Songs like Douce Dame Jolie by Joglaresa
Based on a tempo of (+/- 10%) and a similar genre
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Alkemie
Vis Major
135 bpm • G min • 02:31 • -19.87db
13% Popularity • 15% Danceability • 22% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
13% Popularity • 15% Danceability • 22% Energy • 6% Liveness
89% Instrumentalness • 13% Positiveness
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Joglaresa
Douce Dame Jolie
135 bpm • D min • 02:41 • -16.3db
9% Popularity • 32% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 32% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Eduardo Paniagua
Amours Me Fait Comencier
135 bpm • G Maj • 01:53 • -26db
12% Popularity • 36% Danceability • 2% Energy • 12% Liveness
29% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 2% Energy • 12% Liveness
29% Instrumentalness • 4% Positiveness
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Divna Ljubojevic
Make a joyful noise unto the God
135 bpm • F Maj • 01:35 • -19.25db
18% Popularity • 24% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 24% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Unicorn Ensemble
Lamento Di Tristano - La Rotta
136 bpm • G Maj • 06:19 • -19db
20% Popularity • 33% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 33% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Andrea Franchi
SEIKILOS
134 bpm • G Maj • 02:48 • -15.65db
17% Popularity • 33% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
17% Popularity • 33% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Alphonse X le Sage
Quem a omagen da virgen...
136 bpm • A Maj • 02:34 • -15.52db
15% Popularity • 35% Danceability • 24% Energy • 7% Liveness
4% Instrumentalness • 23% Positiveness
15% Popularity • 35% Danceability • 24% Energy • 7% Liveness
4% Instrumentalness • 23% Positiveness
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Joglaresa
Stella Nuova
135 bpm • G min • 02:41 • -8.7db
0% Popularity • 60% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 60% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 68% Positiveness
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Anónimo
Joam Rodriguiz foi desmar a Balteira
134 bpm • D Maj • 03:36 • -23db
11% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Rosa d...
134 bpm • C Maj • 04:46 • -22.47db
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Katy Taylor
Ode to Brigid/Ave Maris Stella
136 bpm • E Maj • 03:00 • -9.23db
8% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Kitka
Mze Shina da Mze Gareta
134 bpm • B min • 02:42 • -19db
12% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Duo Accell
Retrospect
133 bpm • A min • 04:22 • -12.99db
16% Popularity • 32% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 32% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Joglaresa
Planctus Ante Nescia
135 bpm • G min • 04:04 • -20.71db
1% Popularity • 53% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 14% Positiveness
1% Popularity • 53% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 14% Positiveness
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Blondel De Nesle
A l'entrant d'este
133 bpm • C Maj • 04:09 • -27.52db
12% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
12% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
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Italian 14th Cent.
La Rotta
133 bpm • A# Maj • 03:37 • -21db
11% Popularity • 51% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 77% Positiveness
11% Popularity • 51% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 77% Positiveness
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Eduardo Paniagua
Tastar da Corde
137 bpm • G min • 01:29 • -21.96db
16% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
16% Popularity • 41% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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The Broadside Band
The Fits Come on Me Now or the Bishop of...
137 bpm • C Maj • 01:56 • -17db
10% Popularity • 55% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 55% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Sylvain Bergeron
Perceval la quete du Graal: A jig
133 bpm • D Maj • 02:46 • -19.58db
20% Popularity • 45% Danceability • 24% Energy • 19% Liveness
94% Instrumentalness • 66% Positiveness
20% Popularity • 45% Danceability • 24% Energy • 19% Liveness
94% Instrumentalness • 66% Positiveness
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Joglaresa
Sama’i Bayyati
134 bpm • F Maj • 03:06 • -26.08db
0% Popularity • 76% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 76% Positiveness
0% Popularity • 76% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 76% Positiveness
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Raimbaut de Vaqeiras
Kalenda Maya
133 bpm • D Maj • 02:25 • -21.51db
8% Popularity • 26% Danceability • 55% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
8% Popularity • 26% Danceability • 55% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Instru...
137 bpm • A min • 04:34 • -22db
8% Popularity • 40% Danceability • 29% Energy • 31% Liveness
5% Instrumentalness • 25% Positiveness
8% Popularity • 40% Danceability • 29% Energy • 31% Liveness
5% Instrumentalness • 25% Positiveness
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Kitka
Shto Mi E Milo (Macedonia)
133 bpm • D# Maj • 05:48 • -16.37db
16% Popularity • 36% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 36% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Giorgio Mainerio
Ungarescha
137 bpm • D Maj • 01:14 • -15.37db
14% Popularity • 60% Danceability • 24% Energy • 48% Liveness
97% Instrumentalness • 21% Positiveness
14% Popularity • 60% Danceability • 24% Energy • 48% Liveness
97% Instrumentalness • 21% Positiveness
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Berenguier de Palou
Tan m'abelis
137 bpm • C# Maj • 05:26 • -24db
14% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 49% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Joglaresa
Laudata sempre sia
137 bpm • E min • 02:52 • -9.3db
0% Popularity • 57% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 57% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Gaucelm Faidit
Fort Chos' Oiatz
132 bpm • A min • 02:14 • -23db
13% Popularity • 37% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 47% Positiveness
13% Popularity • 37% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 47% Positiveness
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Herluf Donslund
Bonden Og Haren
138 bpm • A min • 02:05 • -16db
10% Popularity • 20% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
10% Popularity • 20% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 36% Positiveness
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Jonas Simonson
To Garmo
138 bpm • A min • 05:39 • -22.5db
7% Popularity • 23% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 14% Positiveness
7% Popularity • 23% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 14% Positiveness
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The Sherwood Consort
Bituene Mersh and Averill
138 bpm • E min • 03:43 • -12.3db
9% Popularity • 44% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 44% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Hildegard von Bingen
O Ignis Spiritus
132 bpm • F Maj • 05:59 • -24.33db
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Joglaresa
Danse Royale
132 bpm • A# Maj • 03:29 • -27.08db
1% Popularity • 55% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 28% Positiveness
1% Popularity • 55% Danceability • 2% Energy • 11% Liveness
83% Instrumentalness • 28% Positiveness
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Rey Alfonso el Sabio
Entre Ave Eva
132 bpm • D min • 01:13 • -30.72db
11% Popularity • 56% Danceability • 1% Energy • 9% Liveness
44% Instrumentalness • 32% Positiveness
11% Popularity • 56% Danceability • 1% Energy • 9% Liveness
44% Instrumentalness • 32% Positiveness
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Dimitrie Cantemir
Pesrev in Mahur mode
132 bpm • G Maj • 03:22 • -16.06db
7% Popularity • 39% Danceability • 25% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
7% Popularity • 39% Danceability • 25% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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Haugeland & Gautefald
Visetone etter Marie Vøllestad
138 bpm • A Maj • 02:52 • -16.29db
13% Popularity • 36% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
13% Popularity • 36% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Unicorn Ensemble
Saltarello No. 2
138 bpm • G Maj • 01:50 • -15db
31% Popularity • 41% Danceability • 45% Energy • 33% Liveness
94% Instrumentalness • 61% Positiveness
31% Popularity • 41% Danceability • 45% Energy • 33% Liveness
94% Instrumentalness • 61% Positiveness
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Walther von der Vogelweide
Palastinalied
132 bpm • G min • 03:10 • -20db
17% Popularity • 46% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
17% Popularity • 46% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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Joglaresa
Christ Child Lullaby
138 bpm • G Maj • 04:02 • -6.19db
0% Popularity • 58% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 58% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Thibaut de Champagne
Puisk'il m'estuet
138 bpm • E min • 01:16 • -30db
14% Popularity • 37% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
14% Popularity • 37% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Alfonso X El Sabio
Cantiga #48
139 bpm • G Maj • 01:18 • -16.34db
13% Popularity • 60% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 60% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Charles D'Argentil
Missa pro defunctis: IV. Pie Jesu
131 bpm • B min • 01:15 • -17.33db
10% Popularity • 16% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 16% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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John Dowland
The King of Denmark's Galiard
131 bpm • C Maj • 02:19 • -18.73db
13% Popularity • 46% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 46% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Luz De Medianoche
El Reino Magico
140 bpm • D# Maj • 02:21 • -17.95db
20% Popularity • 37% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
20% Popularity • 37% Danceability • 27% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Joglaresa
Ire Si Vis
132 bpm • G Maj • 04:25 • -5.4db
1% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 58% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Ana Alcaide
Danza del Corpus
130 bpm • G Maj • 01:49 • -12.85db
15% Popularity • 58% Danceability • 37% Energy • 26% Liveness
97% Instrumentalness • 33% Positiveness
15% Popularity • 58% Danceability • 37% Energy • 26% Liveness
97% Instrumentalness • 33% Positiveness
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Alfonso X El Sabio
Como Poden
131 bpm • C Maj • 02:40 • -10.85db
9% Popularity • 64% Danceability • 49% Energy • 8% Liveness
4% Instrumentalness • 96% Positiveness
9% Popularity • 64% Danceability • 49% Energy • 8% Liveness
4% Instrumentalness • 96% Positiveness
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Gastón Recart
Green Grow The Laurels
130 bpm • D Maj • 02:31 • -10.58db
21% Popularity • 50% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 50% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Anónimo
Se eu no mundo fiz algum cantar
130 bpm • G Maj • 03:17 • -24.52db
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Mince Pye
Knocknagow Jig
140 bpm • B min • 02:12 • -8.54db
8% Popularity • 43% Danceability • 72% Energy • 8% Liveness
64% Instrumentalness • 33% Positiveness
8% Popularity • 43% Danceability • 72% Energy • 8% Liveness
64% Instrumentalness • 33% Positiveness
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John Playford
The English Dancing Master: Parson's far...
130 bpm • A min • 01:36 • -14.42db
19% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
19% Popularity • 47% Danceability • 28% Energy • 21% Liveness
88% Instrumentalness • 73% Positiveness
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Tarquinio Merula
Sentirete una canzonetta
140 bpm • D Maj • 03:25 • -12.3db
9% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Hildegard von Blingin'
Soldier, Poet, King
141 bpm • C Maj • 03:27 • -12.01db
31% Popularity • 30% Danceability • 37% Energy • 13% Liveness
6% Instrumentalness • 51% Positiveness
31% Popularity • 30% Danceability • 37% Energy • 13% Liveness
6% Instrumentalness • 51% Positiveness
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Joglaresa
Kondja Mia, Kondja Mia & El Nora Alila
129 bpm • A min • 04:16 • -16.64db
1% Popularity • 65% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
1% Popularity • 65% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 73% Positiveness
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Unicorn Ensemble
Trotto
141 bpm • C Maj • 02:28 • -20.33db
23% Popularity • 47% Danceability • 20% Energy • 9% Liveness
48% Instrumentalness • 85% Positiveness
23% Popularity • 47% Danceability • 20% Energy • 9% Liveness
48% Instrumentalness • 85% Positiveness
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Hildegard von Bingen
O virtus Sapientiae: O virtus Sapientiae
129 bpm • A Maj • 04:22 • -28.37db
11% Popularity • 19% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Patricia Spero
Brian Boru March
129 bpm • E Maj • 01:08 • -18.41db
13% Popularity • 47% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
13% Popularity • 47% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Perdigon
Los mals d'amors ai eu ben toz apres
129 bpm • F Maj • 04:31 • -17.53db
8% Popularity • 38% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
8% Popularity • 38% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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Rey Alfonso el Sabio
Muito Devemos
129 bpm • A# Maj • 00:57 • -24.05db
13% Popularity • 55% Danceability • 24% Energy • 17% Liveness
94% Instrumentalness • 13% Positiveness
13% Popularity • 55% Danceability • 24% Energy • 17% Liveness
94% Instrumentalness • 13% Positiveness
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Graduel De Bakócz
Spiritus sanctus
129 bpm • C# Maj • 02:32 • -23.71db
9% Popularity • 33% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 33% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Joglaresa
Dança: Ave Maria
129 bpm • E min • 02:17 • -9.3db
0% Popularity • 32% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 32% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Per Agata
U ventu
128 bpm • C Maj • 03:22 • -17.19db
9% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
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Sven Berger
Branles de Bourgoigne (arr. S. Berger)
127 bpm • G Maj • 01:22 • -14.29db
9% Popularity • 46% Danceability • 62% Energy • 18% Liveness
86% Instrumentalness • 63% Positiveness
9% Popularity • 46% Danceability • 62% Energy • 18% Liveness
86% Instrumentalness • 63% Positiveness
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The Mulliner Book
La Shymyze
143 bpm • A min • 01:19 • -23.24db
11% Popularity • 14% Danceability • 13% Energy • 48% Liveness
95% Instrumentalness • 41% Positiveness
11% Popularity • 14% Danceability • 13% Energy • 48% Liveness
95% Instrumentalness • 41% Positiveness
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Eduardo Paniagua
Daca, Bailemos, Carillo
144 bpm • A min • 02:40 • -12.82db
10% Popularity • 63% Danceability • 39% Energy • 6% Liveness
81% Instrumentalness • 73% Positiveness
10% Popularity • 63% Danceability • 39% Energy • 6% Liveness
81% Instrumentalness • 73% Positiveness
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Joglaresa
Flos In Monte Cernitur
128 bpm • G Maj • 01:36 • -15.93db
0% Popularity • 45% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 45% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Guglielmo Ebreo da Pesaro
Bassadanza cupido
126 bpm • A Maj • 02:02 • -21.12db
8% Popularity • 46% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
8% Popularity • 46% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Ana Alcaide
Seguidillas Castellanas
126 bpm • G Maj • 02:33 • -11.38db
9% Popularity • 32% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 32% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Madelyn Monaghan
Molly na gCuach Nà Chuilleanáin
145 bpm • D min • 04:04 • -13.69db
11% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 49% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Traditional - French
Bassa Dance
125 bpm • A Maj • 03:42 • -15.87db
10% Popularity • 46% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 46% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada tercera
126 bpm • E Maj • 02:06 • -16.31db
10% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
10% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
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Joglaresa
O Admirabile Veneris Idolum
127 bpm • C Maj • 05:25 • -10.64db
0% Popularity • 39% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 39% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Vox Vulgaris
Gloria 'n cielo e pace 'n terra
125 bpm • F Maj • 07:07 • -8db
11% Popularity • 32% Danceability • 66% Energy • 71% Liveness
84% Instrumentalness • 40% Positiveness
11% Popularity • 32% Danceability • 66% Energy • 71% Liveness
84% Instrumentalness • 40% Positiveness
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Trio Mediæval
BÃum bÃum bambaló
125 bpm • A min • 02:23 • -33.9db
9% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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French 13th Cent.
Estampie Real: La Seste
146 bpm • G Maj • 03:27 • -41db
10% Popularity • 28% Danceability • 0% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
10% Popularity • 28% Danceability • 0% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
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Alasdair Fraser
Sweglish, Modally Challenged
124 bpm • C Maj • 04:01 • -14.06db
8% Popularity • 48% Danceability • 23% Energy • 10% Liveness
80% Instrumentalness • 49% Positiveness
8% Popularity • 48% Danceability • 23% Energy • 10% Liveness
80% Instrumentalness • 49% Positiveness
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Domenico da Piacenza
Bassadanze Zoglioxa (Arr. for Wind Ensem...
124 bpm • D# Maj • 02:20 • -31.13db
15% Popularity • 27% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
15% Popularity • 27% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Joglaresa
Tarantella: Madre che festi
146 bpm • B min • 03:09 • -10.12db
0% Popularity • 43% Danceability • 86% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 43% Danceability • 86% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
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Dan Griffith
Celtic Spring Dance
146 bpm • E min • 01:53 • -10.7db
18% Popularity • 38% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 38% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Martin Codax
Mia yrmana fremos
124 bpm • B min • 04:27 • -18db
11% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Capella de Ministrers
La verdelete
124 bpm • A min • 03:04 • -22db
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
16% Popularity • 32% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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John Playford
An Italian Rant
124 bpm • D min • 01:34 • -17db
28% Popularity • 63% Danceability • 24% Energy • 24% Liveness
87% Instrumentalness • 97% Positiveness
28% Popularity • 63% Danceability • 24% Energy • 24% Liveness
87% Instrumentalness • 97% Positiveness
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Guiot de Dijon
Chanterai por mon corage
124 bpm • A min • 04:15 • -24.1db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Joglaresa
Gaudete! (Live)
125 bpm • A min • 01:38 • -12.69db
0% Popularity • 53% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 53% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Kitka
Subrali Sa Se Subrali
124 bpm • B Maj • 03:30 • -16.61db
9% Popularity • 33% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 33% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ken Kolodner
The Rakes of Kildare
124 bpm • G Maj • 01:32 • -20.01db
24% Popularity • 54% Danceability • 12% Energy • 45% Liveness
10% Instrumentalness • 64% Positiveness
24% Popularity • 54% Danceability • 12% Energy • 45% Liveness
10% Instrumentalness • 64% Positiveness
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Guillaume de Machaut
J'aim sans penser
147 bpm • D# min • 02:17 • -18db
17% Popularity • 13% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
17% Popularity • 13% Danceability • 27% Energy • 10% Liveness
95% Instrumentalness • 28% Positiveness
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Poeta Magica
Gotlandsvisa
147 bpm • G Maj • 05:18 • -13.7db
9% Popularity • 32% Danceability • 32% Energy • 10% Liveness
22% Instrumentalness • 59% Positiveness
9% Popularity • 32% Danceability • 32% Energy • 10% Liveness
22% Instrumentalness • 59% Positiveness
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Miljan Minic
Blue Mic
147 bpm • E min • 02:28 • -22.38db
11% Popularity • 19% Danceability • 1% Energy • 14% Liveness
7% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 1% Energy • 14% Liveness
7% Instrumentalness • 8% Positiveness
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Joglaresa
Perry Merry Dictum (Live)
146 bpm • F Maj • 02:42 • -18.66db
1% Popularity • 39% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
1% Popularity • 39% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Juan del Encina
Fa La La Lan
124 bpm • A min • 03:28 • -16.08db
9% Popularity • 71% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 66% Positiveness
9% Popularity • 71% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 66% Positiveness
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Michael Wolters
De post (After S. Tielman's Danserye)
123 bpm • C Maj • 01:14 • -16.68db
19% Popularity • 63% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
19% Popularity • 63% Danceability • 18% Energy • 7% Liveness
92% Instrumentalness • 76% Positiveness
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Anonyme
Farandoulo
123 bpm • G Maj • 02:08 • -16.02db
9% Popularity • 70% Danceability • 55% Energy • 15% Liveness
89% Instrumentalness • 24% Positiveness
9% Popularity • 70% Danceability • 55% Energy • 15% Liveness
89% Instrumentalness • 24% Positiveness
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Turlough O'Carolan
Lord Galway's Lamentation
123 bpm • G Maj • 01:23 • -28.33db
14% Popularity • 37% Danceability • 3% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
14% Popularity • 37% Danceability • 3% Energy • 13% Liveness
86% Instrumentalness • 44% Positiveness
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Alfonso X El Sabio
Danza de la Conquista de AlmerÃa. CSM 3...
148 bpm • D Maj • 02:31 • -8.71db
8% Popularity • 47% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 47% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Claude Gervaise
Livre de danceries, Book 4: Pavane: La V...
148 bpm • F min • 01:47 • -18.95db
14% Popularity • 38% Danceability • 38% Energy • 72% Liveness
68% Instrumentalness • 38% Positiveness
14% Popularity • 38% Danceability • 38% Energy • 72% Liveness
68% Instrumentalness • 38% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
149 bpm • A min • 01:19 • -19.79db
15% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Traditional - French
Tourdion
149 bpm • B min • 06:23 • -19.36db
8% Popularity • 41% Danceability • 17% Energy • 9% Liveness
66% Instrumentalness • 17% Positiveness
8% Popularity • 41% Danceability • 17% Energy • 9% Liveness
66% Instrumentalness • 17% Positiveness
