Songs like Down To Zero by Joan Armatrading
Based on a tempo of (+/- 10%) and a similar genre
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John Hiatt
Adios to California
149 bpm • B min • 03:47 • -11db
52% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
52% Popularity • 55% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Ralph McTell
West 4th Street and Jones
149 bpm • A Maj • 04:25 • -9.65db
16% Popularity • 35% Danceability • 41% Energy • 66% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 35% Danceability • 41% Energy • 66% Liveness
0% Instrumentalness • 42% Positiveness
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RodrÃguez
Cause
149 bpm • E Maj • 05:30 • -4db
50% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 37% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Nanci Griffith
It's A Hard Life Wherever You Go
149 bpm • C Maj • 04:02 • -16.33db
28% Popularity • 38% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 38% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Joan Armatrading
Down To Zero
149 bpm • A# Maj • 03:51 • -14.29db
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 52% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Labi Siffre
It Must Be Love
148 bpm • B min • 03:56 • -12.03db
47% Popularity • 64% Danceability • 37% Energy • 3% Liveness
34% Instrumentalness • 62% Positiveness
47% Popularity • 64% Danceability • 37% Energy • 3% Liveness
34% Instrumentalness • 62% Positiveness
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Bruce Cockburn
Pacing The Cage
149 bpm • E Maj • 04:40 • -14.58db
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Bruce Springsteen
One Step Up
150 bpm • A# Maj • 04:21 • -17.41db
50% Popularity • 53% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
50% Popularity • 53% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
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Kate & Anna McGarrigle
Heart Like a Wheel
148 bpm • D# Maj • 03:12 • -17db
29% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 28% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Fairport Convention
I'll Keep It With Mine
151 bpm • C Maj • 05:51 • -15.7db
23% Popularity • 38% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 38% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Joan Armatrading
Woncha Come On Home
148 bpm • D Maj • 02:39 • -19.99db
46% Popularity • 67% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 67% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jim James
Goin' to Acapulco
151 bpm • A Maj • 04:58 • -7db
38% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 37% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Kirsty MacColl
Perfect Day
147 bpm • A Maj • 03:51 • -9.96db
26% Popularity • 45% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 45% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Buffalo Springfield
Expecting to Fly
151 bpm • F Maj • 03:44 • -13.28db
43% Popularity • 16% Danceability • 35% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
43% Popularity • 16% Danceability • 35% Energy • 10% Liveness
33% Instrumentalness • 12% Positiveness
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Dave Mason
The Lonely One
151 bpm • D Maj • 04:47 • -12db
26% Popularity • 49% Danceability • 40% Energy • 15% Liveness
3% Instrumentalness • 47% Positiveness
26% Popularity • 49% Danceability • 40% Energy • 15% Liveness
3% Instrumentalness • 47% Positiveness
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Crosby, Stills & Nash
Helplessly Hoping - 2005 Remaster
147 bpm • G Maj • 02:37 • -14db
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Yusuf / Cat Stevens
Hard Headed Woman
147 bpm • C Maj • 03:46 • -12.48db
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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J.J. Cale
Hey Baby
147 bpm • C Maj • 03:11 • -16.17db
46% Popularity • 64% Danceability • 35% Energy • 10% Liveness
53% Instrumentalness • 56% Positiveness
46% Popularity • 64% Danceability • 35% Energy • 10% Liveness
53% Instrumentalness • 56% Positiveness
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Warren Zevon
Empty Hearted Town
152 bpm • D Maj • 03:06 • -14db
44% Popularity • 36% Danceability • 32% Energy • 15% Liveness
32% Instrumentalness • 26% Positiveness
44% Popularity • 36% Danceability • 32% Energy • 15% Liveness
32% Instrumentalness • 26% Positiveness
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Tracy Chapman
All That You Have Is Your Soul
146 bpm • A Maj • 05:18 • -16db
50% Popularity • 57% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
50% Popularity • 57% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Nanci Griffith
Speed of the Sound of Loneliness
146 bpm • C Maj • 04:20 • -13.87db
48% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Stills-Young Band
Long May You Run
146 bpm • D Maj • 03:56 • -9.54db
40% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 56% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Graham Nash
Wounded Bird
146 bpm • E min • 02:13 • -15.51db
30% Popularity • 53% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 53% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Simon & Garfunkel
For Emily, Whenever I May Find Her
146 bpm • D# Maj • 02:05 • -13.06db
48% Popularity • 31% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 31% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Gillian Welch
Revelator
146 bpm • A min • 06:21 • -9.79db
30% Popularity • 56% Danceability • 26% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
30% Popularity • 56% Danceability • 26% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
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Mary Gauthier
Our Lady Of The Shooting Stars
152 bpm • E min • 03:29 • -18.37db
33% Popularity • 58% Danceability • 15% Energy • 11% Liveness
21% Instrumentalness • 21% Positiveness
33% Popularity • 58% Danceability • 15% Energy • 11% Liveness
21% Instrumentalness • 21% Positiveness
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Tim Hardin
The Lady Came From Baltimore
145 bpm • C Maj • 01:49 • -14db
40% Popularity • 57% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 57% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Eliza Gilkyson
Promises to Keep
145 bpm • A Maj • 04:23 • -14.87db
20% Popularity • 38% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 38% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Bruce Springsteen
My Father's House
144 bpm • D Maj • 05:03 • -18.4db
39% Popularity • 28% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 28% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Little Feat
Willin'
144 bpm • G Maj • 02:54 • -7.2db
55% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 54% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Warren Zevon
Desperados Under the Eaves
145 bpm • F Maj • 04:47 • -17db
38% Popularity • 34% Danceability • 19% Energy • 6% Liveness
8% Instrumentalness • 25% Positiveness
38% Popularity • 34% Danceability • 19% Energy • 6% Liveness
8% Instrumentalness • 25% Positiveness
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Bill Fay
The Healing Day
144 bpm • C# Maj • 05:14 • -13db
36% Popularity • 38% Danceability • 36% Energy • 12% Liveness
64% Instrumentalness • 14% Positiveness
36% Popularity • 38% Danceability • 36% Energy • 12% Liveness
64% Instrumentalness • 14% Positiveness
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John Martyn
Go Down Easy
144 bpm • D Maj • 03:35 • -20.56db
33% Popularity • 48% Danceability • 10% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
33% Popularity • 48% Danceability • 10% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Teddy Thompson
The Future
144 bpm • G min • 06:49 • -5db
27% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 45% Danceability • 75% Energy • 69% Liveness
0% Instrumentalness • 75% Positiveness
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The Roches
Hammond Song
144 bpm • D# Maj • 05:45 • -11.48db
42% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Bruce Cockburn
Closer To The Light
144 bpm • B min • 04:10 • -18.33db
27% Popularity • 54% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 12% Liveness
3% Instrumentalness • 30% Positiveness
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Elvis Costello & The Attractions
Shipbuilding
143 bpm • G Maj • 04:52 • -14db
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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John Hiatt
Have A Little Faith In Me
157 bpm • C Maj • 04:01 • -14.11db
57% Popularity • 45% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 45% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Mary McCaslin
Things We Said Today
157 bpm • A Maj • 03:02 • -11.24db
30% Popularity • 50% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 50% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Joan Armatrading
What Do You Want?
158 bpm • E Maj • 03:47 • -17.92db
19% Popularity • 58% Danceability • 27% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
19% Popularity • 58% Danceability • 27% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
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10,000 Maniacs
Let the Mystery Be
141 bpm • D Maj • 03:08 • -8.8db
30% Popularity • 55% Danceability • 59% Energy • 85% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 55% Danceability • 59% Energy • 85% Liveness
0% Instrumentalness • 82% Positiveness
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Jackson Browne
Song for Adam - Remastered
141 bpm • C# Maj • 05:23 • -12.82db
32% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Warren Zevon
Frozen Notes
158 bpm • G Maj • 01:42 • -14db
49% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
49% Popularity • 43% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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John Hiatt
Feels Like Rain
140 bpm • G Maj • 04:51 • -18.29db
43% Popularity • 69% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
43% Popularity • 69% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Yusuf / Cat Stevens
Trouble
140 bpm • F# Maj • 02:52 • -15.08db
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 54% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Sinéad Lohan
To Ramona
158 bpm • G Maj • 03:43 • -11db
39% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 58% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Roxy Music
Oh Yeah!
140 bpm • C Maj • 04:50 • -8.42db
52% Popularity • 61% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
52% Popularity • 61% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Leon Russell
Stranger In A Strange Land
159 bpm • D# Maj • 04:02 • -14db
48% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 36% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Tim Hardin
If I Were A Carpenter
160 bpm • G Maj • 02:41 • -13db
47% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
47% Popularity • 56% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 66% Positiveness
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Pete Townshend
April Fool
139 bpm • D Maj • 03:34 • -23db
32% Popularity • 50% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
32% Popularity • 50% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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The Neville Brothers
Will The Circle Be Unbroken
139 bpm • F Maj • 05:17 • -20.95db
22% Popularity • 44% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Joan Armatrading
Heaven
139 bpm • E Maj • 04:41 • -11.95db
26% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Richard Thompson
Beeswing
138 bpm • F Maj • 05:33 • -14.48db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Warren Zevon
The Hula Hula Boys - 2007 Remaster
138 bpm • G Maj • 03:02 • -11db
35% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jackson Browne
Take It Easy
138 bpm • G Maj • 03:51 • -10db
48% Popularity • 53% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 53% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
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Kate & Anna McGarrigle
Goin' back to Harlan (Aka Appalachian Dr...
161 bpm • A Maj • 04:57 • -9.88db
18% Popularity • 44% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 44% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Hardin
It'll Never Happen Again
138 bpm • A min • 02:37 • -18.34db
31% Popularity • 40% Danceability • 9% Energy • 19% Liveness
1% Instrumentalness • 24% Positiveness
31% Popularity • 40% Danceability • 9% Energy • 19% Liveness
1% Instrumentalness • 24% Positiveness
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Little Village
Do You Want My Job
137 bpm • A Maj • 05:37 • -11.91db
26% Popularity • 55% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 55% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Shelby Lynne
Not Dark Yet
137 bpm • C Maj • 04:19 • -11.13db
33% Popularity • 51% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 51% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Warren Zevon
Steady Rain
138 bpm • G Maj • 04:19 • -10.14db
41% Popularity • 52% Danceability • 42% Energy • 21% Liveness
23% Instrumentalness • 42% Positiveness
41% Popularity • 52% Danceability • 42% Energy • 21% Liveness
23% Instrumentalness • 42% Positiveness
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Joan Armatrading
Head of the Table - 2015 Remastered Vers...
137 bpm • F min • 02:31 • -12.41db
13% Popularity • 64% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 64% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Jackson Browne
These Days
138 bpm • F Maj • 04:44 • -11db
56% Popularity • 47% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 47% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Yusuf / Cat Stevens
Miles From Nowhere
162 bpm • D Maj • 03:36 • -11.39db
48% Popularity • 36% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 36% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Martha Wainwright
Tower Of Song
137 bpm • A Maj • 03:44 • -9db
33% Popularity • 47% Danceability • 30% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 47% Danceability • 30% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
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Tracy Chapman
For My Lover
163 bpm • E min • 03:12 • -13.81db
57% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Kate & Anna McGarrigle
Dancer with Bruised Knees - Remastered
136 bpm • C# min • 03:44 • -15db
17% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Joan Armatrading
Rosie
163 bpm • B Maj • 03:11 • -12.31db
40% Popularity • 67% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
40% Popularity • 67% Danceability • 57% Energy • 18% Liveness
1% Instrumentalness • 96% Positiveness
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Jackson Browne
Our Lady of the Well
136 bpm • G Maj • 03:38 • -12.81db
29% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 52% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Sandy Denny
Blues Run the Game - Home Recording 1966
163 bpm • A# Maj • 03:28 • -21.61db
20% Popularity • 37% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
20% Popularity • 37% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 55% Positiveness
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John Prine
Hello in There
135 bpm • C Maj • 04:32 • -17db
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Graham Nash
Myself at Last
134 bpm • G Maj • 05:17 • -18.53db
31% Popularity • 61% Danceability • 11% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
31% Popularity • 61% Danceability • 11% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
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Kate & Anna McGarrigle
Love over and Over
135 bpm • D Maj • 04:09 • -9.14db
21% Popularity • 67% Danceability • 81% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
21% Popularity • 67% Danceability • 81% Energy • 7% Liveness
2% Instrumentalness • 70% Positiveness
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Joan Armatrading
Friends
135 bpm • C min • 03:07 • -16db
21% Popularity • 59% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 59% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Jackson Browne
Late for the Sky - Remastered
165 bpm • C Maj • 05:41 • -10db
48% Popularity • 32% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 32% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Nick Lowe
The Beast in Me
133 bpm • D# Maj • 02:28 • -25db
38% Popularity • 55% Danceability • 3% Energy • 15% Liveness
2% Instrumentalness • 38% Positiveness
38% Popularity • 55% Danceability • 3% Energy • 15% Liveness
2% Instrumentalness • 38% Positiveness
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Sandy Denny
Who Knows Where The Time Goes? - BBC Ses...
133 bpm • D# Maj • 05:35 • -13.79db
34% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 40% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Dire Straits
Wild West End
133 bpm • D Maj • 04:41 • -12.09db
63% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Warren Zevon
Hasten Down the Wind
133 bpm • F Maj • 02:59 • -10.21db
27% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 50% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Joan Armatrading
All The Way From America
136 bpm • E Maj • 04:51 • -15.22db
30% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 47% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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World Party
Is It Like Today?
132 bpm • G Maj • 05:11 • -7.48db
48% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jesse Winchester
Sham-a-Ling-Dong-Ding
168 bpm • E Maj • 04:03 • -14.06db
31% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sandy Denny
Tomorrow Is A Long Time
133 bpm • E Maj • 03:54 • -12.29db
24% Popularity • 65% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 65% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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John Martyn
Spencer The Rover
132 bpm • E Maj • 04:09 • -19db
33% Popularity • 41% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
33% Popularity • 41% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Graham Nash
Simple Man
131 bpm • C Maj • 02:18 • -14.81db
37% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Joan Armatrading
Peace In Mind
135 bpm • C Maj • 03:18 • -16.48db
22% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 54% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Leon Russell
Manhattan Island Serenade
169 bpm • C Maj • 03:25 • -15.47db
31% Popularity • 36% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 36% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Greg Brown
Dream Café
131 bpm • F Maj • 05:57 • -16.78db
31% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Sandy Denny
No More Sad Refrains
131 bpm • C Maj • 02:49 • -8.16db
14% Popularity • 59% Danceability • 31% Energy • 18% Liveness
3% Instrumentalness • 18% Positiveness
14% Popularity • 59% Danceability • 31% Energy • 18% Liveness
3% Instrumentalness • 18% Positiveness
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Yusuf / Cat Stevens
Tea For The Tillerman
170 bpm • C Maj • 01:05 • -17db
59% Popularity • 44% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 44% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Hothouse Flowers
Don't Go
130 bpm • A Maj • 03:49 • -9db
49% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Joan Armatrading
City Girl - 2015 Remastered Version
167 bpm • D Maj • 03:59 • -12.8db
17% Popularity • 47% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
17% Popularity • 47% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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World Party
Put the Message In the Box
130 bpm • G Maj • 04:16 • -6.52db
44% Popularity • 59% Danceability • 84% Energy • 9% Liveness
11% Instrumentalness • 84% Positiveness
44% Popularity • 59% Danceability • 84% Energy • 9% Liveness
11% Instrumentalness • 84% Positiveness
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Shawn Colvin
Polaroids
171 bpm • F# Maj • 05:51 • -15db
23% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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John Hiatt
What Do We Do Now
130 bpm • D Maj • 02:58 • -10.81db
45% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Sandy Denny
Solo
130 bpm • D Maj • 04:24 • -7.78db
9% Popularity • 45% Danceability • 33% Energy • 15% Liveness
57% Instrumentalness • 44% Positiveness
9% Popularity • 45% Danceability • 33% Energy • 15% Liveness
57% Instrumentalness • 44% Positiveness
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Gretchen Peters
Pretty Things
130 bpm • C Maj • 05:03 • -12db
31% Popularity • 47% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
31% Popularity • 47% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 18% Positiveness
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Joan Armatrading
Me Myself I
132 bpm • E Maj • 03:17 • -15.37db
38% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Bruce Springsteen
Nebraska
129 bpm • F# Maj • 04:29 • -15.9db
45% Popularity • 38% Danceability • 7% Energy • 38% Liveness
2% Instrumentalness • 15% Positiveness
45% Popularity • 38% Danceability • 7% Energy • 38% Liveness
2% Instrumentalness • 15% Positiveness
