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Do Ya
Songs like
Do Ya
by
Neil Nathan
Based on a tempo of (+/- 10%) and a similar genre
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Neil Nathan
Do Ya
122 bpm • D Maj • 03:55 • -12.11db
23% Popularity • 60% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Iron & Wine
Love Vigilantes
122 bpm • D# Maj • 03:26 • -13.64db
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Hollis Brown
When the Weather's Warm
122 bpm • D Maj • 03:52 • -8.03db
17% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Ritter
In The Dark
123 bpm • G Maj • 04:41 • -8.62db
10% Popularity • 73% Danceability • 41% Energy • 19% Liveness
2% Instrumentalness • 55% Positiveness
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Gary Jules
Dtla
121 bpm • G Maj • 03:34 • -9.02db
15% Popularity • 74% Danceability • 55% Energy • 7% Liveness
11% Instrumentalness • 97% Positiveness
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Sean Rowe
The Game
121 bpm • F# Maj • 03:33 • -9.43db
21% Popularity • 67% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 73% Positiveness
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Neil Nathan
My Door
122 bpm • D Maj • 03:05 • -8.48db
0% Popularity • 47% Danceability • 38% Energy • 10% Liveness
11% Instrumentalness • 24% Positiveness
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Rocco DeLuca
Congregate
121 bpm • D Maj • 03:53 • -14.24db
15% Popularity • 57% Danceability • 22% Energy • 11% Liveness
28% Instrumentalness • 11% Positiveness
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Cowboy Junkies
Lost My Driving Wheel
121 bpm • C Maj • 06:27 • -16.5db
9% Popularity • 37% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Barr Brothers
Valhallas
121 bpm • G# Maj • 04:30 • -14db
19% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ellis Paul
The World Ain't Slowin' Down
123 bpm • A# Maj • 04:36 • -6.77db
23% Popularity • 39% Danceability • 63% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
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Rocco DeLuca and The Burden
Nightingale
121 bpm • A min • 03:37 • -15.25db
9% Popularity • 42% Danceability • 19% Energy • 12% Liveness
15% Instrumentalness • 23% Positiveness
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Neil Nathan
When the Rain Falls
121 bpm • C Maj • 02:42 • -4.53db
2% Popularity • 61% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jakob Dylan
Valley of the Low Sun
121 bpm • E Maj • 03:57 • -12.16db
16% Popularity • 62% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Boys Club
Excitable Boy - 2022 Remastered Version
123 bpm • E Maj • 02:35 • -10.58db
2% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Perry Keyes
In Ancient Rome
123 bpm • B Maj • 05:47 • -8.61db
9% Popularity • 44% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Jay Malinowski
Life is a Gun
121 bpm • C# min • 02:50 • -7.71db
16% Popularity • 76% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Grant-Lee Phillips
Find My Way
121 bpm • G Maj • 04:52 • -12db
18% Popularity • 47% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 39% Positiveness
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Neil Nathan
Eyes Wide Open
120 bpm • E Maj • 03:29 • -15.56db
0% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Jamestown Revival
Heavy Heart
124 bpm • C Maj • 05:25 • -10.7db
25% Popularity • 47% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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My Morning Jacket
Rocket Man
120 bpm • D# Maj • 04:59 • -9.59db
46% Popularity • 56% Danceability • 27% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Fire Mountain
Be Your Eyes
124 bpm • G min • 04:41 • -5.23db
11% Popularity • 55% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Cloud Cult
You Were Born
120 bpm • F Maj • 02:31 • -16.79db
42% Popularity • 70% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Hi Ho Silver Oh
Time to Move On (Tom Petty cover)
120 bpm • F# Maj • 05:07 • -14.69db
19% Popularity • 49% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Neil Nathan
Second Hand Sunrise
120 bpm • A Maj • 04:05 • -11.45db
20% Popularity • 60% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Simone Felice
New York Times
124 bpm • D Maj • 04:06 • -6.98db
1% Popularity • 56% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Josh Rouse
Sparrows over Birmingham
124 bpm • D# Maj • 04:59 • -16.67db
24% Popularity • 53% Danceability • 23% Energy • 15% Liveness
50% Instrumentalness • 33% Positiveness
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Amos Lee
Sympathize
124 bpm • A# Maj • 03:04 • -10.48db
33% Popularity • 73% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mark Kozelek
Metropol 47
124 bpm • D Maj • 03:12 • -12.25db
18% Popularity • 64% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Richard Ashcroft
Running Away
120 bpm • C Maj • 04:16 • -13.22db
20% Popularity • 62% Danceability • 42% Energy • 13% Liveness
15% Instrumentalness • 38% Positiveness
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Golden Smog
You Make It Easy
125 bpm • C# Maj • 04:12 • -5.73db
13% Popularity • 48% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Gary Jules
Wichita
125 bpm • E Maj • 04:02 • -11.23db
14% Popularity • 62% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Harper And The Innocent Criminals
Goodbye To You
125 bpm • C Maj • 05:06 • -14.27db
17% Popularity • 32% Danceability • 31% Energy • 10% Liveness
43% Instrumentalness • 13% Positiveness
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Neil Nathan
Gone (Fly Away)
125 bpm • G Maj • 02:47 • -3.68db
1% Popularity • 70% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Adams & The Cardinals
Dance All Night
119 bpm • D# Maj • 03:14 • -6db
39% Popularity • 58% Danceability • 69% Energy • 15% Liveness
5% Instrumentalness • 65% Positiveness
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The Airborne Toxic Event
Sometime Around Midnight - Acoustic Vers...
119 bpm • G# Maj • 04:52 • -5db
27% Popularity • 57% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Band of Horses
A Song for You (Live Acoustic) [Bonus Tr...
119 bpm • B Maj • 04:09 • -13.02db
30% Popularity • 58% Danceability • 30% Energy • 73% Liveness
0% Instrumentalness • 38% Positiveness
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Deer Tick
Goodbye, Dear Friend
125 bpm • F Maj • 04:58 • -9.84db
35% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Tim Moxam
Live in the Bedroom
125 bpm • A# Maj • 04:53 • -12.47db
14% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Neil Nathan
To You (The Happy Birthday Song) [Mellow...
125 bpm • G Maj • 01:27 • -5.74db
3% Popularity • 64% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Jakob Dylan
War Is Kind
125 bpm • E Maj • 03:08 • -14.12db
15% Popularity • 68% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Luke Sital-Singh
New Slang
125 bpm • C Maj • 03:18 • -11.61db
29% Popularity • 75% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Fort Atlantic
Up from the Ground
125 bpm • B min • 04:08 • -11db
23% Popularity • 52% Danceability • 37% Energy • 22% Liveness
1% Instrumentalness • 10% Positiveness
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Deer Tick
The Dream's in the Ditch
125 bpm • F Maj • 03:11 • -5db
29% Popularity • 65% Danceability • 92% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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The Wallflowers
First One in the Car
119 bpm • D Maj • 04:19 • -5.93db
21% Popularity • 50% Danceability • 75% Energy • 19% Liveness
7% Instrumentalness • 47% Positiveness
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Neil Nathan
Begging to Believe
119 bpm • E min • 02:59 • -13.93db
0% Popularity • 52% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ryan Bingham
Until I'm One with You
119 bpm • F Maj • 03:41 • -16.13db
29% Popularity • 42% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Colin Hay
My Brilliant Feat
125 bpm • G Maj • 03:26 • -13db
28% Popularity • 55% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Eddie Vedder and Natalie Maines
Golden State (Live)
119 bpm • G Maj • 03:08 • -5.43db
34% Popularity • 64% Danceability • 78% Energy • 92% Liveness
0% Instrumentalness • 56% Positiveness
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Gus Black
Paranoid
119 bpm • C Maj • 03:25 • -9.74db
31% Popularity • 63% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Tommy Lee
Home Sweet Home
125 bpm • F Maj • 02:49 • -9db
26% Popularity • 41% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Neil Nathan
Mia
125 bpm • G Maj • 04:00 • -6.55db
1% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Damien Jurado
Abilene
125 bpm • C# Maj • 02:26 • -12.89db
31% Popularity • 53% Danceability • 23% Energy • 11% Liveness
43% Instrumentalness • 27% Positiveness
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Grant-Lee Phillips
Smoke and Sparks
119 bpm • C Maj • 03:39 • -10.92db
14% Popularity • 47% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Richard Buckner
Mood
126 bpm • E min • 04:32 • -12.42db
16% Popularity • 57% Danceability • 30% Energy • 11% Liveness
13% Instrumentalness • 47% Positiveness
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Jackson Browne
Yeah Yeah
126 bpm • G Maj • 06:14 • -9.72db
20% Popularity • 64% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Hollis Brown
Ride On the Train
126 bpm • B Maj • 04:39 • -8.3db
12% Popularity • 56% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Neil Nathan
To You (The Happy Birthday Song) [Rock V...
125 bpm • A Maj • 02:18 • -5.98db
2% Popularity • 64% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Jason Collett
We All Lose One Another
118 bpm • G Maj • 04:21 • -8.34db
15% Popularity • 63% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Alberta Cross
Low Man
126 bpm • F Maj • 02:43 • -5.6db
34% Popularity • 47% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Luke Doucet
Broken One
118 bpm • E Maj • 04:03 • -7.86db
9% Popularity • 60% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Robert Plant
All the Kings Horses
126 bpm • C Maj • 04:19 • -10db
31% Popularity • 43% Danceability • 32% Energy • 16% Liveness
3% Instrumentalness • 16% Positiveness
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Nathaniel Rateliff & The Night Sweats
Thank You
118 bpm • C# Maj • 03:17 • -5.24db
39% Popularity • 64% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Neil Nathan
All Together
118 bpm • D Maj • 04:54 • -7.58db
2% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Brett Dennen
The One Who Love You The Most
127 bpm • B Maj • 04:50 • -9.13db
26% Popularity • 83% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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The New Basement Tapes
The Whistle Is Blowing
117 bpm • C Maj • 05:16 • -10.28db
31% Popularity • 49% Danceability • 37% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
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Benjamin Gibbard
When The Sun Goes Down
117 bpm • E Maj • 03:20 • -13.71db
19% Popularity • 67% Danceability • 47% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
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Jeffrey Foucault
Horse Latitudes
117 bpm • F Maj • 05:20 • -8.98db
14% Popularity • 61% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 30% Positiveness
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Royal Wood
Juliet
117 bpm • A Maj • 03:42 • -9db
27% Popularity • 59% Danceability • 58% Energy • 9% Liveness
21% Instrumentalness • 44% Positiveness
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Neil Nathan
Don't Forget Me
127 bpm • D# Maj • 03:26 • -13.45db
0% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Joshua Blake
Pain and Misery
117 bpm • A Maj • 04:03 • -14.13db
8% Popularity • 52% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Chuck Prophet
No Other Love
127 bpm • C Maj • 03:53 • -10.61db
33% Popularity • 53% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Sean Rowe
Madman
127 bpm • D# Maj • 03:59 • -7.14db
27% Popularity • 71% Danceability • 74% Energy • 30% Liveness
5% Instrumentalness • 78% Positiveness
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Glen Hansard
Song Of Good Hope
127 bpm • G Maj • 03:48 • -18.47db
6% Popularity • 47% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Jakob Dylan
Evil Is Alive And Well
117 bpm • F Maj • 03:56 • -12.04db
17% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Neil Nathan
Further
127 bpm • C min • 05:02 • -9.58db
0% Popularity • 53% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Robert Francis
All of My Trains
117 bpm • A# Maj • 07:25 • -10db
14% Popularity • 37% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
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The New Basement Tapes
Liberty Street
117 bpm • G Maj • 02:44 • -11.73db
29% Popularity • 46% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Harper And The Innocent Criminals
Fool For A Lonesome Train
128 bpm • G Maj • 03:29 • -7.66db
33% Popularity • 70% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Mindy Smith
Peace Of Mind
128 bpm • G Maj • 03:16 • -15.54db
14% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mudcrutch
Trailer
128 bpm • G Maj • 03:17 • -4.4db
29% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Neil Nathan
Highways
116 bpm • G Maj • 02:45 • -5.72db
0% Popularity • 30% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 24% Positiveness
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Jakob Dylan
Down On Our Own Shield
128 bpm • F Maj • 03:40 • -15db
24% Popularity • 63% Danceability • 30% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
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Amos Lee
Learned A Lot
128 bpm • C Maj • 04:30 • -10db
35% Popularity • 56% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 32% Positiveness
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Ben Harper And Relentless7
Faithfully Remain
128 bpm • E Maj • 04:28 • -12db
24% Popularity • 78% Danceability • 33% Energy • 12% Liveness
24% Instrumentalness • 55% Positiveness
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Pete Yorn
Splendid Isolation
116 bpm • E min • 03:27 • -7.99db
18% Popularity • 53% Danceability • 76% Energy • 12% Liveness
61% Instrumentalness • 69% Positiveness
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Ben Harper And The Innocent Criminals
Deeper And Deeper
116 bpm • D Maj • 04:02 • -10.14db
17% Popularity • 76% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Neil Nathan
Gone and Back Again
116 bpm • G Maj • 04:22 • -9.76db
0% Popularity • 48% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jakob Dylan
Something Good This Way Comes
116 bpm • A Maj • 03:37 • -9.66db
34% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Ryan Adams & The Cardinals
Down In A Hole
116 bpm • G Maj • 04:36 • -5.53db
31% Popularity • 42% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Mieka Pauley
Devil's Got My Secret
128 bpm • C Maj • 04:35 • -10db
7% Popularity • 54% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dylan LeBlanc
If the Creek Don't Rise
116 bpm • C Maj • 03:24 • -15.87db
38% Popularity • 63% Danceability • 12% Energy • 15% Liveness
3% Instrumentalness • 9% Positiveness
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The Cave Singers
Black Leaf
116 bpm • C Maj • 03:23 • -8.31db
24% Popularity • 62% Danceability • 85% Energy • 6% Liveness
1% Instrumentalness • 79% Positiveness
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Neil Nathan
California Run
128 bpm • G Maj • 03:23 • -3.7db
2% Popularity • 65% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Rocco DeLuca and The Burden
When You Learn To Sing
116 bpm • G Maj • 04:40 • -16.22db
8% Popularity • 30% Danceability • 13% Energy • 11% Liveness
33% Instrumentalness • 10% Positiveness
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Lauren O'Connell
I Think It's Going to Rain Today
116 bpm • A Maj • 03:08 • -16.65db
18% Popularity • 51% Danceability • 5% Energy • 10% Liveness
14% Instrumentalness • 18% Positiveness
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The Donkeys
Dolphin Center
116 bpm • C Maj • 05:42 • -8.62db
21% Popularity • 54% Danceability • 46% Energy • 34% Liveness
47% Instrumentalness • 24% Positiveness
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Joe Purdy
The City
116 bpm • G Maj • 04:45 • -9db
30% Popularity • 58% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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R.E.M.
Walk It Back
116 bpm • D Maj • 03:24 • -8.02db
29% Popularity • 42% Danceability • 51% Energy • 14% Liveness
5% Instrumentalness • 35% Positiveness
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Everest
Rebels In The Roses
129 bpm • A min • 04:27 • -10.62db
15% Popularity • 59% Danceability • 47% Energy • 15% Liveness
3% Instrumentalness • 30% Positiveness
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Do Ya