Songs like Don't Rock the Boat by Eddie Floyd
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Floyd
Don't Rock the Boat
113 bpm • D Maj • 02:03 • -7.51db
3% Popularity • 81% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 81% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Brenton Wood
Gimme Little Sign
113 bpm • A# min • 02:21 • -5.06db
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Buddy Miles
Them Changes
113 bpm • E Maj • 03:19 • -9.36db
45% Popularity • 66% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 66% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Commodores
Machine Gun
113 bpm • F Maj • 02:39 • -6db
50% Popularity • 74% Danceability • 97% Energy • 30% Liveness
84% Instrumentalness • 78% Positiveness
50% Popularity • 74% Danceability • 97% Energy • 30% Liveness
84% Instrumentalness • 78% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
32% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Arthur Conley
Rome (Wasn't Built In a Day)
113 bpm • C# Maj • 02:08 • -8.92db
14% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 77% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Cookie & The Cupcakes
I've Been So Lonely
113 bpm • B Maj • 02:16 • -5db
25% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Eddie Floyd
Hobo
113 bpm • F# min • 02:56 • -11.1db
7% Popularity • 75% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 75% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Clarence Carter
Slip Away
113 bpm • C# Maj • 02:33 • -9.1db
54% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 78% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Mary Wells
You Beat Me To The Punch
114 bpm • B min • 02:45 • -14.52db
53% Popularity • 75% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 75% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Muddy Waters
Got My Mojo Working
114 bpm • E Maj • 02:52 • -9.63db
52% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Carla Thomas
B-A-B-Y
114 bpm • G# Maj • 02:57 • -11.98db
57% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The Spinners
I'll Be Around
112 bpm • G# min • 03:08 • -8.7db
66% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
66% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Eddie Floyd
You Can't Win With A Losing Hand
112 bpm • C# min • 02:41 • -14.26db
5% Popularity • 84% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
5% Popularity • 84% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Dyke & The Blazers
Let A Woman Be A Woman - Let A Man Be A ...
112 bpm • A min • 03:13 • -11.01db
47% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The O'Jays
Now That We Found Love
114 bpm • C Maj • 04:41 • -8.4db
55% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Carla Thomas
B-A-B-Y - MONO Audio
114 bpm • G# Maj • 02:51 • -12.18db
20% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Donny Hathaway
The Ghetto
114 bpm • F min • 06:53 • -10.46db
51% Popularity • 74% Danceability • 52% Energy • 18% Liveness
19% Instrumentalness • 83% Positiveness
51% Popularity • 74% Danceability • 52% Energy • 18% Liveness
19% Instrumentalness • 83% Positiveness
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Muddy Waters
I'm Your Hoochie Coochie Man
114 bpm • D Maj • 03:58 • -9.27db
56% Popularity • 54% Danceability • 59% Energy • 24% Liveness
16% Instrumentalness • 88% Positiveness
56% Popularity • 54% Danceability • 59% Energy • 24% Liveness
16% Instrumentalness • 88% Positiveness
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Wilson Pickett
In the Midnight Hour
112 bpm • E Maj • 02:37 • -8.63db
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Lou Rawls
A Natural Man
112 bpm • G min • 03:41 • -8db
41% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Four Tops
Standing In The Shadows Of Love
114 bpm • F# Maj • 02:37 • -8.29db
46% Popularity • 74% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 74% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Carla Thomas
I Like What You're Doing (To Me)
114 bpm • E Maj • 02:58 • -17.2db
30% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 72% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The Flirtations
Nothing But A Heartache
112 bpm • G# Maj • 02:44 • -5db
45% Popularity • 49% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 49% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Arthur Conley
I'm Gonna Forget About You
112 bpm • F# Maj • 02:14 • -11.16db
22% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Eddie Floyd
But It's Alright
112 bpm • E Maj • 02:52 • -14.77db
21% Popularity • 74% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 74% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Esther Phillips
Release Me
114 bpm • C# Maj • 03:19 • -12.46db
52% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
52% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
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Bo Diddley
You Can't Judge A Book By Its Cover
115 bpm • C# Maj • 03:14 • -13db
43% Popularity • 85% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 85% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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The Chi-Lites
Are You My Woman? (Tell Me So)
112 bpm • A min • 03:02 • -6.75db
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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James & Bobby Purify
You Left The Water Running
115 bpm • G Maj • 02:48 • -11.81db
14% Popularity • 74% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 74% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 95% Positiveness
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Eddie Floyd
You're Good Enough (To Be My Baby)
111 bpm • B min • 03:16 • -9db
5% Popularity • 74% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 74% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Spencer Wiggins
Lonely Man
111 bpm • F# Maj • 02:12 • -7db
26% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Shorty Long
Function At The Junction
115 bpm • G Maj • 02:56 • -14db
24% Popularity • 82% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 82% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Arthur Conley
I Got a Feeling
115 bpm • C Maj • 02:22 • -6.05db
17% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Four Tops
Bernadette
111 bpm • F# Maj • 03:01 • -8db
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
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The Supremes
Stop! In The Name Of Love
115 bpm • C Maj • 02:52 • -12.75db
64% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
64% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Velvelettes
(We've Got) Honey Love
115 bpm • C# Maj • 02:33 • -8.18db
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
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The Ikettes
I'm Blue (The Gong Gong Song)
111 bpm • G# min • 02:33 • -8db
33% Popularity • 67% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
33% Popularity • 67% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
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The Winstons
Color Him Father
115 bpm • F min • 03:10 • -7.31db
34% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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The Marvelettes
The Hunter Gets Captured By The Game
115 bpm • B min • 02:50 • -11.43db
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Buddy Holly
That'll Be The Day
115 bpm • D Maj • 02:30 • -7.77db
60% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Hughes
I'm A Man Of Action
116 bpm • D Maj • 02:13 • -5.07db
26% Popularity • 76% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
26% Popularity • 76% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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J.J. Jackson
But It's Alright
115 bpm • C# min • 02:53 • -4.81db
37% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 63% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Floyd
I Need You Woman
110 bpm • A min • 02:12 • -10.69db
5% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
5% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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The Sweet Inspirations
Sweet Inspiration
110 bpm • F Maj • 02:55 • -8db
30% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 67% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Wilson Pickett
Mustang Sally
110 bpm • C Maj • 03:07 • -17.71db
58% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
58% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
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Rufus Thomas
Walking the Dog - Mono
116 bpm • G# Maj • 02:38 • -9.03db
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Betty Everett
You're No Good
110 bpm • A# min • 02:16 • -9.78db
40% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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David Ruffin
My Whole World Ended (The Moment You Lef...
110 bpm • F Maj • 03:32 • -9db
40% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Floyd
Yo Yo Man
110 bpm • G# Maj • 02:31 • -12.51db
3% Popularity • 60% Danceability • 66% Energy • 48% Liveness
22% Instrumentalness • 90% Positiveness
3% Popularity • 60% Danceability • 66% Energy • 48% Liveness
22% Instrumentalness • 90% Positiveness
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Ann Peebles
99 Lbs
116 bpm • C Maj • 02:19 • -10.04db
41% Popularity • 81% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 81% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The James Brown Soul Train
Honky Tonk - Pt. 1
116 bpm • D Maj • 03:04 • -10.49db
21% Popularity • 64% Danceability • 52% Energy • 33% Liveness
26% Instrumentalness • 69% Positiveness
21% Popularity • 64% Danceability • 52% Energy • 33% Liveness
26% Instrumentalness • 69% Positiveness
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Shorty Long
Here Comes The Judge
116 bpm • C# Maj • 02:37 • -16db
25% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Preston
Outa-Space
116 bpm • C# Maj • 04:10 • -8.56db
43% Popularity • 72% Danceability • 83% Energy • 24% Liveness
18% Instrumentalness • 90% Positiveness
43% Popularity • 72% Danceability • 83% Energy • 24% Liveness
18% Instrumentalness • 90% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Mack Rice
Mustang Sally
110 bpm • C Maj • 03:06 • -9.4db
19% Popularity • 88% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 88% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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Barrett Strong
Misery - Single Version
116 bpm • B Maj • 02:27 • -6.89db
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 62% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 83% Positiveness
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Bob & Earl
Harlem Shuffle
116 bpm • F Maj • 02:54 • -6.64db
50% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
50% Popularity • 62% Danceability • 79% Energy • 5% Liveness
2% Instrumentalness • 80% Positiveness
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Eddie Floyd
Don't Tell Your Mama
117 bpm • G Maj • 03:57 • -10.61db
12% Popularity • 76% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 76% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Aretha Franklin
Chain of Fools
117 bpm • A# Maj • 02:47 • -9.52db
62% Popularity • 72% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 91% Positiveness
62% Popularity • 72% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 91% Positiveness
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Edwin Starr
War
109 bpm • C# Maj • 03:20 • -12.48db
62% Popularity • 59% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 59% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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The Marvelettes
Destination: Anywhere
117 bpm • G min • 02:38 • -8db
33% Popularity • 71% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 71% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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The Tams
What Kind Of Fool (Do You Think I Am)
117 bpm • C# Maj • 02:04 • -13.96db
28% Popularity • 71% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 71% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Wayne Fontana & The Mindbenders
The Game Of Love
109 bpm • A Maj • 02:07 • -4db
50% Popularity • 57% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 57% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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Major Lance
Um, Um, Um, Um, Um, Um
117 bpm • B min • 02:19 • -12db
38% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Edwin Starr
Backyard Lovin' Man
109 bpm • C Maj • 02:52 • -10.38db
16% Popularity • 72% Danceability • 60% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 72% Danceability • 60% Energy • 49% Liveness
0% Instrumentalness • 78% Positiveness
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Huey "Piano" Smith
Rockin Pneumonia and the Boogie Woogie F...
117 bpm • C Maj • 02:14 • -7db
28% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
28% Popularity • 80% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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The Drifters
On Broadway
109 bpm • C# Maj • 03:01 • -15db
41% Popularity • 74% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 74% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Tyrone Davis
Turn Back The Hands Of Time
118 bpm • F# Maj • 02:58 • -6db
42% Popularity • 56% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 56% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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The Impressions
Woman's Got Soul
118 bpm • G# Maj • 02:27 • -9db
34% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Barrett Strong
Make up My Mind
118 bpm • A# Maj • 02:24 • -5.02db
14% Popularity • 61% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 61% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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LaBelle
Lady Marmalade
118 bpm • D min • 03:57 • -12.14db
58% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
58% Popularity • 63% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Major Lance
Rhythm
118 bpm • C# Maj • 02:20 • -8.93db
20% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Don Covay & The Goodtimers
Mercy, Mercy
118 bpm • A Maj • 02:26 • -13.43db
44% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 86% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Esquires
Get On Up
118 bpm • A Maj • 02:24 • -12.51db
26% Popularity • 70% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 70% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Inez & Charlie Foxx
Mockingbird
118 bpm • F# Maj • 02:38 • 0.04db
17% Popularity • 84% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 84% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Hot Chocolate
Brother Louie
108 bpm • A min • 04:59 • -8db
36% Popularity • 74% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 74% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Chuck Berry
Maybellene
118 bpm • C Maj • 02:23 • -10.7db
54% Popularity • 76% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 76% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Willie Mitchell
Buster Browne
118 bpm • G Maj • 02:12 • -9.18db
2% Popularity • 74% Danceability • 55% Energy • 16% Liveness
83% Instrumentalness • 73% Positiveness
2% Popularity • 74% Danceability • 55% Energy • 16% Liveness
83% Instrumentalness • 73% Positiveness
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Major Lance
Get My Hat
118 bpm • F min • 02:58 • -11.37db
7% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
7% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Contours
So Grateful
108 bpm • F Maj • 02:38 • -10db
12% Popularity • 66% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 66% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
55% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Bettye Swann
Make Me Yours
108 bpm • D# Maj • 03:15 • -8.13db
41% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
41% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Carla Thomas
Let Me Be Good to You
108 bpm • A# Maj • 02:42 • -12.93db
21% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 74% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Eddie Floyd
Consider Me
118 bpm • C Maj • 03:45 • -8db
6% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
6% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Commodores
Brick House
108 bpm • E min • 03:28 • -10.48db
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
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Lou Rawls
Dead End Street
118 bpm • G Maj • 04:00 • -11db
30% Popularity • 69% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 69% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Chuck Jackson
Any Day Now
108 bpm • G Maj • 03:27 • -11.98db
27% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 75% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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The Contours
What Becomes of the Broken Hearted
107 bpm • F Maj • 02:51 • -9.95db
31% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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The Soul Children
Hearsay
107 bpm • C Maj • 03:35 • -13.18db
23% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Eddie Floyd
Knock On Wood
119 bpm • A Maj • 03:22 • -10db
21% Popularity • 81% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 81% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Ohio Players
Fire
107 bpm • F Maj • 04:36 • -12db
51% Popularity • 64% Danceability • 75% Energy • 28% Liveness
3% Instrumentalness • 85% Positiveness
51% Popularity • 64% Danceability • 75% Energy • 28% Liveness
3% Instrumentalness • 85% Positiveness
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Johnny "Guitar" Watson
Gangster Of Love
119 bpm • B Maj • 03:02 • -8.57db
36% Popularity • 80% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 80% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
