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Doin' This
Songs like
Doin' This
by
Luke Combs
Based on a tempo of (+/- 10%) and a similar genre
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
65% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
76% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Luke Combs
Doin' This
115 bpm • C# Maj • 04:14 • -6db
65% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Bryan
Kiss Tomorrow Goodbye
115 bpm • F min • 03:23 • -3db
71% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
74% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
55% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Parker McCollum
I Can't Breathe
114 bpm • C Maj • 04:17 • -6.66db
64% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
64% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
64% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Mason
E
114 bpm • A min • 03:48 • -7.73db
65% Popularity • 66% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Parker McCollum
Young Man's Blues
114 bpm • G# Maj • 03:26 • -5db
62% Popularity • 55% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
72% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Shenandoah
Two Dozen Roses
117 bpm • E Maj • 03:50 • -5.9db
62% Popularity • 62% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
64% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
61% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
86% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Clay Walker
She Won't Be Lonely Long
113 bpm • G Maj • 03:29 • -6db
68% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
68% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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HIXTAPE
Ships That Don’t Come In
118 bpm • G# Maj • 03:44 • -6.3db
61% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Aaron Lewis
Am I The Only One
112 bpm • C# Maj • 04:29 • -4.88db
53% Popularity • 62% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
69% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
66% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
69% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Zach Bryan
The Good I'll Do
118 bpm • A# Maj • 03:31 • -8db
74% Popularity • 43% Danceability • 22% Energy • 46% Liveness
0% Instrumentalness • 19% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
72% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
65% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Diplo
Heartless
111 bpm • B Maj • 02:49 • -6.42db
78% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
73% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Keith Urban
Somebody Like You
111 bpm • E Maj • 05:23 • -5.77db
69% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
70% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Morgan Wade
Wilder Days
111 bpm • A Maj • 04:11 • -4.04db
65% Popularity • 50% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Morgan Wallen
You Proof
120 bpm • A Maj • 02:37 • -5.01db
84% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Cody Jinks
Mamma Song
120 bpm • A# Maj • 04:19 • -6.86db
62% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Eric Church
Heart On Fire
120 bpm • G# Maj • 04:18 • -5db
58% Popularity • 65% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Zach Bryan
Heading South
110 bpm • E Maj • 02:51 • -14.11db
86% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
67% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
63% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dierks Bentley
Black
120 bpm • C# Maj • 03:31 • -6.69db
61% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
73% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
61% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
60% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Midland
Sunrise Tells The Story
110 bpm • C Maj • 03:27 • -8db
52% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Zach Bryan
From Austin
110 bpm • C Maj • 03:27 • -8db
79% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
64% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Luke Combs
Memories Are Made Of
121 bpm • D Maj • 03:36 • -6.19db
58% Popularity • 69% Danceability • 72% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
66% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
71% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
63% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Bailey Zimmerman
Rock and A Hard Place
122 bpm • C# Maj • 03:27 • -7.3db
81% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Lee Brice
Drinking Class
109 bpm • C# Maj • 03:27 • -10db
60% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
70% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
70% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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HIXTAPE
Turn You Down (HARDY Morgan Wallen, Zakk...
108 bpm • B Maj • 02:34 • -3.38db
69% Popularity • 62% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Turner
Would You Go With Me
123 bpm • F# Maj • 03:48 • -5.37db
72% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Zach Bryan
Oklahoma Smokeshow
123 bpm • G# Maj • 03:31 • -5.69db
83% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Thomas Rhett
Sixteen
107 bpm • C# Maj • 02:58 • -7.03db
61% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Young
Gettin' You Home
107 bpm • G Maj • 03:32 • -5.02db
66% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Muscadine Bloodline
Pieces
124 bpm • F# Maj • 03:16 • -11.5db
73% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
70% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
61% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
57% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
71% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
73% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Zach Bryan
Motorcycle Drive By
124 bpm • D# Maj • 02:41 • -4.56db
75% Popularity • 66% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
63% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
62% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Jordan Davis
Tucson Too Late
106 bpm • G Maj • 02:52 • -7.19db
75% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Luke Bryan
Country Girl (Shake It For Me)
106 bpm • D Maj • 03:45 • -4.53db
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Billy Currington
Let Me Down Easy
125 bpm • C# Maj • 03:48 • -5db
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Parker McCollum
Like A Cowboy
125 bpm • E Maj • 03:46 • -6.79db
59% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
77% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Alan Jackson
Drive (For Daddy Gene)
125 bpm • B Maj • 04:02 • -8.07db
67% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
70% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
64% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Janson
Done
105 bpm • A Maj • 03:40 • -3.38db
55% Popularity • 56% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Doin' This