Songs like Double Trouble by Red McKenzie
Based on a tempo of (+/- 10%) and a similar genre
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Claude Hopkins Orchestra
Washington Squabble
109 bpm • C Maj • 03:04 • -17.43db
14% Popularity • 81% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 81% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Red McKenzie
I Would Do Anything for You
109 bpm • F Maj • 01:54 • -12.68db
0% Popularity • 71% Danceability • 46% Energy • 16% Liveness
5% Instrumentalness • 80% Positiveness
0% Popularity • 71% Danceability • 46% Energy • 16% Liveness
5% Instrumentalness • 80% Positiveness
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Ted Weems & His Orchestra
Talk of the Town
109 bpm • D# Maj • 03:12 • -13db
15% Popularity • 80% Danceability • 25% Energy • 18% Liveness
92% Instrumentalness • 91% Positiveness
15% Popularity • 80% Danceability • 25% Energy • 18% Liveness
92% Instrumentalness • 91% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Paul Whiteman & His Orchestra
Sweet and Low Down
109 bpm • G Maj • 02:35 • -11db
19% Popularity • 82% Danceability • 29% Energy • 29% Liveness
89% Instrumentalness • 88% Positiveness
19% Popularity • 82% Danceability • 29% Energy • 29% Liveness
89% Instrumentalness • 88% Positiveness
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Bob Crosby & His Orchestra
Sugar Foot Stomp
109 bpm • C Maj • 02:23 • -8.41db
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
19% Popularity • 72% Danceability • 64% Energy • 9% Liveness
40% Instrumentalness • 85% Positiveness
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Fletcher Henderson & His Orchestra
Sing, Sing, Sing (With a Swing)
109 bpm • E min • 02:32 • -13.33db
17% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
17% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Red McKenzie
Double Trouble
109 bpm • A# Maj • 02:35 • -11.03db
4% Popularity • 78% Danceability • 46% Energy • 7% Liveness
93% Instrumentalness • 96% Positiveness
4% Popularity • 78% Danceability • 46% Energy • 7% Liveness
93% Instrumentalness • 96% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
14% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Bunny Berigan
The Broken Record
110 bpm • G Maj • 02:58 • -21.04db
0% Popularity • 80% Danceability • 26% Energy • 62% Liveness
38% Instrumentalness • 84% Positiveness
0% Popularity • 80% Danceability • 26% Energy • 62% Liveness
38% Instrumentalness • 84% Positiveness
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Betty Hutton
Old Man Mose
108 bpm • F min • 02:40 • -9.18db
11% Popularity • 82% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 82% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Red McKenzie
I Cried for You
110 bpm • F min • 02:40 • -14.54db
0% Popularity • 54% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
0% Popularity • 54% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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The Merry Macs
I Got Rings on My Fingers
110 bpm • G# Maj • 02:30 • -15.32db
23% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
14% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
24% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Ted Lewis
On the Sunny Side of the Street
108 bpm • D# Maj • 03:34 • -17.87db
12% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
12% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Isham Jones
Doin' the Uptown Lowdown
108 bpm • D# min • 02:38 • -13db
18% Popularity • 83% Danceability • 70% Energy • 31% Liveness
12% Instrumentalness • 59% Positiveness
18% Popularity • 83% Danceability • 70% Energy • 31% Liveness
12% Instrumentalness • 59% Positiveness
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Red McKenzie
You're out of This World
110 bpm • C min • 02:55 • -14.9db
0% Popularity • 70% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
0% Popularity • 70% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
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Bill Brown and His Brownies
Hot Lips
110 bpm • F Maj • 02:49 • -9.14db
11% Popularity • 69% Danceability • 66% Energy • 12% Liveness
45% Instrumentalness • 90% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 12% Liveness
45% Instrumentalness • 90% Positiveness
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Ben Bernie & His Orchestra
Ain't She Sweet?
107 bpm • D# Maj • 02:38 • -8.36db
22% Popularity • 82% Danceability • 38% Energy • 15% Liveness
6% Instrumentalness • 75% Positiveness
22% Popularity • 82% Danceability • 38% Energy • 15% Liveness
6% Instrumentalness • 75% Positiveness
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Ben Bernie
Ain't She Sweet
110 bpm • D# Maj • 02:36 • -11db
12% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
12% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
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Isham Jones & His Orchestra
Goodnight Sweet Dreams
111 bpm • A# Maj • 02:50 • -9db
8% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
8% Popularity • 82% Danceability • 58% Energy • 4% Liveness
41% Instrumentalness • 93% Positiveness
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Hal Kemp And His Orchestra
You're the Top
107 bpm • A Maj • 03:19 • -12db
10% Popularity • 81% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 81% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Ted Lewis
Clarinet Marmalade
107 bpm • F Maj • 03:11 • -11.41db
16% Popularity • 76% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
16% Popularity • 76% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
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Ben Selvin & His Orchestra
I Wonder Where My Baby Is Tonight
111 bpm • D Maj • 03:05 • -8.02db
14% Popularity • 87% Danceability • 46% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
14% Popularity • 87% Danceability • 46% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
24% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
24% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Joe Loss & His Orchestra
Behind The Clouds
111 bpm • G# Maj • 03:21 • -17.36db
11% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
11% Popularity • 36% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Keith Nichols
Time to Quickstep
107 bpm • G Maj • 02:35 • -16.74db
11% Popularity • 77% Danceability • 23% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
11% Popularity • 77% Danceability • 23% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
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Fletcher Henderson
Sugarfoot Stomp
111 bpm • A Maj • 03:01 • -5.67db
15% Popularity • 64% Danceability • 61% Energy • 23% Liveness
77% Instrumentalness • 93% Positiveness
15% Popularity • 64% Danceability • 61% Energy • 23% Liveness
77% Instrumentalness • 93% Positiveness
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Paul Whiteman
Daybreak - Remastered 2002
111 bpm • F Maj • 03:11 • -14.3db
7% Popularity • 53% Danceability • 15% Energy • 22% Liveness
11% Instrumentalness • 33% Positiveness
7% Popularity • 53% Danceability • 15% Energy • 22% Liveness
11% Instrumentalness • 33% Positiveness
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Clarence Williams
Crazy Blues
111 bpm • G min • 02:26 • -10.61db
24% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
24% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
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Bob Crosby & The Bob Cats
Sugar Foot Stomp
107 bpm • C Maj • 03:05 • -10db
22% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
22% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
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Red McKenzie
I Can't Get Started with You
111 bpm • F Maj • 02:58 • -12.7db
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
14% Popularity • 74% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Fletcher Henderson & His Orchestra
King Porter Stomp
107 bpm • C# Maj • 03:00 • -12db
13% Popularity • 64% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
13% Popularity • 64% Danceability • 47% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
19% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
19% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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Roy Brown
Mighty Mighty Man
106 bpm • C min • 02:23 • -15db
41% Popularity • 57% Danceability • 37% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 57% Danceability • 37% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
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Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • E Maj • 02:38 • -10.64db
40% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
40% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
26% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
26% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Red McKenzie
Wouldn't It Be a Wonder
112 bpm • F Maj • 02:21 • -13.57db
0% Popularity • 71% Danceability • 37% Energy • 13% Liveness
73% Instrumentalness • 71% Positiveness
0% Popularity • 71% Danceability • 37% Energy • 13% Liveness
73% Instrumentalness • 71% Positiveness
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Fletcher Henderson
Wrappin' It Up
106 bpm • F# Maj • 02:41 • -9.53db
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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New Orleans Rhythm Kings
Tin Roof Blues
106 bpm • A min • 02:29 • -5db
26% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
26% Popularity • 75% Danceability • 42% Energy • 20% Liveness
91% Instrumentalness • 69% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
21% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Bob Crosby & The Bob Cats
Big Foot Jump
106 bpm • F# Maj • 02:37 • -24.28db
18% Popularity • 69% Danceability • 26% Energy • 14% Liveness
84% Instrumentalness • 66% Positiveness
18% Popularity • 69% Danceability • 26% Energy • 14% Liveness
84% Instrumentalness • 66% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Red McKenzie
Time On My Hands
113 bpm • D# Maj • 03:12 • -29.59db
0% Popularity • 43% Danceability • 1% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 43% Danceability • 1% Energy • 32% Liveness
0% Instrumentalness • 7% Positiveness
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Fletcher Henderson
Stampede
113 bpm • F min • 03:15 • -7.71db
14% Popularity • 66% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 88% Positiveness
14% Popularity • 66% Danceability • 62% Energy • 33% Liveness
94% Instrumentalness • 88% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
15% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Carroll Gibbons
The Mood That I'm In (Carroll Gibbons; T...
105 bpm • F min • 03:21 • -13.37db
22% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
22% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Red McKenzie
Let's Swing It
113 bpm • A min • 02:59 • -12.58db
0% Popularity • 75% Danceability • 36% Energy • 6% Liveness
79% Instrumentalness • 83% Positiveness
0% Popularity • 75% Danceability • 36% Energy • 6% Liveness
79% Instrumentalness • 83% Positiveness
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Harry Roy and His Orchestra
Okay Toots
113 bpm • F Maj • 02:33 • -23db
11% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
11% Popularity • 78% Danceability • 22% Energy • 13% Liveness
75% Instrumentalness • 81% Positiveness
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Dick Cary
Through a Veil of Indifference (Live)
113 bpm • A# Maj • 04:21 • -15.33db
0% Popularity • 45% Danceability • 20% Energy • 9% Liveness
50% Instrumentalness • 33% Positiveness
0% Popularity • 45% Danceability • 20% Energy • 9% Liveness
50% Instrumentalness • 33% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
10% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
14% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Eddy Duchin
Ol' Man Mose
114 bpm • F min • 02:26 • -10.51db
32% Popularity • 91% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 91% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Walter Page's Blue Devils
Blue Devil Blues
104 bpm • D# Maj • 02:46 • -13db
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Billy Butterfield
Can't We Be Friends? (Live)
114 bpm • C Maj • 03:59 • -17.7db
0% Popularity • 63% Danceability • 28% Energy • 38% Liveness
1% Instrumentalness • 67% Positiveness
0% Popularity • 63% Danceability • 28% Energy • 38% Liveness
1% Instrumentalness • 67% Positiveness
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Kay Kyser
Who Wouldn't Love You
115 bpm • D# Maj • 02:41 • -13.19db
21% Popularity • 86% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 67% Positiveness
21% Popularity • 86% Danceability • 17% Energy • 13% Liveness
8% Instrumentalness • 67% Positiveness
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Ambrose & His Orchestra
The Clouds Will Soon Roll By
115 bpm • A# Maj • 03:21 • -10db
21% Popularity • 56% Danceability • 29% Energy • 22% Liveness
14% Instrumentalness • 67% Positiveness
21% Popularity • 56% Danceability • 29% Energy • 22% Liveness
14% Instrumentalness • 67% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Marion Harris
Charleston Crazy
103 bpm • D# min • 02:43 • -11db
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
19% Popularity • 83% Danceability • 42% Energy • 23% Liveness
84% Instrumentalness • 89% Positiveness
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Four Vagabonds
The Duke Of Dubuque
115 bpm • A min • 02:32 • -13.38db
9% Popularity • 80% Danceability • 17% Energy • 19% Liveness
73% Instrumentalness • 78% Positiveness
9% Popularity • 80% Danceability • 17% Energy • 19% Liveness
73% Instrumentalness • 78% Positiveness
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Geraldo & His Orchestra
Long Ago & Far Away
103 bpm • G# min • 03:07 • -17db
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
19% Popularity • 28% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Larry Clinton
Where in the World
115 bpm • G# Maj • 02:52 • -11.35db
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Bert Firman Orchestra
Charleston Charley
115 bpm • A# Maj • 02:34 • -12db
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
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Red McKenzie
Georgia Rockin' Chair
103 bpm • D Maj • 02:34 • -13.41db
0% Popularity • 74% Danceability • 30% Energy • 9% Liveness
81% Instrumentalness • 90% Positiveness
0% Popularity • 74% Danceability • 30% Energy • 9% Liveness
81% Instrumentalness • 90% Positiveness
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Annette Hanshaw
Would You Like to Take a Walk
116 bpm • F# Maj • 03:41 • -7.66db
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Ella Mae Morse
Shoo Shoo Baby
103 bpm • A min • 03:15 • -11.81db
14% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 72% Danceability • 9% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Charlie Barnet & His Orchestra
Swing Street Strut
116 bpm • G min • 02:47 • -10.63db
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
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Lew Stone & His Band
The Continental
102 bpm • G# Maj • 02:58 • -21db
15% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
15% Popularity • 64% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
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Red McKenzie
Farewell My Love
103 bpm • A# Maj • 02:48 • -17.92db
0% Popularity • 56% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 49% Positiveness
0% Popularity • 56% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 49% Positiveness
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Annette Hanshaw
Carolina Moon
102 bpm • C Maj • 02:56 • -16.05db
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
20% Popularity • 67% Danceability • 12% Energy • 23% Liveness
2% Instrumentalness • 54% Positiveness
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Geraldo & His Orchestra
We Must All Stick Together
117 bpm • E min • 03:09 • -14.12db
26% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
26% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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Cliff Edwards
Good Little Bad Little You
117 bpm • C Maj • 02:39 • -11db
25% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Red McKenzie
Sweet Lorraine
117 bpm • C min • 02:41 • -12.04db
0% Popularity • 74% Danceability • 31% Energy • 33% Liveness
33% Instrumentalness • 77% Positiveness
0% Popularity • 74% Danceability • 31% Energy • 33% Liveness
33% Instrumentalness • 77% Positiveness
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Paul Whiteman
Happy Feet
117 bpm • A# min • 02:55 • -11.22db
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
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Henry "Red" Allen
The River's Taking Care of Me
117 bpm • G Maj • 02:35 • -12.03db
11% Popularity • 71% Danceability • 23% Energy • 35% Liveness
25% Instrumentalness • 86% Positiveness
11% Popularity • 71% Danceability • 23% Energy • 35% Liveness
25% Instrumentalness • 86% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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Gerhard Trede
Swinging World
101 bpm • A# Maj • 02:49 • -9.28db
22% Popularity • 51% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
22% Popularity • 51% Danceability • 37% Energy • 6% Liveness
86% Instrumentalness • 60% Positiveness
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Original Memphis Five
Fireworks
101 bpm • G# Maj • 02:31 • -7db
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
14% Popularity • 82% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 97% Positiveness
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Johnny Dodds
Little Bits
118 bpm • C Maj • 02:59 • -6.56db
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
