Songs like Don Quixote: Act I: Quiteria's Variation by Ludwig Minkus
Based on a tempo of (+/- 10%) and a similar genre
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Ludwig Minkus
Don Quixote: Act I: Quiteria's Variation
141 bpm • B min • 00:49 • -19.29db
38% Popularity • 33% Danceability • 21% Energy • 14% Liveness
30% Instrumentalness • 70% Positiveness
38% Popularity • 33% Danceability • 21% Energy • 14% Liveness
30% Instrumentalness • 70% Positiveness
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Knudåge Riisager
Etudes: XII. Mazurka
141 bpm • A min • 02:35 • -16.12db
18% Popularity • 42% Danceability • 30% Energy • 23% Liveness
2% Instrumentalness • 57% Positiveness
18% Popularity • 42% Danceability • 30% Energy • 23% Liveness
2% Instrumentalness • 57% Positiveness
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Evergreen Symphony Orchestra
Le Corsaire: Act III - "4. Le Jardin Ani...
142 bpm • G# Maj • 03:23 • -30.21db
21% Popularity • 24% Danceability • 2% Energy • 34% Liveness
43% Instrumentalness • 16% Positiveness
21% Popularity • 24% Danceability • 2% Energy • 34% Liveness
43% Instrumentalness • 16% Positiveness
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Léo Delibes
Sylvia, Suite: 3. Pizzicati
142 bpm • C min • 02:08 • -31db
33% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
33% Popularity • 39% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Niccolò Paganini
Paganini / Arr. Kreisler: Violin Concert...
142 bpm • B min • 05:16 • -16db
42% Popularity • 50% Danceability • 24% Energy • 17% Liveness
38% Instrumentalness • 59% Positiveness
42% Popularity • 50% Danceability • 24% Energy • 17% Liveness
38% Instrumentalness • 59% Positiveness
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Douglas Schultz
Adagio at the Barre
140 bpm • A Maj • 02:04 • -24.64db
19% Popularity • 49% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
19% Popularity • 49% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 52% Positiveness
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Ludwig Minkus
Don Quixote: Act II: Gypsy Dance I
141 bpm • E Maj • 01:58 • -18.52db
20% Popularity • 51% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 44% Positiveness
20% Popularity • 51% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Concerto for 2 Oboes in A Minor, RV 536:...
139 bpm • A min • 01:38 • -17db
49% Popularity • 59% Danceability • 24% Energy • 20% Liveness
31% Instrumentalness • 56% Positiveness
49% Popularity • 59% Danceability • 24% Energy • 20% Liveness
31% Instrumentalness • 56% Positiveness
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Alexander Glazunov
Raymonda, Act III: Pas Classique Hongroi...
139 bpm • F min • 02:42 • -29.04db
13% Popularity • 21% Danceability • 1% Energy • 14% Liveness
37% Instrumentalness • 9% Positiveness
13% Popularity • 21% Danceability • 1% Energy • 14% Liveness
37% Instrumentalness • 9% Positiveness
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Moscow New Philharmonic Orchestra
Act III. Neopolitan dance
143 bpm • D Maj • 01:47 • -14db
10% Popularity • 36% Danceability • 28% Energy • 8% Liveness
48% Instrumentalness • 81% Positiveness
10% Popularity • 36% Danceability • 28% Energy • 8% Liveness
48% Instrumentalness • 81% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Douglas Schultz
First Pirouette Waltz
140 bpm • D Maj • 02:14 • -17.7db
23% Popularity • 54% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 74% Positiveness
23% Popularity • 54% Danceability • 23% Energy • 9% Liveness
82% Instrumentalness • 74% Positiveness
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Ludwig Minkus
Don Quixote: Act III: Variation: Dryad's...
143 bpm • G Maj • 01:55 • -25.77db
16% Popularity • 16% Danceability • 2% Energy • 18% Liveness
47% Instrumentalness • 8% Positiveness
16% Popularity • 16% Danceability • 2% Energy • 18% Liveness
47% Instrumentalness • 8% Positiveness
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Knudåge Riisager
Etudes: XIV. Broad leaps
143 bpm • A Maj • 03:31 • -14db
15% Popularity • 32% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
15% Popularity • 32% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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Adolphe Adam
Giselle: Act I: Pas seul - Pas de deux d...
144 bpm • E Maj • 01:58 • -34db
21% Popularity • 24% Danceability • 1% Energy • 35% Liveness
42% Instrumentalness • 14% Positiveness
21% Popularity • 24% Danceability • 1% Energy • 35% Liveness
42% Instrumentalness • 14% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance Of The Hours
138 bpm • E Maj • 01:26 • -30db
51% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 51% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Cello Concerto in E Minor, RV 409: II. A...
145 bpm • E min • 01:01 • -19db
60% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness
60% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness
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Camille Saint-Saëns
Bacchanale
145 bpm • D min • 06:27 • -19.76db
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 8% Liveness
23% Instrumentalness • 14% Positiveness
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Ludwig Minkus
Don Quixote: Prologue: Allegro assai
141 bpm • D Maj • 01:05 • -19.12db
24% Popularity • 46% Danceability • 25% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
24% Popularity • 46% Danceability • 25% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Divertimento in D Major, K. 136, "Salzbu...
137 bpm • D Maj • 04:10 • -21db
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
41% Popularity • 43% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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AntonÃn Dvořák
Symphony No. 6 in D Major, Op. 60, B. 11...
137 bpm • D Maj • 07:41 • -18db
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
36% Popularity • 34% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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Oskar Rieding
Rieding: Violin Concerto No. 2 in B Mino...
145 bpm • B min • 02:55 • -16.14db
19% Popularity • 44% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 44% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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André Messager
The Two Pigeons Act 1
136 bpm • A Maj • 03:48 • -20.68db
12% Popularity • 34% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
12% Popularity • 34% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Ludwig Minkus
Paquita: Variation 5: Allegro non troppo...
140 bpm • E min • 01:05 • -23.2db
59% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
59% Popularity • 44% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 48% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
146 bpm • A Maj • 08:50 • -16db
48% Popularity • 32% Danceability • 30% Energy • 27% Liveness
90% Instrumentalness • 40% Positiveness
48% Popularity • 32% Danceability • 30% Energy • 27% Liveness
90% Instrumentalness • 40% Positiveness
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Andre Kostelanetz
Carmen: Habanera - Instrumental
136 bpm • D Maj • 01:54 • -15db
47% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
47% Popularity • 37% Danceability • 16% Energy • 19% Liveness
66% Instrumentalness • 54% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
136 bpm • G min • 05:16 • -16db
48% Popularity • 29% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
48% Popularity • 29% Danceability • 21% Energy • 8% Liveness
4% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Masquerade Suite: Gallop
147 bpm • A# Maj • 03:17 • -18.19db
24% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
24% Popularity • 40% Danceability • 34% Energy • 8% Liveness
42% Instrumentalness • 40% Positiveness
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Boris Vladimirovich Asafiev
Die Flamme von Paris (Flames of Paris) (...
135 bpm • C Maj • 02:03 • -14db
25% Popularity • 47% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 61% Positiveness
25% Popularity • 47% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 61% Positiveness
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Ludwig Minkus
Paquita: Coda: Allegro con fuoco
140 bpm • A Maj • 03:38 • -18.48db
28% Popularity • 44% Danceability • 24% Energy • 14% Liveness
23% Instrumentalness • 56% Positiveness
28% Popularity • 44% Danceability • 24% Energy • 14% Liveness
23% Instrumentalness • 56% Positiveness
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Dag Wirén
Serenade For Strings, Op.11
135 bpm • G Maj • 04:41 • -16.79db
23% Popularity • 40% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Evergreen Symphony Orchestra
La Bayadere, Act II: 36. "Variations Nik...
135 bpm • C Maj • 03:31 • -22db
23% Popularity • 28% Danceability • 22% Energy • 22% Liveness
38% Instrumentalness • 26% Positiveness
23% Popularity • 28% Danceability • 22% Energy • 22% Liveness
38% Instrumentalness • 26% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons: Concerto No. 2 in G Mi...
147 bpm • G min • 05:22 • -18.46db
44% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Ferdinand Küchler
Küchler: Violin concertino Op. 11 in G ...
135 bpm • G Maj • 03:27 • -17.53db
16% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Baroque Festival Orchestra
Autumn (L'Automno) Op.8 No.3 Major: Alle...
147 bpm • C Maj • 03:20 • -25.5db
49% Popularity • 50% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
49% Popularity • 50% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act I: Coda: Basilio and Qu...
140 bpm • D Maj • 03:07 • -17.94db
14% Popularity • 46% Danceability • 21% Energy • 10% Liveness
71% Instrumentalness • 53% Positiveness
14% Popularity • 46% Danceability • 21% Energy • 10% Liveness
71% Instrumentalness • 53% Positiveness
► Preview
Mela Tenenbaum
Chopin Mazurka in A Minor, Op.67,No.4: F...
135 bpm • A Maj • 03:03 • -23.36db
25% Popularity • 29% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
25% Popularity • 29% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
► Preview
Modest Mussorgsky
Sorochinskaya yarmarka (Sorochintsi Fair...
135 bpm • G Maj • 01:42 • -22db
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
47% Popularity • 54% Danceability • 15% Energy • 25% Liveness
54% Instrumentalness • 40% Positiveness
► Preview
Douglas Schultz
Grand Allegro Coda
148 bpm • A Maj • 01:52 • -15.8db
20% Popularity • 80% Danceability • 38% Energy • 9% Liveness
83% Instrumentalness • 97% Positiveness
20% Popularity • 80% Danceability • 38% Energy • 9% Liveness
83% Instrumentalness • 97% Positiveness
► Preview
Sergei Prokofiev
Cinderella, Op. 87: 12. Spring Fairy
148 bpm • C Maj • 01:32 • -30.29db
6% Popularity • 31% Danceability • 4% Energy • 28% Liveness
76% Instrumentalness • 7% Positiveness
6% Popularity • 31% Danceability • 4% Energy • 28% Liveness
76% Instrumentalness • 7% Positiveness
► Preview
Notepad Music
Summer - Concerto No. 2 in G minor RV315...
148 bpm • G Maj • 02:41 • -16db
40% Popularity • 32% Danceability • 42% Energy • 52% Liveness
82% Instrumentalness • 49% Positiveness
40% Popularity • 32% Danceability • 42% Energy • 52% Liveness
82% Instrumentalness • 49% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act III: Finale: Spanish Da...
144 bpm • G Maj • 04:20 • -17.76db
16% Popularity • 27% Danceability • 22% Energy • 16% Liveness
89% Instrumentalness • 40% Positiveness
16% Popularity • 27% Danceability • 22% Energy • 16% Liveness
89% Instrumentalness • 40% Positiveness
► Preview
AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 7 i...
134 bpm • C min • 03:38 • -14db
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
25% Popularity • 44% Danceability • 21% Energy • 5% Liveness
88% Instrumentalness • 56% Positiveness
► Preview
Adolphe Adam
Giselle: Act II: Allegro moderato: Coda
134 bpm • G# Maj • 02:01 • -19.01db
11% Popularity • 40% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 36% Positiveness
11% Popularity • 40% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 36% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 2: 2. Habanera
134 bpm • D Maj • 02:02 • -29.61db
47% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 46% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30: Dance Of The ...
150 bpm • D min • 04:04 • -14db
41% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
41% Popularity • 42% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 40% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
149 bpm • G min • 02:49 • -14.1db
54% Popularity • 29% Danceability • 46% Energy • 17% Liveness
94% Instrumentalness • 51% Positiveness
54% Popularity • 29% Danceability • 46% Energy • 17% Liveness
94% Instrumentalness • 51% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act II: Allegretto
136 bpm • A Maj • 02:51 • -26db
20% Popularity • 53% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 35% Positiveness
20% Popularity • 53% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 35% Positiveness
► Preview
Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 5 in A...
150 bpm • A min • 03:09 • -23.45db
43% Popularity • 36% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 63% Positiveness
43% Popularity • 36% Danceability • 20% Energy • 6% Liveness
93% Instrumentalness • 63% Positiveness
► Preview
Friedrich Burgmüller
Giselle: Peasant pas de deux (arr. March...
133 bpm • D Maj • 03:01 • -18db
14% Popularity • 34% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 19% Positiveness
14% Popularity • 34% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 19% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 2: II. Habanera
133 bpm • D Maj • 02:01 • -27.5db
33% Popularity • 42% Danceability • 2% Energy • 22% Liveness
5% Instrumentalness • 50% Positiveness
33% Popularity • 42% Danceability • 2% Energy • 22% Liveness
5% Instrumentalness • 50% Positiveness
► Preview
Radio Symphony Orchestra
Lo schiaccianoci Suite, Op. 71a: Danse r...
150 bpm • G Maj • 01:10 • -9.92db
16% Popularity • 50% Danceability • 67% Energy • 44% Liveness
95% Instrumentalness • 96% Positiveness
16% Popularity • 50% Danceability • 67% Energy • 44% Liveness
95% Instrumentalness • 96% Positiveness
► Preview
Mariinsky Orchestra
Act II: Variation Of Cupid (Minkus)
132 bpm • D Maj • 01:06 • -21db
32% Popularity • 53% Danceability • 18% Energy • 44% Liveness
22% Instrumentalness • 59% Positiveness
32% Popularity • 53% Danceability • 18% Energy • 44% Liveness
22% Instrumentalness • 59% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act I: Quiteria's Variation
136 bpm • B min • 00:47 • -21db
38% Popularity • 49% Danceability • 7% Energy • 19% Liveness
66% Instrumentalness • 52% Positiveness
38% Popularity • 49% Danceability • 7% Energy • 19% Liveness
66% Instrumentalness • 52% Positiveness
► Preview
Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 In the Hall ...
132 bpm • E min • 02:25 • -18.12db
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 54% Positiveness
► Preview
Jean Baptist Accolay
Accolay: Violin Concerto No. 1 in A Mino...
132 bpm • A min • 07:42 • -19db
28% Popularity • 34% Danceability • 15% Energy • 9% Liveness
27% Instrumentalness • 34% Positiveness
28% Popularity • 34% Danceability • 15% Energy • 9% Liveness
27% Instrumentalness • 34% Positiveness
► Preview
Charles Gounod
Faust, Ballet Music (1869): 6. Variation...
151 bpm • G Maj • 02:03 • -25db
38% Popularity • 30% Danceability • 5% Energy • 28% Liveness
73% Instrumentalness • 36% Positiveness
38% Popularity • 30% Danceability • 5% Energy • 28% Liveness
73% Instrumentalness • 36% Positiveness
► Preview
Aram Khachaturian
Spartacus: Variation of Aegina and Bacch...
132 bpm • C# Maj • 03:42 • -18.32db
17% Popularity • 37% Danceability • 32% Energy • 21% Liveness
89% Instrumentalness • 15% Positiveness
17% Popularity • 37% Danceability • 32% Energy • 21% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Vittorio Monti
Czardas
151 bpm • D Maj • 04:26 • -21.32db
28% Popularity • 38% Danceability • 13% Energy • 10% Liveness
13% Instrumentalness • 26% Positiveness
28% Popularity • 38% Danceability • 13% Energy • 10% Liveness
13% Instrumentalness • 26% Positiveness
► Preview
Ludwig Minkus
La Bayadère / Act 1: No. 21 Allegretto
147 bpm • G Maj • 03:22 • -18.06db
14% Popularity • 47% Danceability • 10% Energy • 7% Liveness
75% Instrumentalness • 46% Positiveness
14% Popularity • 47% Danceability • 10% Energy • 7% Liveness
75% Instrumentalness • 46% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
132 bpm • A Maj • 06:48 • -26.01db
29% Popularity • 20% Danceability • 2% Energy • 25% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 20% Danceability • 2% Energy • 25% Liveness
86% Instrumentalness • 9% Positiveness
► Preview
Orquesta Sinfónica De Radio Hamburgo
Mazurca
152 bpm • C Maj • 04:53 • -15.31db
23% Popularity • 40% Danceability • 32% Energy • 6% Liveness
31% Instrumentalness • 36% Positiveness
23% Popularity • 40% Danceability • 32% Energy • 6% Liveness
31% Instrumentalness • 36% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Op. 8 L'inverno "Winte...
153 bpm • F min • 03:25 • -22db
39% Popularity • 45% Danceability • 22% Energy • 33% Liveness
49% Instrumentalness • 38% Positiveness
39% Popularity • 45% Danceability • 22% Energy • 33% Liveness
49% Instrumentalness • 38% Positiveness
► Preview
Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Baroque Festival Orchestra
Winter (L'Inverno) Op.8 No.4 F Minor: Al...
153 bpm • F min • 03:28 • -27db
50% Popularity • 29% Danceability • 3% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness
50% Popularity • 29% Danceability • 3% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act I: A square in Barcelon...
132 bpm • G Maj • 01:11 • -22db
23% Popularity • 60% Danceability • 23% Energy • 16% Liveness
96% Instrumentalness • 28% Positiveness
23% Popularity • 60% Danceability • 23% Energy • 16% Liveness
96% Instrumentalness • 28% Positiveness
► Preview
Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90 "Itali...
131 bpm • A Maj • 06:16 • -18db
25% Popularity • 21% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 12% Positiveness
25% Popularity • 21% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Overture
130 bpm • D Maj • 05:54 • -17db
32% Popularity • 31% Danceability • 12% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
32% Popularity • 31% Danceability • 12% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
► Preview
Alexander Glazunov
Ruses d'amour, Op. 61
130 bpm • D# Maj • 06:12 • -22db
21% Popularity • 23% Danceability • 11% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
21% Popularity • 23% Danceability • 11% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness
► Preview
Ferdinand Hérold
La fille mal gardée (Rev. Lanchbery), A...
130 bpm • G min • 02:11 • -20.98db
28% Popularity • 43% Danceability • 11% Energy • 59% Liveness
87% Instrumentalness • 36% Positiveness
28% Popularity • 43% Danceability • 11% Energy • 59% Liveness
87% Instrumentalness • 36% Positiveness
► Preview
Diane Hidy & Keith Snell
La Tarentelle (Tarantella)
153 bpm • D min • 01:36 • -25db
30% Popularity • 42% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 93% Positiveness
30% Popularity • 42% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 93% Positiveness
► Preview
Ludwig Minkus
Don Quixote: Act III: Classical Variatio...
150 bpm • F Maj • 02:03 • -26.95db
17% Popularity • 28% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 15% Positiveness
17% Popularity • 28% Danceability • 1% Energy • 7% Liveness
64% Instrumentalness • 15% Positiveness
► Preview
Baroque Festival Orchestra
Concerto per Violino, archi e basso cont...
129 bpm • A min • 02:21 • -16.07db
38% Popularity • 62% Danceability • 26% Energy • 22% Liveness
4% Instrumentalness • 65% Positiveness
38% Popularity • 62% Danceability • 26% Energy • 22% Liveness
4% Instrumentalness • 65% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 8 i...
129 bpm • G Maj • 04:42 • -12db
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
31% Popularity • 44% Danceability • 22% Energy • 5% Liveness
94% Instrumentalness • 58% Positiveness
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Adolphe Adam
Giselle: Act I: Andante
129 bpm • G Maj • 01:48 • -30.56db
28% Popularity • 19% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Ferdinand Hérold
Hérold & Lanchbery: La fille mal gardé...
130 bpm • D# Maj • 01:03 • -11.55db
16% Popularity • 39% Danceability • 36% Energy • 22% Liveness
98% Instrumentalness • 45% Positiveness
16% Popularity • 39% Danceability • 36% Energy • 22% Liveness
98% Instrumentalness • 45% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso in A M...
129 bpm • C Maj • 09:02 • -26db
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
26% Popularity • 39% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 19% Positiveness
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Ludwig Minkus
Don Quixote: Act IV: Coda
132 bpm • G Maj • 01:36 • -12.76db
25% Popularity • 56% Danceability • 36% Energy • 6% Liveness
96% Instrumentalness • 54% Positiveness
25% Popularity • 56% Danceability • 36% Energy • 6% Liveness
96% Instrumentalness • 54% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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Alexander Litvinovsky
Le grand cahier: II. Les alertes
155 bpm • G Maj • 02:11 • -15db
30% Popularity • 60% Danceability • 46% Energy • 14% Liveness
97% Instrumentalness • 65% Positiveness
30% Popularity • 60% Danceability • 46% Energy • 14% Liveness
97% Instrumentalness • 65% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
128 bpm • G min • 03:28 • -16db
23% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
23% Popularity • 29% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Anonymous
Rigoletto, Act IV: La donna e mobile (ar...
155 bpm • A# Maj • 01:45 • -17db
45% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
45% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Bedřich Smetana
Má vlast, JB 1:112: II. Vltava, "The Mo...
128 bpm • C Maj • 02:57 • -12.12db
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
23% Popularity • 22% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Ludwig Minkus
La Bayadere: Variation 1: Andante
130 bpm • A Maj • 00:57 • -20.43db
38% Popularity • 54% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
38% Popularity • 54% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Ferdinand Hérold
Hérold & Lanchbery: La fille mal gardé...
128 bpm • A# Maj • 00:50 • -14.24db
17% Popularity • 63% Danceability • 21% Energy • 8% Liveness
85% Instrumentalness • 77% Positiveness
17% Popularity • 63% Danceability • 21% Energy • 8% Liveness
85% Instrumentalness • 77% Positiveness
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Georges Bizet
Farandole
156 bpm • G Maj • 03:52 • -18.03db
33% Popularity • 48% Danceability • 48% Energy • 71% Liveness
94% Instrumentalness • 62% Positiveness
33% Popularity • 48% Danceability • 48% Energy • 71% Liveness
94% Instrumentalness • 62% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Mariinsky Orchestra
Act I: Variation Of Kitri (Minkus)
156 bpm • E min • 00:47 • -15.12db
40% Popularity • 33% Danceability • 35% Energy • 38% Liveness
3% Instrumentalness • 77% Positiveness
40% Popularity • 33% Danceability • 35% Energy • 38% Liveness
3% Instrumentalness • 77% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Ludwig Minkus
Don Quixote: Prologue: Allegro
128 bpm • A min • 01:02 • -29.06db
29% Popularity • 52% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 59% Positiveness
29% Popularity • 52% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 59% Positiveness
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Pyotr Ilyich Tchaikovsky
Schwanensee, Op. 20: Act III: Coda
126 bpm • G Maj • 02:10 • -13.17db
16% Popularity • 45% Danceability • 57% Energy • 18% Liveness
89% Instrumentalness • 58% Positiveness
16% Popularity • 45% Danceability • 57% Energy • 18% Liveness
89% Instrumentalness • 58% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
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Camille Saint-Saëns
Allegro Appassionato Op. 43
127 bpm • E min • 03:54 • -25db
20% Popularity • 29% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 29% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Adolphe Adam
Giselle: Act II: Entree d'Hilarion scene...
126 bpm • D# Maj • 05:18 • -30.05db
9% Popularity • 22% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
9% Popularity • 22% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 15% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Ludwig Minkus
Don Quixote: Act III: Flower Waltz
156 bpm • C Maj • 01:03 • -21.67db
22% Popularity • 55% Danceability • 4% Energy • 17% Liveness
11% Instrumentalness • 49% Positiveness
22% Popularity • 55% Danceability • 4% Energy • 17% Liveness
11% Instrumentalness • 49% Positiveness
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Douglas Schultz
Piqué Turns
126 bpm • B min • 01:41 • -21.43db
23% Popularity • 61% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 86% Positiveness
23% Popularity • 61% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 86% Positiveness
