Songs like Down Left by Carlo Savina
Based on a tempo of (+/- 10%) and a similar genre
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Carlo Savina
Down Left
131 bpm • F Maj • 02:09 • -12db
29% Popularity • 69% Danceability • 59% Energy • 12% Liveness
63% Instrumentalness • 72% Positiveness
29% Popularity • 69% Danceability • 59% Energy • 12% Liveness
63% Instrumentalness • 72% Positiveness
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Gordon Rees
Soft Lights and Music
131 bpm • A min • 02:20 • -13.84db
14% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Keith Mansfield
People's Choice
131 bpm • C Maj • 01:26 • -6db
15% Popularity • 79% Danceability • 64% Energy • 5% Liveness
81% Instrumentalness • 88% Positiveness
15% Popularity • 79% Danceability • 64% Energy • 5% Liveness
81% Instrumentalness • 88% Positiveness
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Piero Umiliani
Caretera Panamericana - Remastered 2023
131 bpm • C Maj • 02:59 • -6.99db
10% Popularity • 54% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 84% Positiveness
10% Popularity • 54% Danceability • 83% Energy • 18% Liveness
82% Instrumentalness • 84% Positiveness
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Jacques Loussier
Ballet Photo Rouge
131 bpm • A min • 02:27 • -8.24db
30% Popularity • 46% Danceability • 69% Energy • 23% Liveness
40% Instrumentalness • 75% Positiveness
30% Popularity • 46% Danceability • 69% Energy • 23% Liveness
40% Instrumentalness • 75% Positiveness
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Dominic Frontiere & His Orchestra
Jaguar God (Balam)
131 bpm • F Maj • 03:11 • -17.04db
10% Popularity • 55% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 71% Positiveness
10% Popularity • 55% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 71% Positiveness
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Bernard Gérard
Casino Latino - Bande originale du film ...
131 bpm • D min • 01:59 • -19.28db
9% Popularity • 76% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
9% Popularity • 76% Danceability • 40% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
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Quantum Harmonics Collective
Asphalt Odyssey
130 bpm • E min • 01:02 • -9.51db
14% Popularity • 60% Danceability • 47% Energy • 39% Liveness
25% Instrumentalness • 43% Positiveness
14% Popularity • 60% Danceability • 47% Energy • 39% Liveness
25% Instrumentalness • 43% Positiveness
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Warren Barker Orchestra
Caper At the Coffee House
132 bpm • D min • 02:10 • -16.18db
32% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
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Nino Rota
Amarcord
130 bpm • B min • 02:07 • -10.4db
52% Popularity • 35% Danceability • 30% Energy • 31% Liveness
7% Instrumentalness • 30% Positiveness
52% Popularity • 35% Danceability • 30% Energy • 31% Liveness
7% Instrumentalness • 30% Positiveness
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Vampire Sound Inc.
Droge CX 9
130 bpm • A# Maj • 05:13 • -10.38db
25% Popularity • 54% Danceability • 62% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
25% Popularity • 54% Danceability • 62% Energy • 11% Liveness
85% Instrumentalness • 68% Positiveness
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Enoch Light & The Light Brigade
Lover's Concerto
132 bpm • C Maj • 02:56 • -17.56db
14% Popularity • 40% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 52% Positiveness
14% Popularity • 40% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 52% Positiveness
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Claudio Tallino
Spell (Dolce Mattatoio) - M
129 bpm • F min • 02:28 • -13.76db
18% Popularity • 53% Danceability • 67% Energy • 17% Liveness
83% Instrumentalness • 81% Positiveness
18% Popularity • 53% Danceability • 67% Energy • 17% Liveness
83% Instrumentalness • 81% Positiveness
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Martini Kings
Return to Moorea
133 bpm • G# Maj • 03:14 • -11db
29% Popularity • 60% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 8% Liveness
76% Instrumentalness • 65% Positiveness
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Johnny Hawksworth
This Way Up
129 bpm • C# Maj • 01:27 • -10.35db
17% Popularity • 83% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 90% Positiveness
17% Popularity • 83% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 90% Positiveness
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Nino Rota
Siboney
129 bpm • A Maj • 02:09 • -18.14db
25% Popularity • 42% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 35% Positiveness
25% Popularity • 42% Danceability • 10% Energy • 10% Liveness
40% Instrumentalness • 35% Positiveness
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Franco Micalizzi
Flute Sequence
133 bpm • G# Maj • 03:45 • -18.5db
10% Popularity • 58% Danceability • 37% Energy • 37% Liveness
42% Instrumentalness • 44% Positiveness
10% Popularity • 58% Danceability • 37% Energy • 37% Liveness
42% Instrumentalness • 44% Positiveness
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Carlo Savina
The Burning Desert
133 bpm • G# Maj • 05:05 • -19.17db
1% Popularity • 18% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Piero Piccioni
Samba Della Ruota
129 bpm • E Maj • 09:03 • -12.61db
20% Popularity • 40% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 62% Positiveness
20% Popularity • 40% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 62% Positiveness
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Piero Umiliani
Danza primitiva
133 bpm • C# Maj • 02:43 • -11.8db
13% Popularity • 44% Danceability • 67% Energy • 11% Liveness
43% Instrumentalness • 64% Positiveness
13% Popularity • 44% Danceability • 67% Energy • 11% Liveness
43% Instrumentalness • 64% Positiveness
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Gianni Ferrio
Passaggio per red rock
133 bpm • A min • 01:41 • -17.88db
40% Popularity • 30% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
40% Popularity • 30% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Nino Rota
La Fogaraccia
129 bpm • D min • 02:14 • -10db
20% Popularity • 76% Danceability • 61% Energy • 7% Liveness
94% Instrumentalness • 94% Positiveness
20% Popularity • 76% Danceability • 61% Energy • 7% Liveness
94% Instrumentalness • 94% Positiveness
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Fred Bongusto
Il Divorzio
133 bpm • A Maj • 01:51 • -11.28db
12% Popularity • 50% Danceability • 55% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
12% Popularity • 50% Danceability • 55% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
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Alberto Baldan Bembo
Savana
133 bpm • F min • 03:51 • -8db
17% Popularity • 51% Danceability • 84% Energy • 14% Liveness
27% Instrumentalness • 79% Positiveness
17% Popularity • 51% Danceability • 84% Energy • 14% Liveness
27% Instrumentalness • 79% Positiveness
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John Buzon Trio
Squatty Roo - Remastered
133 bpm • D Maj • 02:05 • -15db
28% Popularity • 84% Danceability • 46% Energy • 5% Liveness
29% Instrumentalness • 96% Positiveness
28% Popularity • 84% Danceability • 46% Energy • 5% Liveness
29% Instrumentalness • 96% Positiveness
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Stereophonic Space Sound Unlimited
Love Godess
133 bpm • A min • 02:25 • -5db
16% Popularity • 58% Danceability • 74% Energy • 54% Liveness
86% Instrumentalness • 87% Positiveness
16% Popularity • 58% Danceability • 74% Energy • 54% Liveness
86% Instrumentalness • 87% Positiveness
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Bixio
Vai gorilla - Colonna sonora del film "V...
129 bpm • D# min • 02:56 • -14.2db
19% Popularity • 38% Danceability • 57% Energy • 31% Liveness
47% Instrumentalness • 76% Positiveness
19% Popularity • 38% Danceability • 57% Energy • 31% Liveness
47% Instrumentalness • 76% Positiveness
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I Marc 4
Wonder
129 bpm • D Maj • 01:43 • -6.99db
17% Popularity • 73% Danceability • 71% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
17% Popularity • 73% Danceability • 71% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Nino Rota
Quanto Mi piace La Gradisca
133 bpm • C Maj • 03:08 • -11.33db
15% Popularity • 50% Danceability • 25% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
15% Popularity • 50% Danceability • 25% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
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Piero Umiliani
Hippies
128 bpm • G min • 03:02 • -18.13db
13% Popularity • 48% Danceability • 21% Energy • 9% Liveness
81% Instrumentalness • 26% Positiveness
13% Popularity • 48% Danceability • 21% Energy • 9% Liveness
81% Instrumentalness • 26% Positiveness
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John Cameron
Sunny Speed
134 bpm • D min • 02:27 • -9db
9% Popularity • 47% Danceability • 54% Energy • 10% Liveness
55% Instrumentalness • 48% Positiveness
9% Popularity • 47% Danceability • 54% Energy • 10% Liveness
55% Instrumentalness • 48% Positiveness
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Berto Pisano
Young Lady
134 bpm • B min • 01:47 • -23.23db
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
29% Popularity • 77% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 76% Positiveness
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Robert Drasnin
Orinoco
128 bpm • E min • 02:19 • -21.4db
31% Popularity • 60% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
31% Popularity • 60% Danceability • 26% Energy • 10% Liveness
98% Instrumentalness • 79% Positiveness
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Kenny Sasaki & The Tiki Boys
Bird Island
128 bpm • D min • 01:48 • -14.62db
37% Popularity • 61% Danceability • 25% Energy • 23% Liveness
81% Instrumentalness • 13% Positiveness
37% Popularity • 61% Danceability • 25% Energy • 23% Liveness
81% Instrumentalness • 13% Positiveness
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Alain Goraguer
Sur la plage
134 bpm • E min • 03:19 • -18.37db
23% Popularity • 36% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
23% Popularity • 36% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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Carlo Savina
Malenka la nipote del vampiro, Seq. 1
128 bpm • A min • 01:26 • -23.27db
0% Popularity • 27% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Piero Umiliani
Luna di pieno agosto
134 bpm • F min • 02:26 • -18.55db
14% Popularity • 74% Danceability • 23% Energy • 11% Liveness
12% Instrumentalness • 68% Positiveness
14% Popularity • 74% Danceability • 23% Energy • 11% Liveness
12% Instrumentalness • 68% Positiveness
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Jackie Davis
Love Is Just Around The Corner - Remaste...
134 bpm • G# Maj • 02:47 • -16db
30% Popularity • 80% Danceability • 50% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness
30% Popularity • 80% Danceability • 50% Energy • 9% Liveness
87% Instrumentalness • 80% Positiveness
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Bruno Nicolai
Terzo delitto - Remastered 2022
128 bpm • A min • 01:49 • -13.17db
9% Popularity • 61% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
9% Popularity • 61% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
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Berto Pisano
Park for Two
135 bpm • F Maj • 01:36 • -14db
23% Popularity • 38% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
23% Popularity • 38% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
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Janko Nilovic
Family Tree
135 bpm • A# Maj • 02:07 • -8.26db
10% Popularity • 57% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
10% Popularity • 57% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 64% Positiveness
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Carlo Savina
Blues - La dolce vita dei nobili
127 bpm • F Maj • 05:42 • -19db
1% Popularity • 36% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
1% Popularity • 36% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 19% Positiveness
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Enzo Masetti
Titoli
136 bpm • C# min • 01:59 • -11.86db
0% Popularity • 26% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
0% Popularity • 26% Danceability • 35% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Peter Thomas Sound Orchester
Natascha - End Title
127 bpm • F Maj • 01:58 • -11db
15% Popularity • 42% Danceability • 56% Energy • 25% Liveness
89% Instrumentalness • 96% Positiveness
15% Popularity • 42% Danceability • 56% Energy • 25% Liveness
89% Instrumentalness • 96% Positiveness
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Bruno Nicolai
Scoperta & Sesto delitto - Remastered 20...
127 bpm • D min • 02:34 • -13.16db
8% Popularity • 42% Danceability • 30% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
8% Popularity • 42% Danceability • 30% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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ÃŒxtahuele
Colors of Hawaiki
136 bpm • D min • 03:04 • -6db
25% Popularity • 74% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 74% Positiveness
25% Popularity • 74% Danceability • 54% Energy • 10% Liveness
5% Instrumentalness • 74% Positiveness
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I Marc 4
Rum and Coke
126 bpm • C Maj • 02:34 • -12.28db
28% Popularity • 79% Danceability • 48% Energy • 20% Liveness
70% Instrumentalness • 96% Positiveness
28% Popularity • 79% Danceability • 48% Energy • 20% Liveness
70% Instrumentalness • 96% Positiveness
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Eden Ahbez
Tradewind
126 bpm • G min • 03:01 • -18.03db
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
34% Popularity • 64% Danceability • 32% Energy • 18% Liveness
84% Instrumentalness • 54% Positiveness
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Enzo Masetti
Anteo, figlio di gea - Original movie so...
135 bpm • B min • 02:27 • -14.32db
0% Popularity • 26% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
0% Popularity • 26% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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James Clarke
Second Cut (re-edit)
136 bpm • B Maj • 02:27 • -10.97db
21% Popularity • 76% Danceability • 63% Energy • 12% Liveness
86% Instrumentalness • 74% Positiveness
21% Popularity • 76% Danceability • 63% Energy • 12% Liveness
86% Instrumentalness • 74% Positiveness
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Bruno Nicolai
Gatti rossi - Titoli
127 bpm • G# Maj • 02:25 • -15db
17% Popularity • 54% Danceability • 44% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
17% Popularity • 54% Danceability • 44% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Carlo Savina
Prega Dio e scavati la fossa - Titoli se...
126 bpm • D Maj • 02:25 • -17.21db
24% Popularity • 34% Danceability • 26% Energy • 42% Liveness
89% Instrumentalness • 33% Positiveness
24% Popularity • 34% Danceability • 26% Energy • 42% Liveness
89% Instrumentalness • 33% Positiveness
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Nino Nardini
Malaysia
126 bpm • G min • 02:08 • -12.99db
31% Popularity • 72% Danceability • 32% Energy • 30% Liveness
85% Instrumentalness • 74% Positiveness
31% Popularity • 72% Danceability • 32% Energy • 30% Liveness
85% Instrumentalness • 74% Positiveness
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Gert Wilden & Orchestra
Blue Mood (Die Jungen Ausreisserinnen)
126 bpm • D min • 02:21 • -8.59db
16% Popularity • 42% Danceability • 35% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
16% Popularity • 42% Danceability • 35% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
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Piero Umiliani
Goodmorning Sun
126 bpm • C min • 04:44 • -19.24db
26% Popularity • 31% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
26% Popularity • 31% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 31% Positiveness
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Ennio Morricone
L'Alibi - Shake Version 1
136 bpm • G Maj • 02:54 • -7.25db
10% Popularity • 60% Danceability • 80% Energy • 8% Liveness
48% Instrumentalness • 87% Positiveness
10% Popularity • 60% Danceability • 80% Energy • 8% Liveness
48% Instrumentalness • 87% Positiveness
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Leonard Nimoy
Music To Watch Space Girls By
136 bpm • D Maj • 02:19 • -8.26db
33% Popularity • 43% Danceability • 61% Energy • 38% Liveness
14% Instrumentalness • 51% Positiveness
33% Popularity • 43% Danceability • 61% Energy • 38% Liveness
14% Instrumentalness • 51% Positiveness
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Sandro Brugnolini
Adrie's Dream
136 bpm • G min • 03:16 • -9.71db
17% Popularity • 48% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 47% Positiveness
17% Popularity • 48% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 47% Positiveness
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Alan Hawkshaw
Calendar Girl
136 bpm • A min • 01:56 • -14db
14% Popularity • 62% Danceability • 41% Energy • 21% Liveness
26% Instrumentalness • 59% Positiveness
14% Popularity • 62% Danceability • 41% Energy • 21% Liveness
26% Instrumentalness • 59% Positiveness
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David Lindup
Little Kisses
137 bpm • D Maj • 02:00 • -18.08db
22% Popularity • 64% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 32% Positiveness
22% Popularity • 64% Danceability • 23% Energy • 15% Liveness
95% Instrumentalness • 32% Positiveness
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Jean Constantin
École buissonnière
126 bpm • A min • 02:09 • -15.47db
23% Popularity • 58% Danceability • 42% Energy • 26% Liveness
9% Instrumentalness • 70% Positiveness
23% Popularity • 58% Danceability • 42% Energy • 26% Liveness
9% Instrumentalness • 70% Positiveness
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Biscaynes with Co-Encidentals
Midnight in Montevideo
126 bpm • A# min • 02:40 • -9db
12% Popularity • 60% Danceability • 59% Energy • 31% Liveness
80% Instrumentalness • 96% Positiveness
12% Popularity • 60% Danceability • 59% Energy • 31% Liveness
80% Instrumentalness • 96% Positiveness
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Franco Micalizzi
La banda del gobbo - Seq. 1 – Titoli
137 bpm • G Maj • 02:05 • -15db
10% Popularity • 70% Danceability • 41% Energy • 42% Liveness
62% Instrumentalness • 94% Positiveness
10% Popularity • 70% Danceability • 41% Energy • 42% Liveness
62% Instrumentalness • 94% Positiveness
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Nino Nardini
Shere Khan
125 bpm • G Maj • 02:00 • -10db
12% Popularity • 48% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
12% Popularity • 48% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Alan Hawkshaw
The Feminine Scene
137 bpm • F Maj • 01:02 • -16.47db
30% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
30% Popularity • 67% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 19% Positiveness
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Lesiman
Colloquio
125 bpm • A# min • 02:54 • -14db
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
13% Popularity • 54% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 90% Positiveness
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Piero Umiliani
Le Ragazze Dell'Arcipelago
137 bpm • D Maj • 03:08 • -10db
20% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Nora Orlandi
Sweet Sweet Love
125 bpm • F Maj • 04:55 • -12.27db
21% Popularity • 41% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 87% Positiveness
21% Popularity • 41% Danceability • 69% Energy • 9% Liveness
85% Instrumentalness • 87% Positiveness
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Alan Parker
Solid Satin
125 bpm • G# Maj • 02:17 • -17db
15% Popularity • 73% Danceability • 62% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
15% Popularity • 73% Danceability • 62% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Nino Rota
Tutti a Vedere il Rex
138 bpm • G min • 02:27 • -9.97db
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
69% Instrumentalness • 74% Positiveness
15% Popularity • 68% Danceability • 53% Energy • 10% Liveness
69% Instrumentalness • 74% Positiveness
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Alessandro Alessandroni
Capelli rossi
124 bpm • G# Maj • 02:42 • -11db
17% Popularity • 63% Danceability • 32% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
17% Popularity • 63% Danceability • 32% Energy • 7% Liveness
92% Instrumentalness • 86% Positiveness
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Elliott Fisher
Theme From "Our Man Flint" - Remastered
138 bpm • G# Maj • 02:31 • -10.9db
16% Popularity • 41% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 25% Positiveness
16% Popularity • 41% Danceability • 51% Energy • 10% Liveness
35% Instrumentalness • 25% Positiveness
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Piero Umiliani
Topless Party
138 bpm • B min • 03:04 • -9.66db
33% Popularity • 78% Danceability • 55% Energy • 24% Liveness
77% Instrumentalness • 69% Positiveness
33% Popularity • 78% Danceability • 55% Energy • 24% Liveness
77% Instrumentalness • 69% Positiveness
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Armando Trovajoli
In Italia si chiama amore (Finale)
138 bpm • A min • 01:01 • -11.84db
35% Popularity • 58% Danceability • 38% Energy • 13% Liveness
97% Instrumentalness • 28% Positiveness
35% Popularity • 58% Danceability • 38% Energy • 13% Liveness
97% Instrumentalness • 28% Positiveness
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Berto Pisano
Free Hammond
124 bpm • F Maj • 02:51 • -18db
24% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 31% Energy • 9% Liveness
88% Instrumentalness • 96% Positiveness
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Carlo Savina
Anche nel West c'era una volta Dio, Seq....
138 bpm • A min • 01:12 • -14.12db
22% Popularity • 53% Danceability • 53% Energy • 7% Liveness
86% Instrumentalness • 65% Positiveness
22% Popularity • 53% Danceability • 53% Energy • 7% Liveness
86% Instrumentalness • 65% Positiveness
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Kenny Sasaki & The Tiki Boys
At the Tiki Bar
124 bpm • C# Maj • 01:43 • -9.38db
36% Popularity • 81% Danceability • 49% Energy • 12% Liveness
82% Instrumentalness • 88% Positiveness
36% Popularity • 81% Danceability • 49% Energy • 12% Liveness
82% Instrumentalness • 88% Positiveness
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Roberto Pregadio
Erika, Seq. 1
124 bpm • F Maj • 04:43 • -17db
25% Popularity • 48% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 44% Positiveness
25% Popularity • 48% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 44% Positiveness
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Augusto Martelli
Ancora dollari per i Mc Gregor - Origina...
139 bpm • C Maj • 01:25 • -16db
15% Popularity • 47% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 66% Positiveness
15% Popularity • 47% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 66% Positiveness
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Mr. Ho's Orchestrotica
Thor's Arrival
139 bpm • A min • 04:55 • -14db
12% Popularity • 36% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
12% Popularity • 36% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
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Berto Pisano
A piedi nudi sulla spiaggia
138 bpm • F Maj • 03:35 • -10.14db
10% Popularity • 35% Danceability • 37% Energy • 9% Liveness
3% Instrumentalness • 22% Positiveness
10% Popularity • 35% Danceability • 37% Energy • 9% Liveness
3% Instrumentalness • 22% Positiveness
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Martini Lounge
Voodoo Dreams / Voodoo
124 bpm • D min • 05:21 • -14.77db
5% Popularity • 44% Danceability • 45% Energy • 33% Liveness
20% Instrumentalness • 34% Positiveness
5% Popularity • 44% Danceability • 45% Energy • 33% Liveness
20% Instrumentalness • 34% Positiveness
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The Marketts
Balboa Blue
139 bpm • G Maj • 02:27 • -9.41db
21% Popularity • 64% Danceability • 52% Energy • 8% Liveness
74% Instrumentalness • 91% Positiveness
21% Popularity • 64% Danceability • 52% Energy • 8% Liveness
74% Instrumentalness • 91% Positiveness
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Dominic Frontiere & His Orchestra
House Of Dawn (Paccari-Tampu)
139 bpm • G Maj • 02:16 • -20db
16% Popularity • 36% Danceability • 32% Energy • 14% Liveness
33% Instrumentalness • 53% Positiveness
16% Popularity • 36% Danceability • 32% Energy • 14% Liveness
33% Instrumentalness • 53% Positiveness
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Alberto Baldan Bembo
Gonzales Go
124 bpm • A# Maj • 02:14 • -11db
41% Popularity • 40% Danceability • 45% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
41% Popularity • 40% Danceability • 45% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
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Maurizio De Angelis
Ankara
123 bpm • D Maj • 02:13 • -19db
23% Popularity • 78% Danceability • 42% Energy • 22% Liveness
94% Instrumentalness • 96% Positiveness
23% Popularity • 78% Danceability • 42% Energy • 22% Liveness
94% Instrumentalness • 96% Positiveness
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Armando Trovajoli
Little Shakie Girl
139 bpm • G# Maj • 03:01 • -21.15db
28% Popularity • 57% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
28% Popularity • 57% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 55% Positiveness
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Keith Mansfield
Pop Spiritual
123 bpm • F min • 03:10 • -9.72db
13% Popularity • 69% Danceability • 64% Energy • 9% Liveness
75% Instrumentalness • 57% Positiveness
13% Popularity • 69% Danceability • 64% Energy • 9% Liveness
75% Instrumentalness • 57% Positiveness
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Syd Dale
Lucky Seven
123 bpm • A Maj • 02:28 • -6.96db
10% Popularity • 62% Danceability • 76% Energy • 4% Liveness
54% Instrumentalness • 96% Positiveness
10% Popularity • 62% Danceability • 76% Energy • 4% Liveness
54% Instrumentalness • 96% Positiveness
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Roberto Pregadio
Erika, Seq. 23
139 bpm • F Maj • 02:08 • -19db
22% Popularity • 48% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 59% Positiveness
22% Popularity • 48% Danceability • 26% Energy • 12% Liveness
96% Instrumentalness • 59% Positiveness
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The Cyrkle
The Rigging
123 bpm • E Maj • 01:15 • -21.64db
22% Popularity • 63% Danceability • 54% Energy • 15% Liveness
82% Instrumentalness • 51% Positiveness
22% Popularity • 63% Danceability • 54% Energy • 15% Liveness
82% Instrumentalness • 51% Positiveness
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Carlo Savina
Duemilanovecentosessantotto
140 bpm • C Maj • 01:51 • -14.27db
1% Popularity • 45% Danceability • 78% Energy • 59% Liveness
88% Instrumentalness • 61% Positiveness
1% Popularity • 45% Danceability • 78% Energy • 59% Liveness
88% Instrumentalness • 61% Positiveness
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Jackie Davis
Midnight Sun
140 bpm • F# Maj • 03:10 • -18db
18% Popularity • 68% Danceability • 27% Energy • 12% Liveness
80% Instrumentalness • 68% Positiveness
18% Popularity • 68% Danceability • 27% Energy • 12% Liveness
80% Instrumentalness • 68% Positiveness
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Keith Mansfield
Funky Flight
140 bpm • C# Maj • 01:38 • -13.6db
19% Popularity • 50% Danceability • 60% Energy • 27% Liveness
85% Instrumentalness • 54% Positiveness
19% Popularity • 50% Danceability • 60% Energy • 27% Liveness
85% Instrumentalness • 54% Positiveness
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Leroy Holmes
Search For The Vulcan - Remastered
123 bpm • F# Maj • 02:52 • -12.69db
26% Popularity • 75% Danceability • 48% Energy • 24% Liveness
50% Instrumentalness • 84% Positiveness
26% Popularity • 75% Danceability • 48% Energy • 24% Liveness
50% Instrumentalness • 84% Positiveness
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Alessandro Alessandroni
Marmittone
123 bpm • B Maj • 02:12 • -7.81db
16% Popularity • 59% Danceability • 48% Energy • 13% Liveness
10% Instrumentalness • 65% Positiveness
16% Popularity • 59% Danceability • 48% Energy • 13% Liveness
10% Instrumentalness • 65% Positiveness
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François de Roubaix
Atolls à l'heure nucléaire
123 bpm • D min • 02:32 • -16.98db
11% Popularity • 57% Danceability • 30% Energy • 20% Liveness
27% Instrumentalness • 34% Positiveness
11% Popularity • 57% Danceability • 30% Energy • 20% Liveness
27% Instrumentalness • 34% Positiveness
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Ennio Morricone
Allegretto Per Signora
123 bpm • F Maj • 02:26 • -6.54db
12% Popularity • 69% Danceability • 70% Energy • 11% Liveness
85% Instrumentalness • 93% Positiveness
12% Popularity • 69% Danceability • 70% Energy • 11% Liveness
85% Instrumentalness • 93% Positiveness
