Songs like Dotar Instrumental by Mohammad-Reza Shajarian
Based on a tempo of (+/- 10%) and a similar genre
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Mohammad-Reza Shajarian
Ziyafat
126 bpm • C Maj • 03:55 • -11.36db
8% Popularity • 62% Danceability • 36% Energy • 20% Liveness
35% Instrumentalness • 54% Positiveness
8% Popularity • 62% Danceability • 36% Energy • 20% Liveness
35% Instrumentalness • 54% Positiveness
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Heydoo Hedayati
Tirishko
126 bpm • D min • 02:50 • -7db
35% Popularity • 77% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 77% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Peyman Yazdanian
Friday's Soldiers, Pt. 1
126 bpm • A min • 02:45 • -19db
25% Popularity • 28% Danceability • 10% Energy • 11% Liveness
11% Instrumentalness • 10% Positiveness
25% Popularity • 28% Danceability • 10% Energy • 11% Liveness
11% Instrumentalness • 10% Positiveness
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Rastak
Gal Gal - Azari
126 bpm • C Maj • 04:24 • -7.83db
20% Popularity • 72% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 72% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Saeid Shanbehzadeh
Jazz Bandari
126 bpm • C Maj • 06:00 • -9.74db
16% Popularity • 36% Danceability • 63% Energy • 7% Liveness
32% Instrumentalness • 66% Positiveness
16% Popularity • 36% Danceability • 63% Energy • 7% Liveness
32% Instrumentalness • 66% Positiveness
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Dang Show
Whatever Might Be?
127 bpm • A min • 05:34 • -11.3db
20% Popularity • 55% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 55% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Mohammad-Reza Shajarian
Dotar Instrumental
126 bpm • F Maj • 02:10 • -26.75db
13% Popularity • 53% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 59% Positiveness
13% Popularity • 53% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 59% Positiveness
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Parviz Meshkatian
A Piece for Santur & Orchestra
125 bpm • F min • 03:13 • -8.45db
26% Popularity • 43% Danceability • 59% Energy • 22% Liveness
81% Instrumentalness • 59% Positiveness
26% Popularity • 43% Danceability • 59% Energy • 22% Liveness
81% Instrumentalness • 59% Positiveness
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Hosein Behroozinia
Kurdish Theme
125 bpm • G min • 02:00 • -18.06db
15% Popularity • 76% Danceability • 44% Energy • 35% Liveness
88% Instrumentalness • 97% Positiveness
15% Popularity • 76% Danceability • 44% Energy • 35% Liveness
88% Instrumentalness • 97% Positiveness
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Farhang Sharif
Sorrow and Joy
127 bpm • F min • 06:15 • -18.67db
9% Popularity • 49% Danceability • 12% Energy • 9% Liveness
48% Instrumentalness • 27% Positiveness
9% Popularity • 49% Danceability • 12% Energy • 9% Liveness
48% Instrumentalness • 27% Positiveness
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Hamed Nikpay
Hear (Beshnou), Setar
125 bpm • F Maj • 02:10 • -10.9db
13% Popularity • 47% Danceability • 30% Energy • 9% Liveness
68% Instrumentalness • 19% Positiveness
13% Popularity • 47% Danceability • 30% Energy • 9% Liveness
68% Instrumentalness • 19% Positiveness
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Dang Show
Ye Shahre Door
125 bpm • D min • 03:12 • -7.03db
27% Popularity • 59% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 59% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Mohammad Motamedi
Arame Man
125 bpm • A# min • 04:01 • -8db
27% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sina Bathaie
I Remember
124 bpm • E min • 07:14 • -11.65db
22% Popularity • 52% Danceability • 59% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
22% Popularity • 52% Danceability • 59% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Behdad Babaei
Daramad Abouata
124 bpm • G Maj • 05:44 • -13.01db
10% Popularity • 35% Danceability • 34% Energy • 20% Liveness
95% Instrumentalness • 20% Positiveness
10% Popularity • 35% Danceability • 34% Energy • 20% Liveness
95% Instrumentalness • 20% Positiveness
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Ahmad Shamlu
Afsous ke bi fayedeh
128 bpm • A min • 02:20 • -16.35db
16% Popularity • 57% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
16% Popularity • 57% Danceability • 26% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
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Javid Afsari Rad
Mehvaré Eshqh Axis of Love
128 bpm • G min • 06:51 • -12.81db
10% Popularity • 24% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 20% Positiveness
10% Popularity • 24% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 20% Positiveness
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Ali Azimi
Shaparak
124 bpm • E min • 04:21 • -14.97db
22% Popularity • 69% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 69% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Marjan
Tekyeh Bar Bad
124 bpm • B min • 05:32 • -18.27db
16% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Mohsen Sharifian
Naliyeh
124 bpm • A min • 03:03 • -5.39db
20% Popularity • 71% Danceability • 92% Energy • 24% Liveness
1% Instrumentalness • 83% Positiveness
20% Popularity • 71% Danceability • 92% Energy • 24% Liveness
1% Instrumentalness • 83% Positiveness
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Mohammad-Reza Shajarian
Ghatehye Didar
124 bpm • C# Maj • 06:57 • -10.69db
7% Popularity • 34% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 34% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
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Iran
Avaze Bayate Kord
128 bpm • B min • 07:40 • -11.47db
3% Popularity • 31% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 27% Positiveness
3% Popularity • 31% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 27% Positiveness
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Fereidoon Foroughi
Hogheh
128 bpm • F min • 06:42 • -19db
19% Popularity • 39% Danceability • 41% Energy • 85% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 39% Danceability • 41% Energy • 85% Liveness
0% Instrumentalness • 57% Positiveness
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Mehrdad Mehdi
Coy Crane
124 bpm • A min • 02:24 • -7db
22% Popularity • 24% Danceability • 26% Energy • 16% Liveness
47% Instrumentalness • 34% Positiveness
22% Popularity • 24% Danceability • 26% Energy • 16% Liveness
47% Instrumentalness • 34% Positiveness
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Ardavan Hatami
Leila Khanoom
128 bpm • F# min • 04:18 • -16.08db
12% Popularity • 63% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 63% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Amirabbas Setayeshgar
Setar Narration, Pt. 1
129 bpm • F min • 03:47 • -15.79db
11% Popularity • 43% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 25% Positiveness
11% Popularity • 43% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 25% Positiveness
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Mohammad-Reza Shajarian
Tasnife Delshodegan
128 bpm • F Maj • 03:46 • -6.78db
30% Popularity • 64% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 64% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Rastak
Mandiir - Bakhtiari
129 bpm • C Maj • 03:33 • -7.51db
25% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Sima Bina
Shah Sanam
129 bpm • A# min • 05:10 • -16db
13% Popularity • 49% Danceability • 16% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 49% Danceability • 16% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Anoushirvan Rohani
Gole Sang
123 bpm • E min • 05:35 • -10.07db
39% Popularity • 35% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 35% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Elaheh
Chehgooneh Mikhandam
123 bpm • A min • 04:13 • -13.38db
14% Popularity • 50% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
14% Popularity • 50% Danceability • 13% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Parvaz Homay
Dar Shabe Gisovane To
122 bpm • D min • 08:46 • -8.29db
21% Popularity • 32% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 32% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Afshar Namvar
Caucasus, Pt. 8
130 bpm • C min • 03:39 • -9.03db
15% Popularity • 48% Danceability • 41% Energy • 7% Liveness
10% Instrumentalness • 15% Positiveness
15% Popularity • 48% Danceability • 41% Energy • 7% Liveness
10% Instrumentalness • 15% Positiveness
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Heydoo Hedayati
Mo Si To
130 bpm • B min • 03:55 • -9.26db
31% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Rastak
Balal - Bakhtiari
130 bpm • C min • 04:47 • -9db
19% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Behdad Babaei
Pish Daramad Abouata
130 bpm • E min • 09:24 • -8.43db
8% Popularity • 44% Danceability • 44% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
8% Popularity • 44% Danceability • 44% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Abdol Hossein Mokhtabad
Tamanay -e Vesal
122 bpm • F# min • 05:14 • -10.48db
14% Popularity • 62% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 62% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Parvaz Homay
Ghame Kohne
130 bpm • D min • 07:06 • -6.85db
13% Popularity • 35% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 35% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Sina Bathaie
Jasmine's Smile
122 bpm • A min • 07:39 • -13.27db
26% Popularity • 56% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
26% Popularity • 56% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 38% Positiveness
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Heydoo Hedayati
Mojab
130 bpm • E min • 03:51 • -9db
32% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Rastak
Wahar - Kurdestan
122 bpm • D Maj • 03:29 • -8.71db
20% Popularity • 71% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 71% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Aida Shahghasemi
Wind Is To Blame
131 bpm • E min • 07:15 • -12.84db
22% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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M.R.Lotfi
Hejaz
131 bpm • E Maj • 02:50 • -12.84db
14% Popularity • 39% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 39% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Mohammad Reza Lotfi
Foroud
121 bpm • C# Maj • 01:24 • -30.83db
18% Popularity • 30% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 23% Positiveness
18% Popularity • 30% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 23% Positiveness
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Peyman Yazdanian
Renewed Acquaintance
121 bpm • C min • 02:19 • -22.65db
23% Popularity • 20% Danceability • 10% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 10% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Behdad Babaj
Khazan
120 bpm • D Maj • 06:19 • -15.32db
21% Popularity • 28% Danceability • 54% Energy • 34% Liveness
98% Instrumentalness • 48% Positiveness
21% Popularity • 28% Danceability • 54% Energy • 34% Liveness
98% Instrumentalness • 48% Positiveness
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Alireza Eftekhari
Sayyad
132 bpm • F min • 04:07 • -6.11db
32% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 72% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Aida Shahghasemi
Your Two Braids
132 bpm • E min • 04:19 • -14.83db
7% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Mohammad-Reza Shajarian
Tasnife Rendane Mast
132 bpm • C# min • 06:03 • -7.79db
28% Popularity • 64% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 64% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Dang Show
BeShit
120 bpm • F Maj • 05:55 • -13.71db
8% Popularity • 48% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
8% Popularity • 48% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 7% Positiveness
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Hamed Nikpay
Vay Bar Ma
120 bpm • B min • 04:06 • -7db
13% Popularity • 48% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 48% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Mahsa Vahdat
The Moon of Our Beloved´s Face
132 bpm • F Maj • 02:45 • -9.42db
21% Popularity • 59% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 59% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Saman Samimi
To Boundless
120 bpm • D# min • 05:45 • -15.14db
10% Popularity • 50% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
10% Popularity • 50% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 36% Positiveness
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Marzieh
Barane Gham
133 bpm • G# min • 04:49 • -14.11db
1% Popularity • 36% Danceability • 24% Energy • 19% Liveness
79% Instrumentalness • 52% Positiveness
1% Popularity • 36% Danceability • 24% Energy • 19% Liveness
79% Instrumentalness • 52% Positiveness
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Mohammad-Reza Shajarian
Dele Sheyda
120 bpm • C Maj • 04:12 • -10.5db
12% Popularity • 38% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 38% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 31% Positiveness
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Hafez Nazeri
Untold: Stage V: Unity
120 bpm • C min • 01:52 • -7.98db
10% Popularity • 59% Danceability • 46% Energy • 15% Liveness
5% Instrumentalness • 40% Positiveness
10% Popularity • 59% Danceability • 46% Energy • 15% Liveness
5% Instrumentalness • 40% Positiveness
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Dang Show
Slightly Slower
120 bpm • E min • 03:23 • -10db
21% Popularity • 67% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 67% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Hamed Nikpay
All Is Calm (Asoudeh)
120 bpm • E Maj • 03:36 • -12db
14% Popularity • 65% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 65% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Mohammad Reza Lotfi
Sazo Avaz Segah: Gar begouyam ke mara ba...
120 bpm • D Maj • 02:46 • -16.6db
11% Popularity • 44% Danceability • 12% Energy • 12% Liveness
12% Instrumentalness • 24% Positiveness
11% Popularity • 44% Danceability • 12% Energy • 12% Liveness
12% Instrumentalness • 24% Positiveness
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Delkash
Tanha Maneshin
133 bpm • D min • 05:35 • -8.99db
12% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Alireza Eftekhari
Khane Bar Doosh
133 bpm • C min • 05:10 • -10.2db
26% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 53% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Imamyar Hasanov
Infinity
119 bpm • C min • 01:44 • -12.03db
23% Popularity • 45% Danceability • 60% Energy • 12% Liveness
83% Instrumentalness • 74% Positiveness
23% Popularity • 45% Danceability • 60% Energy • 12% Liveness
83% Instrumentalness • 74% Positiveness
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Seyed Khalil Alinejad
Padeshah-e-Khooban
133 bpm • G min • 09:24 • -13.93db
10% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Betti
Daram Ashegh Misham Ashegh
133 bpm • F min • 04:33 • -10.67db
34% Popularity • 67% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 67% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Ahmad Shamlu
Dar kargahe kouzehgari
119 bpm • A min • 01:14 • -20.76db
23% Popularity • 40% Danceability • 8% Energy • 31% Liveness
17% Instrumentalness • 45% Positiveness
23% Popularity • 40% Danceability • 8% Energy • 31% Liveness
17% Instrumentalness • 45% Positiveness
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Soroush Kamalian
Your Drunken Eyes
134 bpm • A# min • 04:23 • -14.39db
19% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Dariush Tala'i
Chaharmezrabe Owj, Souzo Godaz
119 bpm • B min • 04:08 • -14db
8% Popularity • 31% Danceability • 32% Energy • 21% Liveness
85% Instrumentalness • 18% Positiveness
8% Popularity • 31% Danceability • 32% Energy • 21% Liveness
85% Instrumentalness • 18% Positiveness
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Banan
Amadi Janam Beghorbanat
134 bpm • D# min • 08:18 • -9.57db
15% Popularity • 29% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 29% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Mohammad-Reza Shajarian
Tasnife Payame Nasim
134 bpm • A Maj • 04:57 • -11.84db
13% Popularity • 37% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 37% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Kamkar Ensemble
Episode 17
118 bpm • C min • 02:32 • -11db
18% Popularity • 60% Danceability • 31% Energy • 14% Liveness
96% Instrumentalness • 43% Positiveness
18% Popularity • 60% Danceability • 31% Energy • 14% Liveness
96% Instrumentalness • 43% Positiveness
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Hafez Nazeri
Eternal Return: Dance of the Galaxies
118 bpm • G min • 05:24 • -12.79db
7% Popularity • 52% Danceability • 30% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
7% Popularity • 52% Danceability • 30% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
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Reza Rohani
Shab-e-Abi
135 bpm • G min • 04:28 • -13.97db
17% Popularity • 62% Danceability • 29% Energy • 12% Liveness
85% Instrumentalness • 33% Positiveness
17% Popularity • 62% Danceability • 29% Energy • 12% Liveness
85% Instrumentalness • 33% Positiveness
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Javid Afsari Rad
Soz O Godaz Flames
135 bpm • G min • 04:25 • -13.07db
10% Popularity • 33% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 33% Danceability • 13% Energy • 8% Liveness
89% Instrumentalness • 9% Positiveness
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Masoud Bakhtiyari
Gol Badineh
118 bpm • C# min • 04:34 • -6db
12% Popularity • 48% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 48% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Mohammad-Reza Shajarian
Tasnife Jane Jahan
119 bpm • C# Maj • 05:52 • -10.14db
15% Popularity • 44% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
15% Popularity • 44% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Rastak
Biu Barimesh - Khuzestan
135 bpm • C# Maj • 04:58 • -7.45db
23% Popularity • 71% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 71% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Peyman Yazdanian
Soundtrack of Bright Nights, Pt. 3
117 bpm • G min • 01:04 • -16.89db
23% Popularity • 24% Danceability • 19% Energy • 14% Liveness
72% Instrumentalness • 28% Positiveness
23% Popularity • 24% Danceability • 19% Energy • 14% Liveness
72% Instrumentalness • 28% Positiveness
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Anoushirvan Rohani
Overtour Of Ashegh Shodam - Piano
117 bpm • D# Maj • 01:06 • -17.58db
29% Popularity • 30% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
29% Popularity • 30% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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Alireza Eftekhari
Atashe Karavan
135 bpm • C Maj • 08:02 • -12.43db
17% Popularity • 54% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 54% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Babak Radmanesh
Nazanin-E Maryam
117 bpm • D min • 03:48 • -5.75db
19% Popularity • 64% Danceability • 46% Energy • 23% Liveness
78% Instrumentalness • 62% Positiveness
19% Popularity • 64% Danceability • 46% Energy • 23% Liveness
78% Instrumentalness • 62% Positiveness
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Mohammad-Reza Shajarian
Booy-e-Baran
134 bpm • C min • 07:43 • -7.05db
22% Popularity • 28% Danceability • 35% Energy • 28% Liveness
3% Instrumentalness • 29% Positiveness
22% Popularity • 28% Danceability • 35% Energy • 28% Liveness
3% Instrumentalness • 29% Positiveness
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Tara Tiba
Omid
136 bpm • A min • 04:54 • -14.37db
18% Popularity • 56% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 56% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Mehdi Saki
Clapping
117 bpm • G# min • 03:48 • -8.12db
22% Popularity • 66% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 66% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mahdieh Mohammadkhani
Daryâ Del
136 bpm • G# min • 06:11 • -7.26db
9% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Faramarz Aslani
Ahooye Vahshi
116 bpm • F min • 05:50 • -15.19db
37% Popularity • 42% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 42% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Marjan
Khooneh Khali
136 bpm • B Maj • 04:36 • -12.56db
27% Popularity • 54% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 54% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Hafez Nazeri
Untold: Stage VI: Wonderment
116 bpm • G min • 03:02 • -10.34db
8% Popularity • 31% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 31% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Kamkar Ensemble
Episode 1
116 bpm • C min • 03:14 • -11.8db
11% Popularity • 41% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
11% Popularity • 41% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Eishan Ensemble
Regret
137 bpm • E min • 05:23 • -9.84db
13% Popularity • 43% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
13% Popularity • 43% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 25% Positiveness
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Ahmad Shamlu
Bengar ze jahan
137 bpm • A min • 02:01 • -20.35db
19% Popularity • 34% Danceability • 14% Energy • 61% Liveness
10% Instrumentalness • 29% Positiveness
19% Popularity • 34% Danceability • 14% Energy • 61% Liveness
10% Instrumentalness • 29% Positiveness
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Daal Band
Sweetness of a Dream
137 bpm • E min • 04:13 • -9.23db
34% Popularity • 46% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 46% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Ghazal Shakeri
Shrazad / Doush Doush
116 bpm • A# min • 01:38 • -9.45db
31% Popularity • 49% Danceability • 54% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
31% Popularity • 49% Danceability • 54% Energy • 15% Liveness
3% Instrumentalness • 59% Positiveness
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Mohammad-Reza Shajarian
Gholame Chashm
116 bpm • D Maj • 04:46 • -14.94db
35% Popularity • 37% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 37% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Kamkar Ensemble
Episode 2
137 bpm • C min • 02:11 • -12.45db
11% Popularity • 53% Danceability • 35% Energy • 12% Liveness
22% Instrumentalness • 39% Positiveness
11% Popularity • 53% Danceability • 35% Energy • 12% Liveness
22% Instrumentalness • 39% Positiveness
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Iraj Bastami
Santour &Avaz
116 bpm • D min • 07:18 • -14.28db
7% Popularity • 34% Danceability • 28% Energy • 23% Liveness
3% Instrumentalness • 20% Positiveness
7% Popularity • 34% Danceability • 28% Energy • 23% Liveness
3% Instrumentalness • 20% Positiveness
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Arman Garshasbi
Az To Goftam - Piano Version
115 bpm • B Maj • 03:13 • -10.24db
26% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Dang Show
Ma Heart & Ma Soul
115 bpm • A min • 03:10 • -8.59db
21% Popularity • 58% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 58% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Hafez Nazeri
Creation (Om): Atomic Peace
138 bpm • D Maj • 04:45 • -18.65db
12% Popularity • 17% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
