Songs like Dogma by Jack Larsen
Based on a tempo of (+/- 10%) and a similar genre
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Miloe
Everything (That Should Go)
130 bpm • C Maj • 03:21 • -12.26db
19% Popularity • 90% Danceability • 41% Energy • 8% Liveness
13% Instrumentalness • 41% Positiveness
19% Popularity • 90% Danceability • 41% Energy • 8% Liveness
13% Instrumentalness • 41% Positiveness
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pizzagirl
private number
130 bpm • F# Maj • 04:00 • -6.67db
14% Popularity • 67% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 67% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Islandis
Our World
130 bpm • F# min • 02:55 • -5db
31% Popularity • 64% Danceability • 81% Energy • 38% Liveness
26% Instrumentalness • 72% Positiveness
31% Popularity • 64% Danceability • 81% Energy • 38% Liveness
26% Instrumentalness • 72% Positiveness
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toast
don't tlk
130 bpm • A Maj • 02:50 • -7.29db
12% Popularity • 57% Danceability • 86% Energy • 53% Liveness
62% Instrumentalness • 96% Positiveness
12% Popularity • 57% Danceability • 86% Energy • 53% Liveness
62% Instrumentalness • 96% Positiveness
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Phillip LaRue
West Coast
130 bpm • F min • 04:34 • -8.73db
33% Popularity • 73% Danceability • 56% Energy • 16% Liveness
37% Instrumentalness • 26% Positiveness
33% Popularity • 73% Danceability • 56% Energy • 16% Liveness
37% Instrumentalness • 26% Positiveness
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Gus Dapperton
Swan Song
130 bpm • D Maj • 03:49 • -6.16db
30% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Cautious Clay
Silos
130 bpm • G# Maj • 01:47 • -8.28db
30% Popularity • 73% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 73% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ryan Beatty
Dark Circles, A Performance
130 bpm • F# min • 04:49 • -16db
28% Popularity • 68% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 68% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Goth Babe
Little Colorful Mind
130 bpm • D min • 03:18 • -7.29db
24% Popularity • 55% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
24% Popularity • 55% Danceability • 42% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Peach Tree Rascals
Things Won't Go My Way
130 bpm • E Maj • 02:50 • -7.01db
40% Popularity • 74% Danceability • 63% Energy • 79% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 74% Danceability • 63% Energy • 79% Liveness
0% Instrumentalness • 59% Positiveness
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ASL
Hurt Me Now
130 bpm • B Maj • 03:41 • -4.53db
23% Popularity • 57% Danceability • 88% Energy • 25% Liveness
30% Instrumentalness • 81% Positiveness
23% Popularity • 57% Danceability • 88% Energy • 25% Liveness
30% Instrumentalness • 81% Positiveness
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Boathouse
Decision
130 bpm • G# Maj • 04:36 • -12.18db
0% Popularity • 62% Danceability • 48% Energy • 6% Liveness
4% Instrumentalness • 39% Positiveness
0% Popularity • 62% Danceability • 48% Energy • 6% Liveness
4% Instrumentalness • 39% Positiveness
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Alice Gray
Del Mar
130 bpm • D Maj • 04:02 • -8.18db
16% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Gus Dapperton
Medicine
130 bpm • E Maj • 04:00 • -4.75db
41% Popularity • 60% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 60% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Jimi Somewhere
Jesus
130 bpm • E Maj • 04:17 • -5.77db
14% Popularity • 38% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 38% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jack Larsen
Dogma
130 bpm • F# min • 03:50 • -8.62db
3% Popularity • 53% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
3% Popularity • 53% Danceability • 63% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Claud
Scarlett
130 bpm • C Maj • 02:38 • -9db
29% Popularity • 76% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 69% Positiveness
29% Popularity • 76% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 69% Positiveness
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Abbie Ozard
On A Low
131 bpm • G# min • 03:36 • -6.73db
7% Popularity • 53% Danceability • 71% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
7% Popularity • 53% Danceability • 71% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
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Alex Kehm
clone
131 bpm • C# Maj • 03:34 • -13.85db
11% Popularity • 67% Danceability • 29% Energy • 19% Liveness
24% Instrumentalness • 35% Positiveness
11% Popularity • 67% Danceability • 29% Energy • 19% Liveness
24% Instrumentalness • 35% Positiveness
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Ryan Beatty
In The End
129 bpm • G# Maj • 02:47 • -12db
36% Popularity • 58% Danceability • 30% Energy • 9% Liveness
54% Instrumentalness • 23% Positiveness
36% Popularity • 58% Danceability • 30% Energy • 9% Liveness
54% Instrumentalness • 23% Positiveness
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sophie meiers
better for you
129 bpm • C Maj • 03:18 • -7.53db
16% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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BE GOOD
Sickie
129 bpm • G min • 03:37 • -6.94db
14% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 71% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Claud
Seven Days a Week (Demo)
130 bpm • C Maj • 02:08 • -12.23db
16% Popularity • 58% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 58% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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EXES
Daydreams
129 bpm • G Maj • 01:32 • -11.96db
14% Popularity • 36% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 36% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Houses
Years
128 bpm • G Maj • 03:25 • -7.84db
13% Popularity • 51% Danceability • 80% Energy • 11% Liveness
54% Instrumentalness • 9% Positiveness
13% Popularity • 51% Danceability • 80% Energy • 11% Liveness
54% Instrumentalness • 9% Positiveness
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Ryan Beatty
Haircut
129 bpm • G# Maj • 03:36 • -7.62db
47% Popularity • 78% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 78% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Nolie
Enough
132 bpm • D# Maj • 02:15 • -4.07db
26% Popularity • 62% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 62% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Nick Leng
A Plant Fell from the Window
132 bpm • B Maj • 03:36 • -12.06db
14% Popularity • 56% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 56% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Natalie Green
June
128 bpm • C# Maj • 04:04 • -7.43db
19% Popularity • 69% Danceability • 47% Energy • 54% Liveness
9% Instrumentalness • 27% Positiveness
19% Popularity • 69% Danceability • 47% Energy • 54% Liveness
9% Instrumentalness • 27% Positiveness
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Teenage Priest
Stay With Me
128 bpm • D Maj • 03:46 • -7.05db
13% Popularity • 54% Danceability • 79% Energy • 7% Liveness
70% Instrumentalness • 82% Positiveness
13% Popularity • 54% Danceability • 79% Energy • 7% Liveness
70% Instrumentalness • 82% Positiveness
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Bishop Ivy
15
128 bpm • B min • 03:17 • -8.87db
25% Popularity • 59% Danceability • 64% Energy • 46% Liveness
51% Instrumentalness • 47% Positiveness
25% Popularity • 59% Danceability • 64% Energy • 46% Liveness
51% Instrumentalness • 47% Positiveness
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Quiet Luke
Something to Lose
132 bpm • F Maj • 03:42 • -5.96db
12% Popularity • 37% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 37% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Postcard Boy
24 Hours
128 bpm • E Maj • 03:33 • -10.81db
25% Popularity • 64% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
25% Popularity • 64% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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milk.
A Little More
128 bpm • C# min • 04:20 • -10.54db
42% Popularity • 46% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 42% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Yëlof
Tom Cruise
128 bpm • G Maj • 03:16 • -11.94db
0% Popularity • 57% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 47% Positiveness
0% Popularity • 57% Danceability • 44% Energy • 9% Liveness
5% Instrumentalness • 47% Positiveness
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COIN
Heaven Hearted
128 bpm • D Maj • 01:22 • -20.4db
25% Popularity • 20% Danceability • 14% Energy • 10% Liveness
24% Instrumentalness • 13% Positiveness
25% Popularity • 20% Danceability • 14% Energy • 10% Liveness
24% Instrumentalness • 13% Positiveness
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Maude Latour
Lovesick
128 bpm • C# Maj • 02:50 • -7.68db
31% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 53% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Lonesome Rhodes
Bugs
127 bpm • C# min • 03:37 • -10.27db
29% Popularity • 64% Danceability • 49% Energy • 11% Liveness
53% Instrumentalness • 21% Positiveness
29% Popularity • 64% Danceability • 49% Energy • 11% Liveness
53% Instrumentalness • 21% Positiveness
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teddy<3
Under The Blue
127 bpm • G Maj • 03:28 • -6.36db
21% Popularity • 46% Danceability • 80% Energy • 26% Liveness
5% Instrumentalness • 40% Positiveness
21% Popularity • 46% Danceability • 80% Energy • 26% Liveness
5% Instrumentalness • 40% Positiveness
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Peachy!
Girls
127 bpm • B Maj • 05:57 • -8.56db
8% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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ASL
CIVIL WAR
127 bpm • C Maj • 04:08 • -4.02db
8% Popularity • 61% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 61% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Froogle
Way You Move
127 bpm • B min • 02:16 • -6db
26% Popularity • 86% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
26% Popularity • 86% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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ELLIANA
Nirvana
134 bpm • E Maj • 04:26 • -9.57db
39% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 48% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Claud
Miss You
126 bpm • G Maj • 02:25 • -7.32db
25% Popularity • 80% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 80% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Phoebe Green
Dreaming Of
126 bpm • C Maj • 04:14 • -9db
21% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 47% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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cehryl
Hide n Seek
134 bpm • G# Maj • 02:44 • -8.29db
23% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 66% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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ASL
Til You Pulled Up
126 bpm • G Maj • 03:53 • -6.23db
11% Popularity • 63% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 63% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Dessert
Thunderbird
126 bpm • E Maj • 03:15 • -14.88db
24% Popularity • 37% Danceability • 42% Energy • 12% Liveness
37% Instrumentalness • 4% Positiveness
24% Popularity • 37% Danceability • 42% Energy • 12% Liveness
37% Instrumentalness • 4% Positiveness
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Far Caspian
Conversations - Alternative Version
135 bpm • E Maj • 03:25 • -11.86db
24% Popularity • 68% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
24% Popularity • 68% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Claud
Guard Down
126 bpm • C Maj • 03:26 • -6.48db
30% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 82% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Grady
of being alone
126 bpm • D# Maj • 03:26 • -4.62db
17% Popularity • 45% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 45% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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AOBeats
Running
135 bpm • A Maj • 03:49 • -9.95db
21% Popularity • 66% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 66% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 18% Positiveness
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Dayglow
Into Blue
135 bpm • F# Maj • 03:39 • -8.88db
31% Popularity • 70% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 40% Positiveness
31% Popularity • 70% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 40% Positiveness
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Gus Dapperton
Bluebird
135 bpm • F# min • 03:47 • -4.87db
37% Popularity • 71% Danceability • 81% Energy • 30% Liveness
19% Instrumentalness • 76% Positiveness
37% Popularity • 71% Danceability • 81% Energy • 30% Liveness
19% Instrumentalness • 76% Positiveness
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Tycho Jones
Level Head
135 bpm • G Maj • 03:58 • -9.85db
16% Popularity • 76% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 76% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Roy Blair
I DONT KNOW ABOUT HIM
135 bpm • A Maj • 03:58 • -8.45db
30% Popularity • 70% Danceability • 50% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
30% Popularity • 70% Danceability • 50% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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October Tooth
Lobster Claw
135 bpm • B Maj • 02:27 • -9.36db
15% Popularity • 64% Danceability • 49% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
15% Popularity • 64% Danceability • 49% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
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Jack Larsen
I Became My Brother
125 bpm • F# Maj • 03:48 • -5.87db
10% Popularity • 77% Danceability • 86% Energy • 38% Liveness
40% Instrumentalness • 12% Positiveness
10% Popularity • 77% Danceability • 86% Energy • 38% Liveness
40% Instrumentalness • 12% Positiveness
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Conner Youngblood
Australia - Edit
135 bpm • C Maj • 04:15 • -13.15db
14% Popularity • 64% Danceability • 51% Energy • 17% Liveness
63% Instrumentalness • 17% Positiveness
14% Popularity • 64% Danceability • 51% Energy • 17% Liveness
63% Instrumentalness • 17% Positiveness
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Gus Dapperton
Flatline
135 bpm • E Maj • 04:11 • -7.24db
25% Popularity • 50% Danceability • 54% Energy • 11% Liveness
8% Instrumentalness • 20% Positiveness
25% Popularity • 50% Danceability • 54% Energy • 11% Liveness
8% Instrumentalness • 20% Positiveness
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bülow
Puppy Love
125 bpm • B min • 02:59 • -6.36db
28% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Aunty Social
Thinking about Thinking about Thinking
125 bpm • G Maj • 04:00 • -8db
12% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Dead Emerson
Fools Gold
125 bpm • E Maj • 03:11 • -11.2db
9% Popularity • 61% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
9% Popularity • 61% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 44% Positiveness
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Jack Larsen
I Became My Brother
125 bpm • F# Maj • 03:32 • -4.66db
11% Popularity • 77% Danceability • 84% Energy • 38% Liveness
23% Instrumentalness • 26% Positiveness
11% Popularity • 77% Danceability • 84% Energy • 38% Liveness
23% Instrumentalness • 26% Positiveness
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Ruben Dawnson
What Happened to the Days?
125 bpm • G min • 03:10 • -8.27db
18% Popularity • 71% Danceability • 74% Energy • 38% Liveness
1% Instrumentalness • 37% Positiveness
18% Popularity • 71% Danceability • 74% Energy • 38% Liveness
1% Instrumentalness • 37% Positiveness
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Perlo
Love Like You Care
125 bpm • F Maj • 03:13 • -6db
30% Popularity • 69% Danceability • 60% Energy • 12% Liveness
55% Instrumentalness • 66% Positiveness
30% Popularity • 69% Danceability • 60% Energy • 12% Liveness
55% Instrumentalness • 66% Positiveness
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Opia
Painter
125 bpm • F Maj • 03:36 • -13.52db
20% Popularity • 39% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 39% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Prince of Eden
IF YOU'RE INSIDE AND YOU'RE OFFLINE
125 bpm • A Maj • 03:31 • -9.73db
13% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Gus Harvey
Albion
136 bpm • A Maj • 04:50 • -9db
15% Popularity • 36% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 36% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Larsen
Move On
125 bpm • D Maj • 04:36 • -9.04db
7% Popularity • 38% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 38% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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Akurei
SEROTONIN
136 bpm • G Maj • 02:48 • -10.07db
18% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 69% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Oh Wonder
Dust
136 bpm • F# min • 02:40 • -9.2db
24% Popularity • 60% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 60% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Claud
Want To
136 bpm • D Maj • 02:43 • -7.19db
19% Popularity • 75% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
19% Popularity • 75% Danceability • 53% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
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Yumi Zouma
Lonely After
136 bpm • C Maj • 03:40 • -8.84db
17% Popularity • 68% Danceability • 68% Energy • 12% Liveness
62% Instrumentalness • 60% Positiveness
17% Popularity • 68% Danceability • 68% Energy • 12% Liveness
62% Instrumentalness • 60% Positiveness
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Loveclub
Torment
136 bpm • C# min • 03:15 • -7.68db
8% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Postcard Boy
We've Been Here Our Whole Lives
124 bpm • G Maj • 03:37 • -14.64db
26% Popularity • 52% Danceability • 19% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
26% Popularity • 52% Danceability • 19% Energy • 7% Liveness
12% Instrumentalness • 4% Positiveness
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Peter Fenn
Something of Myself
124 bpm • F Maj • 02:18 • -9db
23% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 77% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Nick Leng
Ticking
124 bpm • F min • 04:26 • -7.54db
30% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Litany
My Dude
124 bpm • D Maj • 03:47 • -7db
44% Popularity • 75% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 75% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Prince of Eden
A Feeling so Strong
124 bpm • A# Maj • 03:44 • -7.61db
13% Popularity • 48% Danceability • 74% Energy • 8% Liveness
20% Instrumentalness • 10% Positiveness
13% Popularity • 48% Danceability • 74% Energy • 8% Liveness
20% Instrumentalness • 10% Positiveness
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Night Beds
Lover's Ledge (Who Have I But You)
124 bpm • E Maj • 05:37 • -12.6db
22% Popularity • 30% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 30% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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COIN
Make It Stop
124 bpm • D Maj • 03:38 • -8db
26% Popularity • 61% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 61% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Prinze George
Wingspan
138 bpm • A Maj • 03:14 • -12.04db
18% Popularity • 58% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 58% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Sorry Girls
Waking Up
123 bpm • E Maj • 02:54 • -5.79db
29% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Ethan Tasch
Zombies
138 bpm • D# Maj • 03:12 • -9.59db
25% Popularity • 58% Danceability • 60% Energy • 12% Liveness
36% Instrumentalness • 85% Positiveness
25% Popularity • 58% Danceability • 60% Energy • 12% Liveness
36% Instrumentalness • 85% Positiveness
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Kacy Hill
Unkind
122 bpm • E Maj • 03:18 • -7.18db
25% Popularity • 89% Danceability • 42% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
25% Popularity • 89% Danceability • 42% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
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Jack Larsen
Break
122 bpm • D Maj • 04:37 • -6.99db
21% Popularity • 61% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 61% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Claud
Just to Forget
122 bpm • A Maj • 03:52 • -4.55db
17% Popularity • 65% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 27% Positiveness
17% Popularity • 65% Danceability • 75% Energy • 19% Liveness
2% Instrumentalness • 27% Positiveness
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Porches
I Wanna Ride
122 bpm • C# min • 02:47 • -8.11db
22% Popularity • 75% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 26% Positiveness
22% Popularity • 75% Danceability • 40% Energy • 10% Liveness
56% Instrumentalness • 26% Positiveness
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Jim-E Stack
Good Enough
122 bpm • G Maj • 02:22 • -6db
27% Popularity • 85% Danceability • 40% Energy • 16% Liveness
2% Instrumentalness • 28% Positiveness
27% Popularity • 85% Danceability • 40% Energy • 16% Liveness
2% Instrumentalness • 28% Positiveness
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Daulton Hopkins
I'm Okay and So Are You
122 bpm • A Maj • 04:15 • -7.46db
35% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Sjowgren
Beginners
121 bpm • F# min • 05:16 • -6.07db
29% Popularity • 71% Danceability • 75% Energy • 8% Liveness
17% Instrumentalness • 70% Positiveness
29% Popularity • 71% Danceability • 75% Energy • 8% Liveness
17% Instrumentalness • 70% Positiveness
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wens
giant bat
122 bpm • B Maj • 02:34 • -12.84db
9% Popularity • 70% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 70% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Claud
Gold
122 bpm • C Maj • 03:19 • -8db
32% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Cards
One Too Many Movies
140 bpm • E Maj • 03:36 • -8.53db
21% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Baby Boys
Kinky Toe
140 bpm • B Maj • 02:24 • -10db
24% Popularity • 56% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 56% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Gus Dapperton
My Say So
140 bpm • D Maj • 03:03 • -5.11db
31% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 73% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Sophie Cates
lost cause
121 bpm • C Maj • 03:07 • -8.67db
22% Popularity • 50% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 50% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
