Songs like Do You Know? by Pieta Brown
Based on a tempo of (+/- 10%) and a similar genre
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Red Molly
Homeward Bound
92 bpm • A Maj • 03:25 • -6.84db
17% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Aoife O'Donovan
Detour Sign
92 bpm • E Maj • 03:32 • -9.59db
36% Popularity • 42% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
36% Popularity • 42% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
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Eilen Jewell
Worried Mind
92 bpm • A Maj • 03:15 • -8db
44% Popularity • 43% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 41% Positiveness
44% Popularity • 43% Danceability • 61% Energy • 13% Liveness
8% Instrumentalness • 41% Positiveness
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Pieta Brown
Do You Know?
92 bpm • A Maj • 03:01 • -8.85db
48% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Malcolm Holcombe
Brother's Keeper
92 bpm • A# min • 02:43 • -10.97db
15% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Po' Girl
Driving
92 bpm • G Maj • 03:48 • -13.64db
23% Popularity • 62% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 63% Positiveness
23% Popularity • 62% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 63% Positiveness
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The New Basement Tapes
Lost On The River #20
91 bpm • E min • 03:47 • -14.95db
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Buddy & Julie Miller
Till The Stardust Comes Apart
91 bpm • D Maj • 02:13 • -10.16db
23% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Eilen Jewell
Half-Broke Horse
91 bpm • B Maj • 03:26 • -10.02db
39% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Shelby Lynne
Into My Arms
91 bpm • C Maj • 04:47 • -13.61db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Pieta Brown
Mercury
91 bpm • D Maj • 03:16 • -7.26db
6% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 46% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Amy Speace
Hymn for the Crossing
90 bpm • A# Maj • 03:36 • -10.75db
23% Popularity • 53% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 53% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Smither
I Am The Ride
90 bpm • B min • 03:59 • -10.13db
32% Popularity • 45% Danceability • 42% Energy • 75% Liveness
1% Instrumentalness • 32% Positiveness
32% Popularity • 45% Danceability • 42% Energy • 75% Liveness
1% Instrumentalness • 32% Positiveness
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Amy LaVere
It's the Thing to Do
94 bpm • E Maj • 02:43 • -8.83db
9% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 61% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Malcolm Holcombe
Not Forgotten
90 bpm • A# min • 02:47 • -11.18db
34% Popularity • 59% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
34% Popularity • 59% Danceability • 43% Energy • 17% Liveness
1% Instrumentalness • 45% Positiveness
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Ray Bonneville
Slow Matin'
94 bpm • D Maj • 03:01 • -11.72db
29% Popularity • 68% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
29% Popularity • 68% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Pieta Brown
All My Rain
90 bpm • D Maj • 03:48 • -11.81db
14% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 56% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Rachel Baiman
When You Bloom (Colorado)
90 bpm • G Maj • 04:01 • -10.47db
23% Popularity • 41% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 41% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Smither
Maybellene
95 bpm • D Maj • 02:56 • -7.23db
40% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 60% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Peter Mulvey
The Dreams
94 bpm • G Maj • 01:50 • -15.34db
30% Popularity • 57% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 57% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Ruth Moody
The Garden
95 bpm • D Maj • 04:40 • -14.62db
26% Popularity • 51% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 45% Positiveness
26% Popularity • 51% Danceability • 35% Energy • 9% Liveness
6% Instrumentalness • 45% Positiveness
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Aoife O'Donovan
Porch Light
95 bpm • C# Maj • 03:17 • -8.49db
39% Popularity • 36% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 36% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Pieta Brown
I'm Gone
94 bpm • C Maj • 02:20 • -8.2db
28% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
28% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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River Whyless
It Ain't Me Babe
95 bpm • C# Maj • 03:40 • -11.16db
38% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Chris Smither
Everything on Top
89 bpm • A Maj • 03:18 • -9.53db
9% Popularity • 51% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 51% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Yola
Dead and Gone
89 bpm • A# Maj • 04:49 • -9db
30% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Caitlin Canty
Motel
95 bpm • A Maj • 03:04 • -13.86db
39% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Malcolm Holcombe
To Get By
96 bpm • C# Maj • 04:03 • -10.31db
20% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Pieta Brown
Heading Home
96 bpm • G Maj • 03:43 • -10.53db
22% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Smooth Hound Smith
Second Hand News
96 bpm • E Maj • 02:41 • -11.28db
34% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Smither
No Love Today
89 bpm • B min • 04:44 • -9.18db
33% Popularity • 56% Danceability • 29% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 56% Danceability • 29% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Aoife O'Donovan
You Turn Me On, I'm a Radio - Acoustic
96 bpm • C# Maj • 03:21 • -13.08db
37% Popularity • 51% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 51% Danceability • 8% Energy • 34% Liveness
0% Instrumentalness • 23% Positiveness
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The Be Good Tanyas
Ship Out On The Sea
96 bpm • G Maj • 04:17 • -10db
37% Popularity • 54% Danceability • 47% Energy • 14% Liveness
21% Instrumentalness • 51% Positiveness
37% Popularity • 54% Danceability • 47% Energy • 14% Liveness
21% Instrumentalness • 51% Positiveness
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Tim Easton
Sitting on Top of the World
96 bpm • A min • 02:54 • -16.94db
23% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 54% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Shannon McNally
Low Rider
96 bpm • F# Maj • 02:53 • -13.37db
18% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
18% Popularity • 66% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
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Rachel Baiman
Joke’s On Me
88 bpm • B Maj • 02:46 • -9.59db
26% Popularity • 57% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 57% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Smither
Don't Call Me Stranger
89 bpm • A Maj • 04:08 • -9.05db
33% Popularity • 64% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
33% Popularity • 64% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Tift Merritt
Mixtape
96 bpm • B min • 03:18 • -10db
30% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Pieta Brown
Flowers In The Kingdom
88 bpm • D Maj • 02:20 • -15.19db
1% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Chip Taylor
I Like Ridin'
87 bpm • A Maj • 02:06 • -14.27db
32% Popularity • 55% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 55% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Caroline Herring
Tales Of The Islander
97 bpm • A Maj • 04:25 • -10.29db
24% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Mammals
If You Could Hear Me Now
97 bpm • A# Maj • 05:21 • -12.92db
13% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Chris Smither
Train Home
96 bpm • B min • 04:25 • -9.99db
33% Popularity • 62% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 62% Danceability • 30% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
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Tift Merritt
Feeling of Beauty
97 bpm • D# Maj • 04:01 • -10.33db
35% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
35% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Tré Burt
Sweet Misery
87 bpm • D Maj • 03:09 • -6.86db
39% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ray Bonneville
Listen
97 bpm • G min • 03:48 • -14db
34% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
34% Popularity • 61% Danceability • 38% Energy • 11% Liveness
6% Instrumentalness • 73% Positiveness
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Lynn Miles
Fearless Heart
97 bpm • F Maj • 03:41 • -8.76db
16% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Eddie Berman
Like a Rolling Stone
87 bpm • D Maj • 06:35 • -12.88db
36% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Chris Smither
Visions Of Johanna
96 bpm • A Maj • 05:22 • -12.18db
6% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
6% Popularity • 46% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Ruth Moody
Trouble and Woe
97 bpm • E Maj • 03:16 • -11.82db
30% Popularity • 63% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 63% Danceability • 27% Energy • 52% Liveness
0% Instrumentalness • 69% Positiveness
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Eric Bibb
Goin Down That Road Feelin´ Bad
97 bpm • C# Maj • 03:07 • -16db
35% Popularity • 52% Danceability • 23% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
35% Popularity • 52% Danceability • 23% Energy • 10% Liveness
18% Instrumentalness • 53% Positiveness
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Mary Gauthier
Please
98 bpm • C Maj • 05:03 • -9.23db
12% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Secret Sisters
Endless Running Out of Time
98 bpm • G# Maj • 03:58 • -12.44db
34% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 52% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Catherine MacLellan
Out Of Time
98 bpm • G Maj • 04:28 • -12.57db
9% Popularity • 54% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 54% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Pieta Brown
Wondering How
86 bpm • G# min • 03:06 • -9.23db
34% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Bap Kennedy
Good as Gold
98 bpm • C# min • 02:48 • -13.71db
19% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Shelby Lynne
Lungs
98 bpm • G# Maj • 02:54 • -11.76db
26% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 61% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Kim Richey
Whistle on Occasion
98 bpm • C Maj • 02:36 • -15.1db
28% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 62% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Shannon McNally
Geronimo
98 bpm • F# min • 03:50 • -7.72db
18% Popularity • 58% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 58% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Amy Speace
Nothing Good Can Come from This
86 bpm • A Maj • 03:11 • -12.49db
41% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Pieta Brown
Flowers of Love
86 bpm • A Maj • 03:27 • -8.21db
25% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 56% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Rainbow Girls
American Dream
86 bpm • D Maj • 04:52 • -9.28db
24% Popularity • 43% Danceability • 41% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
24% Popularity • 43% Danceability • 41% Energy • 18% Liveness
1% Instrumentalness • 14% Positiveness
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Shelby Lynne
I Won't Die Alone
98 bpm • G# Maj • 02:41 • -12.71db
37% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 67% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Joe Pug
Long Midnight
86 bpm • C Maj • 02:13 • -11.34db
39% Popularity • 41% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
39% Popularity • 41% Danceability • 30% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
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Applewood Road
To the Stars
86 bpm • D min • 03:10 • -17.7db
18% Popularity • 48% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 48% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Stray Birds
Light As a Fire
86 bpm • D# Maj • 03:26 • -11.49db
27% Popularity • 61% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 61% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Pieta Brown
Morning Fire
86 bpm • G Maj • 03:26 • -13.21db
5% Popularity • 60% Danceability • 42% Energy • 8% Liveness
56% Instrumentalness • 52% Positiveness
5% Popularity • 60% Danceability • 42% Energy • 8% Liveness
56% Instrumentalness • 52% Positiveness
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Luther Dickinson
Up Over Yonder
99 bpm • A min • 03:19 • -11.49db
27% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
27% Popularity • 66% Danceability • 37% Energy • 11% Liveness
10% Instrumentalness • 61% Positiveness
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Diana Jones
Cracked and Broken
99 bpm • C Maj • 03:16 • -11.62db
12% Popularity • 71% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 71% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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John Hiatt
Long Time Comin'
99 bpm • E Maj • 04:12 • -9.58db
46% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
46% Popularity • 65% Danceability • 42% Energy • 8% Liveness
53% Instrumentalness • 26% Positiveness
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The Little Willies
No Place To Fall
85 bpm • G Maj • 04:00 • -16db
34% Popularity • 57% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 57% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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The Be Good Tanyas
Draft Daughter's Blues aka Ootischenia
99 bpm • C Maj • 03:21 • -8.24db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
6% Instrumentalness • 76% Positiveness
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Pieta Brown
Rosine
99 bpm • A# Maj • 03:53 • -12.71db
12% Popularity • 56% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 56% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Mulvey
Shirt
100 bpm • D Maj • 03:32 • -12.72db
30% Popularity • 60% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 60% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Shelby Lynne
Where I'm From
85 bpm • F# min • 03:50 • -11.96db
23% Popularity • 52% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 52% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Dave Carter
Tanglewood Tree
85 bpm • A Maj • 03:42 • -12db
33% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Rhiannon Giddens
Shake Sugaree
85 bpm • A# Maj • 04:24 • -11.95db
31% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Be Good Tanyas
Horses
85 bpm • F Maj • 04:01 • -17.79db
40% Popularity • 60% Danceability • 29% Energy • 7% Liveness
48% Instrumentalness • 56% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 7% Liveness
48% Instrumentalness • 56% Positiveness
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Shannon McNally
Pale Moon
84 bpm • C Maj • 04:39 • -9.12db
16% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Pieta Brown
Out Of The Blue
86 bpm • G Maj • 02:25 • -14.49db
4% Popularity • 36% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
4% Popularity • 36% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Nanci Griffith
Boots of Spanish Leather
100 bpm • A Maj • 05:17 • -15.36db
33% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 55% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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John Hiatt
Crossing Muddy Waters
101 bpm • A Maj • 04:05 • -9.93db
51% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
51% Popularity • 63% Danceability • 49% Energy • 33% Liveness
4% Instrumentalness • 49% Positiveness
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Po' Girl
Prairie Girl Gone
101 bpm • A Maj • 06:21 • -9.99db
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Peter Mulvey
Shirt
101 bpm • D Maj • 03:10 • -10db
32% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Patty Larkin
The Cranes
101 bpm • F# Maj • 02:50 • -14.54db
26% Popularity • 50% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 50% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Pieta Brown
Closing Time
100 bpm • A Maj • 03:08 • -9.83db
19% Popularity • 70% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
19% Popularity • 70% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Chris Smither
Leave The Light On
101 bpm • D Maj • 03:47 • -9.86db
18% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
18% Popularity • 54% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 60% Positiveness
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Rodney Crowell
It Ain't Over Yet
83 bpm • E Maj • 05:14 • -9.68db
41% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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The Cactus Blossoms
Got a Lotta Love
83 bpm • A Maj • 03:02 • -10db
37% Popularity • 57% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 33% Positiveness
37% Popularity • 57% Danceability • 32% Energy • 11% Liveness
24% Instrumentalness • 33% Positiveness
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Lucy Kaplansky
Manhattan Moon
83 bpm • F# Maj • 03:54 • -10db
24% Popularity • 29% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 29% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Secret Sisters
Little Again
83 bpm • C Maj • 04:03 • -8.43db
35% Popularity • 61% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 61% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Pieta Brown
Stopped My Horse
102 bpm • B Maj • 03:17 • -10.33db
21% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Smither
What They Say
83 bpm • D Maj • 02:46 • -6.42db
43% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Amy LaVere
Dreamer
102 bpm • A# Maj • 02:52 • -9.18db
22% Popularity • 72% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 72% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Kris Delmhorst
Wasted Word
83 bpm • G Maj • 03:22 • -9.5db
19% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Ondara
Heart Of Gold
82 bpm • C Maj • 02:39 • -7.72db
32% Popularity • 55% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 55% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Shelby Lynne
One With The Sun
82 bpm • A Maj • 02:28 • -14.35db
37% Popularity • 68% Danceability • 21% Energy • 7% Liveness
1% Instrumentalness • 41% Positiveness
37% Popularity • 68% Danceability • 21% Energy • 7% Liveness
1% Instrumentalness • 41% Positiveness
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Pieta Brown
In This World
102 bpm • C# Maj • 04:48 • -12.92db
5% Popularity • 80% Danceability • 42% Energy • 9% Liveness
75% Instrumentalness • 43% Positiveness
5% Popularity • 80% Danceability • 42% Energy • 9% Liveness
75% Instrumentalness • 43% Positiveness
