Songs like Don't Know Why - Rumba by The Jack Million Band
Based on a tempo of (+/- 10%) and a similar genre
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The Swing Cats Big Band
Hey Ba Ba Re Bop
96 bpm • F min • 02:28 • -7.55db
7% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Les Brown & His Orchestra
Leap Frog - Remastered
96 bpm • G# Maj • 02:35 • -11.01db
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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The Ames Brothers
Music, Music, Music
96 bpm • C# Maj • 02:38 • -10.24db
17% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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The Len Phillips Big Band
Tico Tico (Samba)
96 bpm • G min • 02:33 • -12.14db
26% Popularity • 66% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 66% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Glenn Miller y su orquesta
Rainbow Rhapsody
96 bpm • F min • 02:34 • -16.78db
10% Popularity • 39% Danceability • 14% Energy • 15% Liveness
16% Instrumentalness • 20% Positiveness
10% Popularity • 39% Danceability • 14% Energy • 15% Liveness
16% Instrumentalness • 20% Positiveness
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The Jack Million Band
Don't Know Why - Rumba
96 bpm • A# Maj • 03:17 • -12.37db
3% Popularity • 62% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
3% Popularity • 62% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Empress Orchestra
Samba de la Torre
96 bpm • A min • 02:00 • -7.7db
23% Popularity • 40% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
23% Popularity • 40% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
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Franco Pisano
Optical Bossa Nova
97 bpm • G# Maj • 01:57 • -12.23db
14% Popularity • 61% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 61% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Dreamweaver Collective
Blue-Skies-Boogie
95 bpm • F Maj • 01:28 • -15.32db
7% Popularity • 80% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 80% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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The Len Phillips Big Band
Perdido (Samba)
96 bpm • G min • 03:09 • -10.18db
12% Popularity • 54% Danceability • 52% Energy • 10% Liveness
57% Instrumentalness • 86% Positiveness
12% Popularity • 54% Danceability • 52% Energy • 10% Liveness
57% Instrumentalness • 86% Positiveness
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Werner Addison
On the Sunny Side
95 bpm • F Maj • 03:17 • -11.27db
22% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Pete Jacobs and his Wartime Radio Revue
Billy A Dick
95 bpm • F Maj • 02:34 • -7.8db
12% Popularity • 80% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 80% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Lester Lanin
Michael, Row The Boat Ashore - Dixieland
97 bpm • A# Maj • 01:55 • -13.6db
18% Popularity • 66% Danceability • 52% Energy • 34% Liveness
87% Instrumentalness • 96% Positiveness
18% Popularity • 66% Danceability • 52% Energy • 34% Liveness
87% Instrumentalness • 96% Positiveness
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Giorgio Cuscito
Bus Stop
97 bpm • C Maj • 02:03 • -7.32db
30% Popularity • 89% Danceability • 35% Energy • 6% Liveness
95% Instrumentalness • 68% Positiveness
30% Popularity • 89% Danceability • 35% Energy • 6% Liveness
95% Instrumentalness • 68% Positiveness
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Billy Bros. Jumpin' Orchestra
Swingin' Bells
95 bpm • G min • 02:07 • -13.55db
13% Popularity • 52% Danceability • 46% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
13% Popularity • 52% Danceability • 46% Energy • 26% Liveness
2% Instrumentalness • 93% Positiveness
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Jan Preston
12th Street Rag
95 bpm • C Maj • 02:22 • -7.5db
28% Popularity • 67% Danceability • 58% Energy • 30% Liveness
92% Instrumentalness • 97% Positiveness
28% Popularity • 67% Danceability • 58% Energy • 30% Liveness
92% Instrumentalness • 97% Positiveness
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Empress Orchestra
Southtown USA
97 bpm • A# Maj • 02:10 • -11db
17% Popularity • 74% Danceability • 41% Energy • 6% Liveness
91% Instrumentalness • 92% Positiveness
17% Popularity • 74% Danceability • 41% Energy • 6% Liveness
91% Instrumentalness • 92% Positiveness
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Paul Englishby
T'Aint What You Do
97 bpm • C min • 02:45 • -8.13db
12% Popularity • 60% Danceability • 72% Energy • 9% Liveness
3% Instrumentalness • 67% Positiveness
12% Popularity • 60% Danceability • 72% Energy • 9% Liveness
3% Instrumentalness • 67% Positiveness
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Various Artists
Charleston
94 bpm • G min • 02:20 • -12.49db
25% Popularity • 69% Danceability • 20% Energy • 12% Liveness
71% Instrumentalness • 93% Positiveness
25% Popularity • 69% Danceability • 20% Energy • 12% Liveness
71% Instrumentalness • 93% Positiveness
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Sounds Of Swing
Artistry For Trumpets
94 bpm • A# Maj • 02:43 • -8.19db
17% Popularity • 64% Danceability • 44% Energy • 33% Liveness
38% Instrumentalness • 90% Positiveness
17% Popularity • 64% Danceability • 44% Energy • 33% Liveness
38% Instrumentalness • 90% Positiveness
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The Len Phillips Big Band
Historia De Un Amor (Rumba)
98 bpm • G min • 02:29 • -11.02db
17% Popularity • 73% Danceability • 28% Energy • 26% Liveness
70% Instrumentalness • 64% Positiveness
17% Popularity • 73% Danceability • 28% Energy • 26% Liveness
70% Instrumentalness • 64% Positiveness
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The Jack Million Band
White Cliff of Dover
98 bpm • G min • 02:58 • -18.24db
1% Popularity • 43% Danceability • 14% Energy • 14% Liveness
21% Instrumentalness • 31% Positiveness
1% Popularity • 43% Danceability • 14% Energy • 14% Liveness
21% Instrumentalness • 31% Positiveness
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Empress Orchestra
Skyliner
98 bpm • C# Maj • 02:49 • -11.54db
14% Popularity • 53% Danceability • 34% Energy • 12% Liveness
50% Instrumentalness • 42% Positiveness
14% Popularity • 53% Danceability • 34% Energy • 12% Liveness
50% Instrumentalness • 42% Positiveness
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Rita Hayworth
The Shorty Georges
98 bpm • G# Maj • 04:09 • -13.87db
15% Popularity • 62% Danceability • 45% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
15% Popularity • 62% Danceability • 45% Energy • 9% Liveness
73% Instrumentalness • 79% Positiveness
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Roberto Delgado
Un Poco Rio
98 bpm • G Maj • 02:19 • -10db
29% Popularity • 53% Danceability • 65% Energy • 12% Liveness
46% Instrumentalness • 62% Positiveness
29% Popularity • 53% Danceability • 65% Energy • 12% Liveness
46% Instrumentalness • 62% Positiveness
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Reg Owen
Manhattan Spiritual
98 bpm • G# Maj • 02:45 • -14.89db
17% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
17% Popularity • 73% Danceability • 40% Energy • 7% Liveness
65% Instrumentalness • 65% Positiveness
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Lester Lanin
Steady, Steady - Moderate Society
94 bpm • G# Maj • 02:09 • -12db
16% Popularity • 75% Danceability • 40% Energy • 6% Liveness
67% Instrumentalness • 87% Positiveness
16% Popularity • 75% Danceability • 40% Energy • 6% Liveness
67% Instrumentalness • 87% Positiveness
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The Jack Million Band
Tail End Charlie
94 bpm • C# Maj • 03:16 • -15.22db
1% Popularity • 69% Danceability • 33% Energy • 2% Liveness
13% Instrumentalness • 69% Positiveness
1% Popularity • 69% Danceability • 33% Energy • 2% Liveness
13% Instrumentalness • 69% Positiveness
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Las Vegas Big Band
Lucky Town
98 bpm • F min • 03:00 • -5.01db
11% Popularity • 57% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 57% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy Dorsey
Bésame Mucho - Remastered
94 bpm • G min • 02:59 • -13.93db
12% Popularity • 38% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 38% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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New Project Orchestra
I Dream of Jeannie / Bewitched - Main Th...
99 bpm • F Maj • 04:12 • -5.21db
7% Popularity • 66% Danceability • 57% Energy • 19% Liveness
5% Instrumentalness • 74% Positiveness
7% Popularity • 66% Danceability • 57% Energy • 19% Liveness
5% Instrumentalness • 74% Positiveness
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Benny Goodman Quartet
Whispering
99 bpm • D# Maj • 03:23 • -15.83db
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
36% Popularity • 80% Danceability • 31% Energy • 10% Liveness
72% Instrumentalness • 93% Positiveness
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The Fontane Sisters
Chanson D'amour
99 bpm • G min • 02:14 • -12db
21% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Jack Million Band
Habanera
94 bpm • D Maj • 02:59 • -10.56db
1% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Si Zentner
I'm Always Chasing Rainbows
99 bpm • G# Maj • 03:12 • -16.26db
18% Popularity • 61% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
18% Popularity • 61% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Benkó Dixieland Band
Heart of My Heart
99 bpm • C Maj • 04:05 • -11.38db
11% Popularity • 62% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 62% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Max Raabe
Original Charleston
100 bpm • C Maj • 02:07 • -9.63db
29% Popularity • 88% Danceability • 46% Energy • 5% Liveness
64% Instrumentalness • 82% Positiveness
29% Popularity • 88% Danceability • 46% Energy • 5% Liveness
64% Instrumentalness • 82% Positiveness
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Sounds Orchestral
While We Danced at the Mardi Gras
100 bpm • A# Maj • 02:38 • -16.99db
12% Popularity • 64% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 73% Positiveness
12% Popularity • 64% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 73% Positiveness
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The Len Phillips Big Band
Amor, Amor (Rumba)
100 bpm • F min • 03:20 • -15.23db
7% Popularity • 75% Danceability • 20% Energy • 6% Liveness
34% Instrumentalness • 87% Positiveness
7% Popularity • 75% Danceability • 20% Energy • 6% Liveness
34% Instrumentalness • 87% Positiveness
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The Jack Million Band
Mambo No. 5
93 bpm • F min • 03:22 • -11.27db
0% Popularity • 69% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 69% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Victor Silvester and His Ballroom Orchestra
An Apple for the Teacher
100 bpm • A# Maj • 02:07 • -12.89db
19% Popularity • 80% Danceability • 25% Energy • 11% Liveness
83% Instrumentalness • 91% Positiveness
19% Popularity • 80% Danceability • 25% Energy • 11% Liveness
83% Instrumentalness • 91% Positiveness
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Gerli Padar
A Tisket a Tasket (Quickstep)
100 bpm • F min • 02:09 • -6db
10% Popularity • 70% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 70% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Ken Turner & His Orchestra
I Go To Rio
100 bpm • C# Maj • 02:28 • -10.29db
18% Popularity • 66% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 66% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Günter Noris
This Is Love (English Waltz)
92 bpm • D# Maj • 02:56 • -9.7db
17% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
17% Popularity • 40% Danceability • 31% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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Sid Phillips
Rock Cake
92 bpm • A# Maj • 02:42 • -11.05db
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
31% Popularity • 59% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 93% Positiveness
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The Jack Million Band
Mas Que Nada - Samba
100 bpm • C min • 02:31 • -9.82db
2% Popularity • 65% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
2% Popularity • 65% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Kenny Ball & His Jazzmen
1919 Rag
101 bpm • D min • 02:42 • -10.61db
9% Popularity • 55% Danceability • 77% Energy • 32% Liveness
31% Instrumentalness • 96% Positiveness
9% Popularity • 55% Danceability • 77% Energy • 32% Liveness
31% Instrumentalness • 96% Positiveness
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Winifred Atwell
Piano Tuner's Boogie
101 bpm • F Maj • 02:07 • -14.06db
16% Popularity • 52% Danceability • 56% Energy • 6% Liveness
84% Instrumentalness • 91% Positiveness
16% Popularity • 52% Danceability • 56% Energy • 6% Liveness
84% Instrumentalness • 91% Positiveness
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Mrs Mills
Put Your Arms Around Me Honey
101 bpm • A# Maj • 02:13 • -15.87db
15% Popularity • 83% Danceability • 48% Energy • 10% Liveness
97% Instrumentalness • 97% Positiveness
15% Popularity • 83% Danceability • 48% Energy • 10% Liveness
97% Instrumentalness • 97% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
WHO SORRY NOW
91 bpm • C Maj • 02:40 • -9.74db
13% Popularity • 68% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
13% Popularity • 68% Danceability • 40% Energy • 8% Liveness
6% Instrumentalness • 77% Positiveness
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Empress Orchestra
Quando Quando Quando
102 bpm • A# Maj • 02:29 • -10.12db
23% Popularity • 57% Danceability • 38% Energy • 9% Liveness
68% Instrumentalness • 95% Positiveness
23% Popularity • 57% Danceability • 38% Energy • 9% Liveness
68% Instrumentalness • 95% Positiveness
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The Jack Million Band
Everybody Loves a Lover - Quickstep
100 bpm • D Maj • 02:32 • -13.13db
1% Popularity • 85% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
1% Popularity • 85% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Joe Loss & His Orchestra
Sunrise Sunset
91 bpm • F min • 02:20 • -14.89db
11% Popularity • 31% Danceability • 22% Energy • 28% Liveness
89% Instrumentalness • 17% Positiveness
11% Popularity • 31% Danceability • 22% Energy • 28% Liveness
89% Instrumentalness • 17% Positiveness
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Percy Faith
Delicado
102 bpm • E Maj • 02:49 • -14.07db
15% Popularity • 52% Danceability • 70% Energy • 6% Liveness
56% Instrumentalness • 81% Positiveness
15% Popularity • 52% Danceability • 70% Energy • 6% Liveness
56% Instrumentalness • 81% Positiveness
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Alan Fagan
Sounds Like Johnny
90 bpm • F Maj • 03:06 • -7.37db
16% Popularity • 69% Danceability • 46% Energy • 7% Liveness
67% Instrumentalness • 69% Positiveness
16% Popularity • 69% Danceability • 46% Energy • 7% Liveness
67% Instrumentalness • 69% Positiveness
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Vince Giordano And The Nighthawks
Truckin'
103 bpm • G Maj • 02:45 • -13.15db
13% Popularity • 72% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 72% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Empress Orchestra
Manha de Carnival
102 bpm • A# min • 02:50 • -15.25db
24% Popularity • 57% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 33% Positiveness
24% Popularity • 57% Danceability • 33% Energy • 7% Liveness
90% Instrumentalness • 33% Positiveness
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Zachary Brightfield
Caravans Across the Desert of Dreams
103 bpm • D# Maj • 01:40 • -13.68db
17% Popularity • 76% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 76% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Jack Million Band
Frenesi
92 bpm • D# Maj • 03:32 • -19.67db
1% Popularity • 45% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 24% Positiveness
1% Popularity • 45% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 24% Positiveness
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Maxine Sullivan
When Your Lover Has Gone
103 bpm • G Maj • 02:45 • -14.9db
3% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
3% Popularity • 61% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Günter Noris
Samba Olé (Samba)
103 bpm • F min • 02:59 • -6db
9% Popularity • 72% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 91% Positiveness
9% Popularity • 72% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 91% Positiveness
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Vera Lynn
Red Sails in the Sunset - 2016 Remaster
103 bpm • C Maj • 02:58 • -10.37db
25% Popularity • 48% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 48% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Empress Orchestra
Scheherazade
103 bpm • G# Maj • 02:51 • -15.43db
22% Popularity • 51% Danceability • 38% Energy • 37% Liveness
90% Instrumentalness • 31% Positiveness
22% Popularity • 51% Danceability • 38% Energy • 37% Liveness
90% Instrumentalness • 31% Positiveness
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Al Martino
When You're Mine
103 bpm • C min • 02:03 • -14.87db
14% Popularity • 56% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 56% Danceability • 24% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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The Jack Million Band
Blues in the Night
100 bpm • F Maj • 04:29 • -17.07db
2% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
2% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Mrs Mills
Five Foot Two Eyes of Blue - 2003 Remast...
104 bpm • C Maj • 02:06 • -8db
17% Popularity • 68% Danceability • 67% Energy • 9% Liveness
91% Instrumentalness • 90% Positiveness
17% Popularity • 68% Danceability • 67% Energy • 9% Liveness
91% Instrumentalness • 90% Positiveness
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Bob Fleming
Bat Masterson
89 bpm • F Maj • 02:24 • -14.18db
16% Popularity • 58% Danceability • 28% Energy • 9% Liveness
3% Instrumentalness • 84% Positiveness
16% Popularity • 58% Danceability • 28% Energy • 9% Liveness
3% Instrumentalness • 84% Positiveness
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The Hot Sardines
Sweet Pea
104 bpm • F Maj • 02:21 • -14db
48% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Günter Noris
Rumba of Love (Rumba)
104 bpm • F min • 03:13 • -4db
9% Popularity • 39% Danceability • 56% Energy • 9% Liveness
56% Instrumentalness • 46% Positiveness
9% Popularity • 39% Danceability • 56% Energy • 9% Liveness
56% Instrumentalness • 46% Positiveness
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Edmundo Ros & His Orchestra
Spanish Flea
89 bpm • G Maj • 02:01 • -12.84db
24% Popularity • 72% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
24% Popularity • 72% Danceability • 47% Energy • 11% Liveness
89% Instrumentalness • 85% Positiveness
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The Jack Million Band
Are You Jumpin' Jack
90 bpm • G# Maj • 03:02 • -15.3db
1% Popularity • 65% Danceability • 37% Energy • 8% Liveness
17% Instrumentalness • 84% Positiveness
1% Popularity • 65% Danceability • 37% Energy • 8% Liveness
17% Instrumentalness • 84% Positiveness
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Ken Turner & His Orchestra
Born Free
104 bpm • D Maj • 02:46 • -12.6db
8% Popularity • 58% Danceability • 49% Energy • 24% Liveness
89% Instrumentalness • 69% Positiveness
8% Popularity • 58% Danceability • 49% Energy • 24% Liveness
89% Instrumentalness • 69% Positiveness
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Orchester Werner Tauber
You're The Cream In My Coffee
104 bpm • C Maj • 01:59 • -6.26db
15% Popularity • 74% Danceability • 76% Energy • 26% Liveness
57% Instrumentalness • 87% Positiveness
15% Popularity • 74% Danceability • 76% Energy • 26% Liveness
57% Instrumentalness • 87% Positiveness
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Kenny Ball & His Jazzmen
Rondo (Alternate Version)
104 bpm • F min • 02:25 • -7.2db
28% Popularity • 63% Danceability • 80% Energy • 31% Liveness
87% Instrumentalness • 94% Positiveness
28% Popularity • 63% Danceability • 80% Energy • 31% Liveness
87% Instrumentalness • 94% Positiveness
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Paul Kuhn
My Heart Stood Still
104 bpm • F min • 02:42 • -13.77db
8% Popularity • 59% Danceability • 52% Energy • 4% Liveness
57% Instrumentalness • 91% Positiveness
8% Popularity • 59% Danceability • 52% Energy • 4% Liveness
57% Instrumentalness • 91% Positiveness
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Gerli Padar
From Russia with Love (Slow Waltz)
88 bpm • A# min • 04:37 • -8db
19% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Jack Million Band
Jump, Jive and Wail
103 bpm • D# min • 03:03 • -7.19db
1% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
1% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Bun-Jon & The Big Jive
Steppin´Out With My Baby
88 bpm • C min • 03:53 • -7.28db
25% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 68% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lester Lanin
Desafinado-Bright Bossa Nova
88 bpm • C Maj • 01:56 • -16.69db
26% Popularity • 70% Danceability • 33% Energy • 3% Liveness
85% Instrumentalness • 90% Positiveness
26% Popularity • 70% Danceability • 33% Energy • 3% Liveness
85% Instrumentalness • 90% Positiveness
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Marty Paich
It's Not Unusual
105 bpm • F Maj • 02:20 • -10.15db
23% Popularity • 58% Danceability • 49% Energy • 19% Liveness
93% Instrumentalness • 90% Positiveness
23% Popularity • 58% Danceability • 49% Energy • 19% Liveness
93% Instrumentalness • 90% Positiveness
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Les Baxter
The Poor People Of Paris (Jean's Song)
88 bpm • A# Maj • 02:25 • -5db
28% Popularity • 58% Danceability • 43% Energy • 13% Liveness
18% Instrumentalness • 79% Positiveness
28% Popularity • 58% Danceability • 43% Energy • 13% Liveness
18% Instrumentalness • 79% Positiveness
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Ken Gordon And Band
Alexander Ragtime Band
105 bpm • F Maj • 03:11 • -6db
9% Popularity • 74% Danceability • 73% Energy • 11% Liveness
85% Instrumentalness • 97% Positiveness
9% Popularity • 74% Danceability • 73% Energy • 11% Liveness
85% Instrumentalness • 97% Positiveness
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Edmundo Ros & His Orchestra
Do You Like The Samba
105 bpm • C Maj • 02:07 • -10.43db
27% Popularity • 61% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 61% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Charles Barlow & His Orchestra
My September Love
88 bpm • G# Maj • 02:29 • -13.66db
9% Popularity • 29% Danceability • 25% Energy • 31% Liveness
68% Instrumentalness • 16% Positiveness
9% Popularity • 29% Danceability • 25% Energy • 31% Liveness
68% Instrumentalness • 16% Positiveness
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Lester Lanin
Fascination - Slow Waltz
105 bpm • C Maj • 01:58 • -12db
33% Popularity • 31% Danceability • 22% Energy • 18% Liveness
49% Instrumentalness • 34% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 18% Liveness
49% Instrumentalness • 34% Positiveness
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Teresa Brewer
Till I Waltz Again with You
88 bpm • D# Maj • 03:00 • -13db
21% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Kenny Ball
Nina Never Knew
88 bpm • F min • 03:26 • -16.37db
9% Popularity • 47% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 47% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Big Kahuna and the Copa Cat Pack
Come On-A-My House - Instrumental Repris...
105 bpm • G Maj • 01:16 • -9.52db
37% Popularity • 75% Danceability • 64% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
37% Popularity • 75% Danceability • 64% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
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Sue Raney
Heart And Soul
105 bpm • G min • 02:58 • -10db
23% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 50% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Victor Silvester Jnr. with Orhestra
Nothing Can Last Forever
87 bpm • C Maj • 03:09 • -15.5db
7% Popularity • 37% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
7% Popularity • 37% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Charles Barlow & His Orchestra
Golden Years Waltz
87 bpm • F# min • 02:28 • -11.73db
10% Popularity • 30% Danceability • 30% Energy • 20% Liveness
6% Instrumentalness • 12% Positiveness
10% Popularity • 30% Danceability • 30% Energy • 20% Liveness
6% Instrumentalness • 12% Positiveness
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Moonlight Big Band
JUMPING AT THE WOODSIDE (C. Basie / Chap...
106 bpm • C min • 01:52 • -11.84db
15% Popularity • 63% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
15% Popularity • 63% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Orchester Werner Tauber
Tico Tico
106 bpm • F min • 02:40 • -5.01db
7% Popularity • 75% Danceability • 80% Energy • 6% Liveness
2% Instrumentalness • 91% Positiveness
7% Popularity • 75% Danceability • 80% Energy • 6% Liveness
2% Instrumentalness • 91% Positiveness
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Boilermaker Jazz Band
Who's Sorry Now
107 bpm • A# Maj • 03:54 • -5.61db
24% Popularity • 75% Danceability • 75% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
24% Popularity • 75% Danceability • 75% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
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Joe Loss & His Orchestra
Fascination Waltz
86 bpm • A# Maj • 03:04 • -15db
17% Popularity • 38% Danceability • 12% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
17% Popularity • 38% Danceability • 12% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
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Victor Silvester Jnr. with Orhestra
Rose in the Bud
86 bpm • C# Maj • 03:08 • -15.32db
8% Popularity • 36% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
8% Popularity • 36% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Ken Turner & His Orchestra
Fascination
86 bpm • G# Maj • 03:44 • -17db
9% Popularity • 25% Danceability • 23% Energy • 7% Liveness
14% Instrumentalness • 23% Positiveness
9% Popularity • 25% Danceability • 23% Energy • 7% Liveness
14% Instrumentalness • 23% Positiveness
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Charles Barlow & His Orchestra
Play Fiddle Play
86 bpm • C# min • 02:31 • -17.08db
11% Popularity • 38% Danceability • 12% Energy • 29% Liveness
48% Instrumentalness • 20% Positiveness
11% Popularity • 38% Danceability • 12% Energy • 29% Liveness
48% Instrumentalness • 20% Positiveness
