Songs like Do You Believe In Love At First Sight by The Rockin' Berries
Based on a tempo of (+/- 10%) and a similar genre
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The Fourmost
I'm In Love
142 bpm • C# min • 02:10 • -7.99db
20% Popularity • 53% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 53% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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The Honeycombs
Have I the Right
142 bpm • C# min • 02:58 • -8.07db
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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The Brook Brothers
Ain't Gonna Wash for a Week
142 bpm • A Maj • 02:00 • -9.01db
11% Popularity • 41% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 41% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Kidd & The Pirates
I'll Never Get Over You
142 bpm • A Maj • 02:07 • -8db
23% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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The Rockin' Berries
Do You Believe in Love at First Sight
142 bpm • D Maj • 02:49 • -11.74db
0% Popularity • 72% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 72% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Karl Denver
Wimoweh
142 bpm • C# Maj • 02:34 • -8.44db
14% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 47% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Jackie DeShannon
Don't Turn Your Back On Me
141 bpm • D Maj • 02:12 • -8.1db
12% Popularity • 38% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 38% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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1910 Fruitgum Company
May I Take a Giant Step (Into Your Heart...
143 bpm • D Maj • 02:27 • -9.77db
16% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 64% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Freddy Cannon
Way Down Yonder in New Orleans
143 bpm • G# Maj • 02:31 • -4db
25% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Alan Price Set
Hi Lili Hi Lo
141 bpm • A# Maj • 02:48 • -9.44db
17% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Rockin' Berries
What in the World's Come Over You
142 bpm • A Maj • 02:23 • -5.8db
9% Popularity • 26% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 26% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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The Association
Along Comes Mary - Remastered Version
143 bpm • E min • 02:46 • -11.02db
24% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 60% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Move
I Can Hear The Grass Grow
143 bpm • D Maj • 03:05 • -5db
23% Popularity • 41% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 41% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Billy J. Kramer
I'll Be on My Way
141 bpm • A Maj • 01:42 • -10db
21% Popularity • 34% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 34% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Cryan' Shames
I Wanna Meet You
143 bpm • F Maj • 02:06 • -10db
16% Popularity • 37% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 37% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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The Cowsills
We Can Fly
144 bpm • F Maj • 02:15 • -10db
29% Popularity • 37% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 37% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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The Rockin' Berries
Johnnie Angel Wings
142 bpm • A Maj • 02:57 • -16.37db
0% Popularity • 42% Danceability • 43% Energy • 17% Liveness
37% Instrumentalness • 61% Positiveness
0% Popularity • 42% Danceability • 43% Energy • 17% Liveness
37% Instrumentalness • 61% Positiveness
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The Undertakers
Just a Little Bit
143 bpm • D Maj • 02:24 • -6.16db
8% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Brian Hyland
The Joker Went Wild
140 bpm • G# Maj • 02:44 • -6db
28% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 70% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Revere & The Raiders
Let Me!
144 bpm • C# min • 03:58 • -11db
18% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Petula Clark
A Sign of the Times
139 bpm • A# Maj • 02:52 • -10.18db
23% Popularity • 48% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 48% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Tommy Boyce
Alice Long (You're Still My Favorite Gir...
144 bpm • C Maj • 02:51 • -6.44db
20% Popularity • 53% Danceability • 85% Energy • 11% Liveness
57% Instrumentalness • 78% Positiveness
20% Popularity • 53% Danceability • 85% Energy • 11% Liveness
57% Instrumentalness • 78% Positiveness
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The Rockin' Berries
Poor Man's Son
141 bpm • A Maj • 02:05 • -11.75db
2% Popularity • 63% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 63% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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O.C. Smith
The Son of Hickory Holler's Tramp
145 bpm • F Maj • 03:53 • -11db
22% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Buckinghams
Kind of a Drag
139 bpm • G Maj • 02:07 • -9.31db
26% Popularity • 30% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 30% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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The Reflections
(Just Like) Romeo & Juliet
145 bpm • D# Maj • 02:07 • -9db
31% Popularity • 77% Danceability • 86% Energy • 22% Liveness
58% Instrumentalness • 98% Positiveness
31% Popularity • 77% Danceability • 86% Energy • 22% Liveness
58% Instrumentalness • 98% Positiveness
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Cliff Bennett & The Rebel Rousers
Got To Get You Into My Life - 2004 Digit...
138 bpm • G Maj • 02:37 • -10db
31% Popularity • 48% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 48% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Freddie & The Dreamers
Do the Freddie
138 bpm • F# Maj • 01:59 • -7.95db
16% Popularity • 41% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 41% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Rockin' Berries
Yellow Rainbow
143 bpm • E Maj • 02:50 • -7.52db
1% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 36% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Honeycombs
Colour Slide
146 bpm • C# Maj • 02:53 • -8.84db
11% Popularity • 30% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 30% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy Justice
Ain't That Funny
138 bpm • A Maj • 02:08 • -4.14db
27% Popularity • 46% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 46% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Petula Clark
I Know a Place
138 bpm • E Maj • 02:41 • -9.08db
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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The Springfields
Silver Threads & Golden Needles
138 bpm • A Maj • 02:13 • -4db
22% Popularity • 49% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 49% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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The Paramounts
Poison Ivy - 1998 Remaster
138 bpm • D Maj • 02:08 • -8.05db
16% Popularity • 57% Danceability • 72% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 57% Danceability • 72% Energy • 50% Liveness
0% Instrumentalness • 94% Positiveness
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The Rockin' Berries
Pain
144 bpm • E Maj • 02:08 • -3.67db
1% Popularity • 26% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
1% Popularity • 26% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Billy J. Kramer
Do You Want to Know a Secret?
137 bpm • E Maj • 02:03 • -9.83db
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 53% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Eden Kane
Boys Cry
137 bpm • C Maj • 02:17 • -9db
27% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 52% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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1910 Fruitgum Company
Special Delivery - Remastered
137 bpm • A Maj • 02:38 • -13.09db
16% Popularity • 83% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 83% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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The Honeycombs
That's the Way
137 bpm • F# Maj • 02:59 • -9.51db
21% Popularity • 45% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 45% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Cliff Richard & The Shadows
It'll Be Me - 1998 Remaster
137 bpm • G Maj • 01:55 • -6.77db
6% Popularity • 57% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 57% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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The Rockin' Berries
Here I Go
139 bpm • C Maj • 03:11 • -14.55db
0% Popularity • 57% Danceability • 71% Energy • 36% Liveness
80% Instrumentalness • 96% Positiveness
0% Popularity • 57% Danceability • 71% Energy • 36% Liveness
80% Instrumentalness • 96% Positiveness
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Dick & Dee Dee
Thou Shalt Not Steal
137 bpm • A Maj • 02:00 • -11db
15% Popularity • 68% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 68% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 96% Positiveness
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The Fourmost
Girls Girls Girls
137 bpm • C# min • 02:24 • -10.55db
3% Popularity • 55% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
3% Popularity • 55% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Eden Kane
Boys Cry (When No One Can See Them)
137 bpm • G Maj • 02:13 • -7.61db
16% Popularity • 38% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 38% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Marty Wilde
Jezebel
137 bpm • F min • 02:54 • -8.26db
13% Popularity • 37% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 37% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmy Jones
Good Timin'
147 bpm • D# Maj • 02:08 • -7.68db
45% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
45% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Rockin' Berries
You Don't Know What You Do
145 bpm • E Maj • 02:19 • -8.04db
1% Popularity • 49% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 49% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Keith
Ain't Gonna Lie
137 bpm • F Maj • 03:01 • -7db
16% Popularity • 67% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 67% Danceability • 59% Energy • 59% Liveness
0% Instrumentalness • 85% Positiveness
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The Essex
Easier Said Than Done
136 bpm • E Maj • 02:06 • -11db
33% Popularity • 80% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 80% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Eden Kane
Get Lost
137 bpm • A Maj • 02:48 • -11db
17% Popularity • 64% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 64% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Turtles
You Baby (Mono)
136 bpm • B Maj • 02:18 • -8.45db
33% Popularity • 49% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
33% Popularity • 49% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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The Spencer Davis Group
Somebody Help Me
136 bpm • F Maj • 02:01 • -7.44db
34% Popularity • 65% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 65% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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The Rockin' Berries
The Laughing Policeman
137 bpm • F Maj • 02:11 • -10.47db
0% Popularity • 69% Danceability • 85% Energy • 68% Liveness
0% Instrumentalness • 87% Positiveness
0% Popularity • 69% Danceability • 85% Energy • 68% Liveness
0% Instrumentalness • 87% Positiveness
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The Chiffons
Sweet Talkin' Guy
148 bpm • B min • 02:26 • -5db
45% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Crazy Elephant
Gimme Gimme Good Lovin'
136 bpm • D Maj • 01:59 • -8.07db
11% Popularity • 86% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 86% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Nashville Teens
Tobacco Road
135 bpm • G Maj • 02:27 • -9.67db
24% Popularity • 66% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 66% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Gene McDaniels
Chip Chip
135 bpm • C# Maj • 02:21 • -11db
29% Popularity • 66% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 66% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Trini Lopez
Sinner Man
135 bpm • C Maj • 02:50 • -9.81db
11% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Rockin' Berries
You'd Better Come Home
149 bpm • C Maj • 01:42 • -6.85db
1% Popularity • 41% Danceability • 78% Energy • 71% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 41% Danceability • 78% Energy • 71% Liveness
0% Instrumentalness • 96% Positiveness
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Harpers Bizarre
59th Street Bridge Song (Feelin' Groovy)...
135 bpm • C# Maj • 02:39 • -13.28db
38% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Freddie & The Dreamers
I Think of You
135 bpm • D# Maj • 02:15 • -11.66db
12% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Kidd & The Pirates
Hungry For Love
135 bpm • F# Maj • 02:15 • -10db
10% Popularity • 59% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 59% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Jay
Sunday and Me
135 bpm • A# Maj • 02:55 • -10.83db
6% Popularity • 46% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 46% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Frankie Vaughan
Tower of Strength
135 bpm • D Maj • 02:10 • -5.02db
20% Popularity • 48% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 48% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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The Rockin' Berries
Looking Glass
149 bpm • D Maj • 02:58 • -10.38db
1% Popularity • 51% Danceability • 82% Energy • 16% Liveness
2% Instrumentalness • 75% Positiveness
1% Popularity • 51% Danceability • 82% Energy • 16% Liveness
2% Instrumentalness • 75% Positiveness
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The Bobby Fuller Four
Love's Made a Fool of You
150 bpm • A Maj • 01:59 • -8.96db
29% Popularity • 60% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Marty Wilde
Rubber Ball
150 bpm • A# Maj • 02:13 • -10.09db
26% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Brenda Lee
Coming On Strong
150 bpm • C Maj • 02:02 • -14db
31% Popularity • 55% Danceability • 38% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 55% Danceability • 38% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
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Small Faces
Sha La La La Lee - Mono Version
135 bpm • E Maj • 02:54 • -4.25db
31% Popularity • 47% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 47% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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The Beau Brummels
Hang On Sloopy
134 bpm • F# Maj • 02:52 • -11.73db
13% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Honeycombs
Leslie Anne
134 bpm • A# Maj • 01:59 • -10.3db
12% Popularity • 45% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 45% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Petula Clark
Round Every Corner
134 bpm • F# min • 02:33 • -8.61db
15% Popularity • 36% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 36% Danceability • 58% Energy • 71% Liveness
0% Instrumentalness • 77% Positiveness
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The Association
Time for Livin'
134 bpm • D Maj • 02:45 • -12.34db
28% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Sue Thompson
Paper Tiger
134 bpm • E min • 02:24 • -9.1db
14% Popularity • 72% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 72% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Harpers Bizarre
Anything Goes - Remastered Version
151 bpm • C# Maj • 02:03 • -9.95db
21% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 46% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Ohio Express
Down At Lulu's
134 bpm • F# Maj • 01:56 • -7.63db
17% Popularity • 74% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 74% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Gerry Monroe
Sally
133 bpm • F Maj • 02:32 • -5.16db
13% Popularity • 50% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 50% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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The Righteous Brothers
Little Latin Lupe Lu
134 bpm • F Maj • 02:20 • -6db
34% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Don & The Goodtimes
I Could Be So Good To You
133 bpm • C Maj • 02:54 • -12.72db
7% Popularity • 45% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 45% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Merseys
Sorrow
133 bpm • C Maj • 02:16 • -18.65db
16% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Johnny Kidd & The Pirates
You Got What It Takes
133 bpm • B Maj • 02:02 • -9.92db
10% Popularity • 63% Danceability • 48% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 63% Danceability • 48% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
If I Were A Carpenter
152 bpm • F# min • 02:55 • -4.77db
14% Popularity • 38% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 38% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Ohio Express
Mercy
133 bpm • B min • 02:23 • -7.31db
14% Popularity • 78% Danceability • 90% Energy • 15% Liveness
5% Instrumentalness • 96% Positiveness
14% Popularity • 78% Danceability • 90% Energy • 15% Liveness
5% Instrumentalness • 96% Positiveness
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The Shadows
The Rise and Fall of Flingel Bunt
133 bpm • F Maj • 02:46 • -8db
26% Popularity • 64% Danceability • 67% Energy • 11% Liveness
76% Instrumentalness • 97% Positiveness
26% Popularity • 64% Danceability • 67% Energy • 11% Liveness
76% Instrumentalness • 97% Positiveness
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The Box Tops
Cry Like a Baby
133 bpm • D Maj • 02:32 • -11.79db
41% Popularity • 67% Danceability • 46% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 67% Danceability • 46% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
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The Association
Windy - Mono
133 bpm • F Maj • 02:56 • -7.18db
17% Popularity • 61% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
17% Popularity • 61% Danceability • 68% Energy • 16% Liveness
1% Instrumentalness • 93% Positiveness
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Cryan' Shames
Sugar & Spice
152 bpm • C Maj • 02:28 • -8db
22% Popularity • 50% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 50% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Outsiders
Respectable
152 bpm • C Maj • 02:01 • -12.02db
26% Popularity • 48% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 48% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Dave Berry
Little Things
132 bpm • B min • 02:23 • -8.48db
25% Popularity • 74% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 74% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Kathy Kirby
Let Me Go, Lover!
132 bpm • A Maj • 02:14 • -5.73db
18% Popularity • 59% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 59% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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The Merseybeats
Don't Turn Around
132 bpm • A Maj • 02:39 • -14.22db
13% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 64% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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The Gentrys
Keep On Dancing
153 bpm • A# Maj • 02:11 • -11db
36% Popularity • 35% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 35% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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The Cowsills
Indian Lake
132 bpm • G Maj • 02:43 • -9db
40% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 70% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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slowed nation
He's In Town - Slowed + Reverb
153 bpm • A Maj • 04:43 • -21.43db
1% Popularity • 23% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 23% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Amen Corner
Bend Me, Shape Me
132 bpm • A Maj • 02:29 • -3.71db
34% Popularity • 52% Danceability • 91% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 52% Danceability • 91% Energy • 63% Liveness
0% Instrumentalness • 64% Positiveness
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Craig Douglas
Time
153 bpm • C Maj • 02:19 • -9.48db
35% Popularity • 24% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 24% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Guy Darrell
I've Been Hurt
132 bpm • A Maj • 02:10 • -10db
12% Popularity • 65% Danceability • 81% Energy • 14% Liveness
7% Instrumentalness • 95% Positiveness
12% Popularity • 65% Danceability • 81% Energy • 14% Liveness
7% Instrumentalness • 95% Positiveness
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Kathy Kirby
Secret Love
132 bpm • C Maj • 02:31 • -6.99db
25% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 56% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness