Songs like Don't Know What It Means by Tedeschi Trucks Band
Based on a tempo of (+/- 10%) and a similar genre
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Tedeschi Trucks Band
Don't Know What It Means
92 bpm • B min • 06:00 • -9.2db
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
45% Popularity • 65% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 81% Positiveness
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Keller Williams
West L.A. Fadeaway
92 bpm • G Maj • 06:19 • -6.37db
34% Popularity • 59% Danceability • 78% Energy • 79% Liveness
7% Instrumentalness • 74% Positiveness
34% Popularity • 59% Danceability • 78% Energy • 79% Liveness
7% Instrumentalness • 74% Positiveness
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Monte Montgomery
When Will I
92 bpm • G# Maj • 07:32 • -8.21db
24% Popularity • 61% Danceability • 76% Energy • 98% Liveness
9% Instrumentalness • 67% Positiveness
24% Popularity • 61% Danceability • 76% Energy • 98% Liveness
9% Instrumentalness • 67% Positiveness
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Jonny Lang
Before You Hit The Ground
92 bpm • B min • 03:54 • -5.85db
41% Popularity • 72% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 72% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Tea Leaf Green
The Garden (Pt. III)
92 bpm • G Maj • 04:01 • -7.13db
38% Popularity • 43% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 43% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Little
Mercenary Territory
92 bpm • B min • 04:26 • -8.76db
23% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Tab Benoit
Night Train
92 bpm • G Maj • 04:17 • -6.37db
33% Popularity • 60% Danceability • 76% Energy • 27% Liveness
10% Instrumentalness • 41% Positiveness
33% Popularity • 60% Danceability • 76% Energy • 27% Liveness
10% Instrumentalness • 41% Positiveness
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The Broadcast
Don't Waste It
92 bpm • G Maj • 03:41 • -4.86db
17% Popularity • 59% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 59% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Van Morrison
Cleaning Windows
91 bpm • F min • 04:46 • -10db
48% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 76% Danceability • 58% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Honey Island Swamp Band
Head High Water Blues
92 bpm • D Maj • 03:53 • -8.5db
16% Popularity • 63% Danceability • 75% Energy • 11% Liveness
26% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 75% Energy • 11% Liveness
26% Instrumentalness • 68% Positiveness
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The Radiators
Love Grows On Ya
93 bpm • C Maj • 03:56 • -10.62db
14% Popularity • 59% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 59% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Samantha Fish
Cowtown
93 bpm • D Maj • 05:08 • -7.29db
14% Popularity • 62% Danceability • 83% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
14% Popularity • 62% Danceability • 83% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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Jonny Lang
There's Gotta Be A Change
93 bpm • A# Maj • 04:11 • -8db
37% Popularity • 72% Danceability • 61% Energy • 12% Liveness
41% Instrumentalness • 83% Positiveness
37% Popularity • 72% Danceability • 61% Energy • 12% Liveness
41% Instrumentalness • 83% Positiveness
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Tab Benoit
Next To Me
93 bpm • D Maj • 05:01 • -6.12db
31% Popularity • 81% Danceability • 61% Energy • 9% Liveness
13% Instrumentalness • 68% Positiveness
31% Popularity • 81% Danceability • 61% Energy • 9% Liveness
13% Instrumentalness • 68% Positiveness
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Randall Bramblett
Garbage Man
93 bpm • D Maj • 04:58 • -5.62db
21% Popularity • 77% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 77% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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North Mississippi Allstars
What You Gonna Do?
91 bpm • C# Maj • 03:21 • -6.2db
38% Popularity • 74% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 74% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Lettuce
Love Is Too Strong
93 bpm • A Maj • 03:55 • -5.88db
25% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 74% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Tedeschi Trucks Band
Anyhow
93 bpm • A Maj • 06:35 • -9.29db
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Lowell George
Two Trains
91 bpm • D Maj • 04:36 • -12.85db
28% Popularity • 65% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 65% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Buddy Guy
What Kind Of Woman Is This?
93 bpm • E min • 05:17 • -6.05db
44% Popularity • 77% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
44% Popularity • 77% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 88% Positiveness
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The Robert Cray Band
The Forecast (Calls For Pain)
91 bpm • D min • 04:01 • -8db
35% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 70% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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John Hiatt
Memphis In The Meantime
91 bpm • E Maj • 03:59 • -11db
41% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Lyle Lovett
My Baby Don't Tolerate
90 bpm • F Maj • 03:42 • -7.92db
26% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
26% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Tedeschi Trucks Band
Walk Through This Life
94 bpm • G# Maj • 04:46 • -11.49db
23% Popularity • 62% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 62% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Susan Tedeschi
You Got The Silver
94 bpm • E Maj • 02:51 • -7.41db
44% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Robert Bradley
Bellybone
90 bpm • B Maj • 04:26 • -8db
16% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Tab Benoit
The Blues Is Here To Stay
94 bpm • G Maj • 06:00 • -8.09db
16% Popularity • 56% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 56% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Cris Jacobs
Bone Digger
90 bpm • D min • 04:13 • -5.64db
20% Popularity • 59% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 59% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Hot Buttered Rum
The Deep End
90 bpm • C Maj • 04:54 • -9.3db
21% Popularity • 64% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 34% Positiveness
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Amy Helm
Rescue Me
90 bpm • A# Maj • 04:07 • -8.16db
22% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Amazing Rhythm Aces
Typical American Boy - Remastered
95 bpm • G min • 03:28 • -12.27db
31% Popularity • 60% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
31% Popularity • 60% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 83% Positiveness
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Assembly of Dust
Honest Hour
90 bpm • B Maj • 04:48 • -7.88db
19% Popularity • 56% Danceability • 64% Energy • 79% Liveness
3% Instrumentalness • 48% Positiveness
19% Popularity • 56% Danceability • 64% Energy • 79% Liveness
3% Instrumentalness • 48% Positiveness
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Marcus King
One Day She’s Here
95 bpm • B min • 03:47 • -6.55db
48% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 54% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Grateful Shred
Man Smart, Woman Smarter
89 bpm • E Maj • 05:51 • -8db
28% Popularity • 61% Danceability • 61% Energy • 21% Liveness
6% Instrumentalness • 96% Positiveness
28% Popularity • 61% Danceability • 61% Energy • 21% Liveness
6% Instrumentalness • 96% Positiveness
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Ronnie Baker Brooks
Doing Too Much
89 bpm • A Maj • 04:18 • -7db
30% Popularity • 75% Danceability • 65% Energy • 14% Liveness
16% Instrumentalness • 87% Positiveness
30% Popularity • 75% Danceability • 65% Energy • 14% Liveness
16% Instrumentalness • 87% Positiveness
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The Fabulous Thunderbirds
Strong Like That
89 bpm • D min • 03:55 • -7db
32% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
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Leon Russell
Love This Way
89 bpm • G Maj • 03:49 • -3.42db
8% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 62% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Christone "Kingfish" Ingram
Listen
95 bpm • E Maj • 05:29 • -7.76db
36% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Robert Cray
(Won't Be) Coming Home
89 bpm • D min • 04:52 • -4db
50% Popularity • 69% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
50% Popularity • 69% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Dangermuffin
Homestead
95 bpm • D Maj • 04:03 • -9.43db
42% Popularity • 70% Danceability • 57% Energy • 30% Liveness
6% Instrumentalness • 56% Positiveness
42% Popularity • 70% Danceability • 57% Energy • 30% Liveness
6% Instrumentalness • 56% Positiveness
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Little
Two Trains
95 bpm • F min • 03:07 • -7.65db
47% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 63% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Trigger Hippy
Rise Up Singing
89 bpm • F Maj • 05:03 • -4.63db
34% Popularity • 31% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 31% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Tedeschi Trucks Band
Just As Strange
95 bpm • G Maj • 03:41 • -10.86db
41% Popularity • 63% Danceability • 58% Energy • 12% Liveness
13% Instrumentalness • 78% Positiveness
41% Popularity • 63% Danceability • 58% Energy • 12% Liveness
13% Instrumentalness • 78% Positiveness
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Railroad Earth
Mighty River
96 bpm • D Maj • 05:28 • -4.59db
41% Popularity • 56% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 56% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Robert Cray
You Had My Heart
95 bpm • F Maj • 04:53 • -10db
17% Popularity • 74% Danceability • 49% Energy • 12% Liveness
27% Instrumentalness • 56% Positiveness
17% Popularity • 74% Danceability • 49% Energy • 12% Liveness
27% Instrumentalness • 56% Positiveness
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Amy Helm
Didn't It Rain
96 bpm • F Maj • 03:45 • -6.97db
13% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 49% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Doyle Bramhall II
Rich Man
96 bpm • D min • 05:23 • -8.66db
11% Popularity • 51% Danceability • 56% Energy • 9% Liveness
18% Instrumentalness • 32% Positiveness
11% Popularity • 51% Danceability • 56% Energy • 9% Liveness
18% Instrumentalness • 32% Positiveness
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Stevie Ray Vaughan
Life by the Drop
96 bpm • F# min • 02:27 • -11.86db
56% Popularity • 66% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
56% Popularity • 66% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Tab Benoit
Sunrise
96 bpm • C Maj • 03:45 • -7.26db
43% Popularity • 70% Danceability • 38% Energy • 8% Liveness
19% Instrumentalness • 32% Positiveness
43% Popularity • 70% Danceability • 38% Energy • 8% Liveness
19% Instrumentalness • 32% Positiveness
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Railroad Earth
The Forecast
96 bpm • F# min • 05:49 • -8.28db
25% Popularity • 51% Danceability • 78% Energy • 14% Liveness
43% Instrumentalness • 42% Positiveness
25% Popularity • 51% Danceability • 78% Energy • 14% Liveness
43% Instrumentalness • 42% Positiveness
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Marcus King
Young Man’s Dream
96 bpm • D Maj • 03:08 • -11.03db
41% Popularity • 46% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 46% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Delbert McClinton
Middle of Nowhere
88 bpm • C Maj • 03:18 • -6.72db
31% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Josh Farrow
I'll Be Your Fool
88 bpm • F Maj • 03:35 • -10db
38% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 71% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Little
Fat Man in the Bathtub
88 bpm • G Maj • 04:31 • -8.67db
43% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
43% Popularity • 63% Danceability • 66% Energy • 4% Liveness
4% Instrumentalness • 89% Positiveness
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The Radiators
Zigzagging Through Ghostland
97 bpm • B min • 03:41 • -10.31db
27% Popularity • 56% Danceability • 73% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
27% Popularity • 56% Danceability • 73% Energy • 8% Liveness
5% Instrumentalness • 86% Positiveness
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Railroad Earth
Hard Livin'
96 bpm • C Maj • 04:55 • -4db
39% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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moe.
Nebraska
96 bpm • D Maj • 03:50 • -7.82db
40% Popularity • 63% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 63% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Jack Pearson
My Old Friend
97 bpm • F Maj • 04:07 • -14.04db
15% Popularity • 74% Danceability • 52% Energy • 10% Liveness
14% Instrumentalness • 82% Positiveness
15% Popularity • 74% Danceability • 52% Energy • 10% Liveness
14% Instrumentalness • 82% Positiveness
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Tedeschi Trucks Band
When Will I Begin
97 bpm • C Maj • 04:17 • -8.63db
23% Popularity • 23% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
23% Popularity • 23% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Mingo Fishtrap
Things Ain't What They Was
97 bpm • C Maj • 04:02 • -8db
34% Popularity • 66% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 66% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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The Gregg Allman Band
Come And Go Blues
87 bpm • G Maj • 04:48 • -11db
36% Popularity • 56% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
36% Popularity • 56% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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The Fabulous Thunderbirds
(I Know) I'm Losing You
97 bpm • G Maj • 04:25 • -9db
30% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Them Vibes
Who Do You Love
87 bpm • E Maj • 03:39 • -6.28db
23% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Bros. Landreth
Let 'Em In
87 bpm • A# Maj • 04:19 • -7.26db
27% Popularity • 77% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 77% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Tedeschi Trucks Band
In Every Heart
97 bpm • A Maj • 06:20 • -10.65db
22% Popularity • 47% Danceability • 41% Energy • 23% Liveness
4% Instrumentalness • 56% Positiveness
22% Popularity • 47% Danceability • 41% Energy • 23% Liveness
4% Instrumentalness • 56% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Southern Avenue
80 Miles From Memphis
98 bpm • A Maj • 03:52 • -4.23db
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Allman Betts Band
Good Ol' Days
98 bpm • G Maj • 03:38 • -7.18db
17% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 59% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Indigenous
Rest Of My Days
98 bpm • C# Maj • 04:32 • -6.73db
17% Popularity • 68% Danceability • 78% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
17% Popularity • 68% Danceability • 78% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
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John Prine
Ain't Hurtin' Nobody
98 bpm • C Maj • 05:01 • -11.48db
40% Popularity • 69% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 69% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Tedeschi Trucks Band
Signs, High Times
87 bpm • A Maj • 03:51 • -9.93db
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
42% Popularity • 56% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Peter Wolf
Peace Of Mind
98 bpm • G# Maj • 03:48 • -11.61db
28% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Robert Cray
Nobody's Fault But Mine
98 bpm • A Maj • 02:39 • -5.79db
33% Popularity • 59% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 59% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Cris Jacobs
Jack The Whistle And The Hammer
98 bpm • F min • 03:22 • -4.94db
35% Popularity • 72% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 72% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Moses Guest
It's Our Love
98 bpm • A min • 04:26 • -5.61db
9% Popularity • 76% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 76% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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The Allman Betts Band
Down To The River
98 bpm • G min • 04:43 • -9.5db
38% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
38% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Tedeschi Trucks Band
Shame
97 bpm • D Maj • 04:55 • -9.61db
22% Popularity • 32% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 32% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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The Bros. Landreth
Made up Mind
86 bpm • F Maj • 03:21 • -7.29db
31% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Delbert McClinton
Down into Mexico
86 bpm • F# Maj • 04:35 • -8.66db
45% Popularity • 52% Danceability • 76% Energy • 6% Liveness
23% Instrumentalness • 48% Positiveness
45% Popularity • 52% Danceability • 76% Energy • 6% Liveness
23% Instrumentalness • 48% Positiveness
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Susan Tedeschi
Tired Of My Tears
99 bpm • C# Maj • 02:42 • -6.2db
32% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Tab Benoit
I Got Loaded
99 bpm • B min • 04:26 • -7.59db
33% Popularity • 64% Danceability • 89% Energy • 20% Liveness
83% Instrumentalness • 96% Positiveness
33% Popularity • 64% Danceability • 89% Energy • 20% Liveness
83% Instrumentalness • 96% Positiveness
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Taj Mahal
Lovin' in My Baby's Eyes
85 bpm • A# Maj • 02:40 • -8.87db
50% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Tedeschi Trucks Band
Let Me Get By
98 bpm • A Maj • 04:25 • -8.13db
37% Popularity • 57% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
37% Popularity • 57% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Assembly of Dust
Honey Creeper
85 bpm • E Maj • 08:17 • -4.43db
10% Popularity • 46% Danceability • 85% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 46% Danceability • 85% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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Marcus King
Too Much Whiskey
99 bpm • A Maj • 03:54 • -4.26db
49% Popularity • 55% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 55% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Stephen Bruton
Bigger Wheel
99 bpm • A# Maj • 05:44 • -6.75db
17% Popularity • 55% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 55% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Martin Sexton
Give It Up
85 bpm • B Maj • 03:44 • -5.1db
12% Popularity • 69% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 69% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Doyle Bramhall II
Consciousness
85 bpm • C min • 04:40 • -7.39db
8% Popularity • 52% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 52% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Tedeschi Trucks Band
Don’t Drift Away - Live
87 bpm • C Maj • 06:33 • -9.9db
32% Popularity • 40% Danceability • 80% Energy • 99% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 40% Danceability • 80% Energy • 99% Liveness
0% Instrumentalness • 56% Positiveness
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The Bros. Landreth
Alone in the Dark
85 bpm • A Maj • 05:36 • -6.92db
9% Popularity • 73% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 73% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Nathaniel Rateliff & The Night Sweats
Howling At Nothing
100 bpm • A# Maj • 03:09 • -4.19db
54% Popularity • 58% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 58% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Randall Bramblett
I Just Don't Have The Time
85 bpm • F min • 03:56 • -8.04db
31% Popularity • 73% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 73% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Cris Jacobs
Shine Your Weary Light
100 bpm • C# Maj • 03:25 • -5.75db
26% Popularity • 72% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 72% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Robert Cray
A Memo
100 bpm • C Maj • 04:41 • -3.88db
30% Popularity • 77% Danceability • 82% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
30% Popularity • 77% Danceability • 82% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Tedeschi Trucks Band
Somehow
86 bpm • A min • 05:09 • -5.28db
29% Popularity • 46% Danceability • 76% Energy • 34% Liveness
2% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 76% Energy • 34% Liveness
2% Instrumentalness • 62% Positiveness
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Mingo Fishtrap
Born Without a Heart
100 bpm • E Maj • 03:12 • -7db
23% Popularity • 68% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 68% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Samantha Fish
Try Not To Fall In Love With You
100 bpm • C# min • 04:04 • -9.65db
28% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Allman Betts Band
Shinin'
100 bpm • C Maj • 04:29 • -6.7db
23% Popularity • 38% Danceability • 81% Energy • 20% Liveness
26% Instrumentalness • 56% Positiveness
23% Popularity • 38% Danceability • 81% Energy • 20% Liveness
26% Instrumentalness • 56% Positiveness
