Songs like Don't Know Much (with Aaron Neville) by Linda Ronstadt
Based on a tempo of (+/- 10%) and a similar genre
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Janet Jackson
Again
130 bpm • C Maj • 03:47 • -9.51db
57% Popularity • 36% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 19% Positiveness
57% Popularity • 36% Danceability • 29% Energy • 19% Liveness
1% Instrumentalness • 19% Positiveness
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Don Williams
You're My Best Friend
130 bpm • C# Maj • 02:49 • -15.6db
55% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 55% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Bob Seger
We've Got Tonight
130 bpm • B Maj • 04:41 • -6.42db
57% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 52% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Mary MacGregor
Torn Between Two Lovers
130 bpm • A# Maj • 03:51 • -9.2db
55% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
55% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
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Little River Band
Cool Change - Remastered 2022
130 bpm • A Maj • 05:16 • -11db
57% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
57% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Marc Cohn
Walking in Memphis
130 bpm • C Maj • 04:12 • -8.83db
69% Popularity • 57% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 57% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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America
You Can Do Magic
130 bpm • E min • 03:57 • -12.52db
66% Popularity • 86% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
66% Popularity • 86% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Kenny Loggins
Whenever I Call You "Friend"
130 bpm • C Maj • 03:57 • -13.1db
51% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 46% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Captain & Tennille
Love Will Keep Us Together
130 bpm • E Maj • 03:25 • -4.33db
63% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 62% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Journey
Faithfully (2023 Remaster)
130 bpm • B Maj • 04:26 • -7.33db
69% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
69% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Billy Ocean
Suddenly
129 bpm • A# min • 03:54 • -9.51db
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Steve Winwood
While You See A Chance
129 bpm • D Maj • 05:12 • -8.29db
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Fogelberg
Believe In Me
131 bpm • A Maj • 04:34 • -16db
41% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Chaka Khan
Through the Fire
131 bpm • G# Maj • 04:48 • -7.1db
63% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Elvis Costello
She
131 bpm • C# Maj • 03:07 • -12.87db
67% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Atlantic Starr
Always
131 bpm • G Maj • 04:48 • -6.76db
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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The Manhattans
Kiss and Say Goodbye
129 bpm • A# Maj • 04:26 • -10.09db
61% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Faith Hill
There You'll Be
129 bpm • G# Maj • 03:42 • -7.77db
59% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 32% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Billy Vera & The Beaters
At This Moment
131 bpm • F# Maj • 04:20 • -10.89db
27% Popularity • 39% Danceability • 28% Energy • 98% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 39% Danceability • 28% Energy • 98% Liveness
0% Instrumentalness • 15% Positiveness
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Lynn Anderson
Rose Garden
131 bpm • C Maj • 02:55 • -11.67db
64% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
64% Popularity • 59% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Breathe
Hands To Heaven
129 bpm • G# Maj • 04:19 • -15.02db
53% Popularity • 54% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 54% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Jewel
Foolish Games
131 bpm • F Maj • 05:40 • -16.46db
56% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Aaron Neville
Louisiana 1927
131 bpm • G Maj • 03:04 • -15db
29% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 48% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Louie Smith
Can't Live If Living Is Without You
132 bpm • E Maj • 03:10 • -7.46db
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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k.d. lang
Constant Craving
128 bpm • F min • 04:37 • -5.56db
55% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Linda Ronstadt
Poor, Poor Pitiful Me
128 bpm • C# Maj • 03:40 • -8.07db
43% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
67% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
67% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Elton John
Your Song
128 bpm • D# Maj • 04:01 • -11.03db
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
81% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Christopher Cross
I Will (Take You Forever)
128 bpm • A Maj • 03:59 • -10.02db
57% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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K-Ci & JoJo
All My Life
128 bpm • C# Maj • 05:31 • -8.65db
71% Popularity • 63% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
71% Popularity • 63% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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James Ingram
There's No Easy Way
128 bpm • G# Maj • 03:47 • -16.39db
65% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
65% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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George Benson
You Are the Love of My Life
128 bpm • E Maj • 02:52 • -9db
57% Popularity • 41% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 41% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Aaron Neville
Song Of Bernadette
132 bpm • C Maj • 04:04 • -16.46db
17% Popularity • 39% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 39% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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Shania Twain
You've Got A Way
132 bpm • A Maj • 03:31 • -8.63db
57% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
57% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Don Henley
New York Minute
132 bpm • G# min • 06:35 • -12.21db
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
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Elton John
Daniel
132 bpm • C Maj • 03:54 • -11.95db
71% Popularity • 69% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 69% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Breathe
How Can I Fall ?
132 bpm • A Maj • 04:44 • -13.98db
52% Popularity • 50% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 50% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Linda Ronstadt
Many Rivers to Cross
128 bpm • F Maj • 04:06 • -17.48db
20% Popularity • 48% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
20% Popularity • 48% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Mary MacGregor
Torn Between Two Lovers
132 bpm • A# Maj • 03:39 • -7.08db
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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John Denver
I'm Sorry
128 bpm • G Maj • 03:31 • -15db
50% Popularity • 45% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 45% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Sérgio Mendes
Never Gonna Let You Go
133 bpm • G Maj • 04:15 • -12.4db
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Eagles
Lyin' Eyes - 2013 Remaster
133 bpm • G Maj • 06:21 • -9.75db
67% Popularity • 67% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
67% Popularity • 67% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 87% Positiveness
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Christopher Cross
All Right
133 bpm • F# min • 04:13 • -5.23db
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 71% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Linda Ronstadt
When Will I Be Loved
133 bpm • A Maj • 02:04 • -10.02db
60% Popularity • 51% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 51% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Yusuf / Cat Stevens
Morning Has Broken - Remastered 2021
133 bpm • G Maj • 03:19 • -11.83db
71% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
71% Popularity • 44% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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John Denver
Leaving on a Jet Plane
133 bpm • G Maj • 03:37 • -12.26db
50% Popularity • 49% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
50% Popularity • 49% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Boz Scaggs
Heart of Mine
127 bpm • D Maj • 04:11 • -13.78db
51% Popularity • 63% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 63% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Shania Twain
You're Still The One - Remastered 2023
134 bpm • D# Maj • 03:17 • -3.7db
58% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
58% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Peter, Paul and Mary
Leaving on a Jet Plane
133 bpm • A Maj • 03:27 • -16.52db
61% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jim Croce
I’ll Have to Say I Love You in a Song
134 bpm • A Maj • 02:34 • -14.98db
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
68% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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George Benson
In Your Eyes
134 bpm • A Maj • 03:20 • -16.04db
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Trisha Yearwood
How Do I Live
126 bpm • D Maj • 04:02 • -7.37db
55% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
55% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Elton John
Candle In The Wind 1997
126 bpm • E Maj • 04:10 • -8.18db
56% Popularity • 45% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
56% Popularity • 45% Danceability • 31% Energy • 17% Liveness
1% Instrumentalness • 37% Positiveness
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New Kids On The Block
I'll Be Loving You (Forever)
135 bpm • B Maj • 04:23 • -17db
57% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Christopher Cross
Never Be the Same
125 bpm • A Maj • 04:09 • -10db
58% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 76% Danceability • 67% Energy • 50% Liveness
0% Instrumentalness • 83% Positiveness
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Linda Ronstadt
I Will Always Love You
125 bpm • A Maj • 03:00 • -15.93db
27% Popularity • 49% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
27% Popularity • 49% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Andy Gibb
An Everlasting Love
125 bpm • A Maj • 04:10 • -6.54db
55% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 66% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Dan Fogelberg
Leader of the Band
135 bpm • G# Maj • 04:16 • -14.36db
61% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 63% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Boz Scaggs
We're All Alone (2023 Remaster)
125 bpm • G Maj • 04:12 • -11.61db
53% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
53% Popularity • 35% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 15% Positiveness
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Curtis Stigers
I Wonder Why
135 bpm • C Maj • 04:27 • -8.97db
44% Popularity • 55% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 55% Danceability • 62% Energy • 59% Liveness
0% Instrumentalness • 29% Positiveness
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Patrick Swayze
She's Like the Wind
125 bpm • E min • 03:52 • -14.68db
69% Popularity • 59% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
69% Popularity • 59% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Linda Ronstadt
Dedicated to the One I Love
135 bpm • G Maj • 02:10 • -18.89db
33% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 40% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Marx
Hazard
125 bpm • G min • 05:17 • -10.35db
62% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
62% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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B.J. Thomas
(Hey Won't You Play) Another Somebody Do...
125 bpm • E Maj • 03:26 • -11.29db
49% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Bad English
When I See You Smile
136 bpm • G Maj • 04:17 • -9.9db
63% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Elton John
Candle In The Wind - Remastered 2014
125 bpm • E Maj • 03:48 • -9.74db
70% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
70% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Shania Twain
From This Moment On - Pop On-Tour Versio...
136 bpm • D Maj • 03:57 • -4.45db
66% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
66% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Linda Ronstadt
Love Has No Pride
125 bpm • A# Maj • 04:12 • -11db
34% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 37% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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England Dan & John Ford Coley
It's Sad to Belong - Single Version
136 bpm • D# Maj • 02:53 • -16.46db
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Beverley Craven
Promise Me
124 bpm • G# Maj • 03:37 • -14.73db
57% Popularity • 46% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
57% Popularity • 46% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Irene Cara
Out Here On My Own
136 bpm • G Maj • 03:13 • -15.07db
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Shania Twain
From This Moment On
136 bpm • G Maj • 04:41 • -8.25db
57% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
57% Popularity • 38% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Dan Hill
I Fall All over Again
124 bpm • C# Maj • 04:22 • -8db
55% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
55% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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The Shirelles
Will You Love Me Tomorrow
136 bpm • C Maj • 02:40 • -11.81db
65% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
65% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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George Benson
Nothing's Gonna Change My Love for You
137 bpm • C# Maj • 04:02 • -5.1db
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Kenny Rogers
We've Got Tonight
124 bpm • G# Maj • 03:54 • -11.25db
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
65% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Faith Hill
Breathe
137 bpm • G Maj • 04:10 • -9.01db
66% Popularity • 53% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 53% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Stone Poneys
Different Drum
123 bpm • C Maj • 02:39 • -11.6db
58% Popularity • 46% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 46% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Christopher Cross
Swept Away
123 bpm • F# Maj • 04:28 • -13db
58% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Glenn Frey
Lover's Moon
138 bpm • G Maj • 04:11 • -19.64db
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Atlantic Starr
Masterpiece
138 bpm • F min • 04:55 • -10.42db
49% Popularity • 64% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 64% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Gordon Lightfoot
If You Could Read My Mind
123 bpm • A Maj • 03:48 • -12.82db
67% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
67% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Cher
Just Like Jesse James
138 bpm • G# Maj • 04:05 • -10.23db
59% Popularity • 40% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 40% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Beth Nielsen Chapman
All I Have
138 bpm • D Maj • 04:16 • -8db
34% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Linda Ronstadt
Love Has No Pride - 2015 Remaster
122 bpm • A# Maj • 04:12 • -9.57db
29% Popularity • 36% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 36% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Karyn White
Superwoman
138 bpm • G# Maj • 05:47 • -6db
57% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Roberta Flack
Killing Me Softly With His Song
122 bpm • F min • 04:46 • -10.24db
73% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
73% Popularity • 48% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Sheena Easton
Morning Train (Nine to Five) - Edit
122 bpm • F min • 03:20 • -8.87db
60% Popularity • 76% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
60% Popularity • 76% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
