Songs like Double Concerto for 2 String Orchestras, Piano and Timpani, H. 271: I. Poco allegro by Bohuslav Martinů
Based on a tempo of (+/- 10%) and a similar genre
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
50% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Bohuslav Martinů
Špalíček, Orchestral Suite: II. Tanec...
126 bpm • D Maj • 01:44 • -19.61db
0% Popularity • 66% Danceability • 45% Energy • 4% Liveness
95% Instrumentalness • 96% Positiveness
0% Popularity • 66% Danceability • 45% Energy • 4% Liveness
95% Instrumentalness • 96% Positiveness
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Emmanuel Chabrier
Suite pastorale: II. Danse villageoise
126 bpm • A Maj • 04:33 • -24db
11% Popularity • 48% Danceability • 5% Energy • 3% Liveness
84% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 5% Energy • 3% Liveness
84% Instrumentalness • 42% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
126 bpm • D min • 04:08 • -26.36db
16% Popularity • 18% Danceability • 4% Energy • 18% Liveness
59% Instrumentalness • 9% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 18% Liveness
59% Instrumentalness • 9% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:01 • -15.36db
19% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
19% Popularity • 25% Danceability • 23% Energy • 62% Liveness
85% Instrumentalness • 19% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, B.52: I...
127 bpm • F Maj • 05:41 • -21db
8% Popularity • 26% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
8% Popularity • 26% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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Bedřich Smetana
String Quartet No. 1 in E Minor 'From My...
125 bpm • E Maj • 05:25 • -17db
7% Popularity • 41% Danceability • 28% Energy • 26% Liveness
32% Instrumentalness • 14% Positiveness
7% Popularity • 41% Danceability • 28% Energy • 26% Liveness
32% Instrumentalness • 14% Positiveness
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Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
127 bpm • F Maj • 06:20 • -21.52db
11% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
11% Popularity • 37% Danceability • 12% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
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Ludwig van Beethoven
12 Variations on Handel's "See the Conqu...
127 bpm • G min • 01:02 • -33db
16% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
16% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: II. Scherzo: Prestissi...
125 bpm • A# Maj • 04:09 • -18.83db
10% Popularity • 32% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
10% Popularity • 32% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
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Antonín Dvořák
Partita Suite No. 1 for String Orchestra...
127 bpm • G Maj • 03:12 • -17db
5% Popularity • 38% Danceability • 38% Energy • 16% Liveness
89% Instrumentalness • 70% Positiveness
5% Popularity • 38% Danceability • 38% Energy • 16% Liveness
89% Instrumentalness • 70% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: II. La...
127 bpm • G min • 05:31 • -28db
9% Popularity • 32% Danceability • 2% Energy • 35% Liveness
67% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 2% Energy • 35% Liveness
67% Instrumentalness • 14% Positiveness
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Bedřich Smetana
String Quartet No. 1 in E Minor, JB 1:10...
125 bpm • E Maj • 06:10 • -16.83db
13% Popularity • 38% Danceability • 32% Energy • 29% Liveness
86% Instrumentalness • 12% Positiveness
13% Popularity • 38% Danceability • 32% Energy • 29% Liveness
86% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Aleko: Introduction
125 bpm • G min • 03:06 • -22.5db
13% Popularity • 22% Danceability • 3% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 3% Energy • 6% Liveness
81% Instrumentalness • 3% Positiveness
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Stanisław Moniuszko
Verbum nobile: Overture
125 bpm • G Maj • 05:14 • -20.58db
2% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
2% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
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Jean Françaix
Clarinet Concerto: I. Allegro
128 bpm • A Maj • 07:33 • -19db
11% Popularity • 38% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
11% Popularity • 38% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
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Grażyna Bacewicz
Concerto for String Orchestra: I. Allegr...
125 bpm • C Maj • 04:49 • -18db
12% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Albrecht Mayer
Harpsichord Concerto in G Major, H. 412 ...
128 bpm • G Maj • 08:29 • -15.55db
9% Popularity • 37% Danceability • 26% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
9% Popularity • 37% Danceability • 26% Energy • 15% Liveness
92% Instrumentalness • 40% Positiveness
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Pyotr Ilyich Tchaikovsky
Allegro Non Troppo E Risoluto
128 bpm • D# Maj • 06:03 • -23.16db
8% Popularity • 49% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
8% Popularity • 49% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Witold Lutosławski
Lutoslawski : Concerto for Orchestra : I...
128 bpm • F# min • 07:17 • -26db
13% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
13% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
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Carl Maria von Weber
Weber: Clarinet Concerto No. 1 in F Mino...
128 bpm • F min • 08:11 • -21db
10% Popularity • 28% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 10% Positiveness
10% Popularity • 28% Danceability • 10% Energy • 9% Liveness
34% Instrumentalness • 10% Positiveness
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Benjamin Britten
Soirees musicales, Op. 9: I. March
124 bpm • A# Maj • 01:27 • -24db
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
43% Popularity • 41% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 27% Positiveness
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Josef Labor
Piano Concerto for the Left Hand No. 1: ...
128 bpm • D Maj • 04:13 • -22.16db
9% Popularity • 28% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
9% Popularity • 28% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Alle...
129 bpm • G Maj • 04:01 • -27.06db
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
28% Popularity • 38% Danceability • 3% Energy • 8% Liveness
63% Instrumentalness • 25% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: I. All...
129 bpm • D Maj • 08:46 • -24db
25% Popularity • 31% Danceability • 11% Energy • 24% Liveness
93% Instrumentalness • 7% Positiveness
25% Popularity • 31% Danceability • 11% Energy • 24% Liveness
93% Instrumentalness • 7% Positiveness
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Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
13% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20, TH 12, Act III: No. 1...
122 bpm • F min • 01:16 • -16.01db
2% Popularity • 52% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
2% Popularity • 52% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Bohuslav Martinů
Špalíček, Orchestral Suite: VI. Tanec...
122 bpm • D Maj • 03:10 • -17.77db
0% Popularity • 63% Danceability • 60% Energy • 13% Liveness
96% Instrumentalness • 77% Positiveness
0% Popularity • 63% Danceability • 60% Energy • 13% Liveness
96% Instrumentalness • 77% Positiveness
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Dmitri Shostakovich
Shostakovich: Piano Quintet in G Minor, ...
122 bpm • D min • 06:48 • -27.81db
3% Popularity • 24% Danceability • 2% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
3% Popularity • 24% Danceability • 2% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Graźnya Bacewicz
Concerto for String Orchestra: III. Vivo
130 bpm • A min • 04:20 • -17.79db
22% Popularity • 37% Danceability • 42% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
22% Popularity • 37% Danceability • 42% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
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Maurice Ravel
Valses nobles et sentimentales M 61b VI....
129 bpm • G Maj • 01:01 • -26db
8% Popularity • 18% Danceability • 8% Energy • 15% Liveness
97% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 15% Liveness
97% Instrumentalness • 7% Positiveness
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Various Artists
La jota aragonese
121 bpm • D Maj • 03:50 • -24.62db
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 37% Danceability • 14% Energy • 6% Liveness
89% Instrumentalness • 47% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
131 bpm • C min • 03:01 • -19.18db
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
85% Instrumentalness • 20% Positiveness
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Bohuslav Martinů
Špalíček, Orchestral Suite: V. -
122 bpm • F Maj • 02:53 • -16.91db
0% Popularity • 46% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 57% Positiveness
0% Popularity • 46% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 57% Positiveness
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Mel Bonis
Scenes de la foret, Op. 123: No. 1. Noct...
131 bpm • G# Maj • 03:38 • -29db
15% Popularity • 30% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 30% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
14% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
14% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
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Darius Milhaud
Suite, Op. 157b: I. Ouverture
131 bpm • E min • 01:31 • -11db
17% Popularity • 56% Danceability • 31% Energy • 19% Liveness
7% Instrumentalness • 75% Positiveness
17% Popularity • 56% Danceability • 31% Energy • 19% Liveness
7% Instrumentalness • 75% Positiveness
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Igor Stravinsky
Violin Concerto in D Major: IV. Capricci...
121 bpm • D Maj • 06:18 • -19.87db
8% Popularity • 54% Danceability • 20% Energy • 34% Liveness
20% Instrumentalness • 66% Positiveness
8% Popularity • 54% Danceability • 20% Energy • 34% Liveness
20% Instrumentalness • 66% Positiveness
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Felix Mendelssohn
Symphony No. 3, Op. 56, "Scottish": IV. ...
120 bpm • A min • 09:26 • -19.17db
16% Popularity • 34% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
16% Popularity • 34% Danceability • 20% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
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Bohuslav Martinů
Symphony No. 4: II. Allegro Vivo - Trio:...
121 bpm • G min • 09:30 • -23.17db
3% Popularity • 26% Danceability • 14% Energy • 6% Liveness
72% Instrumentalness • 12% Positiveness
3% Popularity • 26% Danceability • 14% Energy • 6% Liveness
72% Instrumentalness • 12% Positiveness
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Jean Françaix
String Trio: II. Scherzo - Vivo
120 bpm • G Maj • 03:27 • -20.97db
7% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
7% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1 in E-Flat Major, Op...
122 bpm • D# Maj • 06:22 • -18.2db
10% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
10% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Robert Bonnevie
Concertstück in F Major, Op. 86: III. S...
132 bpm • F Maj • 05:49 • -23.29db
15% Popularity • 32% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
15% Popularity • 32% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Igor Stravinsky
Petrushka: Danse Russe
121 bpm • A min • 02:40 • -18.26db
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
37% Popularity • 52% Danceability • 29% Energy • 37% Liveness
89% Instrumentalness • 46% Positiveness
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Franz Liszt
Piano Concerto No. 1 in E Flat Major, S....
120 bpm • G# min • 05:31 • -20.41db
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 12% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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Bohuslav Martinů
Etudes and Polkas. Piano Pieces - 2nd Bo...
132 bpm • A# Maj • 01:48 • -19.69db
0% Popularity • 48% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 50% Positiveness
0% Popularity • 48% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 50% Positiveness
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Pyotr Ilyich Tchaikovsky
Pezzo capriccioso in B Minor, Op. 62
132 bpm • B min • 07:18 • -26.29db
8% Popularity • 23% Danceability • 10% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
8% Popularity • 23% Danceability • 10% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
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Nikolai Rimsky-Korsakov
Pictures at an Exhibition: Tuileries
120 bpm • C# min • 01:01 • -23.9db
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Symphony No. 3, Op. 56, "Scottish": II. ...
133 bpm • F Maj • 04:11 • -20.31db
17% Popularity • 35% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
17% Popularity • 35% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
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Erik Satie
Relâche, Pt. 1: No. 3, Entrée de la fe...
133 bpm • D Maj • 01:16 • -33.3db
8% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Benedetto Marcello
Introduzione, aria e presto: I. Largo e ...
133 bpm • E min • 01:04 • -11.83db
25% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
25% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
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Bohuslav Martinů
Sonatina for Clarinet and Piano, H. 356:...
132 bpm • D# min • 03:05 • -29.52db
1% Popularity • 26% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
1% Popularity • 26% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Krzysztof Penderecki
3 Pieces in Old Style: No. 3. Menuetto I...
119 bpm • D Maj • 02:08 • -19db
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Paul Chihara
Concerto-Fantasy: II. Interlude
133 bpm • C# Maj • 03:47 • -25.08db
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 60% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
133 bpm • G Maj • 08:34 • -20.26db
16% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
John Field
Nocturne No. 8 in A Major, H. 46
133 bpm • E min • 03:25 • -28.12db
10% Popularity • 22% Danceability • 1% Energy • 7% Liveness
52% Instrumentalness • 10% Positiveness
10% Popularity • 22% Danceability • 1% Energy • 7% Liveness
52% Instrumentalness • 10% Positiveness
► Preview
Gaetano Donizetti
Les martyrs (Excerpts): Ô ma mère
133 bpm • F Maj • 01:00 • -25.3db
10% Popularity • 25% Danceability • 3% Energy • 49% Liveness
21% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 3% Energy • 49% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Antonín Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 4 i...
119 bpm • F Maj • 07:15 • -16.22db
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 10% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
► Preview
Christian Lindberg
A Vulgar Mind
119 bpm • G Maj • 01:42 • -16.85db
14% Popularity • 53% Danceability • 59% Energy • 29% Liveness
78% Instrumentalness • 51% Positiveness
14% Popularity • 53% Danceability • 59% Energy • 29% Liveness
78% Instrumentalness • 51% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: III. ...
119 bpm • F Maj • 09:32 • -19db
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 29% Liveness
88% Instrumentalness • 10% Positiveness
► Preview
Robert Schumann
Marchenbilder (Fairy Tales), Op. 113: IV...
134 bpm • D Maj • 05:15 • -32.44db
11% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Slovak Philharmonic
Gilgames, H. 351: Part I: Gilgamesh: nor...
119 bpm • D Maj • 01:38 • -27.22db
3% Popularity • 27% Danceability • 5% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
3% Popularity • 27% Danceability • 5% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Bohuslav Martinů
Concerto for Double String Orchestra, Pi...
118 bpm • F min • 06:46 • -19.3db
1% Popularity • 29% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
1% Popularity • 29% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
118 bpm • G# Maj • 10:24 • -22db
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 9% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
Weber: Clarinet Concerto No. 2 in E-Flat...
118 bpm • D# Maj • 06:39 • -22.41db
3% Popularity • 42% Danceability • 15% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
3% Popularity • 42% Danceability • 15% Energy • 11% Liveness
18% Instrumentalness • 34% Positiveness
► Preview
G. M. Rodriguez
Tango (La cumparsita)
118 bpm • A# Maj • 04:14 • -21.53db
10% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
10% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Gustav Mahler
Symphony No. 4: II. In gemächlicher Bew...
135 bpm • C Maj • 09:55 • -27.36db
22% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 3% Energy • 14% Liveness
61% Instrumentalness • 11% Positiveness
► Preview
Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Franz Schubert
Fantasie in C Major, D. 934: I. Andante ...
135 bpm • C Maj • 03:13 • -30.92db
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 5% Positiveness
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Claude Debussy
Debussy: Petite suite, CD 71, L. 65: IV....
117 bpm • D Maj • 02:49 • -17db
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
21% Popularity • 35% Danceability • 27% Energy • 11% Liveness
78% Instrumentalness • 45% Positiveness
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Rezsö Kókai
Verbunkos Suite: II. Fresh Hungarian
118 bpm • G Maj • 04:32 • -17.63db
18% Popularity • 42% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 46% Positiveness
18% Popularity • 42% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 46% Positiveness
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Felix Mendelssohn
Symphony No. 1, Op. 11: I. Allegro di mo...
135 bpm • D# Maj • 09:59 • -19.82db
19% Popularity • 29% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
19% Popularity • 29% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
117 bpm • F min • 07:28 • -22db
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Ludwig van Beethoven
Beethoven: Piano Concerto No. 3 in C Min...
136 bpm • E Maj • 10:09 • -28.61db
3% Popularity • 23% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Alfred Schnittke
Suite in the Old Style: II. Ballet
117 bpm • D Maj • 02:14 • -16.27db
7% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
7% Popularity • 65% Danceability • 31% Energy • 14% Liveness
87% Instrumentalness • 92% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Alessandro Gozzo
In discesa
117 bpm • D min • 01:17 • -23db
10% Popularity • 37% Danceability • 15% Energy • 34% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 37% Danceability • 15% Energy • 34% Liveness
92% Instrumentalness • 13% Positiveness
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Adam Carse
2 Sketches: A Northern Dance
136 bpm • A min • 02:36 • -18.84db
10% Popularity • 46% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
10% Popularity • 46% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Bohuslav Martinů
Bergerettes, H. 275: No. 1, Poco allegro...
116 bpm • D min • 03:34 • -20.24db
0% Popularity • 42% Danceability • 13% Energy • 8% Liveness
44% Instrumentalness • 36% Positiveness
0% Popularity • 42% Danceability • 13% Energy • 8% Liveness
44% Instrumentalness • 36% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake Suite, Op. 20a: V...
116 bpm • B Maj • 07:41 • -14.69db
8% Popularity • 25% Danceability • 30% Energy • 34% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 25% Danceability • 30% Energy • 34% Liveness
92% Instrumentalness • 5% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
34% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
34% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Peter Hope
Momentum
137 bpm • D Maj • 03:23 • -19db
10% Popularity • 28% Danceability • 19% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
10% Popularity • 28% Danceability • 19% Energy • 19% Liveness
86% Instrumentalness • 19% Positiveness
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Bohuslav Martinů
Etudes and Polkas. Piano Pieces - 1st Bo...
116 bpm • A# Maj • 01:43 • -17.89db
0% Popularity • 35% Danceability • 33% Energy • 14% Liveness
89% Instrumentalness • 62% Positiveness
0% Popularity • 35% Danceability • 33% Energy • 14% Liveness
89% Instrumentalness • 62% Positiveness
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Jacques Ibert
Ibert: 3 Pièces brèves: I. Allegro
116 bpm • C Maj • 02:17 • -16db
12% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
12% Popularity • 51% Danceability • 17% Energy • 18% Liveness
92% Instrumentalness • 40% Positiveness
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Benjamin Britten
Variations on a Theme of Frank Bridge, O...
116 bpm • D Maj • 01:10 • -16.9db
10% Popularity • 46% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 42% Positiveness
10% Popularity • 46% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 42% Positiveness
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Alexander Borodin
Symphony No. 2 in B Minor: I. Allegro
137 bpm • G Maj • 06:52 • -15db
17% Popularity • 29% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
17% Popularity • 29% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Peter Warlock
Capriol Suite: III. Tordion
115 bpm • G min • 00:59 • -24.81db
14% Popularity • 45% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 78% Positiveness
14% Popularity • 45% Danceability • 7% Energy • 8% Liveness
30% Instrumentalness • 78% Positiveness
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Paul Le Flem
7 Pieces enfantines (7 Children's Pieces...
115 bpm • A# Maj • 02:34 • -34.07db
21% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 12% Positiveness
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Bohuslav Martinů
Symphony No. 1: II. Scherzo: Allegro - T...
137 bpm • A# Maj • 07:25 • -20.15db
3% Popularity • 33% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
3% Popularity • 33% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
138 bpm • C Maj • 08:03 • -27.33db
7% Popularity • 35% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 21% Positiveness
7% Popularity • 35% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 21% Positiveness
