Songs like Don't Take Me For A Loser - Remastered 2002 by Gary Moore
Based on a tempo of (+/- 10%) and a similar genre
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ZZ Top
Blue Jean Blues (2005 Remaster)
131 bpm • B min • 04:39 • -10.01db
55% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
55% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Danny Bryant's Redeyeband
Danny's Blues
131 bpm • D min • 09:08 • -5db
19% Popularity • 35% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
19% Popularity • 35% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 35% Positiveness
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John Sykes
Please Don't Leave Me
131 bpm • C min • 05:45 • -4.39db
16% Popularity • 50% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 50% Danceability • 90% Energy • 95% Liveness
0% Instrumentalness • 60% Positiveness
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Creedence Clearwater Revival
(Wish I Could) Hideaway
131 bpm • C Maj • 03:43 • -9.91db
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
25% Instrumentalness • 26% Positiveness
49% Popularity • 62% Danceability • 36% Energy • 12% Liveness
25% Instrumentalness • 26% Positiveness
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Albert Collins
T-Bone Shuffle
131 bpm • B Maj • 04:55 • -9.88db
50% Popularity • 54% Danceability • 70% Energy • 8% Liveness
19% Instrumentalness • 77% Positiveness
50% Popularity • 54% Danceability • 70% Energy • 8% Liveness
19% Instrumentalness • 77% Positiveness
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Free
Be My Friend
131 bpm • G# Maj • 05:46 • -11.49db
37% Popularity • 45% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 45% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Gary Moore
Need Your Love So Bad
131 bpm • A Maj • 07:55 • -12.72db
42% Popularity • 46% Danceability • 31% Energy • 7% Liveness
2% Instrumentalness • 12% Positiveness
42% Popularity • 46% Danceability • 31% Energy • 7% Liveness
2% Instrumentalness • 12% Positiveness
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Eric Johnson
S.R.V.
131 bpm • E Maj • 03:03 • -12db
40% Popularity • 60% Danceability • 64% Energy • 9% Liveness
50% Instrumentalness • 63% Positiveness
40% Popularity • 60% Danceability • 64% Energy • 9% Liveness
50% Instrumentalness • 63% Positiveness
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John Sykes
Don't Hurt Me This Way (Don't Leave Me '...
130 bpm • C# min • 04:50 • -12.34db
19% Popularity • 47% Danceability • 67% Energy • 3% Liveness
1% Instrumentalness • 50% Positiveness
19% Popularity • 47% Danceability • 67% Energy • 3% Liveness
1% Instrumentalness • 50% Positiveness
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Ten Years After
Think About the Times - 2017 Remaster
130 bpm • A min • 04:44 • -12.42db
35% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 48% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Cream
Crossroads - Live
132 bpm • G Maj • 04:18 • -11.32db
56% Popularity • 39% Danceability • 76% Energy • 88% Liveness
4% Instrumentalness • 84% Positiveness
56% Popularity • 39% Danceability • 76% Energy • 88% Liveness
4% Instrumentalness • 84% Positiveness
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Free
The Hunter
130 bpm • E min • 04:14 • -8.53db
37% Popularity • 38% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 38% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Gary Moore
Stop Messin' Around
130 bpm • C Maj • 03:52 • -15db
29% Popularity • 61% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 61% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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White Lion
When the Children Cry
130 bpm • E min • 04:18 • -13.59db
58% Popularity • 49% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 49% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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John Mayall
So Many Roads
130 bpm • F min • 06:13 • -4.76db
19% Popularity • 48% Danceability • 71% Energy • 19% Liveness
1% Instrumentalness • 43% Positiveness
19% Popularity • 48% Danceability • 71% Energy • 19% Liveness
1% Instrumentalness • 43% Positiveness
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Robin Trower
Day of the Eagle - 2007 Remaster
132 bpm • F# min • 05:02 • -8db
44% Popularity • 39% Danceability • 77% Energy • 32% Liveness
5% Instrumentalness • 56% Positiveness
44% Popularity • 39% Danceability • 77% Energy • 32% Liveness
5% Instrumentalness • 56% Positiveness
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Robben Ford
Keep On Running
132 bpm • D min • 03:28 • -4.06db
23% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Tony Joe White
Closer to the Truth
132 bpm • D min • 06:36 • -15db
40% Popularity • 57% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
40% Popularity • 57% Danceability • 22% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Danny Bryant's Redeyeband
For the Love of Angels
132 bpm • A min • 02:36 • -6.03db
23% Popularity • 44% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 44% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jonny Lang
Darker Side
132 bpm • C min • 05:07 • -9db
37% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Vai
Tender Surrender
130 bpm • E min • 05:01 • -7.16db
50% Popularity • 56% Danceability • 57% Energy • 12% Liveness
10% Instrumentalness • 23% Positiveness
50% Popularity • 56% Danceability • 57% Energy • 12% Liveness
10% Instrumentalness • 23% Positiveness
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King King
Jealousy
130 bpm • D min • 04:14 • -6.56db
35% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Aynsley Lister
Insatiable
130 bpm • F min • 04:20 • -7.16db
17% Popularity • 61% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 61% Danceability • 63% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Robert Plant
If I Were a Carpenter - 2006 Remaster
130 bpm • G# Maj • 03:45 • -11.2db
52% Popularity • 55% Danceability • 55% Energy • 39% Liveness
4% Instrumentalness • 21% Positiveness
52% Popularity • 55% Danceability • 55% Energy • 39% Liveness
4% Instrumentalness • 21% Positiveness
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Phil Lynott
Dear Miss Lonely Hearts
132 bpm • B min • 04:10 • -14db
29% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 69% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Mick Clarke
Gypsy Blues
133 bpm • A min • 04:51 • -8db
36% Popularity • 37% Danceability • 39% Energy • 21% Liveness
90% Instrumentalness • 34% Positiveness
36% Popularity • 37% Danceability • 39% Energy • 21% Liveness
90% Instrumentalness • 34% Positiveness
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Richie Sambora
Stranger In This Town
133 bpm • D Maj • 06:15 • -11.08db
34% Popularity • 31% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 31% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Skid Row
Little Wing
133 bpm • G Maj • 03:19 • -7.76db
45% Popularity • 34% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
45% Popularity • 34% Danceability • 44% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
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Robben Ford
Talk to Your Daughter
133 bpm • C Maj • 04:10 • -13db
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Tinsley Ellis
Everything And Everyone
129 bpm • C# min • 04:00 • -6db
36% Popularity • 62% Danceability • 85% Energy • 18% Liveness
3% Instrumentalness • 96% Positiveness
36% Popularity • 62% Danceability • 85% Energy • 18% Liveness
3% Instrumentalness • 96% Positiveness
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Gary Moore
All Your Love
129 bpm • A min • 03:41 • -10.22db
37% Popularity • 43% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
37% Popularity • 43% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 74% Positiveness
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Aynsley Lister
Soundman
129 bpm • A# min • 03:43 • -5.26db
31% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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David Lee Roth
That's Life (Asi Es la Vida)
129 bpm • A Maj • 02:45 • -11db
35% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 42% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Genesis
Home by the Sea - 2007 Remaster
129 bpm • E min • 05:07 • -7.71db
57% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
57% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Kingdom Come
What Love Can Be
128 bpm • A# min • 05:14 • -14.19db
44% Popularity • 30% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 30% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Axe
Battles
134 bpm • D min • 06:13 • -10db
21% Popularity • 32% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 32% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Gary Moore
There's a Hole
129 bpm • A min • 05:38 • -2.58db
17% Popularity • 35% Danceability • 81% Energy • 21% Liveness
7% Instrumentalness • 60% Positiveness
17% Popularity • 35% Danceability • 81% Energy • 21% Liveness
7% Instrumentalness • 60% Positiveness
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Frankie Goes To Hollywood
Warriors Of The Wasteland - Attack Mix
128 bpm • E Maj • 06:32 • -4.34db
15% Popularity • 58% Danceability • 95% Energy • 56% Liveness
30% Instrumentalness • 34% Positiveness
15% Popularity • 58% Danceability • 95% Energy • 56% Liveness
30% Instrumentalness • 34% Positiveness
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Tina Turner
Steamy Windows
134 bpm • A Maj • 04:05 • -7.53db
51% Popularity • 74% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
51% Popularity • 74% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 85% Positiveness
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King King
Old Love
134 bpm • A min • 09:51 • -8.39db
23% Popularity • 55% Danceability • 34% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
23% Popularity • 55% Danceability • 34% Energy • 14% Liveness
14% Instrumentalness • 37% Positiveness
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Tony Joe White
Love M.D.
134 bpm • A Maj • 03:42 • -15.1db
37% Popularity • 72% Danceability • 44% Energy • 12% Liveness
15% Instrumentalness • 41% Positiveness
37% Popularity • 72% Danceability • 44% Energy • 12% Liveness
15% Instrumentalness • 41% Positiveness
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Don Airey
Adagio
134 bpm • C min • 05:23 • -4.77db
27% Popularity • 16% Danceability • 65% Energy • 14% Liveness
67% Instrumentalness • 11% Positiveness
27% Popularity • 16% Danceability • 65% Energy • 14% Liveness
67% Instrumentalness • 11% Positiveness
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Gary Moore
Walking By Myself
128 bpm • E Maj • 02:55 • -13.93db
49% Popularity • 53% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 53% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Roger Hodgson
Lovers In The Wind
128 bpm • F min • 04:13 • -18.79db
49% Popularity • 46% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 13% Positiveness
49% Popularity • 46% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 13% Positiveness
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Kingdom Come
Janine
128 bpm • D min • 04:23 • -6.71db
37% Popularity • 46% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 46% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Julian Sas
Lookin' for a Friend
128 bpm • E Maj • 07:05 • -9db
15% Popularity • 55% Danceability • 42% Energy • 5% Liveness
2% Instrumentalness • 21% Positiveness
15% Popularity • 55% Danceability • 42% Energy • 5% Liveness
2% Instrumentalness • 21% Positiveness
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Ritchie Blackmore
Apache
135 bpm • A min • 03:14 • -15.71db
23% Popularity • 57% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
23% Popularity • 57% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 85% Positiveness
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BBM
Why Does Love (Have To Go Wrong)
135 bpm • G Maj • 08:27 • -8db
15% Popularity • 28% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 28% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Gary Moore
I Can't Wait Until Tomorrow
128 bpm • F# min • 07:47 • -12.86db
17% Popularity • 31% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 31% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Jeff Healey Band
While My Guitar Gently Weeps
135 bpm • G Maj • 05:15 • -11.14db
53% Popularity • 43% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 43% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Fish
Cliche
127 bpm • G min • 07:10 • -8.21db
34% Popularity • 52% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
34% Popularity • 52% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Jimmy Page
Nobody's Fault But Mine
135 bpm • C Maj • 04:06 • -13db
32% Popularity • 58% Danceability • 49% Energy • 8% Liveness
22% Instrumentalness • 30% Positiveness
32% Popularity • 58% Danceability • 49% Energy • 8% Liveness
22% Instrumentalness • 30% Positiveness
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Jeff Healey
While My Guitar Gently Weeps
135 bpm • D Maj • 05:13 • -8.05db
24% Popularity • 35% Danceability • 68% Energy • 95% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 35% Danceability • 68% Energy • 95% Liveness
0% Instrumentalness • 48% Positiveness
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Metallica
Mama Said
135 bpm • G# min • 05:19 • -7.75db
59% Popularity • 45% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 45% Danceability • 50% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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The Who
Behind Blue Eyes
127 bpm • E min • 03:41 • -8.26db
71% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
71% Popularity • 39% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Jeff Healey Band
Blue Jean Blues
127 bpm • A min • 05:39 • -9db
39% Popularity • 46% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
39% Popularity • 46% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Kingdom Come
Stargazer
127 bpm • G min • 05:13 • -12db
36% Popularity • 40% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 40% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Jimmy Page
Wasting My Time
127 bpm • G Maj • 04:28 • -10.71db
31% Popularity • 55% Danceability • 87% Energy • 8% Liveness
8% Instrumentalness • 58% Positiveness
31% Popularity • 55% Danceability • 87% Energy • 8% Liveness
8% Instrumentalness • 58% Positiveness
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W.A.S.P.
The Idol
127 bpm • D# min • 08:43 • -13.23db
37% Popularity • 32% Danceability • 55% Energy • 74% Liveness
10% Instrumentalness • 18% Positiveness
37% Popularity • 32% Danceability • 55% Energy • 74% Liveness
10% Instrumentalness • 18% Positiveness
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Richie Kotzen
You Can't Save Me
136 bpm • E min • 04:17 • -5.77db
40% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Tinsley Ellis
Kiss Of Death
126 bpm • E min • 07:05 • -8.48db
45% Popularity • 72% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 72% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Bas Paardekooper and the Blew Crew
Broken Heart for Sale
136 bpm • B min • 09:30 • -6.43db
8% Popularity • 33% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 33% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Gary Moore
Picture of the Moon
136 bpm • A min • 07:11 • -7.92db
36% Popularity • 51% Danceability • 34% Energy • 4% Liveness
4% Instrumentalness • 21% Positiveness
36% Popularity • 51% Danceability • 34% Energy • 4% Liveness
4% Instrumentalness • 21% Positiveness
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Suzi Quatro
Rockin' In The Free World
136 bpm • E min • 04:59 • -3.92db
39% Popularity • 54% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
39% Popularity • 54% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Gamma
Wish I Was
126 bpm • A min • 05:16 • -9db
18% Popularity • 59% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 26% Positiveness
18% Popularity • 59% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 26% Positiveness
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ZZ Top
Goin' So Good
136 bpm • F Maj • 05:34 • -6.82db
20% Popularity • 61% Danceability • 40% Energy • 8% Liveness
23% Instrumentalness • 16% Positiveness
20% Popularity • 61% Danceability • 40% Energy • 8% Liveness
23% Instrumentalness • 16% Positiveness
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The Rolling Stones
Angie - Remastered 2009
136 bpm • A min • 04:32 • -6.13db
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Michael Burks
Make It Rain
126 bpm • G min • 06:59 • -7db
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Robert Cray
Smoking Gun
126 bpm • B min • 04:06 • -4.75db
45% Popularity • 72% Danceability • 92% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
45% Popularity • 72% Danceability • 92% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
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McAuley Schenker Group
Nightmare
126 bpm • C# Maj • 06:26 • -13.43db
38% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 49% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Phil Collins
I Wish It Would Rain Down - 2016 Remaste...
126 bpm • G# Maj • 05:27 • -5db
65% Popularity • 51% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 36% Positiveness
65% Popularity • 51% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 36% Positiveness
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Europe
Carrie
136 bpm • G Maj • 04:32 • -7.11db
70% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
70% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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John Mayall & The Bluesbreakers
Out Of Reach
137 bpm • A min • 04:42 • -11.98db
33% Popularity • 65% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 65% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Vandenberg
Burning Heart
125 bpm • B Maj • 04:10 • -10db
41% Popularity • 43% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 43% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Boston
Amanda
125 bpm • G Maj • 04:16 • -14.06db
62% Popularity • 45% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 45% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Coco Montoya
Nothing But Love
137 bpm • A Maj • 05:02 • -7.71db
31% Popularity • 42% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 42% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Bonfire
You Make Me Feel
125 bpm • F# min • 04:44 • -7db
41% Popularity • 46% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
41% Popularity • 46% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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Tony Joe White
Tunica Motel
137 bpm • F# min • 04:22 • -11.77db
44% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 73% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Danny Bryant's Redeyeband
Always With Me
138 bpm • F# min • 06:44 • -4db
19% Popularity • 26% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 26% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Burks
Empty Promises
138 bpm • D min • 06:15 • -3.11db
42% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
42% Popularity • 37% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Gary Moore
You Upset Me Baby
125 bpm • C Maj • 03:13 • -2.44db
17% Popularity • 38% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 38% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Phil Lynott
King's Call
138 bpm • E Maj • 03:38 • -16.77db
41% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Jethro Tull
Locomotive Breath
125 bpm • B min • 04:26 • -13.11db
58% Popularity • 68% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
58% Popularity • 68% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
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Tony Joe White
Steamy Windows
138 bpm • A Maj • 04:01 • -13.08db
45% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 69% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Jimmy Page
Prison Blues
138 bpm • A Maj • 07:08 • -13.09db
40% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 39% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 50% Positiveness
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Henrik Freischlader
The Prophet
138 bpm • G min • 06:28 • -10.41db
33% Popularity • 32% Danceability • 20% Energy • 29% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 20% Energy • 29% Liveness
84% Instrumentalness • 4% Positiveness
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Joe Bonamassa
Sloe Gin
138 bpm • A min • 08:12 • -8.37db
47% Popularity • 39% Danceability • 60% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
47% Popularity • 39% Danceability • 60% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
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Marillion
Lavender
138 bpm • A Maj • 03:44 • -6db
48% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
48% Popularity • 33% Danceability • 55% Energy • 9% Liveness
10% Instrumentalness • 23% Positiveness
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Jethro Tull
She Said She Was a Dancer - 2005 Remaste...
138 bpm • C Maj • 03:41 • -10db
37% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Europe
In My Time
138 bpm • A min • 06:15 • -4.84db
22% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Richie Sambora
Father Time
138 bpm • C min • 06:05 • -10.22db
40% Popularity • 28% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 28% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Aynsley Lister
Purple Rain - Live
124 bpm • A# Maj • 09:43 • -9db
37% Popularity • 36% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
37% Popularity • 36% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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King King
You Stopped the Rain
124 bpm • A min • 04:11 • -6.15db
40% Popularity • 72% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 72% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Ian Gillan
I Think I Know
124 bpm • A min • 04:44 • -14db
8% Popularity • 60% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 60% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Marillion
Sugar Mice - 1999 Remaster
124 bpm • G Maj • 05:46 • -14.16db
40% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kingdom Come
Can't Let Go - Director's Cut
139 bpm • A min • 02:39 • -16.28db
30% Popularity • 64% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 64% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Gary Moore
The Prophet
139 bpm • G Maj • 06:19 • -5.9db
42% Popularity • 25% Danceability • 28% Energy • 20% Liveness
67% Instrumentalness • 4% Positiveness
42% Popularity • 25% Danceability • 28% Energy • 20% Liveness
67% Instrumentalness • 4% Positiveness
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Jimmy Page
Hummingbird
139 bpm • E min • 05:22 • -13.75db
20% Popularity • 40% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 40% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
