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Don't Leave Me Here
Songs like
Don't Leave Me Here
by
Taj Mahal
Based on a tempo of (+/- 10%) and a similar genre
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Taj Mahal
Don't Leave Me Here
95 bpm • G Maj • 05:01 • -6.84db
38% Popularity • 79% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 78% Positiveness
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Danielle Nicole
Hot Spell
95 bpm • B Maj • 04:08 • -7.44db
32% Popularity • 86% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Samantha Fish
Jim Lee Blues Pt. 1
95 bpm • A Maj • 03:53 • -7.75db
28% Popularity • 79% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Seth Walker
Another Day
94 bpm • G Maj • 03:56 • -9.18db
21% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Kenny Neal
Let Life Flow
94 bpm • F# min • 04:38 • -9.62db
10% Popularity • 72% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Keb' Mo'
The Worst Is yet to Come
94 bpm • G Maj • 03:57 • -5.12db
16% Popularity • 74% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Taj Mahal
Scratch My Back
95 bpm • C# Maj • 04:20 • -6.25db
9% Popularity • 69% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Danielle Nicole
I Feel Like Breakin' Up Somebody’s Hom...
94 bpm • F Maj • 04:44 • -7.89db
24% Popularity • 69% Danceability • 62% Energy • 9% Liveness
17% Instrumentalness • 92% Positiveness
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Lisa Mann
Hard Times, Bad Decisions
94 bpm • B min • 04:31 • -4.26db
16% Popularity • 62% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Delbert McClinton
Blues As Blues Can Get
96 bpm • E min • 04:05 • -11.2db
23% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Debbie Davies
Love Spin
96 bpm • E min • 04:03 • -8.18db
20% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Keb' Mo'
Somebody Hurt You
94 bpm • D Maj • 03:37 • -7.58db
19% Popularity • 80% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Kenny Neal
I'm so Happy
96 bpm • A Maj • 03:42 • -5.74db
16% Popularity • 66% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 71% Positiveness
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Taj Mahal
Betty and Dupree - Live
96 bpm • C Maj • 07:00 • -9.08db
11% Popularity • 71% Danceability • 47% Energy • 96% Liveness
0% Instrumentalness • 63% Positiveness
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Joanne Shaw Taylor
Time Has Come
96 bpm • G# Maj • 05:51 • -7db
27% Popularity • 57% Danceability • 56% Energy • 30% Liveness
1% Instrumentalness • 53% Positiveness
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Bonnie Raitt
Unintended Consequence Of Love
94 bpm • B min • 04:49 • -5.51db
24% Popularity • 71% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Selwyn Birchwood
Walking In The Lion's Den
94 bpm • E min • 03:39 • -8.17db
33% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Linsey Alexander
Starting Monday
96 bpm • E min • 03:48 • -4.8db
8% Popularity • 57% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 52% Positiveness
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Lil' Red & the Rooster
Keep on Lovin You
94 bpm • E min • 05:15 • -9.78db
17% Popularity • 78% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Taj Mahal
Blue Light Boogie
96 bpm • C Maj • 04:04 • -8.31db
12% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Matt Andersen
Honest Man
93 bpm • D Maj • 03:32 • -5.79db
34% Popularity • 82% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Dion
Red House
93 bpm • A min • 03:13 • -3.97db
17% Popularity • 62% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Eric Lindell
All Alone
97 bpm • B Maj • 04:28 • -4.73db
31% Popularity • 51% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
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Mark Knopfler
Nobody Does That
93 bpm • C Maj • 05:15 • -13.55db
28% Popularity • 80% Danceability • 46% Energy • 7% Liveness
55% Instrumentalness • 93% Positiveness
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Eilen Jewell
Another Night to Cry
93 bpm • G Maj • 02:53 • -6.76db
41% Popularity • 69% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Ronnie Baker Brooks
Wham Bam Thank You Sam
93 bpm • B min • 04:07 • -7.71db
30% Popularity • 78% Danceability • 72% Energy • 10% Liveness
10% Instrumentalness • 94% Positiveness
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Tony Joe White
Sweet Tooth
93 bpm • C Maj • 04:37 • -14.77db
18% Popularity • 78% Danceability • 42% Energy • 6% Liveness
32% Instrumentalness • 63% Positiveness
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The Subdudes
Next To Me
93 bpm • A Maj • 04:15 • -7.41db
32% Popularity • 85% Danceability • 44% Energy • 14% Liveness
2% Instrumentalness • 56% Positiveness
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Eric Lindell
If Love Can't Find A Way
97 bpm • A Maj • 03:09 • -4.07db
34% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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W.C. Clark
Let It Rain
97 bpm • G min • 04:27 • -6.36db
14% Popularity • 67% Danceability • 74% Energy • 26% Liveness
5% Instrumentalness • 85% Positiveness
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Mingo Fishtrap
Things Ain't What They Was
97 bpm • C Maj • 04:02 • -8db
34% Popularity • 66% Danceability • 58% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Selwyn Birchwood
Pick Your Poison
93 bpm • A# min • 04:02 • -6db
25% Popularity • 59% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Curtis Salgado
Low Down Dirty Shame
97 bpm • A# min • 03:18 • -4.86db
26% Popularity • 78% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Hadden Sayers
Something Wrong in the World
97 bpm • F# min • 03:23 • -7db
29% Popularity • 84% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Royal Southern Brotherhood
I've Seen Enough to Know
97 bpm • E min • 05:00 • -7db
16% Popularity • 72% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Shakura S'Aida
Geechee Woman
97 bpm • E Maj • 04:37 • -6.09db
22% Popularity • 55% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Randall Bramblett
Garbage Man
93 bpm • D Maj • 04:58 • -5.62db
18% Popularity • 76% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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The Fabulous Thunderbirds
Where's Your Love Been
97 bpm • F Maj • 05:09 • -9.71db
12% Popularity • 64% Danceability • 61% Energy • 13% Liveness
3% Instrumentalness • 80% Positiveness
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Curtis Salgado
She Didn't Cut Me Loose
97 bpm • A# Maj • 04:20 • -5.64db
16% Popularity • 73% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Beth Hart, Joe Bonamassa
Well, Well
97 bpm • D Maj • 03:42 • -4.94db
30% Popularity • 60% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Joe Louis Walker
Blues Of The Month Club
93 bpm • G# Maj • 05:09 • -7.35db
15% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Jonny Lang
There's Gotta Be A Change
93 bpm • A# Maj • 04:11 • -8db
38% Popularity • 72% Danceability • 61% Energy • 12% Liveness
41% Instrumentalness • 83% Positiveness
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Lonnie Mack
Oreo Cookie Blues
97 bpm • E Maj • 04:54 • -10db
37% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Fabulous Thunderbirds
(I Know) I'm Losing You
97 bpm • G Maj • 04:25 • -9db
29% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Jarekus Singleton
Crime Scene
97 bpm • B min • 05:40 • -5.68db
11% Popularity • 59% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Big Daddy Wilson
Crazy World
98 bpm • B min • 05:23 • -11.56db
16% Popularity • 74% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Taj Mahal
I Ain't Gonna Let Nobody Steal My Jellyr...
98 bpm • D Maj • 03:13 • -11.87db
25% Popularity • 72% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Buchanan
When A Guitar Plays The Blues
98 bpm • A Maj • 06:38 • -10.7db
29% Popularity • 44% Danceability • 57% Energy • 13% Liveness
15% Instrumentalness • 51% Positiveness
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Matt "Guitar" Murphy
Way Down South
98 bpm • A Maj • 04:34 • -13db
31% Popularity • 75% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 57% Positiveness
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Jonny Lang
Before You Hit The Ground
92 bpm • B min • 03:54 • -5.85db
41% Popularity • 72% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Southern Avenue
80 Miles From Memphis
98 bpm • A Maj • 03:52 • -4.23db
26% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Playing For Change
Walking Blues
98 bpm • A# min • 03:42 • -9db
37% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Taj Mahal
That's Who I Am
98 bpm • G Maj • 04:16 • -5.12db
24% Popularity • 73% Danceability • 89% Energy • 23% Liveness
2% Instrumentalness • 49% Positiveness
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Roomful Of Blues
Phone Zombies
98 bpm • G min • 03:35 • -4.37db
35% Popularity • 73% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Guitar Shorty
Too Late
92 bpm • C Maj • 04:15 • -4.19db
21% Popularity • 72% Danceability • 81% Energy • 32% Liveness
1% Instrumentalness • 67% Positiveness
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Deborah Coleman
Memory Lane
98 bpm • B min • 04:08 • -6.69db
18% Popularity • 65% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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The California Honeydrops
Baby Boy's Blues
98 bpm • C min • 04:37 • -8.89db
21% Popularity • 63% Danceability • 24% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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The Allman Betts Band
Down To The River
98 bpm • G min • 04:43 • -9.5db
38% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Taj Mahal
Soul
92 bpm • C Maj • 05:59 • -9.11db
21% Popularity • 46% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Albert King
Born Under A Bad Sign - Mono Mix
92 bpm • B Maj • 02:49 • -11.21db
59% Popularity • 71% Danceability • 48% Energy • 3% Liveness
1% Instrumentalness • 88% Positiveness
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Luther Allison
You Can't Always Get What You Want
92 bpm • A Maj • 04:40 • -11.02db
35% Popularity • 60% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Bonnie Raitt
Love Sneakin' Up On You - Live
98 bpm • G Maj • 04:56 • -5.83db
16% Popularity • 48% Danceability • 84% Energy • 97% Liveness
0% Instrumentalness • 42% Positiveness
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Delbert McClinton
Jones for You
92 bpm • F min • 03:17 • -5.37db
14% Popularity • 75% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Curtis Salgado
I Can't Be Satisfied
99 bpm • D Maj • 03:49 • -8.65db
31% Popularity • 68% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Guitar Shorty
A Little Less Conversation
99 bpm • B min • 04:04 • -5db
46% Popularity • 60% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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North Mississippi Allstars
What You Gonna Do?
91 bpm • C# Maj • 03:21 • -6.2db
31% Popularity • 74% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Devon Allman
Shattered Times
91 bpm • A min • 03:31 • -5db
17% Popularity • 52% Danceability • 93% Energy • 32% Liveness
4% Instrumentalness • 59% Positiveness
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Shakura S'Aida
Walk Out That Door
99 bpm • A# min • 04:31 • -6.7db
8% Popularity • 64% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Playing For Change
Better Man - 2019 Remastered Version
100 bpm • C Maj • 05:20 • -6.9db
31% Popularity • 74% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Curtis Salgado
I Know A Good Thing
91 bpm • C Maj • 03:11 • -6db
39% Popularity • 75% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Henrik Freischlader
Early Morning Blues
100 bpm • G Maj • 05:19 • -9db
22% Popularity • 65% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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James Cotton
Wasn't My Time To Go
100 bpm • E min • 04:16 • -7.28db
18% Popularity • 48% Danceability • 64% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
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Seth Walker
Trouble (Don't Want No)
91 bpm • D min • 03:48 • -10.61db
19% Popularity • 79% Danceability • 37% Energy • 9% Liveness
4% Instrumentalness • 39% Positiveness
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Kai Strauss
The Blues Is Handmade
100 bpm • E min • 06:05 • -5.21db
23% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Danielle Nicole
Crawl
100 bpm • D min • 04:25 • -5db
35% Popularity • 65% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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The Fabulous Thunderbirds
Don't Burn Me
100 bpm • G Maj • 03:51 • -9db
23% Popularity • 88% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 66% Positiveness
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Curtis Salgado
Walk A Mile In My Blues
100 bpm • C Maj • 04:31 • -5db
39% Popularity • 65% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Eric Lindell
It's My Pleasure
90 bpm • G Maj • 04:29 • -4.94db
34% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Phantom Blues Band
Stop Runnin'
100 bpm • B min • 05:13 • -5db
19% Popularity • 75% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Delbert McClinton
Don't Do It
100 bpm • C Maj • 03:20 • -4.28db
16% Popularity • 64% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Samantha Fish
Try Not To Fall In Love With You
100 bpm • C# min • 04:04 • -9.65db
28% Popularity • 72% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Danielle Nicole
Wolf Den
100 bpm • B min • 04:33 • -10db
31% Popularity • 83% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 65% Positiveness
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Taj Mahal
Waiting On The World To Change
90 bpm • F Maj • 02:42 • -8.92db
36% Popularity • 86% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Otis Taylor
Twelve String Mile
90 bpm • A min • 04:09 • -14.18db
26% Popularity • 78% Danceability • 28% Energy • 10% Liveness
36% Instrumentalness • 68% Positiveness
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Bobby Rush
Another Murder in New Orleans
90 bpm • A min • 04:57 • -6.16db
13% Popularity • 56% Danceability • 72% Energy • 60% Liveness
3% Instrumentalness • 56% Positiveness
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Delbert McClinton
No Chicken on the Bone
90 bpm • A min • 03:06 • -5.94db
23% Popularity • 57% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Keb' Mo'
Come On In My Kitchen
101 bpm • G Maj • 04:08 • -8.01db
26% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ray Bonneville
Reckless Feeling
101 bpm • G# Maj • 03:30 • -11.27db
32% Popularity • 75% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Taj Mahal
She Knows How To Rock Me
90 bpm • C# Maj • 02:40 • -6.8db
31% Popularity • 83% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Ronnie Baker Brooks
Doing Too Much
89 bpm • A Maj • 04:18 • -7db
33% Popularity • 75% Danceability • 65% Energy • 14% Liveness
16% Instrumentalness • 87% Positiveness
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The Fabulous Thunderbirds
Strong Like That
89 bpm • D min • 03:55 • -7db
31% Popularity • 75% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 80% Positiveness
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Clarence "Gatemouth" Brown
Blues Power
89 bpm • F Maj • 03:46 • -12.3db
22% Popularity • 71% Danceability • 59% Energy • 6% Liveness
29% Instrumentalness • 93% Positiveness
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Rodney Crowell
East Houston Blues
89 bpm • E min • 03:37 • -8.52db
36% Popularity • 72% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Curtis Salgado
You Got To Move
102 bpm • D Maj • 04:32 • -7db
24% Popularity • 75% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Taj Mahal
Slow Drag
89 bpm • C Maj • 06:33 • -5.92db
11% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sue Foley
Fool's Gold
89 bpm • C min • 04:38 • -7db
24% Popularity • 55% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Levon Helm
Toast to Freedom - Long Version
102 bpm • E Maj • 06:14 • -6.81db
36% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Debbie Davies
Life Of The Party
102 bpm • B min • 03:51 • -8db
27% Popularity • 74% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Albert King
Travelin' Man
102 bpm • G Maj • 02:51 • -11.87db
45% Popularity • 66% Danceability • 61% Energy • 5% Liveness
2% Instrumentalness • 90% Positiveness
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Ronnie Baker Brooks
Long Story Short
102 bpm • A# Maj • 05:52 • -5db
18% Popularity • 66% Danceability • 84% Energy • 22% Liveness
32% Instrumentalness • 92% Positiveness
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Don't Leave Me Here