Songs like Don Quixote, Op. 35, TrV 184: IIh. Var 8, Gemächlich by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Frederick Delius
2 Aquarelles: Gaily, but not quick
76 bpm • D Maj • 02:04 • -22.45db
33% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
33% Popularity • 10% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 10% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Richard Strauss
Sinfonia Domestica, Op. 53, TrV 209: Bew...
76 bpm • F Maj • 05:14 • -25.84db
6% Popularity • 11% Danceability • 3% Energy • 31% Liveness
18% Instrumentalness • 4% Positiveness
6% Popularity • 11% Danceability • 3% Energy • 31% Liveness
18% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, L. 91: 2. Fêtes
76 bpm • A Maj • 06:17 • -21.52db
6% Popularity • 17% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
6% Popularity • 17% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Preludio sinfonico
75 bpm • A Maj • 08:47 • -21db
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: The Lo...
76 bpm • F# Maj • 06:31 • -24.85db
14% Popularity • 7% Danceability • 8% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 8% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Claude Debussy
Nocturnes, L. 91: 1. Nuages
77 bpm • C Maj • 07:49 • -37.93db
10% Popularity • 15% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
75 bpm • A Maj • 08:36 • -15db
21% Popularity • 37% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
21% Popularity • 37% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 43% Positiveness
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Richard Strauss
Don Quixote, Op. 35 (Fantastic Variation...
75 bpm • D min • 00:58 • -32.78db
11% Popularity • 12% Danceability • 1% Energy • 18% Liveness
66% Instrumentalness • 10% Positiveness
11% Popularity • 12% Danceability • 1% Energy • 18% Liveness
66% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
String Quartet No. 19 in C Major, K. 465...
74 bpm • C Maj • 10:33 • -18.76db
15% Popularity • 35% Danceability • 12% Energy • 10% Liveness
56% Instrumentalness • 25% Positiveness
15% Popularity • 35% Danceability • 12% Energy • 10% Liveness
56% Instrumentalness • 25% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
74 bpm • G Maj • 10:48 • -19db
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
32% Popularity • 18% Danceability • 15% Energy • 66% Liveness
94% Instrumentalness • 21% Positiveness
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Jean Sibelius
6 Bagatelles, Op. 97: No. 3: Kleiner Wal...
74 bpm • D Maj • 01:15 • -22.65db
50% Popularity • 35% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
50% Popularity • 35% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Wo bleibt Ele...
77 bpm • G Maj • 05:51 • -15.56db
12% Popularity • 33% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 33% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
45% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
32% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
30% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
30% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
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Maurice Ravel
Une barque sur l'océan: Très souple de...
79 bpm • A Maj • 07:59 • -29db
23% Popularity • 7% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 7% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Richard Strauss
2 Pieces for Piano Quartet, TrV 169: No....
77 bpm • G Maj • 06:06 • -25.15db
12% Popularity • 21% Danceability • 3% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
12% Popularity • 21% Danceability • 3% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
73 bpm • A# Maj • 07:10 • -15db
23% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: Prelude to A...
79 bpm • A min • 10:35 • -22.29db
28% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
39% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 41 in C Major, K. 551 "Jupi...
79 bpm • C Maj • 08:13 • -14.26db
29% Popularity • 42% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 32% Positiveness
29% Popularity • 42% Danceability • 21% Energy • 7% Liveness
88% Instrumentalness • 32% Positiveness
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Richard Strauss
Elektra, Op. 58: "Wo bleibt Elektra?"
78 bpm • D Maj • 06:09 • -27.54db
11% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 33% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
19% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
19% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
40% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
40% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act I
73 bpm • A Maj • 09:19 • -29.65db
24% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Richard Strauss
Eine Alpensinfonie: VI. Auf dem Gipfel
78 bpm • C Maj • 04:51 • -21.41db
19% Popularity • 7% Danceability • 12% Energy • 47% Liveness
2% Instrumentalness • 6% Positiveness
19% Popularity • 7% Danceability • 12% Energy • 47% Liveness
2% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
80 bpm • A Maj • 08:01 • -16db
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
72 bpm • C Maj • 08:15 • -22.66db
23% Popularity • 13% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
47% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
47% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Part II: ...
80 bpm • D Maj • 02:22 • -36.64db
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
41% Popularity • 23% Danceability • 1% Energy • 19% Liveness
79% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
31% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
31% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Richard Strauss
Symphonia domestica, Op. 53, TrV 209: Wi...
78 bpm • G Maj • 06:04 • -29.07db
9% Popularity • 7% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
21% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
La forza del destino: Overture (Sinfonia...
80 bpm • E min • 07:21 • -15.07db
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
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Gustav Mahler
Symphony No. 4: IV. Sehr behaglich
80 bpm • E min • 09:26 • -22.36db
23% Popularity • 22% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 22% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Hugo von Hofmannsthal
Elektra: Xiii. Orest! Orest ist tod!
81 bpm • D# Maj • 03:29 • -18.94db
1% Popularity • 25% Danceability • 27% Energy • 43% Liveness
5% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 27% Energy • 43% Liveness
5% Instrumentalness • 8% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 3: "Wo ist er, de...
78 bpm • D Maj • 04:24 • -16.52db
14% Popularity • 18% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 29% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: All...
81 bpm • F Maj • 01:07 • -14db
29% Popularity • 38% Danceability • 33% Energy • 14% Liveness
58% Instrumentalness • 25% Positiveness
29% Popularity • 38% Danceability • 33% Energy • 14% Liveness
58% Instrumentalness • 25% Positiveness
► Preview
Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
► Preview
Hugo von Hofmannsthal
Elektra: Iii. Elektra!
71 bpm • A# min • 02:28 • -21.89db
1% Popularity • 36% Danceability • 21% Energy • 27% Liveness
1% Instrumentalness • 9% Positiveness
1% Popularity • 36% Danceability • 21% Energy • 27% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Herrlich!...
81 bpm • A Maj • 04:20 • -16.68db
9% Popularity • 32% Danceability • 26% Energy • 80% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 32% Danceability • 26% Energy • 80% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
32% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Prince Igor (Knyaz Igor): Overture
71 bpm • G min • 10:20 • -18db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
49% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Maurice Ravel
Daphnis et Chloe: Part III: Bacchanale
82 bpm • A# min • 04:44 • -17.44db
23% Popularity • 31% Danceability • 37% Energy • 28% Liveness
73% Instrumentalness • 6% Positiveness
23% Popularity • 31% Danceability • 37% Energy • 28% Liveness
73% Instrumentalness • 6% Positiveness
► Preview
Jules Massenet
La Vierge / Scene 4: The Assumption: Le ...
82 bpm • G Maj • 05:02 • -26.14db
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
55% Popularity • 16% Danceability • 9% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
54% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
Richard Strauss
Ariadne auf Naxos, Op. 60, TrV 228 / Pro...
79 bpm • C min • 03:07 • -11.03db
0% Popularity • 25% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 25% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: III. ...
82 bpm • G# Maj • 05:09 • -20.73db
37% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
37% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
43% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Etude in F Minor
82 bpm • F min • 01:55 • -24.37db
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
57% Popularity • 19% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Francis Poulenc
Concerto for 2 Pianos, FP 61: I. Allegro...
70 bpm • D# Maj • 08:00 • -18.97db
15% Popularity • 31% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
15% Popularity • 31% Danceability • 18% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
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Richard Strauss
Vier sinfonische Zwischenspiele aus Inte...
79 bpm • G# Maj • 08:41 • -25.28db
6% Popularity • 11% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
6% Popularity • 11% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
82 bpm • D# Maj • 02:41 • -18db
34% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
34% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Richard Wagner
Symphony In E Major, WWV 35: II. Adagio ...
70 bpm • A Maj • 04:44 • -33.15db
21% Popularity • 14% Danceability • 2% Energy • 31% Liveness
32% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 2% Energy • 31% Liveness
32% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Vincent d'Indy
Karadec Suite, Op. 34: II. Chanson
70 bpm • D# Maj • 02:37 • -29db
31% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 2: "Jauchze nicht...
79 bpm • A# Maj • 04:13 • -19db
13% Popularity • 21% Danceability • 19% Energy • 64% Liveness
3% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 19% Energy • 64% Liveness
3% Instrumentalness • 7% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
30% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite (1919 Version): Infer...
83 bpm • E min • 03:56 • -13.05db
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Hugo von Hofmannsthal
Elektra: Xviii. Was willst du fremder Me...
83 bpm • A# Maj • 07:07 • -21.28db
0% Popularity • 15% Danceability • 18% Energy • 64% Liveness
2% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 18% Energy • 64% Liveness
2% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: IV. A...
83 bpm • C Maj • 10:50 • -13.36db
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
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Richard Strauss
Concerto for Oboe and Small Orchestra in...
79 bpm • A# Maj • 08:52 • -19.97db
14% Popularity • 14% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: Apothéose: Le ja...
83 bpm • C Maj • 03:29 • -25db
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
36% Popularity • 11% Danceability • 2% Energy • 26% Liveness
82% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Claude Debussy
La Mer, L.109: 3. Dialogue Of The Wind A...
83 bpm • C# Maj • 07:57 • -20db
15% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 5. Moder...
83 bpm • C min • 02:32 • -28.97db
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
55% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Richard Strauss
Elektra: Iv. Ich kann nicht sitzen…
79 bpm • A# min • 04:15 • -20.33db
1% Popularity • 22% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 22% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
