Songs like Drama Queen by Elliot Lee
Based on a tempo of (+/- 10%) and a similar genre
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BAYBE
Nightmare
130 bpm • E min • 02:26 • -6.76db
41% Popularity • 72% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 72% Danceability • 62% Energy • 67% Liveness
0% Instrumentalness • 48% Positiveness
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REI AMI
DICTATOR
130 bpm • C# Maj • 03:01 • -6.91db
51% Popularity • 56% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 56% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Cami Petyn
HOT MESS
130 bpm • B min • 02:39 • -7.75db
25% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 71% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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NOT THE MAIN CHARACTERS
murder party
130 bpm • A min • 02:17 • -8.55db
48% Popularity • 72% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 72% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Madds Buckley
I Don't Take Insults Lightly
130 bpm • G# min • 01:59 • -14db
37% Popularity • 59% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 59% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Ella Isaacson
RUDE
130 bpm • A Maj • 02:24 • -4db
41% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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tiLLie
reaLitie biTes
130 bpm • G Maj • 02:24 • -5.04db
36% Popularity • 67% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 67% Danceability • 83% Energy • 60% Liveness
0% Instrumentalness • 77% Positiveness
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Elliot Lee
Drama Queen
130 bpm • G min • 02:51 • -8.66db
35% Popularity • 76% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 76% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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ZAND
DTF
130 bpm • B min • 03:28 • -10.19db
34% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Delilah Bon
I Don't Listen To You
130 bpm • G# Maj • 02:01 • -5.71db
46% Popularity • 80% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 80% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Isaac Dunbar
fan behavior
130 bpm • F# Maj • 03:01 • -6.01db
53% Popularity • 80% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
53% Popularity • 80% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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FLAVIA
EAT
130 bpm • G Maj • 03:06 • -6.85db
25% Popularity • 77% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 77% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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margø
the other side
130 bpm • C# min • 03:03 • -4.42db
42% Popularity • 69% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 69% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Lola Blanc
Fly Away
130 bpm • G# min • 04:13 • -6db
26% Popularity • 37% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 37% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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TIMMS
Are We There yet?
130 bpm • D Maj • 02:36 • -8db
32% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 72% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Elle Lexxa
Obsessed
129 bpm • G Maj • 03:29 • -8.78db
36% Popularity • 57% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 57% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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EHLE
DOCTOR
131 bpm • E min • 02:49 • -4.23db
35% Popularity • 59% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 59% Danceability • 94% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Libby Larkin
NYC's better off without u
129 bpm • F Maj • 03:27 • -9db
31% Popularity • 70% Danceability • 67% Energy • 8% Liveness
8% Instrumentalness • 57% Positiveness
31% Popularity • 70% Danceability • 67% Energy • 8% Liveness
8% Instrumentalness • 57% Positiveness
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ZAND
Inappropriate
131 bpm • C Maj • 03:48 • -6.43db
37% Popularity • 57% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 57% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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The Haunt
Why Are You So Cold?
131 bpm • F min • 03:19 • -6db
33% Popularity • 36% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 36% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jessie Paege
Villain
132 bpm • D min • 03:16 • -6.25db
24% Popularity • 41% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 41% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Melody Federer
I Hate Love
132 bpm • E Maj • 03:06 • -6.36db
33% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Kade McCuen
Banshee's Lullaby
128 bpm • G# min • 02:16 • -8.27db
21% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 52% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Fae
Blowing Smoke
132 bpm • A min • 03:00 • -6.35db
24% Popularity • 74% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 74% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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FKA Rayne
Bored
132 bpm • D# min • 02:49 • -5.68db
20% Popularity • 66% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 66% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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KiNG MALA
cult leader
132 bpm • C min • 02:43 • -9db
55% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Merci Raines
Moon City
128 bpm • D min • 03:18 • -8.17db
31% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Ashnikko
Invitation
128 bpm • G# min • 02:39 • -6.91db
58% Popularity • 59% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 59% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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PI3RCE
Freak Show
132 bpm • A min • 02:58 • -9.2db
41% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Elliot Lee
Pink (Freak) - sped up
127 bpm • A# min • 03:29 • -11.67db
11% Popularity • 70% Danceability • 55% Energy • 20% Liveness
1% Instrumentalness • 82% Positiveness
11% Popularity • 70% Danceability • 55% Energy • 20% Liveness
1% Instrumentalness • 82% Positiveness
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TIMMS
Itsy Bitsy
127 bpm • D min • 02:56 • -9db
34% Popularity • 76% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 76% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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KiNG MALA
cult leader (King Kitty Remix)
132 bpm • C min • 02:43 • -9db
42% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 67% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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girli
Imposter Syndrome
127 bpm • F min • 02:38 • -6db
41% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 72% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Baby Bugs
Boogieman
127 bpm • E Maj • 03:02 • -5.59db
32% Popularity • 60% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 60% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Echos
Mad
133 bpm • C min • 02:44 • -10.09db
35% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Cami Petyn
No Sleep
133 bpm • B min • 03:06 • -8.93db
17% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 68% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Elliot Lee
Sick Mind
127 bpm • E min • 03:10 • -18.44db
19% Popularity • 77% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 77% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Sarah Saint James
borderline
127 bpm • G Maj • 03:05 • -3.77db
16% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Elle Lexxa
Pink Walls
127 bpm • G Maj • 02:47 • -4.22db
18% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 78% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Rory Webley
Everybody Dies
134 bpm • E min • 02:17 • -3.87db
49% Popularity • 73% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 73% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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poutyface
Pretty Boy
126 bpm • C# Maj • 02:32 • -5db
44% Popularity • 54% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 54% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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KiNG MALA
martyr
126 bpm • F min • 02:25 • -9.63db
55% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 72% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Anna Sofia
Cruel World
135 bpm • B min • 03:03 • -6db
28% Popularity • 63% Danceability • 54% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
28% Popularity • 63% Danceability • 54% Energy • 29% Liveness
2% Instrumentalness • 60% Positiveness
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Chloe Adams
Dead To Me
135 bpm • E min • 02:33 • -6db
58% Popularity • 86% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 65% Positiveness
58% Popularity • 86% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 65% Positiveness
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Samantha Margret
RAGE
125 bpm • A# min • 01:45 • -9db
52% Popularity • 63% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 63% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 22% Positiveness
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Lenii
Take The Money
125 bpm • A min • 03:05 • -6.22db
35% Popularity • 71% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 71% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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FLAVIA
Gourmet
125 bpm • G Maj • 02:13 • -6.64db
35% Popularity • 64% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 64% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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KiNG MALA
gods on t.v.
125 bpm • G# Maj • 02:47 • -8.46db
36% Popularity • 79% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 79% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Elliot Lee
Cruel
125 bpm • C# min • 03:42 • -6.27db
16% Popularity • 67% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 67% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Kade McCuen
The Internet
125 bpm • G# Maj • 04:01 • -16db
39% Popularity • 78% Danceability • 24% Energy • 11% Liveness
35% Instrumentalness • 39% Positiveness
39% Popularity • 78% Danceability • 24% Energy • 11% Liveness
35% Instrumentalness • 39% Positiveness
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EHLE
Needle Drip
125 bpm • G# min • 03:23 • -10.41db
21% Popularity • 79% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 79% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Sarah Cothran
Poor Marionette
125 bpm • G# min • 02:23 • -6.8db
41% Popularity • 60% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Cloudy June
Throw Up When I See Your Face
136 bpm • E min • 02:44 • -5db
32% Popularity • 80% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 80% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Elle Lexxa
Vacancy
125 bpm • C# min • 02:50 • -10.07db
27% Popularity • 75% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 75% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 62% Positiveness
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TIMMS
Tamagotchi
136 bpm • C Maj • 02:01 • -7db
49% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 75% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Elliot Lee
SRY ILY
124 bpm • C Maj • 03:58 • -14db
28% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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twst
Sugared Up
136 bpm • D Maj • 02:33 • -7db
28% Popularity • 85% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 85% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Chloe Lilac
sound in my head
124 bpm • G Maj • 02:31 • -3.89db
43% Popularity • 62% Danceability • 69% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 62% Danceability • 69% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
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Ashnikko
Halloweenie IV: Innards
136 bpm • C# Maj • 02:50 • -6.38db
56% Popularity • 76% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 76% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Elle Lexxa
Cathedral
136 bpm • G min • 02:58 • -6.25db
19% Popularity • 66% Danceability • 79% Energy • 25% Liveness
12% Instrumentalness • 15% Positiveness
19% Popularity • 66% Danceability • 79% Energy • 25% Liveness
12% Instrumentalness • 15% Positiveness
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Transviolet
Destroy Destroy Destroy
124 bpm • E min • 03:51 • -9db
35% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 49% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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DEZI
Boba
124 bpm • G# Maj • 03:33 • -9db
30% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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No/Me
Pass The Knife
124 bpm • F Maj • 02:55 • -5db
40% Popularity • 58% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 58% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Kade McCuen
The Beat Killed Her
124 bpm • C Maj • 04:22 • -12.45db
29% Popularity • 49% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 49% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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girli
Dysmorphia
124 bpm • G Maj • 03:12 • -6.95db
43% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 69% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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FLAVIA
Them
124 bpm • E min • 02:27 • -9.93db
41% Popularity • 82% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 82% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Phebe Starr
Ice Tea Liberace
137 bpm • C Maj • 02:42 • -7db
30% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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eyeamki
Great! Big! Party!
137 bpm • A min • 03:39 • -6.45db
38% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Elliot Lee
Easy To Be You
124 bpm • A Maj • 03:14 • -7.79db
17% Popularity • 59% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 59% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Kade McCuen
The Otherside
137 bpm • B min • 02:45 • -6.72db
38% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 52% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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girli
More Than a Friend
137 bpm • C Maj • 02:55 • -7.65db
63% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Cami Petyn
Care Less
123 bpm • A Maj • 02:38 • -7db
36% Popularity • 85% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 85% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Sarah Saint James
HOME IS WHERE THE HELL IS
123 bpm • F# min • 02:54 • -7db
21% Popularity • 73% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 73% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Jessie Paege
Not a Phase
123 bpm • A min • 02:43 • -7db
41% Popularity • 73% Danceability • 74% Energy • 42% Liveness
1% Instrumentalness • 72% Positiveness
41% Popularity • 73% Danceability • 74% Energy • 42% Liveness
1% Instrumentalness • 72% Positiveness
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Elliot Lee
Dancing Queen
137 bpm • A Maj • 03:30 • -12.3db
10% Popularity • 49% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 49% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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poutyface
NEVER FUCKIN KNOW
123 bpm • C# Maj • 02:44 • -10.25db
46% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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margø
FINAL BOSS
123 bpm • G min • 03:26 • -5.19db
25% Popularity • 62% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 62% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Good Boy Daisy
Greenroom
123 bpm • B min • 02:45 • -7db
40% Popularity • 56% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 56% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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DEZI
Sinner
123 bpm • A# Maj • 02:54 • -7db
46% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 64% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Fae
Just Another Nightmare
138 bpm • B min • 02:16 • -7.94db
28% Popularity • 73% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 73% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Maya Karli
The Victim Card
138 bpm • D min • 03:28 • -7.13db
35% Popularity • 46% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 46% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Ashnikko
Tantrum
138 bpm • A Maj • 02:20 • -4.71db
60% Popularity • 78% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
60% Popularity • 78% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Scene Queen
Pink G-String
138 bpm • G Maj • 02:07 • -4.09db
46% Popularity • 64% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 64% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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ONICKS
No Problems
122 bpm • C Maj • 03:12 • -5.35db
45% Popularity • 57% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 57% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Elliot Lee
Treat Me Better
122 bpm • A Maj • 02:59 • -6.83db
24% Popularity • 62% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
24% Popularity • 62% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Zaryah
SOCIETY OF MEN
139 bpm • G# Maj • 03:16 • -7.55db
23% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Lola Blanc
Trust Me
121 bpm • F# min • 04:38 • -7.24db
30% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 59% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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margø
cool on the internet
121 bpm • C min • 02:21 • -3.15db
51% Popularity • 72% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 72% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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ZAND
Freak
140 bpm • G# Maj • 03:54 • -9.28db
34% Popularity • 59% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 59% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Jessie Paege
middle name
121 bpm • G Maj • 03:11 • -11.15db
22% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 32% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Elliot Lee
Dirt
140 bpm • E min • 03:02 • -4.87db
24% Popularity • 63% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 63% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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bodyimage
Sad People Do Bad Things
140 bpm • G min • 03:36 • -5.53db
18% Popularity • 60% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 60% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 34% Positiveness
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Zaryah
ROOM 112
122 bpm • F min • 02:29 • -6.98db
39% Popularity • 80% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 80% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Stela Cole
Graveyard Shift
140 bpm • G Maj • 03:08 • -6.84db
40% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Xana
Pray
140 bpm • F# min • 03:54 • -7.55db
48% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Cami Petyn
VICKY
140 bpm • B min • 02:06 • -4.82db
28% Popularity • 58% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
28% Popularity • 58% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Elliot Lee
Funny Bunny
140 bpm • F# min • 02:17 • -6.18db
33% Popularity • 78% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 78% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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DEZI
Venus in Gemini
140 bpm • A# min • 03:01 • -4db
54% Popularity • 71% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 71% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
