Songs like Doe Eyes (Love Theme from the Bridges of Madison County) (Reprise) - Love Theme From The Bridges Of Madison County Reprise by Lennie Niehaus
Based on a tempo of (+/- 10%) and a similar genre
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Guy Farley
Wait For Me
82 bpm • C Maj • 01:20 • -32db
33% Popularity • 23% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
33% Popularity • 23% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Double Zero Orchestra
Once Upon a Time in America
82 bpm • E Maj • 02:14 • -14.6db
24% Popularity • 10% Danceability • 24% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 24% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Luciano Pavarotti
The Apology/Nessun Dorma
82 bpm • D Maj • 03:16 • -20.62db
28% Popularity • 14% Danceability • 7% Energy • 17% Liveness
82% Instrumentalness • 6% Positiveness
28% Popularity • 14% Danceability • 7% Energy • 17% Liveness
82% Instrumentalness • 6% Positiveness
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Mark Isham
I Built Myself A Life
82 bpm • G# Maj • 05:48 • -19.93db
20% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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George Fenton
Empty Store
82 bpm • G Maj • 02:51 • -15.63db
31% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
31% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
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Lennie Niehaus
He Oughta' Get Shot
82 bpm • A min • 02:17 • -22.7db
6% Popularity • 21% Danceability • 11% Energy • 16% Liveness
97% Instrumentalness • 11% Positiveness
6% Popularity • 21% Danceability • 11% Energy • 16% Liveness
97% Instrumentalness • 11% Positiveness
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Double Zero Orchestra
Érase una Vez en América - De la PelÃ...
82 bpm • E Maj • 02:14 • -14.6db
15% Popularity • 10% Danceability • 24% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 24% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Gary Grant
Revelation
82 bpm • G min • 03:14 • -21db
26% Popularity • 8% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Brook
Packing for the Voyage
82 bpm • A min • 02:01 • -13.21db
11% Popularity • 20% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 22% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
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Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
46% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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John Lunn
Mr. Chambers
82 bpm • F Maj • 01:47 • -11db
19% Popularity • 26% Danceability • 30% Energy • 35% Liveness
84% Instrumentalness • 5% Positiveness
19% Popularity • 26% Danceability • 30% Energy • 35% Liveness
84% Instrumentalness • 5% Positiveness
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Lennie Niehaus
Doe Eyes (Love Theme from the Bridges of...
82 bpm • C Maj • 05:00 • -21db
36% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Double Zero Orchestra
Gabriel's Oboe - Main Theme from "The Mi...
82 bpm • D Maj • 02:32 • -15.33db
25% Popularity • 8% Danceability • 17% Energy • 8% Liveness
76% Instrumentalness • 9% Positiveness
25% Popularity • 8% Danceability • 17% Energy • 8% Liveness
76% Instrumentalness • 9% Positiveness
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Stanley Myers
Cavatina - Arranged By John Williams
82 bpm • E Maj • 03:38 • -28db
39% Popularity • 44% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 39% Positiveness
39% Popularity • 44% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 39% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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Nicola Piovani
Buongiorno Principessa
82 bpm • A Maj • 03:23 • -31db
46% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Charlie Chaplin
The Terry Theme From "Limelight" / La Vi...
82 bpm • C min • 07:15 • -20db
28% Popularity • 14% Danceability • 17% Energy • 33% Liveness
40% Instrumentalness • 5% Positiveness
28% Popularity • 14% Danceability • 17% Energy • 33% Liveness
40% Instrumentalness • 5% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Mark Knopfler
Finale - Last Exit To Brooklyn
83 bpm • D Maj • 06:19 • -14.6db
17% Popularity • 11% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
17% Popularity • 11% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
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Stanley Myers
The Deer Hunter - Cavatina
82 bpm • E Maj • 03:33 • -18db
43% Popularity • 53% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
43% Popularity • 53% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Peter Hamilton Orchestra
Morte a Venezia - Adagietto From the 5th...
83 bpm • F Maj • 03:37 • -18.6db
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Philippe Rombi
Une amitié
83 bpm • C Maj • 01:30 • -14.94db
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
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Denis Carey
Emmaron
81 bpm • D Maj • 03:41 • -17.34db
11% Popularity • 40% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 27% Positiveness
11% Popularity • 40% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 27% Positiveness
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Clint Eastwood
They're Amateurs
81 bpm • G Maj • 01:16 • -23.08db
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
40% Popularity • 9% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Epilogue ( Beethoven Piano Co...
81 bpm • B Maj • 03:57 • -29.33db
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Three
83 bpm • C Maj • 01:04 • -22.01db
17% Popularity • 8% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
17% Popularity • 8% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Gary Grant
End Title: An Affair To Remember
83 bpm • G# Maj • 03:53 • -20db
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Andrea Guerra
Il papa è nostro padre
81 bpm • A min • 02:09 • -20.53db
42% Popularity • 12% Danceability • 13% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
42% Popularity • 12% Danceability • 13% Energy • 12% Liveness
75% Instrumentalness • 4% Positiveness
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John Barry
Somewhere In Time - Main Theme
81 bpm • C Maj • 03:40 • -18.83db
44% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
44% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Clint Eastwood
End Title
81 bpm • F# Maj • 06:17 • -18db
25% Popularity • 8% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
25% Popularity • 8% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Eight
81 bpm • F Maj • 05:41 • -25db
38% Popularity • 33% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
38% Popularity • 33% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Luis Bacalov
Postino Bambino
81 bpm • D# Maj • 00:52 • -17db
41% Popularity • 33% Danceability • 28% Energy • 41% Liveness
78% Instrumentalness • 10% Positiveness
41% Popularity • 33% Danceability • 28% Energy • 41% Liveness
78% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
Video On The Bed
83 bpm • A min • 01:21 • -26.69db
40% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
32% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Charlie Chaplin
Love Song
83 bpm • G min • 03:28 • -12db
11% Popularity • 24% Danceability • 23% Energy • 7% Liveness
43% Instrumentalness • 16% Positiveness
11% Popularity • 24% Danceability • 23% Energy • 7% Liveness
43% Instrumentalness • 16% Positiveness
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Lennie Niehaus
Flags Theme
81 bpm • C Maj • 03:21 • -19.1db
2% Popularity • 16% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
The Field
81 bpm • B min • 02:50 • -24.24db
32% Popularity • 21% Danceability • 12% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
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Maurizio Malagnini
The Adventure of Life
83 bpm • G Maj • 03:23 • -13db
26% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Laclede Quartet
Sophie's Choice
81 bpm • E Maj • 03:07 • -17.72db
17% Popularity • 23% Danceability • 12% Energy • 14% Liveness
80% Instrumentalness • 12% Positiveness
17% Popularity • 23% Danceability • 12% Energy • 14% Liveness
80% Instrumentalness • 12% Positiveness
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Claudio Capponi
Tema di Jane Eyre
81 bpm • A Maj • 02:38 • -16.21db
19% Popularity • 11% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
19% Popularity • 11% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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Nicholas Pike
Skyline Date
81 bpm • F# min • 02:49 • -27.48db
16% Popularity • 8% Danceability • 3% Energy • 31% Liveness
55% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 31% Liveness
55% Instrumentalness • 4% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Will Rides In
80 bpm • C Maj • 01:05 • -19.94db
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
28% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Annette Focks
Love Feelings
84 bpm • D min • 01:13 • -23.34db
24% Popularity • 23% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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William Joseph
Cinema Paradiso
84 bpm • C min • 04:57 • -16.64db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Pascal Gaigne
El faro de las orcas
84 bpm • E Maj • 01:59 • -14.6db
18% Popularity • 15% Danceability • 23% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 23% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Guy Farley
Maria - Theme
80 bpm • F Maj • 01:29 • -15db
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
52% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Horacio Rivera
La Violetera
84 bpm • G Maj • 03:37 • -30db
28% Popularity • 17% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 17% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Yo-Yo Ma
Main Theme from "Malena"
84 bpm • C Maj • 03:48 • -16.77db
11% Popularity • 8% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Knopfler
Once Upon A Time / Storybook Love
80 bpm • G Maj • 03:59 • -22.42db
45% Popularity • 26% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 26% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Arvo Pärt
Spiegel im Spiegel, for Cello & Piano
84 bpm • F Maj • 09:33 • -39.22db
37% Popularity • 23% Danceability • 0% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 0% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Doe Eyes - Love Theme from the Bridges o...
84 bpm • C Maj • 01:05 • -25.8db
48% Popularity • 31% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
48% Popularity • 31% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Stanley Myers
The Deer Hunter: Cavatina (The Deer Hunt...
80 bpm • E Maj • 03:56 • -36.6db
18% Popularity • 32% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 45% Positiveness
18% Popularity • 32% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 45% Positiveness
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Clint Eastwood
Pick Up Money
80 bpm • D min • 00:57 • -27.6db
37% Popularity • 38% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
37% Popularity • 38% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 18% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
28% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
28% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Patrick Doyle
Please Wait
80 bpm • G min • 03:21 • -26.29db
21% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
21% Popularity • 14% Danceability • 8% Energy • 9% Liveness
81% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
84 bpm • F Maj • 03:40 • -21.01db
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Lucia Micarelli
Oblivion
84 bpm • C min • 04:12 • -10.89db
19% Popularity • 16% Danceability • 34% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
19% Popularity • 16% Danceability • 34% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
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Thomas Newman
Someone Else
84 bpm • C# Maj • 05:19 • -27.12db
33% Popularity • 13% Danceability • 3% Energy • 28% Liveness
41% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 3% Energy • 28% Liveness
41% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Bunko
80 bpm • F Maj • 03:26 • -14.82db
1% Popularity • 72% Danceability • 23% Energy • 12% Liveness
59% Instrumentalness • 71% Positiveness
1% Popularity • 72% Danceability • 23% Energy • 12% Liveness
59% Instrumentalness • 71% Positiveness
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Geoffrey Burgon
Sebastian's Summer
85 bpm • D Maj • 05:35 • -22.22db
23% Popularity • 23% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Nyman
The Promise
80 bpm • A min • 04:16 • -14.84db
50% Popularity • 10% Danceability • 23% Energy • 18% Liveness
90% Instrumentalness • 6% Positiveness
50% Popularity • 10% Danceability • 23% Energy • 18% Liveness
90% Instrumentalness • 6% Positiveness
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FELIX MEAGHER
Life Begins Again
85 bpm • D Maj • 03:36 • -11.21db
18% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Paolo Buonvino
Never Give Up (Version 2)
85 bpm • A min • 01:58 • -21db
19% Popularity • 23% Danceability • 8% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
19% Popularity • 23% Danceability • 8% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Claudia's Theme - Version One
85 bpm • A Maj • 01:02 • -22.32db
27% Popularity • 65% Danceability • 2% Energy • 10% Liveness
29% Instrumentalness • 33% Positiveness
27% Popularity • 65% Danceability • 2% Energy • 10% Liveness
29% Instrumentalness • 33% Positiveness
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The Mirror Has Two Faces (Soundtrack)
In A Sentinmental Mood
85 bpm • D min • 02:36 • -23db
31% Popularity • 24% Danceability • 10% Energy • 15% Liveness
91% Instrumentalness • 27% Positiveness
31% Popularity • 24% Danceability • 10% Energy • 15% Liveness
91% Instrumentalness • 27% Positiveness
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Andrea Guerra
Cosa siamo adesso?
79 bpm • G Maj • 01:48 • -25.25db
32% Popularity • 13% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Nicola Piovani
Hungry Hearts
79 bpm • G Maj • 03:58 • -20.31db
33% Popularity • 18% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Dave Grusin
On Golden Pond - Main Theme
79 bpm • G Maj • 03:52 • -19.17db
32% Popularity • 35% Danceability • 7% Energy • 56% Liveness
82% Instrumentalness • 10% Positiveness
32% Popularity • 35% Danceability • 7% Energy • 56% Liveness
82% Instrumentalness • 10% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
51% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
51% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Lennie Niehaus
Kate's Theme / End Credits
79 bpm • F Maj • 04:42 • -22.48db
29% Popularity • 12% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
29% Popularity • 12% Danceability • 5% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Luis Bacalov
Il Postino (Titoli)
85 bpm • C Maj • 02:44 • -16db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Ulrich Herkenhoff
The English Patient: Convento di Sant'An...
85 bpm • G Maj • 03:31 • -20.84db
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Abel Korzeniowski
And Just Like That
79 bpm • G min • 04:53 • -10.73db
30% Popularity • 13% Danceability • 38% Energy • 30% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 13% Danceability • 38% Energy • 30% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Guy Farley
Jeanne's Death
79 bpm • G min • 01:34 • -15.52db
35% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
35% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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The Mirror Has Two Faces (Soundtrack)
Got Any Scotch?
79 bpm • G# Maj • 02:31 • -20db
33% Popularity • 28% Danceability • 13% Energy • 10% Liveness
59% Instrumentalness • 14% Positiveness
33% Popularity • 28% Danceability • 13% Energy • 10% Liveness
59% Instrumentalness • 14% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Alex North
Unchained - Unchained Melody
86 bpm • A Maj • 03:26 • -24db
17% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
17% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Angelo Badalamenti
Maria's Theme
79 bpm • G Maj • 02:23 • -29db
10% Popularity • 19% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 33% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 33% Positiveness
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Lennie Niehaus
Christy Dies
78 bpm • F min • 02:28 • -21.11db
2% Popularity • 15% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
2% Popularity • 15% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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V
Gymnopedie/Train Stations
78 bpm • E Maj • 03:43 • -19.67db
25% Popularity • 37% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
25% Popularity • 37% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Joseph Sample
One Day I'll Fly Away
78 bpm • C# min • 03:15 • -15.82db
24% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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City of Prague Orchestra
The English Patient
86 bpm • B min • 04:27 • -13.78db
22% Popularity • 14% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 23% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Patrick Doyle
Violin Romance
86 bpm • C# Maj • 05:04 • -21.53db
20% Popularity • 13% Danceability • 14% Energy • 5% Liveness
45% Instrumentalness • 8% Positiveness
20% Popularity • 13% Danceability • 14% Energy • 5% Liveness
45% Instrumentalness • 8% Positiveness
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Andrea Guerra
Coco Chanel - Main Title
86 bpm • D# Maj • 01:27 • -32.04db
50% Popularity • 18% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
50% Popularity • 18% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
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Lennie Niehaus
String Quartet Opus #6, 2nd Movt
86 bpm • G Maj • 03:53 • -13db
1% Popularity • 58% Danceability • 12% Energy • 11% Liveness
38% Instrumentalness • 60% Positiveness
1% Popularity • 58% Danceability • 12% Energy • 11% Liveness
38% Instrumentalness • 60% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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The Royal Philharmonic Orchestra/Nic Raine
Cavatina
78 bpm • E Maj • 03:36 • -23.14db
27% Popularity • 37% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
27% Popularity • 37% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Nicola Piovani
Buon giorno principessa
86 bpm • A Maj • 03:40 • -12.19db
42% Popularity • 19% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
42% Popularity • 19% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Alex Heffes
Jamie's Memory
78 bpm • G min • 01:28 • -22db
36% Popularity • 36% Danceability • 15% Energy • 38% Liveness
32% Instrumentalness • 8% Positiveness
36% Popularity • 36% Danceability • 15% Energy • 38% Liveness
32% Instrumentalness • 8% Positiveness
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Dave Grusin
Theme from the Champ
78 bpm • C Maj • 02:34 • -12.6db
9% Popularity • 14% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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Michael Brook
Goodbye Eilis
86 bpm • A# Maj • 05:07 • -12.46db
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 20% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
