Songs like Don't Worry What The Experts Say by Heather Nova
Based on a tempo of (+/- 10%) and a similar genre
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Heather Nova
What A Feeling
124 bpm • E Maj • 04:46 • -9.84db
22% Popularity • 45% Danceability • 44% Energy • 13% Liveness
22% Instrumentalness • 10% Positiveness
22% Popularity • 45% Danceability • 44% Energy • 13% Liveness
22% Instrumentalness • 10% Positiveness
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Annie Lennox
The Saddest Song (I've Got)
124 bpm • C Maj • 04:07 • -15.52db
25% Popularity • 35% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 35% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Emily Barker
All Love Knows
124 bpm • A Maj • 03:45 • -8.39db
13% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 33% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Walkabouts
Rebecca Wild
124 bpm • E min • 04:48 • -7.8db
15% Popularity • 43% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 43% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Aimee Mann
One
124 bpm • E min • 02:53 • -13.97db
46% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Rickie Lee Jones
Stewart's Coat
124 bpm • G Maj • 04:31 • -16.52db
31% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 52% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Heather Nova
Every Soldier Is a Mother's Son
124 bpm • A min • 03:14 • -12.67db
16% Popularity • 46% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 46% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Sarah Slean
Euphoria
124 bpm • F# min • 03:13 • -9.77db
14% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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The Cranberries
Dreaming My Dreams
125 bpm • C Maj • 03:37 • -16.19db
52% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 31% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Tara MacLean
Let Her Feel the Rain
123 bpm • A min • 05:27 • -10.01db
13% Popularity • 63% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 63% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Paula Cole
Oh John
125 bpm • E Maj • 04:29 • -10db
10% Popularity • 43% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Yules
First We Take Manhattan
125 bpm • F min • 05:18 • -9.95db
12% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Heather Nova
Ride
124 bpm • G min • 03:27 • -10.31db
23% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Amy Macdonald
Left That Body Long Ago
125 bpm • G Maj • 04:49 • -10.4db
24% Popularity • 65% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 65% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Stash
Carving The Pain
123 bpm • F min • 04:29 • -7.52db
14% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Kristina Train
Dream Of Me
125 bpm • E Maj • 03:35 • -8.87db
33% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Dar Williams
Comfortably Numb
123 bpm • E min • 05:26 • -8.22db
27% Popularity • 57% Danceability • 38% Energy • 19% Liveness
2% Instrumentalness • 16% Positiveness
27% Popularity • 57% Danceability • 38% Energy • 19% Liveness
2% Instrumentalness • 16% Positiveness
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The Be Good Tanyas
In Spite Of All The Damage
125 bpm • D Maj • 03:59 • -15.67db
42% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 53% Positiveness
42% Popularity • 67% Danceability • 19% Energy • 23% Liveness
1% Instrumentalness • 53% Positiveness
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Heather Nova
Walking Higher
123 bpm • G Maj • 04:09 • -14.69db
16% Popularity • 50% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
16% Popularity • 50% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Tara MacLean
Evidence
123 bpm • G Maj • 04:56 • -9.49db
20% Popularity • 61% Danceability • 71% Energy • 10% Liveness
19% Instrumentalness • 60% Positiveness
20% Popularity • 61% Danceability • 71% Energy • 10% Liveness
19% Instrumentalness • 60% Positiveness
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10,000 Maniacs
Jezebel - Live Unplugged
125 bpm • D# Maj • 04:20 • -12.78db
28% Popularity • 42% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 42% Danceability • 37% Energy • 77% Liveness
0% Instrumentalness • 21% Positiveness
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Mike Scott
What Do You Want Me to Do
122 bpm • C# min • 03:01 • -10.33db
37% Popularity • 73% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 73% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Beth Orton
Call Me the Breeze
122 bpm • B min • 03:52 • -11db
33% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
33% Popularity • 58% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 26% Positiveness
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Chantal Kreviazuk
Blue
122 bpm • C Maj • 04:57 • -6.68db
12% Popularity • 52% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 25% Positiveness
12% Popularity • 52% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 25% Positiveness
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Heather Nova
Doubled Up
125 bpm • D Maj • 03:39 • -15.71db
20% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 50% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Kristin Hersh
Trouble
126 bpm • G Maj • 03:25 • -8.6db
19% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 47% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Edie Brickell & New Bohemians
Air Of December
122 bpm • B Maj • 05:57 • -15.3db
32% Popularity • 69% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 69% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Eliza Gilkyson
Is It Like Today
122 bpm • G Maj • 05:49 • -9.57db
29% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Aimee Mann
Wise Up
126 bpm • D Maj • 03:41 • -9.44db
42% Popularity • 47% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
42% Popularity • 47% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
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Rebekka Bakken
Forever Young
122 bpm • A Maj • 05:40 • -8.65db
24% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Heather Nova
The Sun Will Always Rise
125 bpm • C Maj • 04:43 • -10.9db
7% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Charlotte Martin
Just Like Heaven - Studio
121 bpm • C Maj • 03:29 • -8.91db
14% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Edie Brickell & New Bohemians
Little Miss S.
122 bpm • G# Maj • 03:37 • -12.04db
36% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Turin Brakes
Other Side
121 bpm • E min • 05:06 • -8.16db
13% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 50% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Sarah Slean
Get Home
121 bpm • C Maj • 03:42 • -11.26db
14% Popularity • 51% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 51% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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k.d. lang
Season of Hollow Soul
121 bpm • F Maj • 04:55 • -11.03db
24% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 58% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Heather Nova
Out in New Mexico
122 bpm • C min • 03:27 • -6.56db
14% Popularity • 57% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 57% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Rachael Yamagata
Under My Skin
121 bpm • G min • 04:12 • -7.91db
21% Popularity • 60% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 60% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Vienna Teng
Whatever You Want
127 bpm • A# Maj • 03:59 • -9.64db
14% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 71% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Skunk Anansie
Brazen (Weep)
127 bpm • E min • 04:31 • -7.71db
40% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 53% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Amy Macdonald
Run
121 bpm • G# Maj • 03:48 • -4.14db
42% Popularity • 62% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 62% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Tom McRae
Ghost of a Shark
127 bpm • D Maj • 03:24 • -16.38db
25% Popularity • 66% Danceability • 21% Energy • 12% Liveness
29% Instrumentalness • 14% Positiveness
25% Popularity • 66% Danceability • 21% Energy • 12% Liveness
29% Instrumentalness • 14% Positiveness
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Heather Nova
I'm Alive
127 bpm • D min • 03:40 • -12.16db
14% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 56% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Beth Orton
Ooh Child - Alternate Version
127 bpm • G min • 03:53 • -10db
35% Popularity • 39% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 39% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Paula Cole
I Am so Ordinary
120 bpm • B Maj • 04:14 • -10.76db
20% Popularity • 68% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 68% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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N!KA
Everything Is Changed
120 bpm • A min • 05:49 • -5.4db
7% Popularity • 53% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 53% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Eddi Reader
Dear John
128 bpm • B min • 04:07 • -17db
16% Popularity • 34% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 34% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gemma Hayes
Back Of My Hand
120 bpm • F# min • 03:46 • -7.87db
21% Popularity • 63% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 63% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Heather Nova
Heaven Sent
128 bpm • C# min • 04:14 • -4.8db
13% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Crowded House
Private Universe
120 bpm • A min • 05:39 • -13.97db
38% Popularity • 68% Danceability • 73% Energy • 16% Liveness
48% Instrumentalness • 70% Positiveness
38% Popularity • 68% Danceability • 73% Energy • 16% Liveness
48% Instrumentalness • 70% Positiveness
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The Meadow
Make You Stay
120 bpm • E min • 04:17 • -6.64db
12% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 60% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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k.d. lang
Barefoot - 2010 Remaster
120 bpm • F# min • 04:17 • -9.15db
21% Popularity • 67% Danceability • 36% Energy • 33% Liveness
1% Instrumentalness • 40% Positiveness
21% Popularity • 67% Danceability • 36% Energy • 33% Liveness
1% Instrumentalness • 40% Positiveness
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Beth Orton
Central Reservation - The Then Again Ver...
120 bpm • G Maj • 04:01 • -6.35db
33% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Gemma Hayes
Ran For Miles
120 bpm • F# min • 04:32 • -11.39db
13% Popularity • 56% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
13% Popularity • 56% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Heather Nova
Not Only Human
128 bpm • A min • 05:04 • -9.13db
14% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 57% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Crowded House
Private Universe
120 bpm • A min • 04:08 • -12.31db
16% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Be Good Tanyas
When Doves Cry
129 bpm • B min • 04:02 • -12db
44% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 84% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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k.d. lang
Constant Craving
128 bpm • F min • 04:37 • -5.56db
55% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Ani DiFranco
Falling Is Like This
119 bpm • G Maj • 03:01 • -15.62db
31% Popularity • 43% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 43% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Paula Cole
Saturn Girl
129 bpm • A min • 04:18 • -9db
15% Popularity • 61% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 61% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Shelley Campbell
Drivin' You
119 bpm • G Maj • 03:27 • -10.04db
13% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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10,000 Maniacs
Eden
129 bpm • B Maj • 04:08 • -7.45db
31% Popularity • 56% Danceability • 70% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
31% Popularity • 56% Danceability • 70% Energy • 12% Liveness
9% Instrumentalness • 16% Positiveness
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Linda Perry
Success
129 bpm • B min • 05:25 • -16.64db
23% Popularity • 48% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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k.d. lang
Helpless
129 bpm • D Maj • 04:17 • -8db
38% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 48% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Sophie B. Hawkins
32 Lines
129 bpm • G Maj • 05:02 • -8.17db
9% Popularity • 64% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 64% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Paula Cole
Where Have All the Cowboys Gone?
129 bpm • B min • 04:23 • -6.18db
50% Popularity • 59% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 59% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
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Tom McRae
You Only Disappear
119 bpm • G# Maj • 03:44 • -11.79db
22% Popularity • 60% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 60% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Hem
South Central Rain
119 bpm • G min • 03:10 • -10db
28% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Natalie Merchant with Billy Bragg
Party Of God - Remastered Version
129 bpm • C Maj • 04:17 • -7.13db
13% Popularity • 72% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 72% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Cardigans
03.45 : No Sleep
130 bpm • C Maj • 03:45 • -11.78db
27% Popularity • 47% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 47% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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The Guggenheim Grotto
Rosanna
130 bpm • B min • 03:57 • -15.3db
9% Popularity • 65% Danceability • 22% Energy • 11% Liveness
19% Instrumentalness • 30% Positiveness
9% Popularity • 65% Danceability • 22% Energy • 11% Liveness
19% Instrumentalness • 30% Positiveness
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Jonathan Frith
Lament
118 bpm • G Maj • 04:30 • -11.25db
4% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
4% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Beth Hart
LA Song
130 bpm • G Maj • 03:36 • -7.57db
38% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 76% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Del Amitri
Driving With The Brakes On
130 bpm • D# Maj • 04:44 • -9.6db
40% Popularity • 64% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 64% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Edie Brickell & New Bohemians
Me By The Sea
130 bpm • A# Maj • 03:04 • -14.51db
31% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 56% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Tom McRae
Hummingbird Song
130 bpm • A Maj • 04:45 • -14.11db
16% Popularity • 30% Danceability • 18% Energy • 10% Liveness
19% Instrumentalness • 23% Positiveness
16% Popularity • 30% Danceability • 18% Energy • 10% Liveness
19% Instrumentalness • 23% Positiveness
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Marcella Detroit
Jewel
118 bpm • G min • 04:12 • -9.09db
13% Popularity • 65% Danceability • 68% Energy • 25% Liveness
2% Instrumentalness • 48% Positiveness
13% Popularity • 65% Danceability • 68% Energy • 25% Liveness
2% Instrumentalness • 48% Positiveness
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10,000 Maniacs
Trouble Me
118 bpm • D Maj • 03:13 • -10.06db
49% Popularity • 86% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 86% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Beth Hart
LA Song
130 bpm • G Maj • 03:55 • -7.36db
18% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 58% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Storm Large
Where Is My Mind
118 bpm • E Maj • 04:07 • -12db
22% Popularity • 51% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 51% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Edie Brickell & New Bohemians
I Do
118 bpm • G Maj • 02:00 • -20.89db
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 67% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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R.E.M.
I've Been High
118 bpm • C Maj • 03:26 • -7.57db
30% Popularity • 69% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 69% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Bat For Lashes
I'm on Fire
118 bpm • A# min • 03:31 • -13.15db
32% Popularity • 37% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Beth Orton
Sisters Of Mercy
117 bpm • A Maj • 04:40 • -14.84db
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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Joan Osborne
What You Are
131 bpm • C Maj • 05:51 • -10.41db
10% Popularity • 67% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
10% Popularity • 67% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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Fairground Attraction
Allelujah
131 bpm • F Maj • 03:25 • -19db
23% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Eurythmics
17 Again - Acoustic Version
117 bpm • A# Maj • 04:24 • -7db
7% Popularity • 55% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 55% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Tom McRae
One Mississippi
117 bpm • G Maj • 04:10 • -5.4db
12% Popularity • 59% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 59% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Paula Cole
Amen
131 bpm • C# min • 05:58 • -9.6db
16% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Edie Brickell
Songs We Used To Sing
117 bpm • D Maj • 04:51 • -9.43db
9% Popularity • 63% Danceability • 48% Energy • 11% Liveness
7% Instrumentalness • 33% Positiveness
9% Popularity • 63% Danceability • 48% Energy • 11% Liveness
7% Instrumentalness • 33% Positiveness
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Beth Orton
Concrete Sky
117 bpm • B Maj • 04:34 • -9db
30% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 66% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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The Last Town Chorus
Modern Love
117 bpm • C Maj • 04:26 • -10.47db
27% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Eskobar
Someone Told Me
132 bpm • D# Maj • 03:46 • -11.29db
12% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 61% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Susan Enan
Monoplain
132 bpm • B Maj • 03:21 • -10.12db
19% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Chantal Kreviazuk
What If It All Means Something
132 bpm • D Maj • 04:03 • -4.9db
18% Popularity • 58% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 58% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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The Cardigans
Feathers And Down
132 bpm • B Maj • 04:30 • -9db
32% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 54% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Indigo Girls
I'll Give You My Skin
132 bpm • E min • 03:32 • -8.51db
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Marc Cohn
Strangers in a Car
116 bpm • D Maj • 02:47 • -17.38db
31% Popularity • 44% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 44% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
