Songs like Dorothy Please Trim Your Hinge (Misprint) by Ivor Biggun
Based on a tempo of (+/- 10%) and a similar genre
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Victoria Wood
They Call Me Pam
95 bpm • A Maj • 08:29 • -15.46db
10% Popularity • 59% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 59% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
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The Everly Pregnant Brothers
Fat Twat
95 bpm • A min • 02:40 • -14.19db
18% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 84% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Rolf Harris
Botany Bay
95 bpm • C Maj • 02:18 • -12.09db
11% Popularity • 66% Danceability • 44% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 66% Danceability • 44% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
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Ivor Biggun
Dorothy Please Trim Your Hinge (Misprint...
95 bpm • G Maj • 02:41 • -6.07db
11% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Wild Thing
A Wanker (With White Socks)
95 bpm • G Maj • 02:38 • -10.32db
18% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Coded Channel
Raggy Dolls
94 bpm • C Maj • 00:57 • -6.48db
23% Popularity • 86% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 86% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Leeds United Team & Supporters
Leeds, Leeds, Leeds (Marching On Togethe...
95 bpm • F Maj • 02:22 • -12.02db
37% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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The Houghton Weavers
The Blackpool Belle
96 bpm • C Maj • 02:57 • -8db
19% Popularity • 77% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 77% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The Charley Twins
West Country Boy
94 bpm • A Maj • 02:49 • -3.76db
9% Popularity • 25% Danceability • 84% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
9% Popularity • 25% Danceability • 84% Energy • 19% Liveness
1% Instrumentalness • 54% Positiveness
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Ivor Biggun
Sing a Mucky Song
94 bpm • D Maj • 03:00 • -9.35db
4% Popularity • 72% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 72% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Andy Stewart
I Belong to Glasgow / Sailing Up the Cly...
96 bpm • G Maj • 05:45 • -11.44db
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Allan Sherman
Return to Camp Granada
94 bpm • G# Maj • 03:17 • -12.13db
23% Popularity • 50% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 50% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
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Leeds United Team & Supporters
Leeds United - 2022 Remastered
94 bpm • F Maj • 02:36 • -9.35db
19% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Kevin Bloody Wilson
It Was Over (Kev's Lament)
94 bpm • F Maj • 02:54 • -16.82db
26% Popularity • 67% Danceability • 25% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 67% Danceability • 25% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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The Wombles
Superwomble
96 bpm • A Maj • 03:26 • -9.25db
10% Popularity • 56% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Ivor Biggun
The Majorca Song
94 bpm • C Maj • 02:42 • -5.83db
10% Popularity • 67% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 67% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 93% Positiveness
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Flanders & Swann
A Song of the Weather
96 bpm • F# Maj • 02:02 • -13db
16% Popularity • 63% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 63% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
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The Corries
The Bricklayer's Song
97 bpm • D Maj • 04:17 • -18db
27% Popularity • 55% Danceability • 18% Energy • 96% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 55% Danceability • 18% Energy • 96% Liveness
0% Instrumentalness • 66% Positiveness
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Rolf Harris
Tie Me Kangaroo Down Sport
93 bpm • A Maj • 02:42 • -14.92db
26% Popularity • 71% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 71% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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George Formby
Guarding The Homes Of The Home Garden
97 bpm • A# Maj • 04:01 • -16.74db
9% Popularity • 78% Danceability • 44% Energy • 62% Liveness
7% Instrumentalness • 91% Positiveness
9% Popularity • 78% Danceability • 44% Energy • 62% Liveness
7% Instrumentalness • 91% Positiveness
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Aberdeen F. C. Squad
The Northern Lights Of Old Aberdeen
97 bpm • C# Maj • 02:14 • -16db
20% Popularity • 44% Danceability • 36% Energy • 36% Liveness
71% Instrumentalness • 50% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 36% Liveness
71% Instrumentalness • 50% Positiveness
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Ivor Biggun
The Yodelling Winker (Misprint)
96 bpm • G Maj • 02:59 • -6.08db
3% Popularity • 56% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
3% Popularity • 56% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Adge Cutler & The Wurzels
Don't Tell I, Tell 'Ee
97 bpm • B Maj • 02:45 • -14db
13% Popularity • 70% Danceability • 52% Energy • 94% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 70% Danceability • 52% Energy • 94% Liveness
0% Instrumentalness • 96% Positiveness
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Amateur Transplants
London Underground
92 bpm • B Maj • 02:04 • -2.73db
41% Popularity • 56% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 56% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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John Shuttleworth
Two Margarines
97 bpm • G Maj • 01:59 • -8.46db
16% Popularity • 77% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 77% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Bud Flanagan
Who Do You Think You Are Kidding, Mr Hit...
98 bpm • A# Maj • 01:06 • -14.48db
30% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Peter Cook
Goodbye-ee
98 bpm • A# Maj • 02:01 • -12db
10% Popularity • 52% Danceability • 29% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 52% Danceability • 29% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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Ivor Biggun
Two Thirds of Four Fifths
93 bpm • G Maj • 02:55 • -3.72db
4% Popularity • 79% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
4% Popularity • 79% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Rolf Harris
Iko Iko
92 bpm • G# min • 02:07 • -9.28db
14% Popularity • 83% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 83% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Doug Anthony Allstars
World's Best Kisser
98 bpm • F Maj • 03:16 • -16.53db
7% Popularity • 54% Danceability • 36% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 54% Danceability • 36% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Benny Hill
What a World
98 bpm • E Maj • 02:45 • -8.66db
9% Popularity • 62% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 62% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Child
Working Man
98 bpm • A Maj • 04:22 • -11.56db
10% Popularity • 57% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 57% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Smacka Fitzgibbon
The Adventures of Barry McKenzie
98 bpm • C Maj • 03:11 • -12.11db
11% Popularity • 63% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 60% Positiveness
11% Popularity • 63% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 60% Positiveness
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The Lancashire Hotpots
Has the Bin Man Bin Mon
98 bpm • E Maj • 02:33 • -8db
23% Popularity • 78% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 78% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Max Boyce
The Ballad of Morgan the Moon - Live at ...
98 bpm • D# Maj • 06:34 • -19.98db
15% Popularity • 47% Danceability • 37% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 47% Danceability • 37% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Sellers
Goodness Gracious Me
98 bpm • G# Maj • 03:03 • -14db
25% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Bernard Cribbins
Right Said Fred
98 bpm • C# Maj • 02:20 • -8.02db
26% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Kunt and the Gang
Paperboy
92 bpm • F Maj • 03:12 • -7.07db
19% Popularity • 88% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 88% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Ivor Biggun
Cue for a Song
92 bpm • G Maj • 03:50 • -7.76db
1% Popularity • 59% Danceability • 55% Energy • 67% Liveness
0% Instrumentalness • 82% Positiveness
1% Popularity • 59% Danceability • 55% Energy • 67% Liveness
0% Instrumentalness • 82% Positiveness
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Harvey Andrews
Soldier
98 bpm • A Maj • 04:57 • -8.88db
22% Popularity • 55% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 55% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Frankie Davidson
The Ball Bearing Bird
99 bpm • G Maj • 02:47 • -13.68db
20% Popularity • 74% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 74% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Stanley Holloway
Any Old Iron?
99 bpm • A min • 02:30 • -9.57db
14% Popularity • 83% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 83% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
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Bernard Cribbins
Right Said Fred
99 bpm • G Maj • 02:17 • -6.18db
17% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Fivepenny Piece
Pete Was a Lonely Dog Who Lived in Centr...
91 bpm • E Maj • 03:29 • -13.47db
10% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Ivor Biggun
On the Good Ship Winky Wanky Woo
98 bpm • D Maj • 01:54 • -7.16db
2% Popularity • 64% Danceability • 65% Energy • 92% Liveness
0% Instrumentalness • 94% Positiveness
2% Popularity • 64% Danceability • 65% Energy • 92% Liveness
0% Instrumentalness • 94% Positiveness
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Don's Darlings
Leeds United: 1972 FA Cup Final
99 bpm • F Maj • 02:29 • -7.14db
8% Popularity • 60% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 60% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Kenneth McKellar
The Midges
99 bpm • D# Maj • 03:45 • -13.27db
16% Popularity • 73% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 73% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Adam Kay
Poisoning Pigeons in the Park
91 bpm • C Maj • 02:03 • -11.07db
15% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Everly Pregnant Brothers
A Little Bit Gay
100 bpm • A Maj • 01:49 • -9.43db
10% Popularity • 82% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 82% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Tom Lehrer
Pollution
90 bpm • C Maj • 02:11 • -11.93db
12% Popularity • 52% Danceability • 43% Energy • 72% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 52% Danceability • 43% Energy • 72% Liveness
0% Instrumentalness • 82% Positiveness
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Ivor Biggun
John Thomas Allcock - Live at the Swan
99 bpm • G Maj • 05:34 • -7.93db
0% Popularity • 72% Danceability • 79% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 72% Danceability • 79% Energy • 73% Liveness
0% Instrumentalness • 88% Positiveness
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Kunt and the Gang
The Abortion Song
100 bpm • F Maj • 01:53 • -7.47db
11% Popularity • 89% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 89% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Farmer Dan
Murphy and the Bricks
100 bpm • F Maj • 03:03 • -3.83db
24% Popularity • 86% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 86% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Adam Kay
Pollution
99 bpm • C Maj • 02:09 • -9.96db
15% Popularity • 66% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 66% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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The Everly Pregnant Brothers
Oyl Int Road
100 bpm • C Maj • 03:46 • -9.4db
12% Popularity • 84% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 84% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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John Shuttleworth
The A1111
90 bpm • F Maj • 02:37 • -10.89db
10% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 78% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Ivor Biggun
No! No! No!
91 bpm • G Maj • 03:15 • -12.11db
2% Popularity • 55% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 55% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
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Brendan Grace
The Curry Song
100 bpm • G Maj • 03:31 • -9.63db
18% Popularity • 85% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 85% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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George Formby
The Window Cleaner (No 2)
100 bpm • A# Maj • 02:54 • -13.49db
14% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Kevin Bloody Wilson
You Can't Say Cunt in Canada
101 bpm • C Maj • 02:58 • -8.8db
36% Popularity • 54% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 54% Danceability • 50% Energy • 57% Liveness
0% Instrumentalness • 68% Positiveness
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Arthur Askey
The Bee Song
101 bpm • A# Maj • 02:42 • -17db
16% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Des O'Connor
Dick-a-Dum-Dum (King's Road)
89 bpm • F Maj • 02:14 • -8db
18% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Ivor Biggun
Sixty Minute Man - Remastered
91 bpm • G# Maj • 02:34 • -4.16db
0% Popularity • 62% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 62% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Max Boyce
I Gave My Love A Debenture
102 bpm • D Maj • 07:41 • -14.41db
8% Popularity • 45% Danceability • 39% Energy • 75% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 45% Danceability • 39% Energy • 75% Liveness
0% Instrumentalness • 59% Positiveness
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The Shirehorses
Now I Know Where I'm Going Our Kid
102 bpm • F# Maj • 02:05 • -3.48db
13% Popularity • 45% Danceability • 91% Energy • 75% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 45% Danceability • 91% Energy • 75% Liveness
0% Instrumentalness • 72% Positiveness
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The Alexander Brothers
Geordie Munro
88 bpm • D Maj • 02:52 • -12.67db
12% Popularity • 76% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 76% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Williams
Bugsy Malone
88 bpm • C Maj • 02:31 • -11db
35% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Ian Whitcomb
My Dead Dog Rover
103 bpm • F Maj • 02:24 • -11db
10% Popularity • 60% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 60% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Ivor Biggun
Where Did the Lead in My Pencil Go? - Ka...
100 bpm • F# min • 03:02 • -8.32db
0% Popularity • 81% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 81% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Bernard Cribbins
Gossip Calypso
88 bpm • C# Maj • 02:07 • -12db
13% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Baby Bloke
You're Gormless
88 bpm • C Maj • 01:55 • -5.7db
10% Popularity • 45% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 45% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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The Fivepenny Piece
Tell You Owt
87 bpm • D Maj • 02:54 • -13db
10% Popularity • 74% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 74% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Paul Williams
Fat Sam's Grand Slam
103 bpm • G Maj • 01:44 • -9db
38% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 64% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Robert Lindsay and the Pride Park Posse
Steve Bloomer's Watching
104 bpm • F# Maj • 03:07 • -12db
19% Popularity • 42% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 42% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Ivor Biggun
Gums and Plums - Live at the Swan
100 bpm • B min • 04:17 • -8.55db
0% Popularity • 54% Danceability • 68% Energy • 98% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 54% Danceability • 68% Energy • 98% Liveness
0% Instrumentalness • 74% Positiveness
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Bernard Cribbins
The Bird on the Second Floor
87 bpm • C Maj • 01:49 • -14db
12% Popularity • 76% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 76% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Comic Relief
Islands In The Stream
104 bpm • C# Maj • 04:01 • -6.02db
27% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Neil
Hole in My Shoe
104 bpm • D# Maj • 03:40 • -10db
21% Popularity • 52% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 52% Danceability • 65% Energy • 88% Liveness
0% Instrumentalness • 58% Positiveness
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Rolf Harris
Nick Teen and Al K.Hall
104 bpm • G Maj • 03:00 • -13db
10% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 84% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Clive Dunn
Grandad - 2003 Remaster
104 bpm • D# Maj • 03:25 • -9.63db
26% Popularity • 85% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 85% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Ivor Biggun
The Winker's Song (Misprint)
102 bpm • D Maj • 03:11 • -8.08db
17% Popularity • 82% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 82% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 94% Positiveness
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Doug Anthony Allstars
Heard it Through the Grapevine
105 bpm • G# Maj • 09:57 • -17.3db
13% Popularity • 48% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 48% Danceability • 45% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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John Clarke
Not a Bad Day for It
86 bpm • G Maj • 02:35 • -6.18db
10% Popularity • 56% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 76% Positiveness
10% Popularity • 56% Danceability • 72% Energy • 24% Liveness
1% Instrumentalness • 76% Positiveness
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Flanders & Swann
The Reluctant Cannibal
86 bpm • F Maj • 03:59 • -16.61db
11% Popularity • 67% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 67% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 61% Positiveness
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Bernard Cribbins
Winkle Picker Shoes Blues
86 bpm • C Maj • 02:24 • -14db
10% Popularity • 82% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 82% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Goodies
The Funky Gibbon
105 bpm • A# min • 02:53 • -5db
17% Popularity • 74% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 74% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 87% Positiveness
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Ivor Biggun
I Wanna Be a Bear
89 bpm • G# Maj • 03:21 • -10.2db
1% Popularity • 75% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
1% Popularity • 75% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Paul Williams
So You Wanna Be A Boxer
105 bpm • F# Maj • 02:29 • -10db
38% Popularity • 80% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 80% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Benny Hill
Ernie (The Fastest Milkman in the West)
105 bpm • G Maj • 03:51 • -10.92db
36% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 49% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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The Lancashire Hotpots
Bitter Lager Cider Ale Stout - 2012 Rema...
106 bpm • A Maj • 02:25 • -7db
23% Popularity • 75% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 75% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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![Exercise Is Good For You [Laziness Is Not] cover art](https://i.scdn.co/image/ab67616d00001e02142cb6902288060b196eebef)
The Wombles
Exercise Is Good For You [Laziness Is No...
106 bpm • G Maj • 02:33 • -9.96db
14% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 53% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Max Boyce
Deck of Cards
106 bpm • A# Maj • 11:03 • -14.3db
8% Popularity • 50% Danceability • 40% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 50% Danceability • 40% Energy • 68% Liveness
0% Instrumentalness • 61% Positiveness
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Ivor Biggun
Winking Your Blues Away (Misprint)
102 bpm • G# Maj • 02:30 • -7.67db
1% Popularity • 68% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 68% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 80% Positiveness
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Rowan Atkinson
Four Yorkshiremen
106 bpm • C# Maj • 04:19 • -13.47db
18% Popularity • 53% Danceability • 71% Energy • 83% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 53% Danceability • 71% Energy • 83% Liveness
0% Instrumentalness • 32% Positiveness
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Rolf Harris
Waltzing Matilda
84 bpm • D# Maj • 03:42 • -12.5db
16% Popularity • 46% Danceability • 50% Energy • 84% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 46% Danceability • 50% Energy • 84% Liveness
0% Instrumentalness • 64% Positiveness
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The Everly Pregnant Brothers
69 to Rovvrum
84 bpm • C Maj • 04:08 • -11.19db
11% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Flanders & Swann
The Hippopotamus Song
107 bpm • G# Maj • 04:05 • -13db
20% Popularity • 63% Danceability • 42% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 63% Danceability • 42% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
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Andy Stewart
Donald, Where's Your Troosers
107 bpm • A# Maj • 03:18 • -15db
17% Popularity • 72% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 72% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
