Songs like Don't Come Home A-Drinkin' (With Lovin' On Your Mind) by Loretta Lynn
Based on a tempo of (+/- 10%) and a similar genre
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Jeannie C. Riley
Help Me Make It Through the Night
84 bpm • A Maj • 02:21 • -10db
36% Popularity • 58% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 58% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Loretta Lynn
Don't Come Home A-Drinkin' (With Lovin' ...
84 bpm • C# Maj • 02:06 • -6.59db
54% Popularity • 69% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
54% Popularity • 69% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Aaron Tippin
You've Got to Stand for Something
83 bpm • E Maj • 03:02 • -9.79db
59% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
59% Popularity • 53% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Tommy Cash
Six White Horses
83 bpm • D Maj • 02:50 • -12db
38% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Hank Thompson
Hangover Tavern
83 bpm • A# Maj • 02:38 • -10.79db
25% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Horton
North To Alaska
83 bpm • C Maj • 02:49 • -14.44db
48% Popularity • 65% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
48% Popularity • 65% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Crystal Gayle
Don't It Make My Brown Eyes Blue
85 bpm • F# Maj • 02:37 • -13.47db
64% Popularity • 74% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
64% Popularity • 74% Danceability • 32% Energy • 6% Liveness
1% Instrumentalness • 34% Positiveness
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Del Reeves
The Girl On The Billboard
83 bpm • D Maj • 02:42 • -11db
47% Popularity • 62% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 62% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Rich
Behind Closed Doors
85 bpm • D Maj • 02:54 • -11.79db
55% Popularity • 49% Danceability • 33% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
55% Popularity • 49% Danceability • 33% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
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Randy Travis
Diggin' Up Bones
86 bpm • C Maj • 02:58 • -8.23db
62% Popularity • 71% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 71% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Gene Watson
Farewell Party
82 bpm • B Maj • 04:03 • -11db
41% Popularity • 48% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Johnny Horton
When It's Springtime in Alaska (It's For...
85 bpm • E Maj • 02:35 • -14.86db
37% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 68% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Conway Twitty
I'd Just Love To Lay You Down
82 bpm • D Maj • 03:20 • -8.85db
60% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 65% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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The Judds
Love Is Alive
86 bpm • E Maj • 03:56 • -11.28db
49% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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David Houston
Almost Persuaded
82 bpm • G# Maj • 02:56 • -12db
45% Popularity • 25% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 25% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Loretta Lynn
Blueberry Hill
86 bpm • A Maj • 02:23 • -12.43db
10% Popularity • 55% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 55% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Kris Kristofferson
Why Me
82 bpm • G Maj • 03:26 • -16.65db
43% Popularity • 43% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 43% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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John Denver
Rocky Mountain High
81 bpm • E Maj • 04:43 • -11.41db
67% Popularity • 46% Danceability • 44% Energy • 50% Liveness
0% Instrumentalness • 72% Positiveness
67% Popularity • 46% Danceability • 44% Energy • 50% Liveness
0% Instrumentalness • 72% Positiveness
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Stonewall Jackson
I Washed My Hands in Muddy Water
82 bpm • G Maj • 02:42 • -11db
44% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 62% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Oak Ridge Boys
Trying To Love Two Women
87 bpm • F Maj • 02:27 • -16db
48% Popularity • 60% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 60% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Kenny Rogers
The Gambler
87 bpm • E Maj • 03:34 • -13.12db
75% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
75% Popularity • 67% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Keith Whitley
I'm No Stranger to the Rain
88 bpm • E Maj • 03:36 • -16db
58% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
58% Popularity • 66% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 56% Positiveness
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Kris Kristofferson
Loving Her Was Easier (Than Anything I'l...
80 bpm • C Maj • 03:48 • -16db
42% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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George Strait
Love Without End, Amen
88 bpm • A Maj • 03:07 • -13db
61% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Cal Smith
The Lord Knows I'm Drinking
89 bpm • A Maj • 03:31 • -9.49db
36% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
36% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
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George Jones
The Grand Tour - Single Version
89 bpm • A# Maj • 03:06 • -15.4db
46% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 44% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Jessi Colter
I'm Not Lisa
79 bpm • F Maj • 03:23 • -12db
47% Popularity • 44% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 15% Positiveness
47% Popularity • 44% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 15% Positiveness
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Keith Whitley
When You Say Nothing at All
80 bpm • D# Maj • 03:43 • -15.41db
62% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 67% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Del Reeves
This Must The The Bottom
89 bpm • A Maj • 01:53 • -14db
34% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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George Strait
Fool Hearted Memory
89 bpm • A# Maj • 02:39 • -14.48db
55% Popularity • 62% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 62% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Jim Reeves
He'll Have to Go
79 bpm • C Maj • 02:22 • -14db
48% Popularity • 43% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
48% Popularity • 43% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Randy Travis
I Told You So
79 bpm • A Maj • 03:39 • -10db
59% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
59% Popularity • 62% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Charlie Daniels Band
Simple Man
79 bpm • A Maj • 03:22 • -13.08db
61% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Eddy Arnold
Cattle Call
79 bpm • D# Maj • 02:42 • -12.29db
48% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 43% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Travis Tritt
Modern Day Bonnie and Clyde
90 bpm • A min • 04:44 • -5db
56% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Loretta Lynn
Fist City
79 bpm • B Maj • 02:16 • -7.1db
21% Popularity • 72% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 72% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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George Jones
If Drinkin' Don't Kill Me (Her Memory Wi...
90 bpm • F# Maj • 03:09 • -13.04db
51% Popularity • 61% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 61% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Keith Whitley
Don't Close Your Eyes
78 bpm • G Maj • 04:12 • -16.12db
60% Popularity • 60% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 60% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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George Strait
Ocean Front Property
78 bpm • D Maj • 03:08 • -16db
61% Popularity • 66% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 66% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Chris LeDoux
This Cowboy's Hat
90 bpm • F# min • 04:05 • -14.84db
58% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 49% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Randy Travis
Forever and Ever, Amen
90 bpm • D Maj • 03:32 • -9db
73% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
73% Popularity • 68% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Loretta Lynn
The Pill
78 bpm • F Maj • 02:34 • -6db
32% Popularity • 70% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 70% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Tanya Tucker
Delta Dawn
78 bpm • F Maj • 02:55 • -12db
58% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Nitty Gritty Dirt Band
Fishin' in the Dark
78 bpm • D Maj • 03:22 • -16.33db
63% Popularity • 77% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
63% Popularity • 77% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Alabama
High Cotton
91 bpm • F Maj • 03:00 • -9.67db
57% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
57% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Diamond Rio
Meet In the Middle
91 bpm • E Maj • 03:18 • -11db
67% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
67% Popularity • 75% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Ferlin Husky
Draggin' The River
91 bpm • F Maj • 02:08 • -10.75db
50% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Loretta Lynn
Fist City
78 bpm • C Maj • 02:13 • -8.76db
50% Popularity • 66% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 66% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Wynn Stewart
Another Day, Another Dollar
91 bpm • E Maj • 02:32 • -11db
18% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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LeAnn Rimes
Blue
91 bpm • E Maj • 02:49 • -8.6db
56% Popularity • 55% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 55% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Mel McDaniel
Countryfied
91 bpm • D Maj • 02:38 • -7.56db
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Confederate Railroad
Daddy Never Was the Cadillac Kind
77 bpm • E Maj • 03:43 • -13db
50% Popularity • 59% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 59% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Buck Owens
Together Again
77 bpm • C# Maj • 02:28 • -13.29db
42% Popularity • 43% Danceability • 18% Energy • 4% Liveness
4% Instrumentalness • 54% Positiveness
42% Popularity • 43% Danceability • 18% Energy • 4% Liveness
4% Instrumentalness • 54% Positiveness
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Tom T. Hall
I Love
92 bpm • E Maj • 02:06 • -17.38db
49% Popularity • 53% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 58% Positiveness
49% Popularity • 53% Danceability • 20% Energy • 18% Liveness
4% Instrumentalness • 58% Positiveness
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Loretta Lynn
For The Good Times
92 bpm • C Maj • 03:19 • -18.85db
18% Popularity • 47% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 47% Danceability • 8% Energy • 5% Liveness
0% Instrumentalness • 40% Positiveness
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Freddy Fender
Before The Next Teardrop Falls
92 bpm • A# Maj • 02:29 • -9.36db
51% Popularity • 78% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 78% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Alabama
Tennessee River
93 bpm • D Maj • 03:01 • -8.74db
46% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Tammy Wynette
Your Good Girl's Gonna Go Bad
93 bpm • F Maj • 02:01 • -11.05db
44% Popularity • 76% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 76% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Buck Owens
Act Naturally
93 bpm • G Maj • 02:23 • -11.01db
58% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Mac Davis
Texas In My Rear View Mirror
75 bpm • D Maj • 04:15 • -13.96db
37% Popularity • 54% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 54% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Loretta Lynn
Love Is The Foundation
92 bpm • A Maj • 02:32 • -8.4db
31% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 58% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Conway Twitty
Lead Me On
94 bpm • A# Maj • 02:24 • -12.83db
30% Popularity • 53% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 53% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Jessi Colter
That's the Chance I'll Have to Take
94 bpm • A# Maj • 02:01 • -14db
29% Popularity • 68% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 68% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Joe Nichols
Tequila Makes Her Clothes Fall Off
94 bpm • D Maj • 03:07 • -7.05db
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
68% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Shenandoah
Next To You, Next To Me
94 bpm • G# Maj • 03:25 • -8db
60% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 65% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Hank Thompson
On Tap, In The Can Or In The Bottle
95 bpm • A# Maj • 02:27 • -13db
19% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 73% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Loretta Lynn
You're Lookin' At Country
76 bpm • A# Maj • 02:19 • -9.34db
41% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 64% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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George Jones
White Lightning
74 bpm • A# Maj • 02:46 • -8.7db
42% Popularity • 63% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 63% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Charlie Rich
Rollin' With The Flow
95 bpm • D Maj • 02:40 • -11.42db
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Reba McEntire
Fancy
95 bpm • B Maj • 04:59 • -11.23db
66% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Eddy Arnold
Tennessee Stud - Remastered
95 bpm • F Maj • 03:06 • -15.68db
31% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Lefty Frizzell
Mom and Dad's Waltz
96 bpm • C Maj • 03:05 • -11db
21% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Loretta Lynn
I Can't Feel You Anymore
93 bpm • D# Maj • 03:18 • -11.27db
6% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 47% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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The Oak Ridge Boys
Leaving Louisiana In The Broad Daylight
96 bpm • F Maj • 02:59 • -14.41db
55% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Alabama
Dixieland Delight
96 bpm • D Maj • 05:22 • -15.04db
64% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
64% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Merle Haggard
Fightin' Side of Me
96 bpm • E Maj • 02:50 • -8.08db
57% Popularity • 73% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 73% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Pam Tillis
Maybe It Was Memphis
74 bpm • A Maj • 03:59 • -7db
59% Popularity • 50% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 50% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Statler Brothers
I'll Go To My Grave Loving You
96 bpm • A# Maj • 02:48 • -11.67db
43% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Loretta Lynn
You Ain't Woman Enough
75 bpm • G# Maj • 02:15 • -7.54db
50% Popularity • 74% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 74% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The Charlie Daniels Band
Uneasy Rider
96 bpm • C Maj • 05:18 • -10.73db
46% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
46% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Alabama
Dixieland Delight - Single Edit
96 bpm • G Maj • 03:56 • -12.54db
57% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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The Judds
Mama He's Crazy
96 bpm • G Maj • 03:14 • -7db
51% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Mel McDaniel
Big Ole Brew
96 bpm • E Maj • 02:47 • -12.91db
53% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Randy Travis
On the Other Hand
96 bpm • F Maj • 03:06 • -9.92db
58% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Loretta Lynn
I'm Shootin' For Tomorrow
95 bpm • G# Maj • 01:53 • -9.56db
10% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Buck Owens
I've Got A Tiger By The Tail
97 bpm • E Maj • 02:14 • -10.77db
48% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Rich
I Can't Even Drink It Away
97 bpm • C Maj • 03:14 • -13.88db
31% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Merle Haggard & The Strangers
Mama Tried - Remastered 2001
97 bpm • D Maj • 02:12 • -6db
66% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
66% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Moe Bandy
Bandy The Rodeo Clown
97 bpm • F Maj • 02:55 • -7.92db
38% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Cal Smith
I've Found Someone Of My Own
97 bpm • A# Maj • 03:24 • -14.91db
32% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 69% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Loretta Lynn
Put It Off Until Tomorrow
95 bpm • A# Maj • 02:30 • -7.94db
10% Popularity • 50% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 50% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
38% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Lefty Frizzell
She's Gone, Gone, Gone
97 bpm • G Maj • 02:21 • -12db
33% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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David Frizzell
You're The Reason God Made Oklahoma
98 bpm • A Maj • 03:24 • -12db
48% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Don Williams
Some Broken Hearts Never Mend
98 bpm • A Maj • 02:50 • -14.56db
54% Popularity • 62% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
54% Popularity • 62% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 71% Positiveness
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Donna Fargo
The Happiest Girl In The Whole U.S.A.
98 bpm • F# Maj • 02:31 • -11.47db
49% Popularity • 66% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 66% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
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Loretta Lynn
Dear Uncle Sam
96 bpm • A# Maj • 02:17 • -14.1db
17% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 52% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Dave Dudley
Six Days on the Road
98 bpm • G Maj • 02:11 • -11.57db
53% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
