Bought Me A Drink
101 bpm • E Maj • 02:51 • -7.6db
10% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Curtis Braly
Losing Sleep
93 bpm • G# Maj • 02:40 • -5.63db
10% Popularity • 52% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Hayley Verrall
Slow Motion
93 bpm • A# Maj • 03:11 • -5.26db
21% Popularity • 61% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Goran
Red Eye
101 bpm • G# Maj • 03:44 • -8.99db
0% Popularity • 50% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Alex Mather
Never a Bad Time
93 bpm • A# Maj • 02:53 • -5.4db
50% Popularity • 53% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Dermott Taggart
Burnt
93 bpm • G# Maj • 03:53 • -7.68db
26% Popularity • 58% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Tim Albertson
For The Last Time - Extended Version
102 bpm • F# Maj • 05:14 • -5.56db
20% Popularity • 65% Danceability • 81% Energy • 24% Liveness
9% Instrumentalness • 36% Positiveness
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Adam Cousins
In The End
102 bpm • A Maj • 02:51 • -4.99db
14% Popularity • 59% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Elijah Gurley
Chasing the Wind
102 bpm • F# Maj • 03:20 • -5.51db
11% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Goran
Lucky Man
93 bpm • D# Maj • 03:19 • -8.47db
0% Popularity • 63% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 54% Positiveness
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Matt Cooper
Ain't No Then
102 bpm • A Maj • 03:28 • -5.28db
11% Popularity • 59% Danceability • 79% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Maxwell & The Shakes
Arizona Red
102 bpm • A Maj • 03:55 • -4.35db
8% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Robby Earle
Troubles, Let Me Go
102 bpm • F# Maj • 03:43 • -6.56db
15% Popularity • 55% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Chandler James
No Cinderella
92 bpm • A# Maj • 03:24 • -7.45db
8% Popularity • 58% Danceability • 61% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Tyler Chambers
Didn't Love Her If You Don't
92 bpm • G Maj • 03:15 • -4.93db
30% Popularity • 49% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Goran
Call It Quits
93 bpm • F Maj • 03:18 • -8.52db
1% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Kenny Curcio
Just Move
92 bpm • F# Maj • 03:20 • -6.42db
12% Popularity • 67% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Steven Cade
Amazing Grace
92 bpm • C# Maj • 03:06 • -3.29db
13% Popularity • 62% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Daniel Beddoes
Heartbreak Kind
92 bpm • A# min • 03:49 • -4.25db
7% Popularity • 57% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Zach Wolfe & the Coyotes
All the Time
92 bpm • F# Maj • 02:55 • -7.76db
19% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Mitch Rossell
Hollywood
103 bpm • D# Maj • 03:40 • -6.63db
37% Popularity • 68% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Artesh
Şêna
91 bpm • G Maj • 03:56 • -8.05db
2% Popularity • 79% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Fraya Seitz
Why I Don't Have Tattoos
103 bpm • C Maj • 04:30 • -7.47db
8% Popularity • 73% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Knivman
Flytrap
91 bpm • B Maj • 04:08 • -7.45db
0% Popularity • 89% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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Austin Chatfield
I Ain't
104 bpm • C Maj • 03:14 • -6.18db
15% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Landon Wall
Summer's Gone
104 bpm • A Maj • 02:34 • -4.94db
25% Popularity • 65% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Hubbard
Park
104 bpm • G Maj • 02:44 • -4.11db
55% Popularity • 60% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Corey Dakota
Can't Go Back
104 bpm • F# Maj • 03:03 • -6.88db
18% Popularity • 62% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Mitch Clark
OUTTA MY MIND
90 bpm • G Maj • 03:18 • -5.13db
19% Popularity • 57% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Brent Anderson
Downtime
90 bpm • E Maj • 03:39 • -8.75db
10% Popularity • 60% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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ERNEST
Would If I Could
90 bpm • F# Maj • 03:22 • -6.62db
57% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Knivman
Young As I Was
90 bpm • A# min • 04:05 • -5.62db
0% Popularity • 84% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Joe Marson
Something Greater
90 bpm • C Maj • 03:44 • -6.57db
15% Popularity • 61% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Bryan Frazier
Cold One Waitin'
90 bpm • D# Maj • 03:04 • -5.04db
26% Popularity • 53% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Reed Kirkwood
The Spot
90 bpm • B Maj • 03:33 • -9.77db
16% Popularity • 51% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Melanie Meriney
Tequila Talk
90 bpm • D Maj • 03:03 • -8.91db
29% Popularity • 58% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Sixfigure
Run Away From Here
90 bpm • F# Maj • 02:30 • -4.2db
34% Popularity • 57% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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James McNair
79 Days
105 bpm • F# min • 03:40 • -5.47db
23% Popularity • 60% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Band Reeves
Good Livin’
105 bpm • A Maj • 02:44 • -5.07db
26% Popularity • 55% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Catie St.Germain
High Forever
89 bpm • F# Maj • 03:36 • -5.28db
18% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Allison Clarke
Tennessee Sunset
89 bpm • B Maj • 03:20 • -11.83db
8% Popularity • 63% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Sofie Lynn
Green
89 bpm • G# Maj • 02:30 • -6.77db
22% Popularity • 59% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Midnight South
Girl I Was Looking For
106 bpm • E Maj • 03:14 • -7.53db
9% Popularity • 67% Danceability • 65% Energy • 18% Liveness
1% Instrumentalness • 27% Positiveness
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Matt Cairns
Blind Sided
106 bpm • C# Maj • 02:43 • -1.77db
21% Popularity • 49% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Annika Catharina
Broke It
89 bpm • C# Maj • 03:00 • -6.92db
8% Popularity • 40% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Brother Joe
Got a Thing
88 bpm • F Maj • 04:30 • -7.46db
19% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Scott Kurt
Give Me Another Shot
88 bpm • A Maj • 03:10 • -4.3db
10% Popularity • 56% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Toni Clare
Country Home
88 bpm • C Maj • 03:22 • -6.51db
8% Popularity • 63% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Michael James Arnold
Single Enough
88 bpm • D# Maj • 02:24 • -10.45db
8% Popularity • 73% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Hayley Verrall
I Guess That's Love
108 bpm • A# Maj • 02:55 • -4.62db
20% Popularity • 67% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Mason & Julez
Coastline
107 bpm • G# min • 02:54 • -7.6db
29% Popularity • 69% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Wayland
Looking for a Bar
108 bpm • E Maj • 03:00 • -4.08db
12% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Essi
Alcohol & Boys
87 bpm • F Maj • 03:39 • -4.8db
11% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Do What You Wanna Do