Songs like Don't Touch Me Tomato by Phyllis Dillon
Based on a tempo of (+/- 10%) and a similar genre
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Errol Dunkley
The Scorcher
167 bpm • F Maj • 02:43 • -12.16db
16% Popularity • 67% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
16% Popularity • 67% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Joe Higgs
You Hurt My Soul
167 bpm • A# Maj • 01:57 • -7.09db
18% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Phyllis Dillon
Don't Touch Me Tomato
167 bpm • F Maj • 02:58 • -12.47db
9% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Lloyd Charmers
Look-Ka-Py-Py (aka Reggae a Bye Bye)
167 bpm • C Maj • 02:41 • -12.33db
24% Popularity • 79% Danceability • 50% Energy • 13% Liveness
56% Instrumentalness • 80% Positiveness
24% Popularity • 79% Danceability • 50% Energy • 13% Liveness
56% Instrumentalness • 80% Positiveness
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The Pioneers
Rudies Are the Greatest
167 bpm • G Maj • 02:02 • -8.98db
20% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 63% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Lizzy
Love Is a Treasure
168 bpm • A# Maj • 02:38 • -3.76db
33% Popularity • 75% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 75% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Errol Dunkley
Please Stop Your Lying
167 bpm • C Maj • 02:54 • -9.39db
26% Popularity • 71% Danceability • 37% Energy • 8% Liveness
10% Instrumentalness • 88% Positiveness
26% Popularity • 71% Danceability • 37% Energy • 8% Liveness
10% Instrumentalness • 88% Positiveness
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The Melodians
It Comes and Goes
168 bpm • C# Maj • 02:38 • -10.93db
25% Popularity • 67% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
25% Popularity • 67% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Phyllis Dillon
Don't Touch Me Tomato
166 bpm • F Maj • 02:58 • -8.85db
28% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Dandy Livingstone
Suzanne Beware of the Devil
166 bpm • A# Maj • 02:35 • -7.52db
45% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 80% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Dennis Alcapone
Teach the Children
168 bpm • G# Maj • 02:24 • -10.15db
27% Popularity • 77% Danceability • 50% Energy • 13% Liveness
18% Instrumentalness • 93% Positiveness
27% Popularity • 77% Danceability • 50% Energy • 13% Liveness
18% Instrumentalness • 93% Positiveness
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Keith & Tex
This Is My Song
168 bpm • A min • 02:42 • -10.76db
28% Popularity • 57% Danceability • 43% Energy • 19% Liveness
36% Instrumentalness • 75% Positiveness
28% Popularity • 57% Danceability • 43% Energy • 19% Liveness
36% Instrumentalness • 75% Positiveness
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The Slickers
Johnny Too Bad
166 bpm • G Maj • 03:03 • -8.75db
50% Popularity • 76% Danceability • 61% Energy • 27% Liveness
18% Instrumentalness • 72% Positiveness
50% Popularity • 76% Danceability • 61% Energy • 27% Liveness
18% Instrumentalness • 72% Positiveness
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Derrick Morgan
Seven Letters
169 bpm • F Maj • 03:17 • -10.21db
23% Popularity • 57% Danceability • 64% Energy • 14% Liveness
4% Instrumentalness • 92% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 14% Liveness
4% Instrumentalness • 92% Positiveness
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The Pioneers
Caranapo
165 bpm • G Maj • 02:09 • -9.35db
25% Popularity • 79% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
25% Popularity • 79% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Hopeton Lewis
I Don't Want Trouble
164 bpm • F Maj • 02:41 • -7.95db
9% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Uniques
Let Me Go Girl
164 bpm • C# Maj • 02:22 • -8.08db
15% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 58% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Nicky Thomas
God Bless the Children
164 bpm • E Maj • 03:58 • -9.4db
11% Popularity • 48% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 68% Positiveness
11% Popularity • 48% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 68% Positiveness
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Lester Sterling
Tribute to a King
171 bpm • A# Maj • 03:21 • -12.11db
19% Popularity • 67% Danceability • 32% Energy • 8% Liveness
78% Instrumentalness • 89% Positiveness
19% Popularity • 67% Danceability • 32% Energy • 8% Liveness
78% Instrumentalness • 89% Positiveness
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The Silvertones
Midnight Hour
163 bpm • F min • 02:43 • -11.16db
18% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Pioneers
Starvation
171 bpm • B Maj • 02:42 • -8.26db
22% Popularity • 71% Danceability • 60% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
22% Popularity • 71% Danceability • 60% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Errol Dunkley
Please Stop Your Lying
172 bpm • C# Maj • 02:47 • -9.52db
40% Popularity • 75% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 75% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Gaylettes
Son of a Preacher Man
172 bpm • A# Maj • 02:29 • -1.59db
36% Popularity • 54% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 82% Positiveness
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Prince Buster
Take It Easy
172 bpm • G Maj • 02:55 • -12db
26% Popularity • 78% Danceability • 41% Energy • 9% Liveness
29% Instrumentalness • 82% Positiveness
26% Popularity • 78% Danceability • 41% Energy • 9% Liveness
29% Instrumentalness • 82% Positiveness
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Joya Landis
Angel of the Morning
173 bpm • G# Maj • 03:10 • -6.9db
24% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Ken Parker
How Strong
172 bpm • A# Maj • 02:20 • -9.86db
15% Popularity • 29% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 29% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Alton Ellis
Rock Steady
173 bpm • C Maj • 02:40 • -9.04db
49% Popularity • 68% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 78% Positiveness
49% Popularity • 68% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 78% Positiveness
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The Melodians
You Have Caught Me
174 bpm • D# Maj • 03:14 • -11.74db
27% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Phyllis Dillon
You Are Like Heaven to Me
174 bpm • F Maj • 02:05 • -11.84db
33% Popularity • 61% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 61% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Prince Buster
Nothing Takes the Place of You
174 bpm • F Maj • 02:56 • -9.47db
33% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Jennifer Lara
Tell Me Where
176 bpm • G Maj • 02:55 • -12.14db
16% Popularity • 57% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 57% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Derrick Morgan
Fat Man
177 bpm • A# min • 03:08 • -10.4db
21% Popularity • 70% Danceability • 51% Energy • 5% Liveness
59% Instrumentalness • 73% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 5% Liveness
59% Instrumentalness • 73% Positiveness
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The Gaylettes
I Like Your World
177 bpm • D Maj • 02:58 • -5db
7% Popularity • 60% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 60% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Stranger & Patsy
Down By The Train Line
158 bpm • G Maj • 02:44 • -9.82db
21% Popularity • 72% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
21% Popularity • 72% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 91% Positiveness
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Phyllis Dillon
Lipstick On Your Collar
158 bpm • G Maj • 02:08 • -12.84db
11% Popularity • 50% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 50% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Prince Buster
All My Loving
157 bpm • C min • 01:50 • -5.84db
54% Popularity • 77% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
54% Popularity • 77% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Marcia Griffiths
Don't Let Me Down
157 bpm • E Maj • 03:24 • -10.05db
47% Popularity • 69% Danceability • 66% Energy • 46% Liveness
1% Instrumentalness • 95% Positiveness
47% Popularity • 69% Danceability • 66% Energy • 46% Liveness
1% Instrumentalness • 95% Positiveness
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The Tennors
Reggae Girl
157 bpm • G Maj • 02:15 • -9.93db
29% Popularity • 77% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 77% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Errol Dunkley
You Are Going to Need Me
179 bpm • G Maj • 02:14 • -9.59db
27% Popularity • 76% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 76% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Carl Dawkins
Hard To Handle
156 bpm • C# Maj • 02:43 • -5.72db
9% Popularity • 77% Danceability • 64% Energy • 66% Liveness
1% Instrumentalness • 83% Positiveness
9% Popularity • 77% Danceability • 64% Energy • 66% Liveness
1% Instrumentalness • 83% Positiveness
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Phyllis Dillon
Love Is All I Had
157 bpm • G Maj • 02:52 • -9.04db
25% Popularity • 74% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
25% Popularity • 74% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 73% Positiveness
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Derrick Morgan
Copy Cat
155 bpm • G Maj • 02:35 • -12db
21% Popularity • 60% Danceability • 60% Energy • 21% Liveness
48% Instrumentalness • 77% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 21% Liveness
48% Instrumentalness • 77% Positiveness
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The Kingstonians
Sufferer
155 bpm • C Maj • 03:27 • -8.55db
29% Popularity • 76% Danceability • 68% Energy • 10% Liveness
63% Instrumentalness • 93% Positiveness
29% Popularity • 76% Danceability • 68% Energy • 10% Liveness
63% Instrumentalness • 93% Positiveness
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Harry J Allstars
Don't Let Me Down
155 bpm • E Maj • 03:34 • -10.54db
18% Popularity • 61% Danceability • 59% Energy • 12% Liveness
51% Instrumentalness • 94% Positiveness
18% Popularity • 61% Danceability • 59% Energy • 12% Liveness
51% Instrumentalness • 94% Positiveness
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King Stitt
Herbsman Shuffle
180 bpm • C Maj • 02:41 • -15.02db
28% Popularity • 56% Danceability • 31% Energy • 20% Liveness
58% Instrumentalness • 60% Positiveness
28% Popularity • 56% Danceability • 31% Energy • 20% Liveness
58% Instrumentalness • 60% Positiveness
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Carlton & The Shoes
Love Me Forever
155 bpm • A Maj • 03:40 • -13.1db
39% Popularity • 67% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
39% Popularity • 67% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 98% Positiveness
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Phyllis Dillon
This Is a Lovely Way to Spend an Evening
156 bpm • G# Maj • 02:51 • -13.18db
13% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 44% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Nicky Thomas
Let It Be
154 bpm • G Maj • 02:51 • -10.91db
22% Popularity • 73% Danceability • 43% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
22% Popularity • 73% Danceability • 43% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
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Ken Parker
When You're Gone
154 bpm • C min • 02:07 • -8db
13% Popularity • 82% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 82% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 96% Positiveness
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The Gaylettes
Silent River [Runs Deep]
181 bpm • C# Maj • 02:39 • -4.92db
11% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Roland Alphonso
1000 Tons of Megaton
154 bpm • F min • 02:14 • -3db
22% Popularity • 54% Danceability • 87% Energy • 18% Liveness
51% Instrumentalness • 96% Positiveness
22% Popularity • 54% Danceability • 87% Energy • 18% Liveness
51% Instrumentalness • 96% Positiveness
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Lester Sterling
Bangarang
154 bpm • F min • 03:10 • -7.46db
28% Popularity • 67% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
28% Popularity • 67% Danceability • 60% Energy • 7% Liveness
87% Instrumentalness • 98% Positiveness
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The Clarendonians
Lonely Heartaches
153 bpm • C Maj • 02:14 • -8.7db
18% Popularity • 70% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 70% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Lloyd Robinson
Cuss Cuss
153 bpm • D Maj • 02:31 • -7.84db
26% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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The Jamaicans
Early in the Morning
153 bpm • D Maj • 03:16 • -8db
11% Popularity • 69% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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The Gaylettes
Silent River Runs Deep
182 bpm • C# Maj • 02:39 • -5db
22% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Phyllis Dillon
Perfidia
183 bpm • G Maj • 02:47 • -10.94db
46% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 61% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Carlton & The Shoes
Never Let Go
153 bpm • F Maj • 02:49 • -9.98db
16% Popularity • 48% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 48% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Lester Sterling
Reggae In The Wind
152 bpm • G# Maj • 03:11 • -10db
24% Popularity • 63% Danceability • 59% Energy • 16% Liveness
85% Instrumentalness • 91% Positiveness
24% Popularity • 63% Danceability • 59% Energy • 16% Liveness
85% Instrumentalness • 91% Positiveness
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Joya Landis
Love You True
153 bpm • F Maj • 03:10 • -9.09db
10% Popularity • 46% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 46% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 31% Positiveness
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Dennis Alcapone
Spanish Amigo
152 bpm • F Maj • 02:54 • -4.74db
22% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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The Pioneers
Jackpot
152 bpm • G Maj • 03:06 • -5.42db
22% Popularity • 58% Danceability • 85% Energy • 27% Liveness
81% Instrumentalness • 84% Positiveness
22% Popularity • 58% Danceability • 85% Energy • 27% Liveness
81% Instrumentalness • 84% Positiveness
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The Jamaicans
Ba Ba Boom
152 bpm • D# Maj • 03:21 • -11.36db
44% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 68% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Errol Dunkley
Black Cinderella
151 bpm • B Maj • 03:15 • -11db
31% Popularity • 84% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 94% Positiveness
31% Popularity • 84% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 94% Positiveness
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Lester Sterling
Bangarang
152 bpm • F min • 02:43 • -5db
17% Popularity • 68% Danceability • 61% Energy • 7% Liveness
88% Instrumentalness • 98% Positiveness
17% Popularity • 68% Danceability • 61% Energy • 7% Liveness
88% Instrumentalness • 98% Positiveness
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Duke Reid
Ba Ba Boom
151 bpm • D# Maj • 03:01 • -7.77db
16% Popularity • 79% Danceability • 41% Energy • 12% Liveness
36% Instrumentalness • 54% Positiveness
16% Popularity • 79% Danceability • 41% Energy • 12% Liveness
36% Instrumentalness • 54% Positiveness
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Delano Stewart
Tell Me Baby
151 bpm • A# min • 02:43 • -10.17db
15% Popularity • 64% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 64% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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The Slickers
Cus Cus (Original)
151 bpm • D Maj • 02:36 • -7db
32% Popularity • 69% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Carlton & The Shoes
Love Is All
149 bpm • A Maj • 03:31 • -12.44db
13% Popularity • 80% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 80% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Bob Andy
Life
150 bpm • B min • 03:42 • -10.33db
45% Popularity • 80% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
45% Popularity • 80% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Dandy Livingstone
Move Your Mule
147 bpm • A# Maj • 02:40 • -7.96db
18% Popularity • 73% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 73% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Errol Dunkley
You'll Never Know (I'll Be Back)
147 bpm • D Maj • 03:34 • -11.37db
22% Popularity • 78% Danceability • 49% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
22% Popularity • 78% Danceability • 49% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
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Phyllis Dillon
Midnight Confessions
146 bpm • B Maj • 02:32 • -10.12db
21% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 59% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Delano Stewart
Give Me A Chance
146 bpm • G min • 02:18 • -9.13db
11% Popularity • 63% Danceability • 64% Energy • 25% Liveness
67% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 64% Energy • 25% Liveness
67% Instrumentalness • 85% Positiveness
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Carlton & The Shoes
Love to Share
146 bpm • E min • 03:27 • -14.34db
13% Popularity • 82% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 82% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Nicky Thomas
Doing the Moonwalk
145 bpm • F Maj • 02:25 • -13.85db
31% Popularity • 81% Danceability • 33% Energy • 13% Liveness
67% Instrumentalness • 92% Positiveness
31% Popularity • 81% Danceability • 33% Energy • 13% Liveness
67% Instrumentalness • 92% Positiveness
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Bob Andy
Feeling Soul
145 bpm • C Maj • 02:12 • -18.59db
53% Popularity • 71% Danceability • 22% Energy • 13% Liveness
58% Instrumentalness • 84% Positiveness
53% Popularity • 71% Danceability • 22% Energy • 13% Liveness
58% Instrumentalness • 84% Positiveness
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Junior Byles
Demonstration
145 bpm • F Maj • 02:34 • -7.14db
21% Popularity • 85% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 85% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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The Aggrovators
Bounce Ball
145 bpm • G Maj • 02:34 • -7.85db
34% Popularity • 77% Danceability • 33% Energy • 9% Liveness
9% Instrumentalness • 70% Positiveness
34% Popularity • 77% Danceability • 33% Energy • 9% Liveness
9% Instrumentalness • 70% Positiveness
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Ken Parker
My Whole World Is Falling Down
142 bpm • C Maj • 02:57 • -12.92db
30% Popularity • 63% Danceability • 48% Energy • 18% Liveness
81% Instrumentalness • 78% Positiveness
30% Popularity • 63% Danceability • 48% Energy • 18% Liveness
81% Instrumentalness • 78% Positiveness
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Phyllis Dillon
Don't Stay Away
198 bpm • G Maj • 02:33 • -9.83db
45% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Nicky Thomas
Rainy Night In Georgia
145 bpm • D Maj • 03:27 • -13.17db
16% Popularity • 81% Danceability • 40% Energy • 24% Liveness
54% Instrumentalness • 96% Positiveness
16% Popularity • 81% Danceability • 40% Energy • 24% Liveness
54% Instrumentalness • 96% Positiveness
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Hopeton Lewis
Let the Little Girl Dance
201 bpm • C Maj • 03:10 • -15.35db
20% Popularity • 73% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 73% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Junior Byles
I've Got a Feeling
143 bpm • A Maj • 02:25 • -9.76db
24% Popularity • 91% Danceability • 54% Energy • 8% Liveness
9% Instrumentalness • 93% Positiveness
24% Popularity • 91% Danceability • 54% Energy • 8% Liveness
9% Instrumentalness • 93% Positiveness
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Lloyd Robinson
Jezebel
202 bpm • G Maj • 02:06 • -7.83db
25% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Ken Parker
It's Alright
142 bpm • C Maj • 02:54 • -10.9db
21% Popularity • 68% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 90% Positiveness
21% Popularity • 68% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 90% Positiveness
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Phyllis Dillon
Don't Stay Away
200 bpm • G Maj • 02:30 • -12.94db
15% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Justin Hinds
Save A Bread
202 bpm • B Maj • 02:40 • -13.93db
35% Popularity • 70% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 70% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Clarke
None Shall Escape the Judgement
203 bpm • A# min • 03:07 • -8.96db
31% Popularity • 60% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 60% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 94% Positiveness
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Junior Byles
A Place Called Africa
145 bpm • C Maj • 02:41 • -11.63db
28% Popularity • 80% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
28% Popularity • 80% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness