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Dr. Arbuthnot
Songs like
Dr. Arbuthnot
by
Patrick Doyle
Based on a tempo of (+/- 10%) and a similar genre
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Jacob Shea
Cheetahs Of Kenya
138 bpm • G min • 07:03 • -17.76db
13% Popularity • 20% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Patrick Doyle
Dr. Arbuthnot
138 bpm • B Maj • 01:53 • -20.03db
14% Popularity • 29% Danceability • 12% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
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Michael Giacchino
Mystery Training
138 bpm • C# Maj • 01:53 • -21.71db
21% Popularity • 28% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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James Horner
"I Have Chosen You"
138 bpm • A Maj • 03:22 • -24.6db
17% Popularity • 23% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Philip Glass
Wish I Would See You Again
139 bpm • A# Maj • 01:26 • -22.02db
17% Popularity • 15% Danceability • 13% Energy • 16% Liveness
94% Instrumentalness • 14% Positiveness
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Christian Henson
Opening Titles
137 bpm • G# Maj • 02:30 • -18.55db
34% Popularity • 16% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Peggy Remembers Cap
139 bpm • G# Maj • 01:51 • -14.66db
23% Popularity • 31% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 13% Positiveness
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Patrick Doyle
Hammer Found
139 bpm • F min • 01:11 • -33.38db
24% Popularity • 52% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Martin Phipps
The Establishment
139 bpm • A# min • 02:58 • -22.53db
32% Popularity • 40% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Michael Giacchino
The Great Ape Processional
138 bpm • C Maj • 04:34 • -20.42db
20% Popularity • 15% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Back to the Moors
139 bpm • A Maj • 01:14 • -8.55db
9% Popularity • 37% Danceability • 67% Energy • 22% Liveness
96% Instrumentalness • 29% Positiveness
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Harald Kloser
Tornado Warning
139 bpm • C# Maj • 02:00 • -21.71db
32% Popularity • 14% Danceability • 6% Energy • 29% Liveness
96% Instrumentalness • 4% Positiveness
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William Ross
Dad's Advice
137 bpm • C# Maj • 01:57 • -27.71db
38% Popularity • 15% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Steven Price
The Hungry Crocodile
140 bpm • E min • 05:45 • -20.16db
11% Popularity • 16% Danceability • 23% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Patrick Doyle
Keep Everyone Inside
140 bpm • B Maj • 01:24 • -14.06db
16% Popularity • 35% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Stephen Warbeck
What Happened to Our Country
140 bpm • G# Maj • 02:18 • -21.75db
15% Popularity • 14% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
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Geoff Zanelli
Sussex
140 bpm • C Maj • 01:12 • -23.74db
39% Popularity • 31% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
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James Horner
"It's Sarah's Move"
136 bpm • C# min • 02:36 • -36.88db
15% Popularity • 15% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Memories Lost
140 bpm • A# Maj • 02:56 • -22.05db
14% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Christian Henson
The Moonacre Curse
136 bpm • D Maj • 03:08 • -19.6db
19% Popularity • 19% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 8% Positiveness
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George Fenton
The Glass Slipper
140 bpm • D Maj • 03:27 • -21.67db
21% Popularity • 14% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Steven Price
Looking On at What Might Have Been
135 bpm • G# min • 03:23 • -22.31db
10% Popularity • 17% Danceability • 20% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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Pinar Toprak
This Isn't Goodbye
141 bpm • C Maj • 02:29 • -19db
32% Popularity • 14% Danceability • 17% Energy • 5% Liveness
50% Instrumentalness • 6% Positiveness
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Stephen Warbeck
Leave Taking
135 bpm • G min • 03:04 • -27db
37% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Jacob Shea
European Macaques
135 bpm • F Maj • 06:04 • -17.54db
18% Popularity • 23% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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James Horner
Leaving As An Emissary
141 bpm • G Maj • 05:19 • -21.11db
16% Popularity • 14% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Harald Kloser
Blizzard
142 bpm • C min • 02:18 • -22.48db
17% Popularity • 20% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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John Frizzell
The Rescue
142 bpm • G Maj • 03:05 • -19.62db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Isham
Leaving Nome
142 bpm • A Maj • 03:47 • -22.76db
13% Popularity • 17% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Mychael Danna
I Never Had A Choice
134 bpm • G min • 02:58 • -23.23db
16% Popularity • 18% Danceability • 13% Energy • 25% Liveness
67% Instrumentalness • 21% Positiveness
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John Debney
Main Titles - Jungle Run
142 bpm • F# Maj • 02:25 • -16db
39% Popularity • 33% Danceability • 45% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
48% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Pinar Toprak
More Problems
143 bpm • A# min • 08:15 • -12.21db
18% Popularity • 16% Danceability • 50% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Harald Kloser
Cutting The Rope
143 bpm • D min • 03:29 • -30.58db
15% Popularity • 14% Danceability • 2% Energy • 30% Liveness
61% Instrumentalness • 3% Positiveness
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Patrick Doyle
Death of Cedric
143 bpm • B min • 01:56 • -23.1db
44% Popularity • 14% Danceability • 11% Energy • 21% Liveness
98% Instrumentalness • 4% Positiveness
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Alan Menken
Waiting for the Lights
143 bpm • E Maj • 02:47 • -16.32db
50% Popularity • 18% Danceability • 12% Energy • 49% Liveness
82% Instrumentalness • 5% Positiveness
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Jacob Shea
A Monumental Feat
133 bpm • C min • 02:26 • -12.47db
22% Popularity • 19% Danceability • 30% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Justin Hurwitz
Good Engineer
143 bpm • F# Maj • 01:06 • -31.14db
36% Popularity • 14% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Steven Price
Buzzing Jays
132 bpm • D Maj • 02:03 • -18.65db
8% Popularity • 40% Danceability • 35% Energy • 13% Liveness
1% Instrumentalness • 5% Positiveness
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Rohan Stevenson
Merlin Brews a Potion
144 bpm • D min • 01:24 • -26db
26% Popularity • 17% Danceability • 4% Energy • 31% Liveness
91% Instrumentalness • 4% Positiveness
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Pinar Toprak
Why Do You Fight?
144 bpm • C min • 01:14 • -20.39db
36% Popularity • 31% Danceability • 18% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Patrick Doyle
Loki's Lie
144 bpm • G# Maj • 01:54 • -24.27db
24% Popularity • 13% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Dumbledore's Foreboding
132 bpm • G# Maj • 01:18 • -35.14db
44% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Steve Jablonsky
Code Red
132 bpm • D Maj • 02:12 • -16.83db
28% Popularity • 25% Danceability • 47% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Steven Price
Hunting Humpbacks
145 bpm • D min • 04:46 • -20.39db
9% Popularity • 24% Danceability • 15% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Roque Baños
Blows
132 bpm • A Maj • 07:07 • -15.04db
13% Popularity • 36% Danceability • 58% Energy • 11% Liveness
78% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
Reunited Ronin
132 bpm • E min • 03:11 • -19.33db
18% Popularity • 30% Danceability • 12% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Patrick Doyle
Ride to Observatory
132 bpm • D min • 02:10 • -18.17db
24% Popularity • 16% Danceability • 24% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
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John Debney
Mowgli and the Pit
146 bpm • C min • 03:24 • -21.68db
15% Popularity • 13% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jacob Shea
Conservation
130 bpm • G min • 07:01 • -18.13db
17% Popularity • 16% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Steven Price
Fueled Up and Headed South
131 bpm • E min • 03:11 • -18.87db
19% Popularity • 22% Danceability • 26% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
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John Ottman
Moira's Discovery / Apocalypse Awakes
130 bpm • C# Maj • 04:35 • -20.31db
12% Popularity • 17% Danceability • 14% Energy • 29% Liveness
81% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
44% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Rob Simonsen
No More Running
130 bpm • D# Maj • 02:01 • -22.5db
16% Popularity • 16% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Mike Higham
Standoff at Blackpool Tower
130 bpm • F min • 03:14 • -15.14db
11% Popularity • 23% Danceability • 30% Energy • 7% Liveness
80% Instrumentalness • 7% Positiveness
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Geoff Zanelli
Origin Story
147 bpm • D# Maj • 02:30 • -24db
10% Popularity • 13% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Andrew Lockington
San Andreas End Credits
130 bpm • D Maj • 02:57 • -11.02db
21% Popularity • 25% Danceability • 67% Energy • 29% Liveness
67% Instrumentalness • 47% Positiveness
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Marc Streitenfeld
Ambush
147 bpm • E min • 01:15 • -12.82db
48% Popularity • 30% Danceability • 55% Energy • 42% Liveness
93% Instrumentalness • 6% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Joseph Trapanese
Follow the Money
129 bpm • A# Maj • 01:01 • -30.88db
16% Popularity • 59% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mike Higham
Surprise Visitor
128 bpm • G# Maj • 04:52 • -22.86db
11% Popularity • 18% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Harald Kloser
Because Of You
149 bpm • A min • 02:29 • -26db
16% Popularity • 12% Danceability • 13% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Christian Henson
Into the Book
128 bpm • D# Maj • 03:45 • -21.11db
26% Popularity • 17% Danceability • 12% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Steven Price
Wolves and Bears
128 bpm • D min • 05:07 • -18.75db
9% Popularity • 26% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 23% Positiveness
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Patrick Doyle
Geography
127 bpm • D min • 01:24 • -24.71db
21% Popularity • 42% Danceability • 20% Energy • 13% Liveness
96% Instrumentalness • 30% Positiveness
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Jeff Russo
Soji And Narek Waltz
150 bpm • A min • 04:42 • -15.78db
8% Popularity • 41% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Mychael Danna
More
150 bpm • F Maj • 01:37 • -22db
40% Popularity • 61% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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George Fenton
Hunting Dogs
127 bpm • F Maj • 03:22 • -21.14db
1% Popularity • 44% Danceability • 42% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Christian Henson
Running from Moonacre / Loveday
150 bpm • G Maj • 01:40 • -22db
33% Popularity • 25% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Rohan Stevenson
The Forged Seal
127 bpm • F min • 01:22 • -28.18db
27% Popularity • 48% Danceability • 4% Energy • 12% Liveness
62% Instrumentalness • 27% Positiveness
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Joe Kraemer
A Matter of Going
127 bpm • G Maj • 05:04 • -27.51db
18% Popularity • 18% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Marco Beltrami
Beyond the Hills
126 bpm • A min • 02:09 • -25.86db
21% Popularity • 29% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Mike Higham
Blackpool
125 bpm • C min • 02:36 • -15.72db
11% Popularity • 20% Danceability • 19% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Ruth Barrett
The Humpback Whale’s Miracle
153 bpm • A# Maj • 02:28 • -15.62db
23% Popularity • 13% Danceability • 30% Energy • 23% Liveness
93% Instrumentalness • 4% Positiveness
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Patrick Doyle
The Story Continues
124 bpm • C Maj • 01:29 • -16.32db
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
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Christian Henson
Milk and Cookies
152 bpm • G min • 01:18 • -26.73db
43% Popularity • 23% Danceability • 5% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
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Craig Armstrong
They're Here
124 bpm • C min • 03:06 • -13.72db
17% Popularity • 51% Danceability • 44% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Steven Price
Too Big To Argue With
123 bpm • E Maj • 05:35 • -20.56db
17% Popularity • 23% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Geoff Zanelli
Is It Christopher Robin?
124 bpm • F Maj • 01:54 • -19.79db
18% Popularity • 20% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 7% Positiveness
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John Ottman
Contacting Raven
122 bpm • A min • 01:48 • -32.53db
17% Popularity • 26% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Martin Phipps
Bodies
122 bpm • E min • 03:41 • -28db
29% Popularity • 60% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Room of Requirements
156 bpm • C Maj • 06:07 • -20.92db
43% Popularity • 35% Danceability • 13% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Craig Armstrong
Rush To Hospital
123 bpm • C Maj • 01:09 • -20.31db
21% Popularity • 37% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Steven Price
They Came Back
121 bpm • C# min • 02:33 • -20.16db
19% Popularity • 35% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 9% Positiveness
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Geoff Zanelli
The Brightest Star in the North
123 bpm • D min • 05:59 • -13.94db
32% Popularity • 17% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Randy Edelman
Alex And Lin
121 bpm • D min • 01:13 • -13.76db
16% Popularity • 28% Danceability • 11% Energy • 8% Liveness
45% Instrumentalness • 9% Positiveness
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VÃctor Reyes
Night Manager Desk
120 bpm • A min • 03:03 • -27.34db
9% Popularity • 18% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Joe Kraemer
The Plan
120 bpm • D min • 03:21 • -30.41db
21% Popularity • 41% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Craig Armstrong
Mr. Blue
156 bpm • A Maj • 01:03 • -25.61db
18% Popularity • 22% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Bear McCreary
Helicopter Rescue
121 bpm • C Maj • 02:05 • -17.78db
12% Popularity • 20% Danceability • 8% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
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Mike Higham
Projecting Dreams
120 bpm • F min • 01:44 • -21.42db
28% Popularity • 50% Danceability • 29% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Like Being in the Movies
120 bpm • E Maj • 01:09 • -28.31db
11% Popularity • 72% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 16% Positiveness
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Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Jacob Shea
Battling Musk Ox
159 bpm • G Maj • 04:02 • -12.88db
18% Popularity • 42% Danceability • 49% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Sarah Class
Rwenzori Mountains
120 bpm • G# min • 01:58 • -9.21db
7% Popularity • 27% Danceability • 60% Energy • 20% Liveness
91% Instrumentalness • 9% Positiveness
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Howard Shore
Summer Investigation
120 bpm • A min • 02:00 • -21.54db
31% Popularity • 52% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Chris Tilton
A New Day In The Old Town
160 bpm • C min • 01:44 • -22.27db
34% Popularity • 56% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
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Rohan Stevenson
Merlin and Morgana Duel
119 bpm • C# min • 03:09 • -16.06db
14% Popularity • 26% Danceability • 43% Energy • 36% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Martin Phipps
Better for Everyone
119 bpm • E Maj • 02:37 • -22.59db
29% Popularity • 46% Danceability • 14% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Dr. Arbuthnot