Songs like Down Orange Street by Crispin Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Fourplay
Café L'Amour
127 bpm • D min • 05:18 • -7.77db
14% Popularity • 69% Danceability • 65% Energy • 6% Liveness
18% Instrumentalness • 79% Positiveness
14% Popularity • 69% Danceability • 65% Energy • 6% Liveness
18% Instrumentalness • 79% Positiveness
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Lonnie Liston Smith
Expansions
127 bpm • F min • 06:06 • -12.2db
44% Popularity • 54% Danceability • 69% Energy • 35% Liveness
9% Instrumentalness • 92% Positiveness
44% Popularity • 54% Danceability • 69% Energy • 35% Liveness
9% Instrumentalness • 92% Positiveness
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Azymuth
Papa Samba
126 bpm • C Maj • 03:54 • -9.72db
23% Popularity • 46% Danceability • 69% Energy • 5% Liveness
66% Instrumentalness • 84% Positiveness
23% Popularity • 46% Danceability • 69% Energy • 5% Liveness
66% Instrumentalness • 84% Positiveness
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Citrus Sun
Refugee
126 bpm • C Maj • 07:24 • -8.81db
9% Popularity • 44% Danceability • 76% Energy • 3% Liveness
82% Instrumentalness • 78% Positiveness
9% Popularity • 44% Danceability • 76% Energy • 3% Liveness
82% Instrumentalness • 78% Positiveness
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Bob James
Topside
126 bpm • C min • 05:06 • -14.84db
29% Popularity • 84% Danceability • 50% Energy • 11% Liveness
70% Instrumentalness • 80% Positiveness
29% Popularity • 84% Danceability • 50% Energy • 11% Liveness
70% Instrumentalness • 80% Positiveness
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Ernie McKone
Ghetto Fly
126 bpm • A Maj • 03:05 • -10.96db
0% Popularity • 55% Danceability • 50% Energy • 9% Liveness
86% Instrumentalness • 61% Positiveness
0% Popularity • 55% Danceability • 50% Energy • 9% Liveness
86% Instrumentalness • 61% Positiveness
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Marla Glen
Follow
125 bpm • C# min • 05:01 • -9.38db
8% Popularity • 65% Danceability • 79% Energy • 97% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 65% Danceability • 79% Energy • 97% Liveness
0% Instrumentalness • 80% Positiveness
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Jim-Bob Jay
Soul Funk
125 bpm • A Maj • 01:41 • -14.02db
21% Popularity • 80% Danceability • 51% Energy • 8% Liveness
89% Instrumentalness • 61% Positiveness
21% Popularity • 80% Danceability • 51% Energy • 8% Liveness
89% Instrumentalness • 61% Positiveness
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Basia Trzetrzelewska
Matt's Mood III
125 bpm • A# min • 05:35 • -10.45db
10% Popularity • 69% Danceability • 80% Energy • 6% Liveness
84% Instrumentalness • 78% Positiveness
10% Popularity • 69% Danceability • 80% Energy • 6% Liveness
84% Instrumentalness • 78% Positiveness
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DJ Cam Quartet
Un été à Paris (The Session Version)
129 bpm • E min • 06:01 • -9.57db
19% Popularity • 61% Danceability • 55% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
19% Popularity • 61% Danceability • 55% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
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Mongo Santamaria
O Mi Shango - Joe Claussell Sacred Rhyth...
125 bpm • F min • 07:07 • -5.73db
7% Popularity • 65% Danceability • 82% Energy • 18% Liveness
20% Instrumentalness • 84% Positiveness
7% Popularity • 65% Danceability • 82% Energy • 18% Liveness
20% Instrumentalness • 84% Positiveness
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Marcus Miller
Untamed
125 bpm • G# min • 04:47 • -8db
30% Popularity • 79% Danceability • 68% Energy • 11% Liveness
79% Instrumentalness • 89% Positiveness
30% Popularity • 79% Danceability • 68% Energy • 11% Liveness
79% Instrumentalness • 89% Positiveness
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Philippe Saisse Trio
September
125 bpm • F# min • 03:25 • -8.81db
15% Popularity • 69% Danceability • 70% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
15% Popularity • 69% Danceability • 70% Energy • 8% Liveness
85% Instrumentalness • 73% Positiveness
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Hugo Fattoruso
El Romance del Sordo
125 bpm • G Maj • 07:24 • -13.18db
7% Popularity • 71% Danceability • 89% Energy • 27% Liveness
75% Instrumentalness • 40% Positiveness
7% Popularity • 71% Danceability • 89% Energy • 27% Liveness
75% Instrumentalness • 40% Positiveness
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Lotus
Jump Off
125 bpm • F min • 05:52 • -14.79db
15% Popularity • 70% Danceability • 32% Energy • 7% Liveness
90% Instrumentalness • 65% Positiveness
15% Popularity • 70% Danceability • 32% Energy • 7% Liveness
90% Instrumentalness • 65% Positiveness
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Gregor Hilden
Junkie Case
129 bpm • C# min • 01:37 • -7.82db
16% Popularity • 58% Danceability • 64% Energy • 30% Liveness
48% Instrumentalness • 80% Positiveness
16% Popularity • 58% Danceability • 64% Energy • 30% Liveness
48% Instrumentalness • 80% Positiveness
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Roy Stephansen
Happy Together - 2019 Remaster
130 bpm • E min • 02:50 • -9.38db
9% Popularity • 71% Danceability • 75% Energy • 28% Liveness
86% Instrumentalness • 80% Positiveness
9% Popularity • 71% Danceability • 75% Energy • 28% Liveness
86% Instrumentalness • 80% Positiveness
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Ruby Rushton
Yardley Suite
125 bpm • A# min • 03:55 • -11.42db
31% Popularity • 58% Danceability • 53% Energy • 4% Liveness
88% Instrumentalness • 57% Positiveness
31% Popularity • 58% Danceability • 53% Energy • 4% Liveness
88% Instrumentalness • 57% Positiveness
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アトラスサウンドチーム
Phantom
124 bpm • C# min • 02:17 • -13.1db
48% Popularity • 77% Danceability • 69% Energy • 11% Liveness
82% Instrumentalness • 70% Positiveness
48% Popularity • 77% Danceability • 69% Energy • 11% Liveness
82% Instrumentalness • 70% Positiveness
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Jeff Lorber Fusion
Live Wire
124 bpm • C# Maj • 07:03 • -8.64db
7% Popularity • 69% Danceability • 82% Energy • 17% Liveness
90% Instrumentalness • 77% Positiveness
7% Popularity • 69% Danceability • 82% Energy • 17% Liveness
90% Instrumentalness • 77% Positiveness
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Soulstance
Golden Touch
130 bpm • E min • 04:08 • -8.61db
19% Popularity • 66% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
19% Popularity • 66% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 63% Positiveness
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George Duke
Rush Hour / Road Rage
124 bpm • E min • 06:49 • -9.1db
16% Popularity • 50% Danceability • 78% Energy • 46% Liveness
80% Instrumentalness • 61% Positiveness
16% Popularity • 50% Danceability • 78% Energy • 46% Liveness
80% Instrumentalness • 61% Positiveness
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Roy Stephansen
Happy Together Feelin'
130 bpm • G Maj • 02:50 • -8.23db
15% Popularity • 68% Danceability • 82% Energy • 15% Liveness
85% Instrumentalness • 79% Positiveness
15% Popularity • 68% Danceability • 82% Energy • 15% Liveness
85% Instrumentalness • 79% Positiveness
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Dan Lacksman
Love You Every Day
124 bpm • B min • 04:25 • -15db
14% Popularity • 60% Danceability • 49% Energy • 6% Liveness
14% Instrumentalness • 43% Positiveness
14% Popularity • 60% Danceability • 49% Energy • 6% Liveness
14% Instrumentalness • 43% Positiveness
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Ramsey Lewis Trio
The In Crowd
124 bpm • C Maj • 03:42 • -7.23db
18% Popularity • 90% Danceability • 53% Energy • 3% Liveness
77% Instrumentalness • 96% Positiveness
18% Popularity • 90% Danceability • 53% Energy • 3% Liveness
77% Instrumentalness • 96% Positiveness
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Phat Cat Players
The Phat Cat Theme
131 bpm • C Maj • 04:54 • -8.79db
19% Popularity • 63% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 63% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Prince
From the Lotus...
131 bpm • C Maj • 02:46 • -7.9db
18% Popularity • 62% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 89% Positiveness
18% Popularity • 62% Danceability • 54% Energy • 11% Liveness
62% Instrumentalness • 89% Positiveness
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Jazztronik
Emerald Breeze
131 bpm • A# min • 04:03 • -6.55db
22% Popularity • 66% Danceability • 96% Energy • 8% Liveness
92% Instrumentalness • 80% Positiveness
22% Popularity • 66% Danceability • 96% Energy • 8% Liveness
92% Instrumentalness • 80% Positiveness
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Mulatu Astatke
Mulatu
132 bpm • C# Maj • 06:20 • -10.07db
36% Popularity • 56% Danceability • 56% Energy • 11% Liveness
6% Instrumentalness • 80% Positiveness
36% Popularity • 56% Danceability • 56% Energy • 11% Liveness
6% Instrumentalness • 80% Positiveness
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Tea
Ibiza Redoux
122 bpm • F Maj • 07:00 • -8.36db
16% Popularity • 72% Danceability • 85% Energy • 14% Liveness
93% Instrumentalness • 90% Positiveness
16% Popularity • 72% Danceability • 85% Energy • 14% Liveness
93% Instrumentalness • 90% Positiveness
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Count Basic
Animal Print
122 bpm • A# min • 05:16 • -9.53db
9% Popularity • 67% Danceability • 74% Energy • 8% Liveness
81% Instrumentalness • 86% Positiveness
9% Popularity • 67% Danceability • 74% Energy • 8% Liveness
81% Instrumentalness • 86% Positiveness
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Nautilus
Looking Back
122 bpm • E min • 03:40 • -10.6db
20% Popularity • 72% Danceability • 84% Energy • 8% Liveness
86% Instrumentalness • 65% Positiveness
20% Popularity • 72% Danceability • 84% Energy • 8% Liveness
86% Instrumentalness • 65% Positiveness
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Aura Safari
My Bluebell
122 bpm • C# Maj • 06:36 • -10.38db
7% Popularity • 55% Danceability • 55% Energy • 22% Liveness
82% Instrumentalness • 53% Positiveness
7% Popularity • 55% Danceability • 55% Energy • 22% Liveness
82% Instrumentalness • 53% Positiveness
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Cory Henry
Walkin
133 bpm • C# min • 06:20 • -13.52db
10% Popularity • 68% Danceability • 37% Energy • 16% Liveness
64% Instrumentalness • 21% Positiveness
10% Popularity • 68% Danceability • 37% Energy • 16% Liveness
64% Instrumentalness • 21% Positiveness
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The Apostles
Super Strut
121 bpm • F Maj • 04:21 • -12.73db
22% Popularity • 70% Danceability • 70% Energy • 11% Liveness
88% Instrumentalness • 83% Positiveness
22% Popularity • 70% Danceability • 70% Energy • 11% Liveness
88% Instrumentalness • 83% Positiveness
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Jackson Conti
Brasilian Sugar
121 bpm • D Maj • 06:27 • -8.82db
7% Popularity • 64% Danceability • 72% Energy • 30% Liveness
27% Instrumentalness • 70% Positiveness
7% Popularity • 64% Danceability • 72% Energy • 30% Liveness
27% Instrumentalness • 70% Positiveness
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Rodney Franklin
On the Path
121 bpm • G min • 03:15 • -11.33db
14% Popularity • 53% Danceability • 85% Energy • 16% Liveness
83% Instrumentalness • 58% Positiveness
14% Popularity • 53% Danceability • 85% Energy • 16% Liveness
83% Instrumentalness • 58% Positiveness
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Naomi Adriaansz
Metro Madness
120 bpm • D Maj • 03:42 • -10.27db
11% Popularity • 67% Danceability • 60% Energy • 9% Liveness
80% Instrumentalness • 32% Positiveness
11% Popularity • 67% Danceability • 60% Energy • 9% Liveness
80% Instrumentalness • 32% Positiveness
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Akasha
Soft and Melting
120 bpm • A Maj • 05:18 • -12.34db
12% Popularity • 43% Danceability • 49% Energy • 9% Liveness
57% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 49% Energy • 9% Liveness
57% Instrumentalness • 32% Positiveness
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bohemianvoodoo
Bird Inn
120 bpm • G Maj • 05:09 • -8.84db
10% Popularity • 73% Danceability • 56% Energy • 13% Liveness
70% Instrumentalness • 37% Positiveness
10% Popularity • 73% Danceability • 56% Energy • 13% Liveness
70% Instrumentalness • 37% Positiveness
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Doc Powell
This Is Soul
120 bpm • E min • 04:09 • -9.07db
12% Popularity • 88% Danceability • 63% Energy • 23% Liveness
86% Instrumentalness • 90% Positiveness
12% Popularity • 88% Danceability • 63% Energy • 23% Liveness
86% Instrumentalness • 90% Positiveness
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Eddie Silverton
Chillin In Tulum
120 bpm • E min • 04:01 • -9.74db
13% Popularity • 82% Danceability • 59% Energy • 28% Liveness
81% Instrumentalness • 59% Positiveness
13% Popularity • 82% Danceability • 59% Energy • 28% Liveness
81% Instrumentalness • 59% Positiveness
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Richard Clayderman
Capriccio Romantico No. 24 in A Minor
120 bpm • F Maj • 02:57 • -15.31db
24% Popularity • 67% Danceability • 53% Energy • 23% Liveness
92% Instrumentalness • 71% Positiveness
24% Popularity • 67% Danceability • 53% Energy • 23% Liveness
92% Instrumentalness • 71% Positiveness
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Flow Bop
Flow Strings
120 bpm • F min • 05:26 • -7.49db
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
52% Instrumentalness • 39% Positiveness
44% Popularity • 57% Danceability • 57% Energy • 11% Liveness
52% Instrumentalness • 39% Positiveness
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Louie Zong
Chrysalis
120 bpm • E min • 02:40 • -13.22db
17% Popularity • 72% Danceability • 49% Energy • 12% Liveness
37% Instrumentalness • 60% Positiveness
17% Popularity • 72% Danceability • 49% Energy • 12% Liveness
37% Instrumentalness • 60% Positiveness
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Nighthawks
Casino
120 bpm • A min • 06:31 • -11.81db
10% Popularity • 70% Danceability • 52% Energy • 18% Liveness
75% Instrumentalness • 36% Positiveness
10% Popularity • 70% Danceability • 52% Energy • 18% Liveness
75% Instrumentalness • 36% Positiveness
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Blu Mar Ten
Special Thermometer
120 bpm • E min • 03:40 • -13.83db
12% Popularity • 53% Danceability • 66% Energy • 9% Liveness
69% Instrumentalness • 42% Positiveness
12% Popularity • 53% Danceability • 66% Energy • 9% Liveness
69% Instrumentalness • 42% Positiveness
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Max Beesley's High Vibes
Mr. Jeckle
120 bpm • E min • 04:04 • -6.79db
27% Popularity • 64% Danceability • 90% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
27% Popularity • 64% Danceability • 90% Energy • 16% Liveness
40% Instrumentalness • 86% Positiveness
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The Brit Funk Association
Chasin' The Rain
120 bpm • C Maj • 03:30 • -7.63db
10% Popularity • 68% Danceability • 72% Energy • 21% Liveness
89% Instrumentalness • 87% Positiveness
10% Popularity • 68% Danceability • 72% Energy • 21% Liveness
89% Instrumentalness • 87% Positiveness
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THE JAZZFUNKATEARS
Funky Girl
120 bpm • A min • 04:01 • -10.5db
14% Popularity • 77% Danceability • 78% Energy • 14% Liveness
87% Instrumentalness • 90% Positiveness
14% Popularity • 77% Danceability • 78% Energy • 14% Liveness
87% Instrumentalness • 90% Positiveness
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P-Funk Brothers
Perfect Dreams
120 bpm • B min • 04:00 • -9db
12% Popularity • 76% Danceability • 89% Energy • 7% Liveness
88% Instrumentalness • 87% Positiveness
12% Popularity • 76% Danceability • 89% Energy • 7% Liveness
88% Instrumentalness • 87% Positiveness
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Alexander Zonjic
Doin' the D
120 bpm • E min • 03:57 • -6.09db
10% Popularity • 79% Danceability • 83% Energy • 15% Liveness
94% Instrumentalness • 78% Positiveness
10% Popularity • 79% Danceability • 83% Energy • 15% Liveness
94% Instrumentalness • 78% Positiveness
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Adani & Wolf
Un rêve pour Levit
120 bpm • B min • 05:19 • -7.92db
13% Popularity • 64% Danceability • 79% Energy • 14% Liveness
88% Instrumentalness • 82% Positiveness
13% Popularity • 64% Danceability • 79% Energy • 14% Liveness
88% Instrumentalness • 82% Positiveness
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Sonny Emory
Car Guy
120 bpm • G# Maj • 02:54 • -7.34db
14% Popularity • 78% Danceability • 91% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
14% Popularity • 78% Danceability • 91% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
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Ricardo Andrade
Cocktail
120 bpm • A min • 05:10 • -11.42db
8% Popularity • 64% Danceability • 53% Energy • 10% Liveness
54% Instrumentalness • 74% Positiveness
8% Popularity • 64% Danceability • 53% Energy • 10% Liveness
54% Instrumentalness • 74% Positiveness
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Roy Stephansen
Ethereum Funk
120 bpm • G min • 02:58 • -10.19db
16% Popularity • 68% Danceability • 77% Energy • 15% Liveness
92% Instrumentalness • 81% Positiveness
16% Popularity • 68% Danceability • 77% Energy • 15% Liveness
92% Instrumentalness • 81% Positiveness
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Gyedu-Blay Ambolley
Abrantie
120 bpm • F min • 08:57 • -8.77db
10% Popularity • 78% Danceability • 81% Energy • 91% Liveness
53% Instrumentalness • 87% Positiveness
10% Popularity • 78% Danceability • 81% Energy • 91% Liveness
53% Instrumentalness • 87% Positiveness
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Mark Murphy
Seasons In My Mind - Patchworks Version
119 bpm • A min • 05:39 • -8.44db
11% Popularity • 49% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 49% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Ernie McKone
Mystical In My Soul (vox)
135 bpm • C# Maj • 03:17 • -9.29db
0% Popularity • 41% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
0% Popularity • 41% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 19% Positiveness
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Citrus Sun
Reno and the Queen Pin - Krabi Suite, Pt...
119 bpm • D min • 02:31 • -8.44db
8% Popularity • 57% Danceability • 52% Energy • 23% Liveness
83% Instrumentalness • 64% Positiveness
8% Popularity • 57% Danceability • 52% Energy • 23% Liveness
83% Instrumentalness • 64% Positiveness
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Return To Forever
Sorceress - Instrumental
119 bpm • A# min • 07:33 • -11.16db
33% Popularity • 42% Danceability • 62% Energy • 21% Liveness
44% Instrumentalness • 72% Positiveness
33% Popularity • 42% Danceability • 62% Energy • 21% Liveness
44% Instrumentalness • 72% Positiveness
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Corduroy
The Gemini Theory
119 bpm • A min • 03:16 • -9.58db
10% Popularity • 81% Danceability • 53% Energy • 14% Liveness
56% Instrumentalness • 65% Positiveness
10% Popularity • 81% Danceability • 53% Energy • 14% Liveness
56% Instrumentalness • 65% Positiveness
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Rubber Souls
Calatrava
119 bpm • E min • 03:39 • -7.29db
15% Popularity • 50% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 65% Positiveness
15% Popularity • 50% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 65% Positiveness
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Jojo Effect
Chord en bleu
119 bpm • F min • 03:12 • -10.67db
16% Popularity • 83% Danceability • 67% Energy • 12% Liveness
83% Instrumentalness • 78% Positiveness
16% Popularity • 83% Danceability • 67% Energy • 12% Liveness
83% Instrumentalness • 78% Positiveness
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Kyoto Jazz Massive
Between The Lights
136 bpm • D# min • 06:32 • -7.01db
19% Popularity • 60% Danceability • 70% Energy • 11% Liveness
4% Instrumentalness • 50% Positiveness
19% Popularity • 60% Danceability • 70% Energy • 11% Liveness
4% Instrumentalness • 50% Positiveness
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Cotonete
Venezuela
118 bpm • A min • 05:52 • -11db
31% Popularity • 66% Danceability • 64% Energy • 11% Liveness
86% Instrumentalness • 89% Positiveness
31% Popularity • 66% Danceability • 64% Energy • 11% Liveness
86% Instrumentalness • 89% Positiveness
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Down To The Bone
Uptown Hustle
118 bpm • B min • 07:18 • -6.94db
16% Popularity • 72% Danceability • 88% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
16% Popularity • 72% Danceability • 88% Energy • 9% Liveness
89% Instrumentalness • 88% Positiveness
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Nils Landgren Funk Unit
Get Down on the Funk
118 bpm • C min • 04:02 • -7.98db
10% Popularity • 79% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 79% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Dr. John
Caravan
118 bpm • A# min • 06:24 • -9.06db
10% Popularity • 80% Danceability • 68% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
10% Popularity • 80% Danceability • 68% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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The Doobie Brothers
Wheels of Fortune
118 bpm • D min • 04:56 • -16db
34% Popularity • 74% Danceability • 53% Energy • 7% Liveness
3% Instrumentalness • 94% Positiveness
34% Popularity • 74% Danceability • 53% Energy • 7% Liveness
3% Instrumentalness • 94% Positiveness
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Jukka Eskola
1974
117 bpm • A# min • 07:15 • -7.85db
13% Popularity • 61% Danceability • 90% Energy • 10% Liveness
72% Instrumentalness • 58% Positiveness
13% Popularity • 61% Danceability • 90% Energy • 10% Liveness
72% Instrumentalness • 58% Positiveness
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Eddie Hazel
What About It?
117 bpm • A# min • 03:45 • -11.35db
27% Popularity • 64% Danceability • 62% Energy • 14% Liveness
87% Instrumentalness • 96% Positiveness
27% Popularity • 64% Danceability • 62% Energy • 14% Liveness
87% Instrumentalness • 96% Positiveness
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Rick Braun
Aqua Funk
117 bpm • F min • 04:34 • -10.05db
10% Popularity • 68% Danceability • 59% Energy • 16% Liveness
52% Instrumentalness • 82% Positiveness
10% Popularity • 68% Danceability • 59% Energy • 16% Liveness
52% Instrumentalness • 82% Positiveness
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Sadao Watanabe
ダウン・イースト
117 bpm • C# Maj • 06:10 • -8db
22% Popularity • 62% Danceability • 72% Energy • 8% Liveness
70% Instrumentalness • 84% Positiveness
22% Popularity • 62% Danceability • 72% Energy • 8% Liveness
70% Instrumentalness • 84% Positiveness
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Roberta Flack
Early Ev'ry Midnite
139 bpm • G# Maj • 05:54 • -17.82db
23% Popularity • 45% Danceability • 30% Energy • 16% Liveness
5% Instrumentalness • 23% Positiveness
23% Popularity • 45% Danceability • 30% Energy • 16% Liveness
5% Instrumentalness • 23% Positiveness
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Dawit Getachew
Gheralta
116 bpm • F Maj • 08:27 • -9.86db
9% Popularity • 73% Danceability • 58% Energy • 15% Liveness
87% Instrumentalness • 75% Positiveness
9% Popularity • 73% Danceability • 58% Energy • 15% Liveness
87% Instrumentalness • 75% Positiveness
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Yurt Party
Hot Pickles
116 bpm • D min • 06:56 • -11.16db
10% Popularity • 43% Danceability • 73% Energy • 25% Liveness
90% Instrumentalness • 66% Positiveness
10% Popularity • 43% Danceability • 73% Energy • 25% Liveness
90% Instrumentalness • 66% Positiveness
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Down To The Bone
Dropping Knowledge
116 bpm • G Maj • 05:58 • -5.82db
14% Popularity • 67% Danceability • 84% Energy • 8% Liveness
42% Instrumentalness • 72% Positiveness
14% Popularity • 67% Danceability • 84% Energy • 8% Liveness
42% Instrumentalness • 72% Positiveness
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The Max Da Costa Trio
Distant Trumpet
140 bpm • A min • 02:13 • -13.1db
27% Popularity • 59% Danceability • 41% Energy • 11% Liveness
52% Instrumentalness • 24% Positiveness
27% Popularity • 59% Danceability • 41% Energy • 11% Liveness
52% Instrumentalness • 24% Positiveness
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Steve Bach
Microwave Popcorn (Bach Remix)
115 bpm • F min • 03:43 • -7.65db
22% Popularity • 73% Danceability • 84% Energy • 6% Liveness
94% Instrumentalness • 97% Positiveness
22% Popularity • 73% Danceability • 84% Energy • 6% Liveness
94% Instrumentalness • 97% Positiveness
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Lord
Life Happens Here
116 bpm • A# min • 02:08 • -11.05db
28% Popularity • 83% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 95% Positiveness
28% Popularity • 83% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 95% Positiveness
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Fusion Funk Foundation
Feel The Base
115 bpm • D Maj • 04:14 • -6.6db
18% Popularity • 75% Danceability • 80% Energy • 32% Liveness
39% Instrumentalness • 76% Positiveness
18% Popularity • 75% Danceability • 80% Energy • 32% Liveness
39% Instrumentalness • 76% Positiveness
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Antonio McFly Morelli
Conga Jazz
115 bpm • C# Maj • 02:25 • -11.25db
13% Popularity • 84% Danceability • 65% Energy • 11% Liveness
83% Instrumentalness • 80% Positiveness
13% Popularity • 84% Danceability • 65% Energy • 11% Liveness
83% Instrumentalness • 80% Positiveness
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Roy Stephansen
Orange Express
115 bpm • A# Maj • 04:27 • -8.16db
16% Popularity • 70% Danceability • 91% Energy • 9% Liveness
59% Instrumentalness • 97% Positiveness
16% Popularity • 70% Danceability • 91% Energy • 9% Liveness
59% Instrumentalness • 97% Positiveness
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En Zone
For Miles
115 bpm • G# Maj • 05:36 • -7.74db
15% Popularity • 58% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 58% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Mark Maxwell
I'll Follow the Sun
115 bpm • A# Maj • 04:03 • -9.18db
26% Popularity • 69% Danceability • 66% Energy • 12% Liveness
85% Instrumentalness • 82% Positiveness
26% Popularity • 69% Danceability • 66% Energy • 12% Liveness
85% Instrumentalness • 82% Positiveness
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Sunset Chill Ensemble
Lazy Afternoon At Playa D'en Bossa - Ibi...
115 bpm • C Maj • 05:08 • -7.53db
14% Popularity • 84% Danceability • 59% Energy • 9% Liveness
83% Instrumentalness • 77% Positiveness
14% Popularity • 84% Danceability • 59% Energy • 9% Liveness
83% Instrumentalness • 77% Positiveness
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Alex RedEye
C major
115 bpm • C Maj • 02:35 • -15.67db
14% Popularity • 80% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
14% Popularity • 80% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 84% Positiveness
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Earl Klugh
Slippin' In The Back Door - Remastered
114 bpm • F min • 04:15 • -9.32db
8% Popularity • 72% Danceability • 65% Energy • 14% Liveness
78% Instrumentalness • 64% Positiveness
8% Popularity • 72% Danceability • 65% Energy • 14% Liveness
78% Instrumentalness • 64% Positiveness
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Rosie Frater-Taylor
Better Days - Kaidi Tatham Remix
115 bpm • D min • 03:57 • -17.98db
11% Popularity • 75% Danceability • 54% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
11% Popularity • 75% Danceability • 54% Energy • 11% Liveness
7% Instrumentalness • 77% Positiveness
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James Taylor Quartet
Free Your Mind
114 bpm • C min • 04:54 • -12.45db
36% Popularity • 66% Danceability • 81% Energy • 7% Liveness
15% Instrumentalness • 77% Positiveness
36% Popularity • 66% Danceability • 81% Energy • 7% Liveness
15% Instrumentalness • 77% Positiveness
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Norman Connors
Rock With You
114 bpm • C# Maj • 04:59 • -4.48db
9% Popularity • 73% Danceability • 74% Energy • 5% Liveness
3% Instrumentalness • 86% Positiveness
9% Popularity • 73% Danceability • 74% Energy • 5% Liveness
3% Instrumentalness • 86% Positiveness
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Cory Henry
Back When
114 bpm • C# Maj • 06:18 • -10.3db
9% Popularity • 69% Danceability • 66% Energy • 12% Liveness
47% Instrumentalness • 7% Positiveness
9% Popularity • 69% Danceability • 66% Energy • 12% Liveness
47% Instrumentalness • 7% Positiveness
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Funky Destination
Sweet Of Love
114 bpm • D min • 03:42 • -6.6db
29% Popularity • 69% Danceability • 99% Energy • 13% Liveness
77% Instrumentalness • 34% Positiveness
29% Popularity • 69% Danceability • 99% Energy • 13% Liveness
77% Instrumentalness • 34% Positiveness
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Ronny Jordan
Rondezvous
114 bpm • C# min • 06:02 • -6.46db
10% Popularity • 81% Danceability • 47% Energy • 9% Liveness
41% Instrumentalness • 71% Positiveness
10% Popularity • 81% Danceability • 47% Energy • 9% Liveness
41% Instrumentalness • 71% Positiveness
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THISISGRAEME
Gaucho Man
114 bpm • C# min • 04:22 • -7.09db
13% Popularity • 72% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 72% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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David Sanborn
Hideaway
114 bpm • A Maj • 03:47 • -12.08db
20% Popularity • 81% Danceability • 67% Energy • 4% Liveness
64% Instrumentalness • 85% Positiveness
20% Popularity • 81% Danceability • 67% Energy • 4% Liveness
64% Instrumentalness • 85% Positiveness
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Azymuth
Brazymuth
142 bpm • C min • 04:57 • -11.91db
7% Popularity • 55% Danceability • 64% Energy • 11% Liveness
9% Instrumentalness • 65% Positiveness
7% Popularity • 55% Danceability • 64% Energy • 11% Liveness
9% Instrumentalness • 65% Positiveness
