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doyouseeit
Songs like
doyouseeit
by
ROLE MODEL
Based on a tempo of (+/- 10%) and a similar genre
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Mulherin
Anniversary
145 bpm • A# min • 02:55 • -10db
29% Popularity • 58% Danceability • 48% Energy • 34% Liveness
2% Instrumentalness • 25% Positiveness
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Aidan Bissett
Grocery Store Girl
145 bpm • G Maj • 02:43 • -6.38db
40% Popularity • 60% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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ROLE MODEL
can you say the same
145 bpm • C# Maj • 03:15 • -11.75db
34% Popularity • 70% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 38% Positiveness
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Andy Yu
Tennis
145 bpm • E Maj • 02:57 • -12.45db
15% Popularity • 92% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
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DWLLRS
Things We Don't Talk About
144 bpm • G Maj • 03:28 • -6db
26% Popularity • 45% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Kessler
Everything to Everyone
144 bpm • C min • 02:47 • -9.97db
31% Popularity • 62% Danceability • 49% Energy • 47% Liveness
8% Instrumentalness • 28% Positiveness
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jackson lee morgan
time to let go
146 bpm • E min • 03:28 • -9.35db
8% Popularity • 63% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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david hugo
Hot Mess
146 bpm • C# Maj • 02:17 • -5.45db
38% Popularity • 78% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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ROLE MODEL
doyouseeit
145 bpm • G Maj • 02:29 • -6db
36% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Devin Kennedy
Gummy Worms
146 bpm • D# Maj • 02:49 • -9.46db
24% Popularity • 55% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Your Neighbors
Theirs
143 bpm • C# Maj • 03:10 • -6.56db
26% Popularity • 48% Danceability • 59% Energy • 39% Liveness
1% Instrumentalness • 52% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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ella jane
bored&blind
146 bpm • C# Maj • 03:41 • -9.77db
41% Popularity • 73% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Weston Estate
Hold On
147 bpm • A# min • 02:39 • -5.77db
43% Popularity • 54% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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ROLE MODEL
not a fan
144 bpm • C# min • 03:27 • -8db
36% Popularity • 76% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Devin Kennedy
Happy Yet
143 bpm • D Maj • 02:33 • -8db
26% Popularity • 67% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Bennett Coast
Deep End
148 bpm • A# Maj • 03:05 • -11.03db
39% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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nodisco.
Permanent Residence
148 bpm • A# Maj • 03:51 • -5.03db
12% Popularity • 73% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Hong Kong Boyfriend
Cold Waters
148 bpm • E Maj • 02:55 • -8.8db
37% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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THE DRIVER ERA
Take Me Away
142 bpm • C# Maj • 03:23 • -7.2db
48% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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ROLE MODEL
stripclub music
144 bpm • D# Maj • 02:54 • -8.7db
35% Popularity • 67% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Slush Puppy
I Don't Like Ur Friends
148 bpm • G Maj • 03:32 • -9.69db
22% Popularity • 62% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
54% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Burg
Fever
141 bpm • F# min • 03:27 • -9.35db
21% Popularity • 43% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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THE DRIVER ERA
Scared of Heights
142 bpm • C Maj • 03:52 • -6.55db
42% Popularity • 56% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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ROLE MODEL
masturbation song
142 bpm • E min • 03:14 • -14.05db
36% Popularity • 31% Danceability • 26% Energy • 11% Liveness
19% Instrumentalness • 36% Positiveness
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carwash
swings
150 bpm • F# Maj • 02:22 • -7.48db
28% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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IV DANTE
By Herself
150 bpm • G# Maj • 03:17 • -6.4db
31% Popularity • 48% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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young friend
HEADCASE
150 bpm • C# Maj • 02:54 • -5.9db
30% Popularity • 62% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Juniper
Angelina
150 bpm • D# Maj • 03:10 • -7db
30% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Sally Boy
Sally Boy
150 bpm • A Maj • 02:43 • -7.21db
8% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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ROLE MODEL
neverletyougo
147 bpm • G# Maj • 02:58 • -10.41db
52% Popularity • 79% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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daydream Masi
Night Like This
150 bpm • F min • 03:03 • -8.37db
30% Popularity • 66% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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wordsbyjuni
enjoy it while u can!
150 bpm • F# min • 02:24 • -9.79db
15% Popularity • 62% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Dayglow
False Direction
150 bpm • B Maj • 04:37 • -10db
52% Popularity • 68% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Elle Mills
Still in Love with Me
150 bpm • E Maj • 02:38 • -9.24db
25% Popularity • 66% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Thompson
You Got It
150 bpm • F# min • 04:32 • -5.01db
3% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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ROLE MODEL
rx
141 bpm • E Maj • 03:20 • -15db
36% Popularity • 44% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
26% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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FIG
You're Kinda Perfect
150 bpm • C Maj • 02:26 • -10db
25% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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DWLLRS
Iced Coffee
150 bpm • D# min • 03:04 • -6.57db
26% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Thomston
JPA989
150 bpm • C Maj • 02:56 • -11.35db
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Aidan Bissett
So High
150 bpm • C Maj • 02:49 • -6.14db
29% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Thompson
Time
150 bpm • F# min • 03:18 • -6.62db
3% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Ryan Woods
Pillow
140 bpm • G Maj • 02:53 • -5db
27% Popularity • 62% Danceability • 78% Energy • 18% Liveness
9% Instrumentalness • 40% Positiveness
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SEB
live and die in la
140 bpm • C Maj • 02:22 • -8db
28% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Stephen Dawes
Positive!
140 bpm • C Maj • 02:26 • -6.45db
37% Popularity • 66% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jarren Blair
Space Jam
150 bpm • F min • 04:17 • -8db
21% Popularity • 47% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Lilacs.
Lately I've Been Sad
140 bpm • A Maj • 03:02 • -15.93db
31% Popularity • 74% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
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Ori Rose
DGAF BOY
140 bpm • B min • 02:09 • -5.52db
25% Popularity • 74% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Kennen
1 2 365 4 Me
140 bpm • F# Maj • 02:54 • -5.88db
27% Popularity • 62% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Dayglow
Something
140 bpm • C min • 01:54 • -5db
51% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Ryan Woods
Sorry / happysad
140 bpm • F# min • 06:01 • -7.45db
18% Popularity • 63% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Saint Christopher
Downhill
140 bpm • F# Maj • 02:46 • -7.46db
17% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jelani Aryeh
Someone to Hold You
140 bpm • G Maj • 02:45 • -7.89db
28% Popularity • 68% Danceability • 50% Energy • 17% Liveness
46% Instrumentalness • 31% Positiveness
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The Neighbourhood
BooHoo
140 bpm • F min • 03:11 • -9.3db
43% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Sally Boy
just friends now
140 bpm • B min • 01:38 • -11db
20% Popularity • 80% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Ben Chandler
Addicted 2 U
140 bpm • F Maj • 03:31 • -6db
23% Popularity • 73% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Dylan Jordan
aliso
140 bpm • G Maj • 02:50 • -7.06db
22% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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young friend
crying all the time
140 bpm • D Maj • 02:25 • -10db
16% Popularity • 74% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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ROLE MODEL
gucci chair
150 bpm • C# min • 03:07 • -7.8db
34% Popularity • 37% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Christian Leave
Adult
139 bpm • D# Maj • 02:37 • -10db
45% Popularity • 76% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Social House
At Least We Can Say That We Tried
151 bpm • D# Maj • 02:36 • -7.8db
34% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Jesse®
Bi
151 bpm • B min • 02:44 • -3.86db
31% Popularity • 66% Danceability • 76% Energy • 15% Liveness
1% Instrumentalness • 64% Positiveness
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Free Arlo
monday
138 bpm • G# Maj • 03:17 • -5.67db
33% Popularity • 86% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Ben Chandler
Out of My Head
138 bpm • E Maj • 02:15 • -3.45db
22% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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ROLE MODEL
save a seat
152 bpm • C min • 03:07 • -11.22db
33% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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MyKey
Kneepads
138 bpm • D Maj • 02:35 • -5.64db
33% Popularity • 77% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Tobias Dray
Twice
137 bpm • B Maj • 02:46 • -8.95db
16% Popularity • 82% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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John-Robert
Pelican
137 bpm • F# min • 02:37 • -7db
31% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Thomston
Magnolia
154 bpm • F# Maj • 03:13 • -10.84db
27% Popularity • 63% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Theo Kandel
How Could Anybody
136 bpm • G Maj • 04:01 • -8db
11% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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ROLE MODEL
if jesus saves, she's my type
153 bpm • G Maj • 03:37 • -8.34db
44% Popularity • 76% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
37% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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THE DRIVER ERA
giveuwhatuwant
136 bpm • F# Maj • 03:20 • -6.3db
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Public Library Commute
golden feeling since june
136 bpm • C Maj • 02:27 • -12.92db
22% Popularity • 72% Danceability • 55% Energy • 11% Liveness
50% Instrumentalness • 31% Positiveness
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Younger Hunger
Goodbye Bye Bye
136 bpm • A# Maj • 02:35 • -4.37db
34% Popularity • 65% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Charlie Burg
Eight
136 bpm • C# min • 03:34 • -9.8db
19% Popularity • 64% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
37% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Stephen Dawes
Friends Don’t Keep Secrets
155 bpm • A Maj • 02:11 • -17db
41% Popularity • 54% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Kessler
Good Enough
136 bpm • C Maj • 02:50 • -11db
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Koko Love
Crushes
135 bpm • C Maj • 02:31 • -5.7db
32% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Katzin
Getaway
135 bpm • G Maj • 02:08 • -6.83db
14% Popularity • 89% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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THE DRIVER ERA
Nobody Knows
135 bpm • G Maj • 03:30 • -6.95db
48% Popularity • 66% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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ROLE MODEL
death wish
136 bpm • E min • 02:40 • -7.67db
43% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Forrest Nolan
you make me feel alright
156 bpm • D# Maj • 02:58 • -10.49db
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Ruel
say it over
156 bpm • D min • 03:58 • -10.94db
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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14 Stories
Hear Me Out
134 bpm • F Maj • 04:46 • -8.04db
21% Popularity • 71% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Ant Saunders
Effortless
156 bpm • G min • 02:41 • -5.98db
24% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
42% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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ROLE MODEL
never give up
156 bpm • C Maj • 03:29 • -10.25db
25% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Forrest Nolan
Hotel Room
156 bpm • C# Maj • 02:59 • -8.04db
23% Popularity • 80% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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BENEE
If I Get To Meet You
157 bpm • D Maj • 03:02 • -7.1db
51% Popularity • 68% Danceability • 68% Energy • 8% Liveness
6% Instrumentalness • 80% Positiveness
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SEB
Boys Don't Cry
157 bpm • G Maj • 02:07 • -10.85db
19% Popularity • 50% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Halsey
Dominic’s Interlude
158 bpm • A# Maj • 01:16 • -6.31db
53% Popularity • 41% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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david hugo
Falling Hearts
133 bpm • D Maj • 03:19 • -12.91db
25% Popularity • 78% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Christian Leave
Hard Wad Body
133 bpm • C Maj • 03:26 • -8.53db
32% Popularity • 42% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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doyouseeit