Songs like Do You See My Love (For You Growing) by Jr. Walker & The All Stars
Based on a tempo of (+/- 10%) and a similar genre
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Virgil Henry
You Ain't Saying Nothin' New
110 bpm • A Maj • 02:51 • -10.01db
9% Popularity • 63% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 63% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Ronnie Dyson
I Don't Wanna Cry
110 bpm • F Maj • 02:59 • -9db
9% Popularity • 51% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 51% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Jr. Walker & The All Stars
These Things Will Keep Me Loving You
110 bpm • C Maj • 04:58 • -11.52db
8% Popularity • 60% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 60% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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The Sweet Inspirations
Sweet Inspiration
110 bpm • F Maj • 02:55 • -8db
31% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Luther Ingram
Pity For The Lonely
110 bpm • F# Maj • 02:57 • -8.67db
14% Popularity • 67% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 67% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Betty Wright
I'm Thankful
109 bpm • C Maj • 02:07 • -7db
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Brenda Holloway
Operator - Single Version
109 bpm • G min • 03:15 • -10.72db
24% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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The Originals
We've Got A Way Out Love
109 bpm • F Maj • 03:03 • -11.42db
14% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Jr. Walker & The All Stars
Do You See My Love (For You Growing)
110 bpm • A# min • 03:29 • -11.14db
16% Popularity • 70% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 70% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Soul Children
Signed, Sealed And Delivered
111 bpm • A# Maj • 03:22 • -12db
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Soul Survivors
Explosion in Your Soul
111 bpm • A min • 02:36 • -10.65db
9% Popularity • 51% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 51% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 74% Positiveness
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Carolyn Crawford
My Smile Is Just A Frown (Turned Upside ...
109 bpm • D Maj • 03:01 • -10.78db
19% Popularity • 66% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 66% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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Barbara Lynn
This Is the Thanks I Get
109 bpm • B min • 02:24 • -10.87db
25% Popularity • 71% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 71% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Jean Knight
Pick Up The Pieces
111 bpm • D Maj • 02:31 • -12.82db
15% Popularity • 74% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 90% Positiveness
15% Popularity • 74% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 90% Positiveness
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Jr. Walker & The All Stars
What Does It Take (To Win Your Love)
111 bpm • F Maj • 02:30 • -11db
53% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 61% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Darrell Banks
I'm The One Who Loves You
109 bpm • C Maj • 03:10 • -8.84db
19% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 63% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Delaney & Bonnie
It's Been A Long Time Coming
108 bpm • A Maj • 02:16 • -10.21db
12% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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The Intruders
Hang on in There
112 bpm • C Maj • 03:22 • -12.07db
20% Popularity • 55% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 55% Danceability • 49% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
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The Velvelettes
Think Of The Times - 1999 The Very Best ...
108 bpm • F# Maj • 02:23 • -2.51db
11% Popularity • 59% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 59% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Arthur Conley
I'm Gonna Forget About You
112 bpm • F# Maj • 02:14 • -11.16db
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Jr. Walker & The All Stars
Home Cookin'
109 bpm • C# Maj • 02:58 • -10db
32% Popularity • 71% Danceability • 63% Energy • 28% Liveness
1% Instrumentalness • 81% Positiveness
32% Popularity • 71% Danceability • 63% Energy • 28% Liveness
1% Instrumentalness • 81% Positiveness
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Ben E. King
What Do You Want Me to Do
108 bpm • A# min • 03:17 • -8.84db
15% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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The Contours
So Grateful
108 bpm • F Maj • 02:38 • -10db
13% Popularity • 66% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 66% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Carla Thomas
Let Me Be Good to You
108 bpm • A# Maj • 02:42 • -12.93db
23% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Fred Hughes
Oo Wee Baby, I Love You
112 bpm • F min • 02:25 • -13.53db
13% Popularity • 51% Danceability • 45% Energy • 11% Liveness
17% Instrumentalness • 45% Positiveness
13% Popularity • 51% Danceability • 45% Energy • 11% Liveness
17% Instrumentalness • 45% Positiveness
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The Fantastic Four
Can't Stop Looking For My Baby
112 bpm • F min • 02:38 • -6.35db
9% Popularity • 72% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 72% Danceability • 47% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Jr. Walker & The All Stars
I Was Made To Love Her
108 bpm • C# Maj • 02:41 • -11.41db
7% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Jackie Moore
Sweet Charlie Babe
112 bpm • A min • 02:37 • -7.28db
12% Popularity • 73% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 73% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Williams
Slow Motion (Part 1)
108 bpm • D Maj • 02:57 • -9.75db
25% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Elgins
Darling Baby
113 bpm • A# Maj • 02:50 • -4.13db
10% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Contours
What Becomes of the Broken Hearted
107 bpm • F Maj • 02:51 • -9.95db
31% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Gene Chandler
Gonna Be Good Times
107 bpm • C# Maj • 02:20 • -9db
9% Popularity • 41% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 41% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Jr. Walker & The All Stars
Walk In The Night
108 bpm • F# Maj • 04:09 • -11db
33% Popularity • 58% Danceability • 78% Energy • 3% Liveness
21% Instrumentalness • 97% Positiveness
33% Popularity • 58% Danceability • 78% Energy • 3% Liveness
21% Instrumentalness • 97% Positiveness
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Betty Wright
He's Bad, Bad, Bad
113 bpm • B min • 02:25 • -8db
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Soul Children
Hearsay
107 bpm • C Maj • 03:35 • -13.18db
24% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Moore & The Rhythm Aces
Try My Love Again
113 bpm • A Maj • 02:04 • -9.53db
27% Popularity • 63% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Otis Redding
Let Me Be Good to You
107 bpm • C min • 02:53 • -19.67db
16% Popularity • 74% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 74% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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King Floyd
Woman Don't Go Astray
113 bpm • C# Maj • 02:24 • -10db
22% Popularity • 81% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 81% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Jr. Walker & The All Stars
Sweet Soul
113 bpm • F Maj • 03:27 • -8.57db
13% Popularity • 67% Danceability • 44% Energy • 11% Liveness
24% Instrumentalness • 48% Positiveness
13% Popularity • 67% Danceability • 44% Energy • 11% Liveness
24% Instrumentalness • 48% Positiveness
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Arthur Conley
Rome (Wasn't Built In a Day)
113 bpm • C# Maj • 02:08 • -8.92db
14% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Garland Green
Girl I Love You
113 bpm • G Maj • 02:08 • -9.37db
29% Popularity • 70% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 70% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Rufus Thomas
Do The Funky Chicken
113 bpm • F min • 03:27 • -11db
25% Popularity • 85% Danceability • 56% Energy • 10% Liveness
78% Instrumentalness • 55% Positiveness
25% Popularity • 85% Danceability • 56% Energy • 10% Liveness
78% Instrumentalness • 55% Positiveness
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Otis Redding
Tramp
107 bpm • F Maj • 03:01 • -12.11db
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy James & The Vagabonds
Ain't No Big Thing
106 bpm • F# min • 02:41 • -7.95db
10% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Jr. Walker & The All Stars
Nothing But Soul
113 bpm • C Maj • 03:05 • -3db
13% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 67% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Ike Quebec
Shu Shu - Alternate Take
113 bpm • C Maj • 02:38 • -8.58db
12% Popularity • 61% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 61% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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The Emotions
I Like It
106 bpm • C Maj • 02:27 • -13.92db
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Jimmy "Bo" Horne
I Can't Speak
106 bpm • A# Maj • 03:11 • -12.4db
24% Popularity • 66% Danceability • 46% Energy • 63% Liveness
2% Instrumentalness • 88% Positiveness
24% Popularity • 66% Danceability • 46% Energy • 63% Liveness
2% Instrumentalness • 88% Positiveness
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The Intruders
A Love That's Real
114 bpm • B min • 02:55 • -14db
27% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Bar-Kays
A Hard Day's Night
114 bpm • C Maj • 02:41 • -9.45db
11% Popularity • 64% Danceability • 65% Energy • 37% Liveness
87% Instrumentalness • 83% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 37% Liveness
87% Instrumentalness • 83% Positiveness
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Jr. Walker & The All Stars
Gotta Hold On To This Feeling
113 bpm • C# Maj • 03:37 • -12.12db
39% Popularity • 61% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 61% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Tyrone Davis
Is It Something That You've Got?
106 bpm • B Maj • 02:38 • -6.44db
14% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 60% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Freddie Gorman
The Day Will Come - Single Version
114 bpm • C min • 02:21 • -6.35db
12% Popularity • 62% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 62% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Mel & Tim
I May Not Be What You Want
114 bpm • D Maj • 03:05 • -17db
10% Popularity • 64% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 64% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Ben E. King
Cry No More
114 bpm • F Maj • 02:52 • -10.31db
7% Popularity • 63% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 63% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Little Anthony & The Imperials
It's Not The Same
106 bpm • D Maj • 02:17 • -11.25db
13% Popularity • 56% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 56% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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The Staple Singers
Got To Be Some Changes Made
114 bpm • A Maj • 02:40 • -12db
34% Popularity • 75% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 75% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Carla Thomas
I Like What You're Doing (To Me)
114 bpm • E Maj • 02:58 • -17.2db
31% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Margie Joseph
One More Chance
114 bpm • F Maj • 02:24 • -7db
16% Popularity • 46% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 46% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Betty Wright
I'm Gonna Hate Myself in the Morning
106 bpm • F Maj • 02:14 • -10.28db
15% Popularity • 83% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 83% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Jr. Walker & The All Stars
Take Me Girl, I'm Ready
114 bpm • D min • 03:16 • -3db
9% Popularity • 53% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 53% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Barbara Lewis
Workin' on a Groovy Thing
115 bpm • C# min • 03:05 • -19db
23% Popularity • 65% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 65% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The Velvelettes
There He Goes - Single Version
115 bpm • C Maj • 02:32 • -6.53db
13% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 58% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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James & Bobby Purify
You Left The Water Running
115 bpm • G Maj • 02:48 • -11.81db
15% Popularity • 74% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 74% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 95% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Shorty Long
Function At The Junction
115 bpm • G Maj • 02:56 • -14db
26% Popularity • 82% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 82% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Jr. Walker & The All Stars
Take Me Girl, I'm Ready
115 bpm • F Maj • 04:01 • -11.61db
28% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Arthur Conley
I Got a Feeling
115 bpm • C Maj • 02:22 • -6.05db
17% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Bobby Taylor
Don't Be Afraid
105 bpm • C# Maj • 02:47 • -8db
10% Popularity • 56% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 56% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Velvelettes
(We've Got) Honey Love
115 bpm • C# Maj • 02:33 • -8.18db
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
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Brenda Holloway
A Favor For A Girl (With A Love Sick Hea...
115 bpm • D# Maj • 02:36 • -9db
13% Popularity • 64% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 62% Energy • 65% Liveness
0% Instrumentalness • 79% Positiveness
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The Originals
The Bells
115 bpm • F Maj • 02:55 • -11.85db
44% Popularity • 34% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 34% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Jr. Walker & The All Stars
Clinging To The Thought That She's Comin...
115 bpm • C Maj • 03:09 • -13db
10% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Winstons
Color Him Father
115 bpm • F min • 03:10 • -7.31db
36% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Rufus Thomas
(Do The) Push And Pull - Pt. 1
105 bpm • F min • 03:18 • -9.75db
32% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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The Velvelettes
Should I Tell Them
105 bpm • G Maj • 02:48 • -5.81db
13% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 52% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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Ike & Tina Turner
Tell Her I'm Not Home
105 bpm • G# Maj • 03:53 • -11.93db
10% Popularity • 69% Danceability • 37% Energy • 27% Liveness
33% Instrumentalness • 85% Positiveness
10% Popularity • 69% Danceability • 37% Energy • 27% Liveness
33% Instrumentalness • 85% Positiveness
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The Originals
Come See About Me
115 bpm • A# Maj • 02:44 • -4db
23% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Tony Clarke
The Entertainer
105 bpm • G Maj • 02:35 • -7db
30% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Jr. Walker & The All Stars
Do The Boomerang
105 bpm • G min • 02:22 • -6.91db
18% Popularity • 61% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 61% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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The Mad Lads
Patch My Heart
105 bpm • C# Maj • 02:31 • -12.64db
28% Popularity • 81% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 92% Positiveness
28% Popularity • 81% Danceability • 38% Energy • 26% Liveness
5% Instrumentalness • 92% Positiveness
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J.J. Barnes
Every Time I See You, I Go Wild!
116 bpm • A# min • 02:56 • -8.26db
24% Popularity • 56% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 56% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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The Staple Singers
Touch A Hand (Make A Friend)
116 bpm • C Maj • 03:26 • -9db
33% Popularity • 68% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 68% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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The Emotions
Stealin' Love
116 bpm • D# Maj • 03:11 • -12.15db
8% Popularity • 72% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 72% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Rufus Thomas
Walking the Dog - Mono
116 bpm • G# Maj • 02:38 • -9.03db
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Chairmen Of The Board
Since the Days of Pigtails (And Fairy Ta...
104 bpm • C# Maj • 02:43 • -5.05db
8% Popularity • 64% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 64% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Garland Green
Ain't That Good Enough
116 bpm • G# Maj • 02:13 • -9.04db
26% Popularity • 60% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 60% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Velvelettes
Throw A Farewell Kiss - Single Version
104 bpm • C Maj • 02:26 • -5.66db
11% Popularity • 47% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 47% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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The Contours
It's Growing
116 bpm • F Maj • 02:41 • -6.68db
13% Popularity • 75% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 75% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Stewart
Count Me Out
116 bpm • G Maj • 02:31 • -10db
25% Popularity • 69% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 69% Danceability • 63% Energy • 76% Liveness
0% Instrumentalness • 84% Positiveness
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Clydie King
I'll Never Stop Loving You - Remastered
104 bpm • F Maj • 02:14 • -13db
20% Popularity • 67% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 67% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Shorty Long
Here Comes The Judge
116 bpm • C# Maj • 02:37 • -16db
26% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Jackie Ross
Selfish One
116 bpm • G Maj • 03:17 • -8.74db
33% Popularity • 66% Danceability • 52% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 66% Danceability • 52% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
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The Elgins
Put Yourself In My Place
116 bpm • C Maj • 02:40 • -4.39db
15% Popularity • 54% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 54% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Barbara Lewis
Thankful for What I've Got
116 bpm • C Maj • 02:47 • -17db
21% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Five Stairsteps
Don't Waste Your Time - Buddha Remastere...
116 bpm • E min • 02:19 • -6.35db
19% Popularity • 62% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 62% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Millie Jackson
Ask Me What You Want
117 bpm • E Maj • 02:51 • -8.91db
18% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 71% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Major Lance
Since I Lost My Baby’s Love
116 bpm • C Maj • 03:21 • -9.31db
14% Popularity • 81% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 81% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness