Songs like Don't Forget (I Still Love You) by Connie Smith
Based on a tempo of (+/- 10%) and a similar genre
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David Houston
Livin' In a House Full of Love
82 bpm • C Maj • 02:14 • -12.33db
30% Popularity • 66% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 66% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Rich
All Over Me
82 bpm • E Maj • 02:51 • -12.24db
17% Popularity • 40% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 40% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Connie Smith
Don't Forget (I Still Love You)
82 bpm • A Maj • 02:06 • -10db
25% Popularity • 44% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 44% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Jim Reeves' Blue Boys
For the Good Time
83 bpm • D Maj • 03:33 • -15.33db
17% Popularity • 28% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 28% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Wynn Stewart
Open up My Heart - Remastered
83 bpm • E Maj • 02:17 • -7db
16% Popularity • 62% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 62% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Suzy Bogguss
Somewhere Between
83 bpm • A# Maj • 03:32 • -13.54db
38% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 58% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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David Houston
Almost Persuaded
82 bpm • G# Maj • 02:56 • -12db
45% Popularity • 25% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 25% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Charlie Rich
I Don't See Me in Your Eyes Anymore
82 bpm • D# Maj • 02:13 • -12.33db
21% Popularity • 32% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 32% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Connie Smith
There Goes My Everything
83 bpm • D# Maj • 02:55 • -9.63db
10% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Buck Owens & The Buckaroos
Only You (Can Break My Heart)
81 bpm • C# Maj • 02:22 • -7.75db
23% Popularity • 45% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 45% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Beegie Adair
You Made Me Love You
83 bpm • F Maj • 02:53 • -11.13db
7% Popularity • 44% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
7% Popularity • 44% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Gail Davies
Someone Is Looking For Someone Like You
83 bpm • C Maj • 03:50 • -9db
24% Popularity • 52% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 52% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Wynn Stewart
Big, Big Love
81 bpm • D Maj • 02:25 • -11db
17% Popularity • 63% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 63% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Jerry Wallace
To Get To You
81 bpm • D Maj • 02:41 • -15.35db
14% Popularity • 47% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 47% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Connie Smith
Nobody But a Fool (Would Love You)
82 bpm • C# Maj • 02:29 • -10.73db
14% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Norma Jean
It's a Little More Like Heaven
83 bpm • C Maj • 02:05 • -11.08db
9% Popularity • 54% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 54% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 80% Positiveness
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Amber Digby
She'd Already Won Your Heart
81 bpm • D Maj • 03:53 • -9db
13% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Tompall & The Glaser Brothers
The Last Thing on My Mind
81 bpm • D Maj • 03:21 • -14db
15% Popularity • 52% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 52% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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The Statler Brothers
Pictures
81 bpm • E Maj • 02:56 • -11.16db
18% Popularity • 64% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 64% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Jeannie Seely
Just Because I'm A Woman
80 bpm • C Maj • 02:17 • -10.95db
14% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Connie Smith
Amazing Grace
80 bpm • D Maj • 02:52 • -8.95db
12% Popularity • 37% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 37% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jeannie C. Riley
Help Me Make It Through the Night
84 bpm • A Maj • 02:21 • -10db
36% Popularity • 58% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 58% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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MEL STREET
Who'll Turn Out The Lights (In Your Worl...
80 bpm • D# Maj • 02:50 • -10.71db
18% Popularity • 52% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
18% Popularity • 52% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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Jack Greene
Statue Of A Fool
80 bpm • A# Maj • 02:52 • -13db
33% Popularity • 44% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 44% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Roy Drusky
Jody and the Kid
80 bpm • D Maj • 02:56 • -13.61db
35% Popularity • 53% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
35% Popularity • 53% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 59% Positiveness
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George Morgan
The Eyes of the World
84 bpm • C Maj • 02:17 • -16db
27% Popularity • 49% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 49% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Connie Smith
Go Ahead and Make Me Cry
81 bpm • A# Maj • 02:47 • -12.47db
5% Popularity • 41% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 41% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Charlie Rich
Hello, Darlin'
80 bpm • C Maj • 02:39 • -15.21db
19% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Claude King
I'm Just Here to Get My Baby Out of Jail
84 bpm • D Maj • 03:12 • -14.49db
20% Popularity • 63% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 63% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Johnny Russell
Ain't You Even Gonna Cry
79 bpm • F Maj • 03:13 • -11.37db
24% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Paula Macaskill
Tennessee Waltz
80 bpm • F Maj • 02:14 • -10.8db
34% Popularity • 33% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 33% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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George Morgan
I'll Call You Charlie (You Call Me Joan)
79 bpm • G Maj • 02:12 • -14db
20% Popularity • 36% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 36% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Connie Smith
A Million and One
84 bpm • F Maj • 02:38 • -7.07db
9% Popularity • 39% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 39% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Dawn Sears
If I Didn't Have You in My World
79 bpm • C Maj • 03:54 • -13db
27% Popularity • 25% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 25% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Charlie Rich
Easy Look
85 bpm • D Maj • 02:47 • -13.88db
14% Popularity • 52% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 52% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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The Browns
You Can Have Her
85 bpm • C Maj • 02:50 • -9.57db
21% Popularity • 45% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 45% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Tom T. Hall
P.S. I Love You
85 bpm • G# Maj • 02:26 • -10.27db
23% Popularity • 47% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 47% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Sue Thompson
Good Old Fashioned Country Love -
78 bpm • G Maj • 02:26 • -11.91db
8% Popularity • 62% Danceability • 54% Energy • 33% Liveness
1% Instrumentalness • 84% Positiveness
8% Popularity • 62% Danceability • 54% Energy • 33% Liveness
1% Instrumentalness • 84% Positiveness
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Connie Smith
How Great Thou Art
79 bpm • F Maj • 03:58 • -9.09db
11% Popularity • 33% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 33% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Sweethearts of the Rodeo
So Sad (To Watch Good Love Go Bad)
86 bpm • A Maj • 03:09 • -9.24db
18% Popularity • 62% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 62% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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The Statler Brothers
Too Much On My Heart
78 bpm • F# Maj • 04:02 • -16db
31% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Hawkshaw Hawkins
I Can't Seem To Say Goodbye
86 bpm • D Maj • 02:18 • -16.58db
26% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ed Bruce
When You Fall In Love Everything's A Wal...
78 bpm • G Maj • 03:28 • -12db
29% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 57% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Tompall & The Glaser Brothers
Lovin' Her Was Easier (Than Anything I'l...
87 bpm • G Maj • 02:59 • -15.25db
27% Popularity • 49% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 49% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Claude King
Beer Drops & Tear Drops
87 bpm • E Maj • 03:30 • -8.76db
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Rich
My Elusive Dreams
77 bpm • F# Maj • 03:36 • -11db
35% Popularity • 57% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 57% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Carl Belew
You're Driving You out of My Mind
87 bpm • D Maj • 02:08 • -15.06db
16% Popularity • 51% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 51% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Leona Williams
Once More
77 bpm • D Maj • 02:33 • -11.97db
12% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Tony Kerr
Just out of Reach (Duet with Leona Willi...
87 bpm • A# Maj • 02:46 • -7.19db
14% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jack Scott
What in the World's Come over You
77 bpm • E Maj • 02:43 • -15.54db
35% Popularity • 45% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 45% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Claude King
The Comancheros
78 bpm • D# Maj • 02:13 • -12db
35% Popularity • 62% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 62% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Roly Daniels
Fooling Feelings
87 bpm • G Maj • 02:54 • -7.82db
34% Popularity • 44% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 44% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Connie Smith
Run Away Little Tears
87 bpm • G# Maj • 02:31 • -9.97db
18% Popularity • 45% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 45% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The Browns
They Call the Wind Maria
77 bpm • D Maj • 02:51 • -10.8db
23% Popularity • 39% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 39% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Amber Digby
Here I Am Again
87 bpm • E Maj • 03:03 • -6.25db
11% Popularity • 60% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 60% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Johny Hortin
All For The Love
87 bpm • D Maj • 02:47 • -16.01db
23% Popularity • 46% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 46% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Suzy Bogguss
Guilty As They Come
77 bpm • A Maj • 03:10 • -13.51db
27% Popularity • 63% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 63% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Larry Cunningham
Tribute to Jim Reeves
87 bpm • A Maj • 03:10 • -16.04db
26% Popularity • 57% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 48% Positiveness
26% Popularity • 57% Danceability • 30% Energy • 19% Liveness
1% Instrumentalness • 48% Positiveness
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Connie Smith
Walk Through This World with Me
87 bpm • C Maj • 02:32 • -11.15db
9% Popularity • 39% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 39% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Claude King
All for the Love of a Girl
88 bpm • C# Maj • 02:52 • -16.28db
19% Popularity • 29% Danceability • 18% Energy • 11% Liveness
7% Instrumentalness • 40% Positiveness
19% Popularity • 29% Danceability • 18% Energy • 11% Liveness
7% Instrumentalness • 40% Positiveness
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MEL STREET
Am I That Easy To Forget
77 bpm • C Maj • 02:25 • -13.86db
15% Popularity • 53% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 53% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Duncan
Play Another Slow Song
88 bpm • A Maj • 03:27 • -14.05db
9% Popularity • 56% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 56% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Tompall & The Glaser Brothers
It'll Be Her
88 bpm • F# Maj • 02:36 • -14.04db
22% Popularity • 50% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 50% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Tennessee Ernie Ford
No One Will Ever Know
88 bpm • D Maj • 02:56 • -15.7db
28% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 51% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Connie Smith
Even the Bad Times Are Good
77 bpm • C# Maj • 02:23 • -12db
19% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Buck Owens & The Buckaroos
Together Again
76 bpm • C# Maj • 02:27 • -7.77db
10% Popularity • 44% Danceability • 36% Energy • 6% Liveness
4% Instrumentalness • 52% Positiveness
10% Popularity • 44% Danceability • 36% Energy • 6% Liveness
4% Instrumentalness • 52% Positiveness
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Hank Thompson
The Blackboard Of My Heart
76 bpm • D Maj • 02:16 • -16.44db
30% Popularity • 59% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 59% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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George Morgan
Welcome Back To My World
76 bpm • A# Maj • 02:41 • -13db
27% Popularity • 40% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 40% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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David Houston
Red River Valley
88 bpm • D Maj • 01:48 • -12.83db
37% Popularity • 65% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 65% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Roy Clark
Tips Of My Fingers
89 bpm • D Maj • 02:44 • -16.57db
30% Popularity • 50% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 50% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Connie Smith
I'll Be There (If You Ever Want Me)
88 bpm • D Maj • 02:05 • -9.55db
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Buck Owens & The Buckaroos
Cryin' Time - Mono Single Version
76 bpm • G# Maj • 02:33 • -6.47db
18% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 63% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Jean Shepard
If Teardrops Were Silver
89 bpm • F Maj • 02:19 • -7.57db
31% Popularity • 61% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 61% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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George Morgan
Soft, Sweet, Warm Wonderful You
89 bpm • G Maj • 02:34 • -14.95db
22% Popularity • 42% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Jack Greene
You Are My Treasure
89 bpm • G Maj • 03:02 • -17.41db
16% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 53% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jim Ed Brown
Bottle, Bottle
75 bpm • A# Maj • 02:42 • -18db
27% Popularity • 38% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 38% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Connie Smith
The Hinges on the Door
76 bpm • C Maj • 02:27 • -8db
22% Popularity • 52% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 52% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Dave and Sugar
Queen of the Silver Dollar
89 bpm • D Maj • 02:45 • -11.55db
33% Popularity • 59% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 59% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Ray Lynam
I've Loved You All over the World
90 bpm • A Maj • 02:57 • -13.41db
11% Popularity • 46% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 46% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Johnny Rodriguez
I'll Just Have To Learn To Stay Away Fro...
90 bpm • C# Maj • 02:07 • -9.18db
26% Popularity • 56% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 56% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Merle Haggard & The Strangers
Green Green Grass Of Home - Remastered
90 bpm • G Maj • 03:14 • -9.75db
32% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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George Morgan
Room Full of Roses
90 bpm • A# Maj • 02:33 • -15.5db
26% Popularity • 56% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 56% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Amber Digby
You're Still On My Mind
90 bpm • F Maj • 03:14 • -4.76db
15% Popularity • 46% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 46% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Susan Raye
Stop The World (And Let Me Off)
90 bpm • A Maj • 02:21 • -8.85db
33% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 54% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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David Houston
Already It's Heaven
90 bpm • A Maj • 02:41 • -14.14db
17% Popularity • 57% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 57% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Dawn Sears
No Relief in Sight
90 bpm • A# Maj • 03:17 • -13.71db
29% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Johnny Rodriguez
I Can't Stop Loving You
74 bpm • C Maj • 02:58 • -12db
31% Popularity • 45% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 45% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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David Frizzell
Nobody’s Darlin’ But Mine
91 bpm • A Maj • 03:47 • -13.46db
13% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Norma Jean
Don't Let the Doorknob Hit You
91 bpm • A Maj • 02:09 • -10.94db
8% Popularity • 63% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 63% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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George Morgan
I'm Thinking Tonight of My Blue Eyes
74 bpm • C Maj • 02:38 • -11db
14% Popularity • 67% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 67% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Jeannie C. Riley
Before the Next Teardrop Falls
91 bpm • A# Maj • 02:34 • -12.85db
34% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 66% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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MEL STREET
Today I Started Loving You Again
91 bpm • F# Maj • 02:21 • -11.94db
13% Popularity • 56% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 45% Positiveness
13% Popularity • 56% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 45% Positiveness
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Jack Greene
There Goes My Everything - Rerecorded
92 bpm • A# Maj • 02:26 • -10.85db
37% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 49% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Jeannie Seely
Can I Sleep In Your Arms
92 bpm • G Maj • 03:07 • -11.85db
30% Popularity • 53% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 53% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Browns
Sometime Sunshine
92 bpm • D Maj • 02:31 • -11.02db
16% Popularity • 59% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 59% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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David Houston
From a Jack to a King
92 bpm • G Maj • 02:31 • -10.31db
28% Popularity • 51% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 51% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Larry Gatlin & The Gatlin Brothers
I Don't Wanna Cry
92 bpm • G Maj • 02:46 • -12.38db
26% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Vern Gosdin
Till the End
93 bpm • A Maj • 02:46 • -17db
38% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
