Songs like Down a Country Lane (1964 Version for Orchestra) by Aaron Copland
Based on a tempo of (+/- 10%) and a similar genre
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Aaron Copland
Down a Country Lane (1964 Version for Or...
170 bpm • F Maj • 02:50 • -17db
17% Popularity • 8% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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London Symphony Orchestra
William Tell - Overture
169 bpm • E Maj • 03:06 • -16db
35% Popularity • 32% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 41% Positiveness
35% Popularity • 32% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 41% Positiveness
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George Frideric Handel
Lascia Ch' io Pianga
171 bpm • D Maj • 04:29 • -10.04db
41% Popularity • 16% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
41% Popularity • 16% Danceability • 28% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Frederick Delius
La Calinda
172 bpm • D Maj • 04:17 • -24db
10% Popularity • 16% Danceability • 7% Energy • 6% Liveness
60% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 6% Liveness
60% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: VII. Aquarium
167 bpm • A min • 02:02 • -32.04db
38% Popularity • 19% Danceability • 5% Energy • 30% Liveness
19% Instrumentalness • 11% Positiveness
38% Popularity • 19% Danceability • 5% Energy • 30% Liveness
19% Instrumentalness • 11% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Percy Grainger
Country Gardens, BFMS 22 (Version for Wi...
174 bpm • D# Maj • 02:00 • -20db
30% Popularity • 29% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 54% Positiveness
30% Popularity • 29% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 54% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Frederick Delius
Summer Evening
175 bpm • D Maj • 05:45 • -26db
9% Popularity • 8% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Carnival of the Animals, R...
175 bpm • G Maj • 02:49 • -28.78db
25% Popularity • 9% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Johann Strauss II
Rosen Aus Dem Süden, Op. 388
175 bpm • F Maj • 08:40 • -17db
14% Popularity • 25% Danceability • 15% Energy • 5% Liveness
76% Instrumentalness • 36% Positiveness
14% Popularity • 25% Danceability • 15% Energy • 5% Liveness
76% Instrumentalness • 36% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: III. Dance of th...
177 bpm • C min • 01:39 • -27db
44% Popularity • 25% Danceability • 4% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
44% Popularity • 25% Danceability • 4% Energy • 15% Liveness
7% Instrumentalness • 8% Positiveness
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London Symphony Orchestra
Anitra's Dance
163 bpm • A min • 02:10 • -32.2db
14% Popularity • 26% Danceability • 3% Energy • 13% Liveness
78% Instrumentalness • 17% Positiveness
14% Popularity • 26% Danceability • 3% Energy • 13% Liveness
78% Instrumentalness • 17% Positiveness
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Edward Elgar
Elgar: Variations on an Original Theme, ...
178 bpm • G min • 01:21 • -27.44db
46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
46% Popularity • 8% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 21
179 bpm • F Maj • 07:23 • -10.12db
41% Popularity • 13% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
41% Popularity • 13% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Alexandre Desplat
Elisa's Theme
180 bpm • A# Maj • 02:36 • -18db
39% Popularity • 45% Danceability • 17% Energy • 10% Liveness
81% Instrumentalness • 27% Positiveness
39% Popularity • 45% Danceability • 17% Energy • 10% Liveness
81% Instrumentalness • 27% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 3: N...
160 bpm • D Maj • 02:19 • -18.85db
34% Popularity • 34% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
34% Popularity • 34% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
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Ennio Morricone
The Mission: The Falls
158 bpm • G Maj • 02:25 • -15.3db
43% Popularity • 10% Danceability • 21% Energy • 37% Liveness
84% Instrumentalness • 5% Positiveness
43% Popularity • 10% Danceability • 21% Energy • 37% Liveness
84% Instrumentalness • 5% Positiveness
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London Symphony Orchestra
Blue Danube Waltz
180 bpm • D Maj • 03:59 • -18db
39% Popularity • 23% Danceability • 13% Energy • 9% Liveness
80% Instrumentalness • 21% Positiveness
39% Popularity • 23% Danceability • 13% Energy • 9% Liveness
80% Instrumentalness • 21% Positiveness
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Eric Coates
Coates: By the Sleepy Lagoon
158 bpm • C Maj • 03:09 • -24.98db
12% Popularity • 10% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
12% Popularity • 10% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Percy Grainger
Grainger / Orch. Artok: Country Gardens,...
157 bpm • D# Maj • 02:16 • -16.5db
20% Popularity • 43% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 79% Positiveness
20% Popularity • 43% Danceability • 24% Energy • 13% Liveness
93% Instrumentalness • 79% Positiveness
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John Adams
Short Ride in a Fast Machine
152 bpm • D Maj • 04:06 • -12.51db
21% Popularity • 39% Danceability • 50% Energy • 44% Liveness
91% Instrumentalness • 11% Positiveness
21% Popularity • 39% Danceability • 50% Energy • 44% Liveness
91% Instrumentalness • 11% Positiveness
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Aaron Copland
An Outdoor Overture
153 bpm • F Maj • 08:28 • -19.67db
19% Popularity • 34% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 30% Positiveness
19% Popularity • 34% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 30% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: III....
152 bpm • A Maj • 07:04 • -17db
20% Popularity • 40% Danceability • 32% Energy • 28% Liveness
72% Instrumentalness • 35% Positiveness
20% Popularity • 40% Danceability • 32% Energy • 28% Liveness
72% Instrumentalness • 35% Positiveness
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London Symphony Orchestra
1812 Overture - Finale (V for Vendetta)
158 bpm • D# Maj • 03:10 • -20db
40% Popularity • 20% Danceability • 50% Energy • 37% Liveness
83% Instrumentalness • 12% Positiveness
40% Popularity • 20% Danceability • 50% Energy • 37% Liveness
83% Instrumentalness • 12% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 5 in E-Flat Major...
149 bpm • G# Maj • 09:53 • -24.78db
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
27% Popularity • 12% Danceability • 6% Energy • 15% Liveness
87% Instrumentalness • 6% Positiveness
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Dame Ethel Smyth
Serenade in D Major: II. Scherzo. Allegr...
148 bpm • G Maj • 06:09 • -25db
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 6% Liveness
89% Instrumentalness • 10% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: Marche au...
148 bpm • A# Maj • 07:11 • -17.76db
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
43% Popularity • 35% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 33% Positiveness
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Alexandre Desplat
Elisa And Zelda
148 bpm • C Maj • 01:10 • -15.54db
36% Popularity • 47% Danceability • 15% Energy • 18% Liveness
27% Instrumentalness • 26% Positiveness
36% Popularity • 47% Danceability • 15% Energy • 18% Liveness
27% Instrumentalness • 26% Positiveness
