Songs like Doin' Time - Remixed By Marshall Arts by Sublime

162 bpm • G Maj • 04:11 • -7.49db

33% Popularity • 71% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness

160 bpm • C min • 05:24 • -7.32db

36% Popularity • 71% Danceability • 59% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness

165 bpm • G min • 04:53 • -7.22db

50% Popularity • 44% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness

166 bpm • C Maj • 04:20 • -6.06db

11% Popularity • 67% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness

168 bpm • F# min • 02:51 • -9.3db

28% Popularity • 76% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 87% Positiveness

157 bpm • E min • 05:46 • -9.67db

12% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness

160 bpm • F# Maj • 01:41 • -11.55db

47% Popularity • 82% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness

167 bpm • F# Maj • 04:21 • -8db

38% Popularity • 55% Danceability • 89% Energy • 79% Liveness
12% Instrumentalness • 77% Positiveness

156 bpm • C# Maj • 03:04 • -4.11db

35% Popularity • 86% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness

169 bpm • C# Maj • 05:47 • -5.56db

23% Popularity • 78% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness

170 bpm • F# min • 04:25 • -10.74db

50% Popularity • 71% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness

170 bpm • A# min • 03:24 • -7.05db

22% Popularity • 65% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness

171 bpm • G Maj • 03:19 • -3db

44% Popularity • 44% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness

160 bpm • C min • 03:31 • -6.22db

30% Popularity • 70% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness

172 bpm • A# min • 05:17 • -5.8db

54% Popularity • 69% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness

173 bpm • G min • 03:37 • -8.28db

28% Popularity • 57% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness

174 bpm • G Maj • 04:18 • -6.62db

24% Popularity • 83% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness

151 bpm • C# min • 05:03 • -9.01db

41% Popularity • 72% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness

174 bpm • C# min • 03:28 • -7.67db

43% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness

151 bpm • E min • 02:27 • -8.46db

27% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness

175 bpm • E min • 05:47 • -6db

11% Popularity • 72% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness

173 bpm • E min • 03:44 • -8.31db

44% Popularity • 55% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness

175 bpm • A# min • 04:38 • -10db

37% Popularity • 46% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness

176 bpm • C# Maj • 05:46 • -9db

48% Popularity • 57% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness

176 bpm • E min • 04:11 • -11.06db

33% Popularity • 64% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness

178 bpm • D Maj • 04:48 • -6.46db

19% Popularity • 77% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness

176 bpm • G Maj • 03:59 • -5db

23% Popularity • 52% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness

147 bpm • G# Maj • 01:56 • -5.16db

22% Popularity • 57% Danceability • 79% Energy • 44% Liveness
3% Instrumentalness • 40% Positiveness

179 bpm • A Maj • 02:43 • -9.37db

24% Popularity • 64% Danceability • 50% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness

180 bpm • F# min • 05:28 • -7.75db

33% Popularity • 77% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness

180 bpm • C Maj • 02:54 • -8.13db

19% Popularity • 51% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness

180 bpm • F# min • 04:05 • -6.92db

53% Popularity • 67% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness

180 bpm • G Maj • 05:40 • -6.85db

34% Popularity • 70% Danceability • 73% Energy • 37% Liveness
24% Instrumentalness • 56% Positiveness

180 bpm • F# min • 04:01 • -9.24db

29% Popularity • 66% Danceability • 66% Energy • 12% Liveness
16% Instrumentalness • 63% Positiveness

180 bpm • B Maj • 03:02 • -3db

50% Popularity • 41% Danceability • 86% Energy • 59% Liveness
0% Instrumentalness • 68% Positiveness

180 bpm • F min • 04:31 • -16.56db

50% Popularity • 74% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 85% Positiveness

145 bpm • C Maj • 06:05 • -6.22db

54% Popularity • 64% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness

182 bpm • C# min • 04:32 • -8.82db

47% Popularity • 51% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness

144 bpm • D Maj • 02:13 • -11.14db

41% Popularity • 70% Danceability • 28% Energy • 12% Liveness
81% Instrumentalness • 72% Positiveness

144 bpm • G min • 05:36 • -8.25db

13% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness

182 bpm • G min • 02:51 • -8.68db

37% Popularity • 67% Danceability • 57% Energy • 48% Liveness
0% Instrumentalness • 71% Positiveness

185 bpm • D min • 05:02 • -12.79db

30% Popularity • 60% Danceability • 53% Energy • 5% Liveness
8% Instrumentalness • 52% Positiveness

145 bpm • C Maj • 04:19 • -8.71db

41% Popularity • 61% Danceability • 61% Energy • 10% Liveness
44% Instrumentalness • 26% Positiveness

185 bpm • D Maj • 04:55 • -6.18db

53% Popularity • 81% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness

141 bpm • G Maj • 00:57 • -9.31db

46% Popularity • 88% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness

140 bpm • G Maj • 03:57 • -9db

17% Popularity • 75% Danceability • 60% Energy • 48% Liveness
0% Instrumentalness • 71% Positiveness

140 bpm • G# min • 04:24 • -7.21db

29% Popularity • 68% Danceability • 68% Energy • 11% Liveness
10% Instrumentalness • 23% Positiveness

140 bpm • E Maj • 05:36 • -8.82db

17% Popularity • 77% Danceability • 88% Energy • 38% Liveness
11% Instrumentalness • 62% Positiveness

142 bpm • A Maj • 02:11 • -5.23db

48% Popularity • 69% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness

190 bpm • D Maj • 04:27 • -13.53db

36% Popularity • 71% Danceability • 46% Energy • 28% Liveness
2% Instrumentalness • 51% Positiveness

138 bpm • C# min • 04:07 • -4db

24% Popularity • 66% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness

192 bpm • D Maj • 03:13 • -12.23db

18% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness

138 bpm • E min • 04:43 • -6db

63% Popularity • 73% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness

194 bpm • G Maj • 04:47 • -6db

24% Popularity • 68% Danceability • 83% Energy • 47% Liveness
62% Instrumentalness • 62% Positiveness

141 bpm • F min • 02:34 • -5.13db

37% Popularity • 73% Danceability • 65% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness

202 bpm • C# Maj • 03:35 • -8db

44% Popularity • 71% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness

205 bpm • A# Maj • 03:34 • -6.71db

30% Popularity • 58% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness

206 bpm • C# Maj • 04:46 • -11.79db

70% Popularity • 59% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness