Songs like Don't Stop Believin' - Tango - 32bpm by Tony Evans
Based on a tempo of (+/- 10%) and a similar genre
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Orchestra Alec Medina
Remedy
128 bpm • A Maj • 03:22 • -5.21db
14% Popularity • 95% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 95% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Tony Evans Dancebeat Studio Band
Phantom of the Opera - Tango
128 bpm • D min • 03:56 • -9.18db
20% Popularity • 70% Danceability • 47% Energy • 19% Liveness
4% Instrumentalness • 58% Positiveness
20% Popularity • 70% Danceability • 47% Energy • 19% Liveness
4% Instrumentalness • 58% Positiveness
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Dancelife Studio Orchestra
Por Una Cabeza ((Tango / 33 Bpm))
128 bpm • A min • 02:16 • -9.89db
15% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Sergey Sutyrin
Tango for Marcus
128 bpm • A min • 02:22 • -11.57db
28% Popularity • 75% Danceability • 55% Energy • 22% Liveness
91% Instrumentalness • 55% Positiveness
28% Popularity • 75% Danceability • 55% Energy • 22% Liveness
91% Instrumentalness • 55% Positiveness
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Tony Evans
Don't Stop Believin' - Tango - 32bpm
128 bpm • E Maj • 03:14 • -7.46db
11% Popularity • 59% Danceability • 75% Energy • 18% Liveness
34% Instrumentalness • 71% Positiveness
11% Popularity • 59% Danceability • 75% Energy • 18% Liveness
34% Instrumentalness • 71% Positiveness
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Roberto Scaglioni
Danza burlesque - Tango burlesque
128 bpm • G Maj • 03:11 • -5.24db
26% Popularity • 84% Danceability • 90% Energy • 14% Liveness
62% Instrumentalness • 80% Positiveness
26% Popularity • 84% Danceability • 90% Energy • 14% Liveness
62% Instrumentalness • 80% Positiveness
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Empress Dance Band
Autumn Tango
128 bpm • F min • 03:44 • -13.71db
8% Popularity • 94% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 84% Positiveness
8% Popularity • 94% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 84% Positiveness
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Tony Evans Dancebeat Studio Band
La Isla Bonita - Tango
128 bpm • C# min • 02:49 • -7.45db
15% Popularity • 66% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 66% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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DJ Zavodnov
It's Raining Men (Tango 32)
128 bpm • F min • 02:34 • -8.29db
21% Popularity • 66% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 66% Danceability • 74% Energy • 71% Liveness
0% Instrumentalness • 46% Positiveness
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Brent Thomas Mills
Smooth Rum
128 bpm • A# min • 02:04 • -10.39db
24% Popularity • 80% Danceability • 46% Energy • 10% Liveness
59% Instrumentalness • 89% Positiveness
24% Popularity • 80% Danceability • 46% Energy • 10% Liveness
59% Instrumentalness • 89% Positiveness
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Tony Evans
No Other Love - Tango
128 bpm • C Maj • 02:18 • -10.93db
5% Popularity • 88% Danceability • 46% Energy • 13% Liveness
47% Instrumentalness • 96% Positiveness
5% Popularity • 88% Danceability • 46% Energy • 13% Liveness
47% Instrumentalness • 96% Positiveness
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Gerli Padar
Do You Always (Tango)
128 bpm • A min • 03:37 • -7.14db
21% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Rose's Band
The Final Countdown (Tango: 32BPM)
128 bpm • G min • 03:46 • -7.54db
24% Popularity • 73% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
24% Popularity • 73% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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Tony Evans Dancebeat Studio Band
Roxanne - Tango
128 bpm • G min • 02:58 • -8.3db
13% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 81% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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![Unholy (Short Version) [Tango 32BPM] cover art](https://i.scdn.co/image/ab67616d00001e02b34d66a9d44bf0462a9c5302)
DJ Zavodnov
Unholy (Short Version) [Tango 32BPM]
128 bpm • A Maj • 01:58 • -10.3db
16% Popularity • 82% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
16% Popularity • 82% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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Orchester Werner Tauber
La cucaracha
128 bpm • G# Maj • 02:38 • -7.76db
7% Popularity • 73% Danceability • 65% Energy • 37% Liveness
6% Instrumentalness • 93% Positiveness
7% Popularity • 73% Danceability • 65% Energy • 37% Liveness
6% Instrumentalness • 93% Positiveness
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Tony Evans
Por Una Cabeza - Tango
128 bpm • G min • 02:15 • -6.5db
10% Popularity • 52% Danceability • 63% Energy • 20% Liveness
58% Instrumentalness • 70% Positiveness
10% Popularity • 52% Danceability • 63% Energy • 20% Liveness
58% Instrumentalness • 70% Positiveness
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The Len Phillips Big Band
The Punch and Judy Tango (Tango)
128 bpm • D min • 03:10 • -11.59db
20% Popularity • 82% Danceability • 23% Energy • 16% Liveness
59% Instrumentalness • 92% Positiveness
20% Popularity • 82% Danceability • 23% Energy • 16% Liveness
59% Instrumentalness • 92% Positiveness
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Liaison Classique
Tango de Salòn
128 bpm • F# min • 02:23 • -4.58db
21% Popularity • 84% Danceability • 64% Energy • 22% Liveness
1% Instrumentalness • 81% Positiveness
21% Popularity • 84% Danceability • 64% Energy • 22% Liveness
1% Instrumentalness • 81% Positiveness
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Claudio Novelli
L'ultimo tango - Tango
128 bpm • D Maj • 03:09 • -6.43db
20% Popularity • 79% Danceability • 48% Energy • 8% Liveness
20% Instrumentalness • 75% Positiveness
20% Popularity • 79% Danceability • 48% Energy • 8% Liveness
20% Instrumentalness • 75% Positiveness
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DJ Zavodnov
It's Time [Tango 32BPM]
128 bpm • D Maj • 03:20 • -7.58db
16% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 71% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Midnight Seduction Orchestra
El Tango Rojo
128 bpm • F min • 02:02 • -7.23db
10% Popularity • 59% Danceability • 65% Energy • 10% Liveness
93% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 65% Energy • 10% Liveness
93% Instrumentalness • 68% Positiveness
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Tony Evans
S.O.S. - Tango - 32bpm
128 bpm • F Maj • 03:04 • -9.48db
15% Popularity • 84% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 84% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Len Phillips Big Band
Todos Tango (Tango)
128 bpm • A# min • 02:58 • -10.16db
16% Popularity • 72% Danceability • 19% Energy • 16% Liveness
7% Instrumentalness • 70% Positiveness
16% Popularity • 72% Danceability • 19% Energy • 16% Liveness
7% Instrumentalness • 70% Positiveness
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Dance Mania
Tango Jack
128 bpm • G min • 02:20 • -6.79db
9% Popularity • 55% Danceability • 65% Energy • 25% Liveness
80% Instrumentalness • 83% Positiveness
9% Popularity • 55% Danceability • 65% Energy • 25% Liveness
80% Instrumentalness • 83% Positiveness
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The Columbia Ballroom Orchestra
Quien Sera
128 bpm • G min • 02:14 • -15.79db
26% Popularity • 82% Danceability • 43% Energy • 28% Liveness
94% Instrumentalness • 97% Positiveness
26% Popularity • 82% Danceability • 43% Energy • 28% Liveness
94% Instrumentalness • 97% Positiveness
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DJ Zavodnov
(It Goes Like) Nanana (Tango 32)
128 bpm • G min • 02:34 • -8.35db
21% Popularity • 83% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 83% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Gerli Padar
You Know My Name (Tango)
128 bpm • A min • 03:28 • -5.93db
12% Popularity • 62% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 62% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Tony Evans
He's a Pirate - - Tango - 32bpm
128 bpm • C min • 02:13 • -7.06db
29% Popularity • 64% Danceability • 54% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
29% Popularity • 64% Danceability • 54% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
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Orchester Etienne Cap
Little Spanish cha cha
128 bpm • B min • 02:42 • -6.26db
11% Popularity • 86% Danceability • 69% Energy • 6% Liveness
67% Instrumentalness • 95% Positiveness
11% Popularity • 86% Danceability • 69% Energy • 6% Liveness
67% Instrumentalness • 95% Positiveness
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Orchester Werner Tauber
Pata Pata
128 bpm • G# Maj • 02:48 • -4db
15% Popularity • 77% Danceability • 87% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
15% Popularity • 77% Danceability • 87% Energy • 6% Liveness
83% Instrumentalness • 96% Positiveness
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The Columbia Ballroom Orchestra
Tea For Two
128 bpm • C Maj • 02:14 • -16.37db
25% Popularity • 81% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 96% Positiveness
25% Popularity • 81% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 96% Positiveness
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DJ Zavodnov
Happy Together [Tango 32BPM]
128 bpm • G min • 02:23 • -12.4db
14% Popularity • 78% Danceability • 40% Energy • 8% Liveness
73% Instrumentalness • 78% Positiveness
14% Popularity • 78% Danceability • 40% Energy • 8% Liveness
73% Instrumentalness • 78% Positiveness
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Italian Ballroom
Ciliegi rosa - Cha cha cha 32 bpm
128 bpm • D# Maj • 03:45 • -7.77db
30% Popularity • 80% Danceability • 79% Energy • 4% Liveness
93% Instrumentalness • 97% Positiveness
30% Popularity • 80% Danceability • 79% Energy • 4% Liveness
93% Instrumentalness • 97% Positiveness
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Tony Evans
Ecstasy - Tango
128 bpm • D min • 03:06 • -8.42db
5% Popularity • 70% Danceability • 82% Energy • 31% Liveness
94% Instrumentalness • 79% Positiveness
5% Popularity • 70% Danceability • 82% Energy • 31% Liveness
94% Instrumentalness • 79% Positiveness
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Charles Barlow & His Orchestra
Annientamento
128 bpm • C# Maj • 02:15 • -11.07db
12% Popularity • 76% Danceability • 38% Energy • 4% Liveness
88% Instrumentalness • 89% Positiveness
12% Popularity • 76% Danceability • 38% Energy • 4% Liveness
88% Instrumentalness • 89% Positiveness
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Orchester Werner Tauber
Fine Brown Frame
128 bpm • G Maj • 03:03 • -7.25db
13% Popularity • 67% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 67% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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The Columbia Ballroom Orchestra
I Could Have Danced All Night
128 bpm • F Maj • 02:15 • -14.42db
17% Popularity • 64% Danceability • 53% Energy • 23% Liveness
64% Instrumentalness • 90% Positiveness
17% Popularity • 64% Danceability • 53% Energy • 23% Liveness
64% Instrumentalness • 90% Positiveness
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Kurt Edelhagen
Jive: 32 Takte Pro Minute - The Hucklebu...
127 bpm • A# Maj • 02:38 • -12.98db
19% Popularity • 72% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 84% Positiveness
19% Popularity • 72% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 84% Positiveness
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DJ Zavodnov
Infinity [Tango 32BPM]
128 bpm • B min • 02:35 • -10.8db
18% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 77% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Tony Evans
Tell Me I'm Forgiven - Tango
128 bpm • D Maj • 02:42 • -8.43db
4% Popularity • 77% Danceability • 67% Energy • 25% Liveness
83% Instrumentalness • 85% Positiveness
4% Popularity • 77% Danceability • 67% Energy • 25% Liveness
83% Instrumentalness • 85% Positiveness
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Tango Orchester Alfred Hause
Blue Tango
127 bpm • D Maj • 02:41 • -8.49db
27% Popularity • 54% Danceability • 52% Energy • 6% Liveness
71% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 52% Energy • 6% Liveness
71% Instrumentalness • 63% Positiveness
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Günter Noris
Time to Tango (Tango)
129 bpm • C Maj • 02:54 • -5.12db
13% Popularity • 64% Danceability • 72% Energy • 7% Liveness
73% Instrumentalness • 65% Positiveness
13% Popularity • 64% Danceability • 72% Energy • 7% Liveness
73% Instrumentalness • 65% Positiveness
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The Columbia Ballroom Orchestra
Save The Last Dance For Me
128 bpm • D# Maj • 02:10 • -16db
17% Popularity • 65% Danceability • 38% Energy • 13% Liveness
83% Instrumentalness • 94% Positiveness
17% Popularity • 65% Danceability • 38% Energy • 13% Liveness
83% Instrumentalness • 94% Positiveness
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Italian Ballroom
Patricia / Bandido - Cha cha cha 32 bpm
127 bpm • C Maj • 05:11 • -4.21db
21% Popularity • 82% Danceability • 85% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
21% Popularity • 82% Danceability • 85% Energy • 6% Liveness
23% Instrumentalness • 96% Positiveness
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Amethyst Argentum
Mystico
127 bpm • C Maj • 03:24 • -5.28db
12% Popularity • 83% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
12% Popularity • 83% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Tony Evans
Good Night Vienna - Tango
128 bpm • D Maj • 02:42 • -8.98db
5% Popularity • 76% Danceability • 67% Energy • 28% Liveness
87% Instrumentalness • 97% Positiveness
5% Popularity • 76% Danceability • 67% Energy • 28% Liveness
87% Instrumentalness • 97% Positiveness
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Tango Orchester Alfred Hause
La Cumparsita
129 bpm • G min • 02:35 • -11.19db
11% Popularity • 44% Danceability • 33% Energy • 9% Liveness
27% Instrumentalness • 56% Positiveness
11% Popularity • 44% Danceability • 33% Energy • 9% Liveness
27% Instrumentalness • 56% Positiveness
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Paul Kuhn
Can't Take My Eyes Off You - (Cha Cha Ch...
127 bpm • A# Maj • 03:10 • -9.8db
8% Popularity • 68% Danceability • 62% Energy • 6% Liveness
97% Instrumentalness • 88% Positiveness
8% Popularity • 68% Danceability • 62% Energy • 6% Liveness
97% Instrumentalness • 88% Positiveness
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Empress Orchestra
La Mariposa
127 bpm • C min • 02:16 • -8.75db
26% Popularity • 49% Danceability • 38% Energy • 10% Liveness
46% Instrumentalness • 49% Positiveness
26% Popularity • 49% Danceability • 38% Energy • 10% Liveness
46% Instrumentalness • 49% Positiveness
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Kurt Edelhagen
Cha-Cha-Cha (La Golondrina Guantanamera)
127 bpm • G# Maj • 03:07 • -13.34db
42% Popularity • 63% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
42% Popularity • 63% Danceability • 43% Energy • 10% Liveness
84% Instrumentalness • 83% Positiveness
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The Edmund Vera Orchestra
Twilight Tango
127 bpm • D min • 02:43 • -10.25db
7% Popularity • 57% Danceability • 29% Energy • 7% Liveness
82% Instrumentalness • 80% Positiveness
7% Popularity • 57% Danceability • 29% Energy • 7% Liveness
82% Instrumentalness • 80% Positiveness
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Tony Evans
Fantasy Tango - Tangos
128 bpm • G Maj • 02:12 • -11.07db
5% Popularity • 90% Danceability • 52% Energy • 9% Liveness
19% Instrumentalness • 89% Positiveness
5% Popularity • 90% Danceability • 52% Energy • 9% Liveness
19% Instrumentalness • 89% Positiveness
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Irven Tidswell and His Festival Orchestra
Blue Tango
129 bpm • C Maj • 02:42 • -12.36db
12% Popularity • 64% Danceability • 42% Energy • 10% Liveness
44% Instrumentalness • 59% Positiveness
12% Popularity • 64% Danceability • 42% Energy • 10% Liveness
44% Instrumentalness • 59% Positiveness
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Stanley Black
Ecstasy Tango
130 bpm • G Maj • 02:25 • -12.62db
12% Popularity • 49% Danceability • 39% Energy • 13% Liveness
6% Instrumentalness • 50% Positiveness
12% Popularity • 49% Danceability • 39% Energy • 13% Liveness
6% Instrumentalness • 50% Positiveness
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Empress Orchestra
Por Una Cabeza
127 bpm • G# min • 02:17 • -12db
20% Popularity • 56% Danceability • 31% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
20% Popularity • 56% Danceability • 31% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
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Joe Loss & His Orchestra
Tango D'Amore
130 bpm • F Maj • 03:18 • -14.39db
16% Popularity • 67% Danceability • 32% Energy • 25% Liveness
47% Instrumentalness • 90% Positiveness
16% Popularity • 67% Danceability • 32% Energy • 25% Liveness
47% Instrumentalness • 90% Positiveness
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Kurt Edelhagen
Cha-Cha-Cha: 34 Takte Pro Minute - Noch ...
129 bpm • G Maj • 02:20 • -10.38db
37% Popularity • 81% Danceability • 60% Energy • 6% Liveness
81% Instrumentalness • 98% Positiveness
37% Popularity • 81% Danceability • 60% Energy • 6% Liveness
81% Instrumentalness • 98% Positiveness
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The Dancelife Studio Orchestra & Singers
Sway (Cha Cha Cha / 32 Bpm)
126 bpm • D min • 02:20 • -13.98db
19% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 68% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Tony Evans
Spanish Fire - Tango
128 bpm • E min • 02:12 • -10.07db
5% Popularity • 82% Danceability • 62% Energy • 28% Liveness
93% Instrumentalness • 97% Positiveness
5% Popularity • 82% Danceability • 62% Energy • 28% Liveness
93% Instrumentalness • 97% Positiveness
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Athos Bassissi
Mi Sentimiento (BachaTango) - Accordeon
126 bpm • G min • 03:48 • -4db
28% Popularity • 88% Danceability • 68% Energy • 7% Liveness
62% Instrumentalness • 90% Positiveness
28% Popularity • 88% Danceability • 68% Energy • 7% Liveness
62% Instrumentalness • 90% Positiveness
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bulevard tango club
Tiempos Cercanos
126 bpm • C min • 04:33 • -8.11db
10% Popularity • 72% Danceability • 76% Energy • 12% Liveness
60% Instrumentalness • 33% Positiveness
10% Popularity • 72% Danceability • 76% Energy • 12% Liveness
60% Instrumentalness • 33% Positiveness
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Vitalii Denisov
Tangera di Ferruggia
130 bpm • C min • 02:37 • -11.29db
14% Popularity • 76% Danceability • 39% Energy • 9% Liveness
98% Instrumentalness • 92% Positiveness
14% Popularity • 76% Danceability • 39% Energy • 9% Liveness
98% Instrumentalness • 92% Positiveness
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Tony Evans and His Orchestra
Spanish Fire - Tango
130 bpm • E min • 02:13 • -6.25db
25% Popularity • 77% Danceability • 68% Energy • 33% Liveness
90% Instrumentalness • 95% Positiveness
25% Popularity • 77% Danceability • 68% Energy • 33% Liveness
90% Instrumentalness • 95% Positiveness
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Victor Silvester
Pasadoble: The Spanish Gipsy Dance
125 bpm • F Maj • 02:01 • -13db
14% Popularity • 76% Danceability • 31% Energy • 7% Liveness
78% Instrumentalness • 83% Positiveness
14% Popularity • 76% Danceability • 31% Energy • 7% Liveness
78% Instrumentalness • 83% Positiveness
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Ballroom Orchestra
Guantanamera - Cha Cha (T/M31)
125 bpm • D Maj • 03:35 • -14db
14% Popularity • 84% Danceability • 42% Energy • 7% Liveness
92% Instrumentalness • 95% Positiveness
14% Popularity • 84% Danceability • 42% Energy • 7% Liveness
92% Instrumentalness • 95% Positiveness
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Arthur Murray Orchestra
Ole Guapa
126 bpm • A Maj • 02:30 • -9.04db
21% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 69% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Tango Orchester Alfred Hause
Jalousie
125 bpm • D Maj • 03:27 • -9.23db
11% Popularity • 33% Danceability • 40% Energy • 24% Liveness
35% Instrumentalness • 31% Positiveness
11% Popularity • 33% Danceability • 40% Energy • 24% Liveness
35% Instrumentalness • 31% Positiveness
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Percy Faith & His Orchestra
Sombra
125 bpm • C min • 03:25 • -11.38db
3% Popularity • 54% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 70% Positiveness
3% Popularity • 54% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 70% Positiveness
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stringNbase
Tango Dil Silencio
125 bpm • F Maj • 04:24 • -6.25db
14% Popularity • 73% Danceability • 60% Energy • 38% Liveness
62% Instrumentalness • 68% Positiveness
14% Popularity • 73% Danceability • 60% Energy • 38% Liveness
62% Instrumentalness • 68% Positiveness
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Tony Evans Orchestra
I Am What I Am - Tango
131 bpm • F Maj • 02:24 • -18.21db
0% Popularity • 63% Danceability • 16% Energy • 5% Liveness
82% Instrumentalness • 86% Positiveness
0% Popularity • 63% Danceability • 16% Energy • 5% Liveness
82% Instrumentalness • 86% Positiveness
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bulevard tango club
La Morocha
125 bpm • C Maj • 03:48 • -9.2db
14% Popularity • 76% Danceability • 96% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
14% Popularity • 76% Danceability • 96% Energy • 8% Liveness
62% Instrumentalness • 86% Positiveness
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DJ DLVG
Carino (Remix 14) - ChaCha / 32 BPM
125 bpm • A# min • 02:22 • -10.96db
28% Popularity • 80% Danceability • 66% Energy • 6% Liveness
25% Instrumentalness • 82% Positiveness
28% Popularity • 80% Danceability • 66% Energy • 6% Liveness
25% Instrumentalness • 82% Positiveness
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Ken Turner & His Orchestra
Tango Supreme
131 bpm • D# Maj • 03:11 • -10db
14% Popularity • 59% Danceability • 54% Energy • 13% Liveness
22% Instrumentalness • 80% Positiveness
14% Popularity • 59% Danceability • 54% Energy • 13% Liveness
22% Instrumentalness • 80% Positiveness
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Tango Orchester Alfred Hause
Hernando's Hideaway
125 bpm • G min • 02:36 • -10.33db
25% Popularity • 68% Danceability • 35% Energy • 4% Liveness
51% Instrumentalness • 77% Positiveness
25% Popularity • 68% Danceability • 35% Energy • 4% Liveness
51% Instrumentalness • 77% Positiveness
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The Soft Soles
Torn Apart
125 bpm • G# Maj • 02:48 • -6.01db
14% Popularity • 83% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 83% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Andy Fortuna
Hot Tamale
125 bpm • F min • 03:02 • -4.73db
25% Popularity • 67% Danceability • 82% Energy • 13% Liveness
86% Instrumentalness • 97% Positiveness
25% Popularity • 67% Danceability • 82% Energy • 13% Liveness
86% Instrumentalness • 97% Positiveness
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bulevard tango club
La Cumparsita
125 bpm • G Maj • 03:26 • -9db
33% Popularity • 68% Danceability • 83% Energy • 12% Liveness
65% Instrumentalness • 80% Positiveness
33% Popularity • 68% Danceability • 83% Energy • 12% Liveness
65% Instrumentalness • 80% Positiveness
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Dennis Hayward and His Orchestra
What A Difference A Day makes
125 bpm • D# Maj • 02:46 • -13db
13% Popularity • 80% Danceability • 36% Energy • 6% Liveness
24% Instrumentalness • 86% Positiveness
13% Popularity • 80% Danceability • 36% Energy • 6% Liveness
24% Instrumentalness • 86% Positiveness
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Ken Turner & His Orchestra
Blauer Himmel
131 bpm • F Maj • 03:12 • -15db
12% Popularity • 57% Danceability • 35% Energy • 29% Liveness
93% Instrumentalness • 79% Positiveness
12% Popularity • 57% Danceability • 35% Energy • 29% Liveness
93% Instrumentalness • 79% Positiveness
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Tony Evans Orchestra
Bayroo Bayou - Cha Cha
132 bpm • D Maj • 02:09 • -14.17db
1% Popularity • 81% Danceability • 67% Energy • 32% Liveness
66% Instrumentalness • 96% Positiveness
1% Popularity • 81% Danceability • 67% Energy • 32% Liveness
66% Instrumentalness • 96% Positiveness
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Tango Orchester Alfred Hause
Olé Guapa
132 bpm • G Maj • 03:07 • -10db
13% Popularity • 46% Danceability • 38% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
13% Popularity • 46% Danceability • 38% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
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Arthur Murray Orchestra
Clases De Cha Cha Cha (Cha-Cha-Cha Class...
125 bpm • D Maj • 02:38 • -9.64db
27% Popularity • 87% Danceability • 67% Energy • 24% Liveness
60% Instrumentalness • 91% Positiveness
27% Popularity • 87% Danceability • 67% Energy • 24% Liveness
60% Instrumentalness • 91% Positiveness
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Marc Reift Orchestra
Senorita Linda
132 bpm • A# Maj • 02:53 • -6.24db
5% Popularity • 87% Danceability • 76% Energy • 4% Liveness
92% Instrumentalness • 97% Positiveness
5% Popularity • 87% Danceability • 76% Energy • 4% Liveness
92% Instrumentalness • 97% Positiveness
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Orchester Werner Tauber
Gipsy Tango
132 bpm • D min • 02:44 • -5.61db
21% Popularity • 64% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 83% Positiveness
21% Popularity • 64% Danceability • 68% Energy • 34% Liveness
1% Instrumentalness • 83% Positiveness
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The Ballroom Dance Orchestra
Cheerful Cha Cha
132 bpm • F min • 03:09 • -7db
10% Popularity • 87% Danceability • 63% Energy • 6% Liveness
89% Instrumentalness • 96% Positiveness
10% Popularity • 87% Danceability • 63% Energy • 6% Liveness
89% Instrumentalness • 96% Positiveness
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Ken Turner & His Orchestra
The More I See You
124 bpm • E min • 02:58 • -11.25db
10% Popularity • 80% Danceability • 48% Energy • 5% Liveness
50% Instrumentalness • 79% Positiveness
10% Popularity • 80% Danceability • 48% Energy • 5% Liveness
50% Instrumentalness • 79% Positiveness
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Günter Noris
Tango of Fire (Tango)
132 bpm • A# Maj • 03:33 • -8db
10% Popularity • 74% Danceability • 33% Energy • 7% Liveness
22% Instrumentalness • 58% Positiveness
10% Popularity • 74% Danceability • 33% Energy • 7% Liveness
22% Instrumentalness • 58% Positiveness
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Mu Carvalho
Tango Moo 2
132 bpm • F min • 01:20 • -7.86db
25% Popularity • 57% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
25% Popularity • 57% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 68% Positiveness
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Tanz Orchester Klaus Hallen
The Pink Panther Theme - (Tango / 33 BPM...
132 bpm • F# Maj • 02:18 • -10.48db
19% Popularity • 83% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
19% Popularity • 83% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
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Demarco Project
En Orsai
124 bpm • C# Maj • 05:44 • -7.05db
20% Popularity • 92% Danceability • 70% Energy • 6% Liveness
13% Instrumentalness • 74% Positiveness
20% Popularity • 92% Danceability • 70% Energy • 6% Liveness
13% Instrumentalness • 74% Positiveness
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Gareth Williams
The Sound of Music / The Rain in Spain -...
132 bpm • F Maj • 03:07 • -11.2db
0% Popularity • 53% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 53% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Vio Friedmann
Tango Passion - Tango
132 bpm • F# min • 03:30 • -6.71db
22% Popularity • 76% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 82% Positiveness
22% Popularity • 76% Danceability • 75% Energy • 9% Liveness
92% Instrumentalness • 82% Positiveness
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Tony Evans and His Orchestra
Those Were the Days My Friend - Paso Dob...
124 bpm • A min • 02:07 • -6.59db
10% Popularity • 83% Danceability • 73% Energy • 16% Liveness
24% Instrumentalness • 68% Positiveness
10% Popularity • 83% Danceability • 73% Energy • 16% Liveness
24% Instrumentalness • 68% Positiveness
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Cantovano and His Orchestra
FrenesÃ
124 bpm • G# Maj • 02:53 • -8db
28% Popularity • 75% Danceability • 70% Energy • 25% Liveness
92% Instrumentalness • 98% Positiveness
28% Popularity • 75% Danceability • 70% Energy • 25% Liveness
92% Instrumentalness • 98% Positiveness
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Orchester Werner Tauber
Auf in den Kampf Torero
124 bpm • A# Maj • 02:01 • -4.05db
10% Popularity • 80% Danceability • 88% Energy • 5% Liveness
58% Instrumentalness • 95% Positiveness
10% Popularity • 80% Danceability • 88% Energy • 5% Liveness
58% Instrumentalness • 95% Positiveness
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The Columbia Ballroom Orchestra
Viva! Paso Doble
124 bpm • G Maj • 02:01 • -14.01db
19% Popularity • 78% Danceability • 52% Energy • 33% Liveness
57% Instrumentalness • 71% Positiveness
19% Popularity • 78% Danceability • 52% Energy • 33% Liveness
57% Instrumentalness • 71% Positiveness
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Gareth Williams
Tonight / On This Night of a Thousand St...
132 bpm • G Maj • 02:38 • -10.2db
0% Popularity • 56% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 56% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
