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Don't Cry Baby
Songs like
Don't Cry Baby
by
James P. Johnson
Based on a tempo of (+/- 10%) and a similar genre
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King Oliver
St James Infirmary
106 bpm • F min • 03:36 • -4.56db
11% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Johnny Dodds
I'm Goin' Huntin'
106 bpm • F Maj • 02:59 • -9.69db
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
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Rosa Henderson
Black Snake Moan - Alternate Take
106 bpm • C Maj • 02:53 • -13.99db
0% Popularity • 51% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Hot Swing Sextet
Rose Room
106 bpm • G# Maj • 02:36 • -8db
22% Popularity • 80% Danceability • 43% Energy • 6% Liveness
80% Instrumentalness • 94% Positiveness
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Louis Armstrong & His Hot Five
Basin Sreet Blues - Remastered
106 bpm • A# Maj • 03:14 • -10db
18% Popularity • 55% Danceability • 23% Energy • 25% Liveness
67% Instrumentalness • 34% Positiveness
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Fletcher Henderson
Wrappin' It Up
106 bpm • F# Maj • 02:41 • -9.53db
17% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
24% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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New Orleans Rhythm Kings
Tin Roof Blues
106 bpm • A min • 02:29 • -5db
25% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
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Jimmie Lunceford
Harlem Shout
106 bpm • D Maj • 03:03 • -10.74db
18% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
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Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
42% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
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Woody Herman & His Orchestra
Las Chiapanecas
106 bpm • G# Maj • 03:02 • -9.52db
12% Popularity • 58% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
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Albert Burbank
Bill Bailey
105 bpm • F Maj • 02:31 • -7.65db
19% Popularity • 70% Danceability • 43% Energy • 4% Liveness
12% Instrumentalness • 92% Positiveness
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George Lewis
Careless Love
105 bpm • D# Maj • 03:39 • -12.02db
20% Popularity • 72% Danceability • 34% Energy • 20% Liveness
89% Instrumentalness • 93% Positiveness
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Fletcher Henderson & His Orchestra
King Porter Stomp
107 bpm • C# Maj • 03:00 • -12db
12% Popularity • 64% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
20% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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James P. Johnson
If I Could Be With You
107 bpm • C# Maj • 02:45 • -18.56db
2% Popularity • 78% Danceability • 23% Energy • 37% Liveness
56% Instrumentalness • 73% Positiveness
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Fletcher Henderson
Jim Town Blues
107 bpm • A# Maj • 02:44 • -7.92db
15% Popularity • 73% Danceability • 41% Energy • 4% Liveness
89% Instrumentalness • 94% Positiveness
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Kid Ory
1919 Rag
105 bpm • C min • 03:08 • -9.46db
8% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
21% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Kid Ory's Creole Jazz Band
Muskrat Ramble
105 bpm • G# Maj • 02:52 • -10db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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James P. Johnson
Blue Note Boogie
105 bpm • C# Maj • 03:58 • -15db
29% Popularity • 73% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 89% Positiveness
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Ethel Waters
Do What You Did Last Night
105 bpm • G# Maj • 02:41 • -17.28db
0% Popularity • 72% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
24% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Bunk Johnson
Low Down Blues
107 bpm • G# Maj • 02:45 • -13db
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
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Charlie Barnet
E Bob o Lee Bob
105 bpm • G Maj • 02:29 • -13.81db
18% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Frankie Newton & His Orchestra
The World is Waiting for the Sunrise
105 bpm • D# Maj • 03:10 • -11.88db
0% Popularity • 79% Danceability • 34% Energy • 7% Liveness
62% Instrumentalness • 92% Positiveness
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James P. Johnson
Honeysuckle Rose
105 bpm • F Maj • 02:40 • -17.09db
33% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
20% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Johnny Dodds
Mad Dog
105 bpm • A# Maj • 02:49 • -8db
17% Popularity • 72% Danceability • 59% Energy • 24% Liveness
79% Instrumentalness • 83% Positiveness
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Slim Gaillard
That's What You Call Romance
108 bpm • C Maj • 02:52 • -19db
21% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Ethel Waters
Guess Who's In Town
104 bpm • G# Maj • 02:57 • -16.89db
2% Popularity • 64% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Fletcher Henderson & His Orchestra
Whiteman Stomp
108 bpm • D# Maj • 02:44 • -14db
5% Popularity • 65% Danceability • 34% Energy • 52% Liveness
71% Instrumentalness • 80% Positiveness
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James P. Johnson
Squeeze Me - Alt Take 1
104 bpm • D Maj • 02:50 • -14.53db
3% Popularity • 73% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 38% Positiveness
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John Kirby
From A Flat To C (10-28-38)
108 bpm • B min • 02:36 • -14.8db
10% Popularity • 72% Danceability • 34% Energy • 15% Liveness
93% Instrumentalness • 84% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
28% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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New Orleans Rhythm Kings
Bugle Call Blues
108 bpm • F Maj • 02:22 • -6db
14% Popularity • 56% Danceability • 62% Energy • 5% Liveness
92% Instrumentalness • 95% Positiveness
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Bessie Smith
Preachin' the Blues
108 bpm • G# min • 02:47 • -12.81db
3% Popularity • 66% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Eckstine
As Long As I Live
108 bpm • C min • 02:50 • -15.57db
19% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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James P. Johnson
Squeeze Me
104 bpm • G Maj • 02:50 • -20.56db
7% Popularity • 81% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 55% Positiveness
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The Charleston Chasers
Someday Sweetheart
108 bpm • F Maj • 03:18 • -16.21db
7% Popularity • 82% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Woody Herman
Jazz Me Blues
108 bpm • A min • 03:04 • -11.33db
33% Popularity • 59% Danceability • 64% Energy • 93% Liveness
25% Instrumentalness • 84% Positiveness
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Humphrey Lyttelton
Georgia
109 bpm • D min • 02:59 • -14db
27% Popularity • 74% Danceability • 22% Energy • 37% Liveness
96% Instrumentalness • 93% Positiveness
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Earl Hines
Rosetta
103 bpm • F Maj • 03:06 • -15.74db
16% Popularity • 54% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
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Pete Johnson
Mutiny In The Doghouse (01-26-46)
109 bpm • F min • 02:27 • -13db
11% Popularity • 53% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 63% Positiveness
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James P. Johnson
Carolina Shout
104 bpm • C Maj • 02:43 • -19db
11% Popularity • 42% Danceability • 24% Energy • 19% Liveness
73% Instrumentalness • 71% Positiveness
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Eddie Condon
Diane
103 bpm • F min • 03:06 • -15db
15% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Kid Ory
Eh, La Bas
109 bpm • A# Maj • 04:48 • -9.91db
25% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
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Bunk Johnson
Panama
103 bpm • F min • 02:38 • -15db
16% Popularity • 82% Danceability • 32% Energy • 36% Liveness
88% Instrumentalness • 97% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
17% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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James P. Johnson
Blue Turning Grey Over You
103 bpm • A min • 02:48 • -17.44db
5% Popularity • 59% Danceability • 14% Energy • 18% Liveness
82% Instrumentalness • 31% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
25% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Woody Herman & His Orchestra
Four Brothers
110 bpm • G# Maj • 03:15 • -10db
25% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Connie's In Orchestra
Low Down on the Bayou
110 bpm • C min • 03:03 • -7db
3% Popularity • 66% Danceability • 68% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
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Kenny Ball & His Jazzmen
Tin Roof Blues
110 bpm • C min • 04:06 • -11.63db
5% Popularity • 61% Danceability • 34% Energy • 7% Liveness
82% Instrumentalness • 57% Positiveness
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Bessie Smith
Back Water Blues
110 bpm • E Maj • 03:15 • -13.06db
7% Popularity • 61% Danceability • 7% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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James P. Johnson
Honeysuckle Rose - Alt Take 1
103 bpm • A min • 02:44 • -16.07db
4% Popularity • 65% Danceability • 36% Energy • 35% Liveness
96% Instrumentalness • 83% Positiveness
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George Lewis
Listen to the Mockingbird
110 bpm • F Maj • 03:15 • -7.39db
13% Popularity • 65% Danceability • 45% Energy • 23% Liveness
38% Instrumentalness • 90% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Muggsy Spanier
I’ve Found A New Baby
111 bpm • A min • 02:29 • -19db
13% Popularity • 67% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 96% Positiveness
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Fletcher Henderson
Sugarfoot Stomp
111 bpm • A Maj • 03:01 • -5.67db
14% Popularity • 64% Danceability • 61% Energy • 23% Liveness
77% Instrumentalness • 93% Positiveness
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James P. Johnson
A Porter's Love Song To A Chambermaid
103 bpm • F min • 02:57 • -20.17db
2% Popularity • 78% Danceability • 19% Energy • 10% Liveness
78% Instrumentalness • 51% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
26% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Sadie Jackson
Nobody Worries 'Bout Me
111 bpm • F Maj • 02:50 • -12.74db
0% Popularity • 62% Danceability • 13% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Fletcher Henderson & His Orchestra
King Porter Stomp
111 bpm • F# Maj • 02:53 • -7db
11% Popularity • 64% Danceability • 76% Energy • 56% Liveness
18% Instrumentalness • 80% Positiveness
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Muggsy Spanier
(What I Did to Be So) Black And Blue
111 bpm • G min • 02:40 • -9db
21% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
20% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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James P. Johnson
Carolina Shout
102 bpm • C Maj • 02:47 • -17db
22% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
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Duke Ellington Orchestra
Concerto for Cootie
101 bpm • A# Maj • 03:18 • -8.21db
7% Popularity • 59% Danceability • 22% Energy • 14% Liveness
49% Instrumentalness • 37% Positiveness
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Roy Evans
So Sorry
101 bpm • F min • 03:06 • -16.07db
0% Popularity • 39% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Fletcher Henderson & His Orchestra
Henderson Stomp
112 bpm • D Maj • 02:50 • -11.36db
9% Popularity • 61% Danceability • 44% Energy • 29% Liveness
88% Instrumentalness • 93% Positiveness
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Bob Crosby & The Bob Cats
Can't We Be Friends?
101 bpm • D min • 02:57 • -13.15db
40% Popularity • 61% Danceability • 29% Energy • 27% Liveness
90% Instrumentalness • 60% Positiveness
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The Dukes Of Dixieland
Basin Street Blues
101 bpm • D min • 05:27 • -13.6db
13% Popularity • 52% Danceability • 27% Energy • 80% Liveness
3% Instrumentalness • 54% Positiveness
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James P. Johnson
Blue Turning Gray Over You
102 bpm • C# Maj • 02:45 • -18db
24% Popularity • 83% Danceability • 19% Energy • 9% Liveness
76% Instrumentalness • 56% Positiveness
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Woody Herman & His Orchestra
Blues Downstairs
112 bpm • F Maj • 02:47 • -11.06db
18% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
23% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Muggsy Spanier
Panama
112 bpm • C min • 02:34 • -11db
10% Popularity • 55% Danceability • 48% Energy • 24% Liveness
22% Instrumentalness • 72% Positiveness
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George Lewis
Indian Sagua
112 bpm • A min • 02:20 • -9.31db
12% Popularity • 54% Danceability • 62% Energy • 55% Liveness
94% Instrumentalness • 96% Positiveness
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Fletcher Henderson & His Orchestra
The Stampede
112 bpm • F min • 03:14 • -11.81db
19% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
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James P. Johnson
A Porter's Love Song To A Cham
101 bpm • F min • 02:45 • -20.34db
37% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
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King Oliver's Creole Jazz Band
Alligator Hop
112 bpm • A# Maj • 02:23 • -11.48db
22% Popularity • 72% Danceability • 46% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
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New Orleans 1920s Jazz
1920s Dixieland Jazz Background
100 bpm • G# Maj • 01:24 • -19db
36% Popularity • 86% Danceability • 38% Energy • 10% Liveness
73% Instrumentalness • 98% Positiveness
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Jimmie Lunceford
Rhythm Is Our Business
112 bpm • G Maj • 03:15 • -12.61db
20% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Clara Smith
Oh! Mister Mitchell
100 bpm • A# Maj • 02:44 • -12.53db
0% Popularity • 78% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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James P. Johnson
Honeysuckle Rose
111 bpm • F Maj • 03:09 • -16.69db
4% Popularity • 46% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 62% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
32% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Fletcher Henderson
Stampede
113 bpm • F min • 03:15 • -7.71db
13% Popularity • 66% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 88% Positiveness
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Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
33% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
14% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Erskine Hawkins
Keep Cool, Fool
113 bpm • C Maj • 03:35 • -11db
12% Popularity • 80% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
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James P. Johnson
Riffs
100 bpm • A# Maj • 03:09 • -18.32db
24% Popularity • 77% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 69% Positiveness
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Muggsy Spanier
Jazz Me Blues
113 bpm • G min • 02:17 • -12db
12% Popularity • 49% Danceability • 50% Energy • 42% Liveness
0% Instrumentalness • 94% Positiveness
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John Kirby
Close Shave
113 bpm • D# Maj • 02:27 • -13.15db
14% Popularity • 69% Danceability • 43% Energy • 11% Liveness
71% Instrumentalness • 91% Positiveness
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Bob Crosby
Don'T Say Goodbye
114 bpm • A min • 01:43 • -9db
25% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
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Turk Murphy
By and By
99 bpm • F Maj • 03:00 • -13.9db
26% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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Don't Cry Baby