Songs like Don't Gotta Work It Out by Fitz and The Tantrums
Based on a tempo of (+/- 10%) and a similar genre
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The ACBs
Be Professional
87 bpm • E min • 03:15 • -10db
7% Popularity • 71% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 71% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Fitz and The Tantrums
Don't Gotta Work It Out
87 bpm • C# Maj • 04:11 • -5.74db
17% Popularity • 66% Danceability • 88% Energy • 20% Liveness
20% Instrumentalness • 86% Positiveness
17% Popularity • 66% Danceability • 88% Energy • 20% Liveness
20% Instrumentalness • 86% Positiveness
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Jhameel
Bernal Heights
88 bpm • B min • 03:24 • -1.99db
7% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Charlie Mars
How I Roll
88 bpm • F# min • 03:23 • -7.77db
30% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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He & She
Blue Sky
88 bpm • E Maj • 02:17 • -5.65db
4% Popularity • 61% Danceability • 95% Energy • 52% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 61% Danceability • 95% Energy • 52% Liveness
0% Instrumentalness • 92% Positiveness
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Wolf Gang
Back to Back
88 bpm • F# min • 04:14 • -7db
24% Popularity • 66% Danceability • 73% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
24% Popularity • 66% Danceability • 73% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
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Them Swoops
Too Fast For Love
88 bpm • C Maj • 02:34 • -3.43db
11% Popularity • 56% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 56% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Fitz and The Tantrums
Don’t Gotta Work It Out
87 bpm • F min • 04:09 • -6.6db
5% Popularity • 64% Danceability • 89% Energy • 39% Liveness
1% Instrumentalness • 94% Positiveness
5% Popularity • 64% Danceability • 89% Energy • 39% Liveness
1% Instrumentalness • 94% Positiveness
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Cayucas
Cayucos
89 bpm • F Maj • 03:29 • -4.91db
30% Popularity • 61% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 61% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Oregon Bike Trails
Cayucas
89 bpm • F Maj • 04:00 • -6.16db
13% Popularity • 73% Danceability • 90% Energy • 14% Liveness
4% Instrumentalness • 83% Positiveness
13% Popularity • 73% Danceability • 90% Energy • 14% Liveness
4% Instrumentalness • 83% Positiveness
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Churchill
Gone Too Long
89 bpm • C Maj • 03:16 • -3.6db
11% Popularity • 58% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 58% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Butch Walker
Synthesizers
89 bpm • C Maj • 03:25 • -6.73db
32% Popularity • 40% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 40% Danceability • 64% Energy • 68% Liveness
0% Instrumentalness • 45% Positiveness
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Portugal. The Man
Someday Believers
85 bpm • G Maj • 03:53 • -5.07db
37% Popularity • 51% Danceability • 83% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 51% Danceability • 83% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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Eric Hutchinson
You've Got You
90 bpm • G Maj • 04:38 • -5.39db
21% Popularity • 61% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 61% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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All The Colours
Shame
90 bpm • D Maj • 03:06 • -5.09db
11% Popularity • 64% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 64% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Bronze Radio Return
Digital Love
90 bpm • F# min • 03:27 • -8.06db
15% Popularity • 82% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 82% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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The Submarines
Shoelaces
90 bpm • A Maj • 03:10 • -5.48db
19% Popularity • 65% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 65% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 58% Positiveness
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Tor Miller
Now and Again
91 bpm • G# Maj • 03:43 • -6.68db
17% Popularity • 55% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 55% Danceability • 84% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Portugal. The Man
Work All Day
84 bpm • D min • 02:58 • -4.84db
37% Popularity • 69% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 69% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Matt Nathanson
Gold In The Summertime
91 bpm • D Maj • 03:37 • -4.01db
20% Popularity • 50% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 50% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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The Mynabirds
Body of Work
91 bpm • G Maj • 03:00 • -6.23db
26% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Capital Cities
Love Away
91 bpm • F# min • 03:42 • -5.89db
35% Popularity • 74% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 74% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 73% Positiveness
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Rhythms Del Mundo
Mykonos
83 bpm • B Maj • 04:33 • -9.79db
17% Popularity • 32% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 32% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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WALK THE MOON
Drunk In The Woods
83 bpm • E Maj • 02:49 • -5.92db
23% Popularity • 48% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 48% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Fitz and The Tantrums
6am
92 bpm • F Maj • 04:29 • -4.01db
39% Popularity • 68% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 68% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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Miles Fisher
Finish What We Started
92 bpm • D Maj • 03:19 • -5.64db
10% Popularity • 73% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 73% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Scorpio Loon
Things I Like to Do
92 bpm • G min • 03:00 • -3.7db
16% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Ben Sollee
How to See the Sun Rise
82 bpm • G Maj • 03:25 • -9.86db
19% Popularity • 88% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 88% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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FITZ
Zig Zag
92 bpm • A# min • 02:41 • -3.59db
27% Popularity • 72% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 72% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Dr. Dog
Broken Heart
92 bpm • G Maj • 03:36 • -5.75db
31% Popularity • 42% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Fitz and The Tantrums
Arthur's Theme (Best That You Can Do)
92 bpm • D# min • 03:47 • -6.12db
15% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Lost Lander
Cold Feet
94 bpm • G# Maj • 04:06 • -8.59db
15% Popularity • 45% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
15% Popularity • 45% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
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Electric Guest
This Head I Hold - Acoustic
80 bpm • C Maj • 02:58 • -7.35db
4% Popularity • 70% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
4% Popularity • 70% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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OK Go
The Greatest Song I Ever Heard
80 bpm • D Maj • 03:59 • -3.18db
14% Popularity • 54% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 54% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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He's My Brother She's My Sister
How'm I Gonna Get Back Home Tonight
80 bpm • F Maj • 03:38 • -4.7db
8% Popularity • 45% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 45% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Thumpers
Unkinder (A Tougher Love)
95 bpm • G# min • 03:42 • -6.14db
4% Popularity • 47% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 47% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Fitz and The Tantrums
I Just Wanna Shine
93 bpm • F# min • 03:27 • -2.77db
61% Popularity • 70% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 70% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Portugal. The Man
Feel It Still
79 bpm • C# min • 02:43 • -5.12db
80% Popularity • 80% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
80% Popularity • 80% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Edward Sharpe & The Magnetic Zeros
Better Days
96 bpm • A# Maj • 04:25 • -6.23db
32% Popularity • 54% Danceability • 89% Energy • 29% Liveness
6% Instrumentalness • 50% Positiveness
32% Popularity • 54% Danceability • 89% Energy • 29% Liveness
6% Instrumentalness • 50% Positiveness
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Max Frost
Suspended Animation - EP Version
79 bpm • G Maj • 03:32 • -4.3db
17% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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WALK THE MOON
Different Colors
96 bpm • C Maj • 03:42 • -4.6db
46% Popularity • 48% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 48% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Peter Bjorn and John
Eyes
96 bpm • A Maj • 02:53 • -4.04db
25% Popularity • 54% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 54% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Fitz and The Tantrums
Roll Up
93 bpm • C Maj • 03:38 • -3db
32% Popularity • 69% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 69% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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GIVERS
Noche Nada
97 bpm • D Maj • 04:47 • -5db
18% Popularity • 34% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 34% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Ruby Velle & The Soulphonics
Heartlite
97 bpm • G Maj • 02:58 • -3.63db
15% Popularity • 60% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 60% Danceability • 74% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
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Cold War Kids
First
78 bpm • D Maj • 03:20 • -4.02db
68% Popularity • 47% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 56% Positiveness
68% Popularity • 47% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 56% Positiveness
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Company of Thieves
Tallulah
97 bpm • D min • 03:13 • -3.36db
22% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Electric Guest
Amber
78 bpm • G# min • 03:50 • -8.35db
3% Popularity • 66% Danceability • 58% Energy • 16% Liveness
51% Instrumentalness • 83% Positiveness
3% Popularity • 66% Danceability • 58% Energy • 16% Liveness
51% Instrumentalness • 83% Positiveness
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Fitz and The Tantrums
Keepin' Our Eyes Out
93 bpm • B Maj • 03:08 • -2.55db
28% Popularity • 63% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 63% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Jhameel
The Human Condition
97 bpm • F# Maj • 03:46 • -2.48db
7% Popularity • 87% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 87% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Eli "Paperboy" Reed
Recess
97 bpm • F Maj • 03:20 • -3.64db
6% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
6% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Beat Club
Something Better
98 bpm • A# min • 03:19 • -3.79db
11% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Pete Yorn
Lost Weekend
77 bpm • C Maj • 04:11 • -5.98db
23% Popularity • 44% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 21% Positiveness
23% Popularity • 44% Danceability • 72% Energy • 19% Liveness
3% Instrumentalness • 21% Positiveness
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The Airborne Toxic Event
Hell and Back
98 bpm • F Maj • 03:53 • -5db
31% Popularity • 55% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 55% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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The Constellations
On My Way Up
98 bpm • B min • 05:40 • -6.6db
12% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Saskwatch
Only One
99 bpm • G# Maj • 03:17 • -5.77db
8% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Cold War Kids
Passing The Hat
99 bpm • B min • 03:25 • -5.77db
30% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Generationals
I Promise
99 bpm • G Maj • 02:38 • -6.17db
31% Popularity • 62% Danceability • 85% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
31% Popularity • 62% Danceability • 85% Energy • 15% Liveness
1% Instrumentalness • 80% Positiveness
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Fitz and The Tantrums
A Place for Us
99 bpm • G Maj • 03:32 • -3.41db
23% Popularity • 69% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 69% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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PAPA
I Am the Lion King
99 bpm • E Maj • 03:56 • -7.63db
22% Popularity • 68% Danceability • 62% Energy • 4% Liveness
17% Instrumentalness • 81% Positiveness
22% Popularity • 68% Danceability • 62% Energy • 4% Liveness
17% Instrumentalness • 81% Positiveness
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Alex Clare
Hands Are Clever
99 bpm • A# min • 03:16 • -3.8db
21% Popularity • 68% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 68% Danceability • 89% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Hey Geronimo
Why Don't We Do Something?
100 bpm • A Maj • 02:39 • -3.03db
11% Popularity • 47% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 47% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Eric Hutchinson
Best Days
100 bpm • D Maj • 04:04 • -4.56db
22% Popularity • 70% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 70% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 82% Positiveness
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Stepdad
Must Land Running
100 bpm • A# Maj • 03:29 • -4.13db
17% Popularity • 57% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 57% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Generationals
Greenleaf
100 bpm • A min • 03:37 • -5.2db
29% Popularity • 80% Danceability • 82% Energy • 9% Liveness
3% Instrumentalness • 78% Positiveness
29% Popularity • 80% Danceability • 82% Energy • 9% Liveness
3% Instrumentalness • 78% Positiveness
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Har Mar Superstar
Restless Leg
100 bpm • G Maj • 03:36 • -4.72db
29% Popularity • 65% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
29% Popularity • 65% Danceability • 96% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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Yes Nice
White Washed Walls
100 bpm • F Maj • 03:23 • -7.7db
14% Popularity • 94% Danceability • 73% Energy • 11% Liveness
17% Instrumentalness • 96% Positiveness
14% Popularity • 94% Danceability • 73% Energy • 11% Liveness
17% Instrumentalness • 96% Positiveness
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Max Frost
Be Who You Want to Be - EP Version
100 bpm • G Maj • 02:26 • -5db
21% Popularity • 80% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 80% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Cayucas
East Coast Girl
100 bpm • A Maj • 03:36 • -5.18db
20% Popularity • 60% Danceability • 82% Energy • 23% Liveness
39% Instrumentalness • 71% Positiveness
20% Popularity • 60% Danceability • 82% Energy • 23% Liveness
39% Instrumentalness • 71% Positiveness
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Scattered Trees
Four Days Straight
100 bpm • C Maj • 03:36 • -6db
30% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 76% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Generationals
Say for Certain
100 bpm • C Maj • 04:15 • -5.58db
23% Popularity • 78% Danceability • 93% Energy • 8% Liveness
53% Instrumentalness • 40% Positiveness
23% Popularity • 78% Danceability • 93% Energy • 8% Liveness
53% Instrumentalness • 40% Positiveness
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Night Terrors of 1927
Perfect Day
100 bpm • G Maj • 03:58 • -5db
10% Popularity • 54% Danceability • 93% Energy • 5% Liveness
26% Instrumentalness • 58% Positiveness
10% Popularity • 54% Danceability • 93% Energy • 5% Liveness
26% Instrumentalness • 58% Positiveness
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WALK THE MOON
Shiver Shiver
100 bpm • B Maj • 03:52 • -6.29db
39% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 63% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Matt White
And the Beat Goes On
75 bpm • C Maj • 03:51 • -3db
8% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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American Princes
Watch As They Go
101 bpm • C# min • 03:31 • -6.43db
9% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Last Royals
Crystal Vases
75 bpm • C# Maj • 03:57 • -7db
18% Popularity • 55% Danceability • 85% Energy • 75% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 55% Danceability • 85% Energy • 75% Liveness
0% Instrumentalness • 64% Positiveness
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Portugal. The Man
Purple Yellow Red and Blue
101 bpm • E min • 04:09 • -6.31db
54% Popularity • 60% Danceability • 86% Energy • 14% Liveness
33% Instrumentalness • 43% Positiveness
54% Popularity • 60% Danceability • 86% Energy • 14% Liveness
33% Instrumentalness • 43% Positiveness
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OK Go
I'm Not Through
101 bpm • G Maj • 03:36 • -4.37db
26% Popularity • 82% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
26% Popularity • 82% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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The Zolas
Knot In My Heart
101 bpm • F# min • 03:20 • -7.93db
27% Popularity • 77% Danceability • 61% Energy • 13% Liveness
15% Instrumentalness • 50% Positiveness
27% Popularity • 77% Danceability • 61% Energy • 13% Liveness
15% Instrumentalness • 50% Positiveness
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Saint Motel
Move
101 bpm • A# min • 03:07 • -4.99db
55% Popularity • 64% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 64% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Max Frost
Glow Long - EP Version
102 bpm • G Maj • 03:26 • -7.16db
22% Popularity • 74% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 74% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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The Airborne Toxic Event
Changing
103 bpm • G# Maj • 03:20 • -4db
49% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 61% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Blue Van
Independence
102 bpm • G Maj • 02:59 • -5.66db
19% Popularity • 49% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 49% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Locksley
Love You Too
103 bpm • E Maj • 02:24 • -3.82db
8% Popularity • 51% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 51% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Stars
A Song Is A Weapon
103 bpm • F Maj • 03:12 • -6.13db
1% Popularity • 57% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
1% Popularity • 57% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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The Zolas
Get Dark
103 bpm • G Maj • 03:20 • -5db
24% Popularity • 69% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 69% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The Shins
No Way Down - Swift Sessions
103 bpm • C# Maj • 03:03 • -5.15db
10% Popularity • 53% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 53% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Ayawatamaya
Swagger
103 bpm • F min • 03:13 • -6.11db
14% Popularity • 67% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 67% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Eric Hutchinson
Living in the Afterlife
104 bpm • A Maj • 04:30 • -5.75db
12% Popularity • 64% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 64% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Fitz and The Tantrums
Walking Target
104 bpm • E Maj • 02:36 • -4.11db
14% Popularity • 65% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 65% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Freedom Fry
Friends and Enemies
104 bpm • A# Maj • 04:31 • -7.34db
9% Popularity • 65% Danceability • 68% Energy • 7% Liveness
5% Instrumentalness • 94% Positiveness
9% Popularity • 65% Danceability • 68% Energy • 7% Liveness
5% Instrumentalness • 94% Positiveness
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The Zolas
Strange Girl
104 bpm • G Maj • 03:21 • -6db
30% Popularity • 70% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 70% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Hospitality
Friends of Friends
105 bpm • B min • 03:07 • -6.29db
30% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Locksley
The Way That We Go
105 bpm • C Maj • 03:16 • -4.61db
8% Popularity • 57% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 57% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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Born Ruffians
I Need A Life
105 bpm • D Maj • 03:26 • -5db
29% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Fitz and The Tantrums
Walking Target - Live
104 bpm • E Maj • 02:41 • -4.93db
15% Popularity • 66% Danceability • 81% Energy • 87% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 66% Danceability • 81% Energy • 87% Liveness
0% Instrumentalness • 64% Positiveness
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Jenny O.
Good Love
105 bpm • E min • 04:02 • -8.68db
13% Popularity • 67% Danceability • 69% Energy • 36% Liveness
6% Instrumentalness • 94% Positiveness
13% Popularity • 67% Danceability • 69% Energy • 36% Liveness
6% Instrumentalness • 94% Positiveness
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Gentlemen Hall
Sail Into The Sun
106 bpm • D Maj • 03:34 • -4.79db
37% Popularity • 55% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 55% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
