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Dream Is Collapsing
Songs like
Dream Is Collapsing
by
Hans Zimmer
Based on a tempo of (+/- 10%) and a similar genre
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Jesper Kyd
Venice Rooftops
126 bpm • A min • 03:18 • -9.92db
45% Popularity • 57% Danceability • 78% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Hans Zimmer
Dream Is Collapsing
126 bpm • G# Maj • 02:23 • -12.19db
60% Popularity • 52% Danceability • 43% Energy • 42% Liveness
79% Instrumentalness • 9% Positiveness
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Natalie Holt
Loki Green Theme
126 bpm • F Maj • 02:24 • -12.58db
52% Popularity • 46% Danceability • 48% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Halo
Finish the Fight
126 bpm • A Maj • 02:27 • -13.38db
48% Popularity • 21% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Patrick Doyle
Sons of Odin
126 bpm • F Maj • 01:48 • -16.56db
44% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Henry Jackman
A Thief's End
125 bpm • G min • 01:54 • -16db
47% Popularity • 22% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jesper Kyd
Ezio's Family
126 bpm • D min • 03:57 • -12.56db
62% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
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Inon Zur
Fallout 4 Main Theme
128 bpm • C# Maj • 03:02 • -19.09db
51% Popularity • 37% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Hans Zimmer
Inception: Time - Orchestra Version - Li...
126 bpm • G Maj • 04:46 • -17.37db
49% Popularity • 26% Danceability • 12% Energy • 70% Liveness
68% Instrumentalness • 4% Positiveness
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Greg Edmonson
Nate's Theme 3.0
125 bpm • E min • 01:47 • -12db
45% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
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Rupert Gregson-Williams
Headlines
128 bpm • G# Maj • 04:24 • -16db
37% Popularity • 44% Danceability • 29% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Trevor Morris
Dragon Age Inquisition Theme
128 bpm • D Maj • 02:52 • -12.67db
52% Popularity • 42% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 6% Positiveness
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M83
I'm Sending You Away
128 bpm • E min • 05:38 • -15.8db
45% Popularity • 26% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Zack Hemsey
See What I've Become
128 bpm • E min • 03:54 • -9db
54% Popularity • 40% Danceability • 77% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Alan Silvestri
Even for You
124 bpm • A min • 02:16 • -15db
43% Popularity • 17% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Powell
This Is Berk
123 bpm • D# Maj • 04:10 • -9.46db
57% Popularity • 26% Danceability • 49% Energy • 23% Liveness
81% Instrumentalness • 30% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Lorne Balfe
Fight Club
123 bpm • C min • 02:05 • -13.88db
51% Popularity • 56% Danceability • 47% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
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John Paesano
A Better Beginning
129 bpm • C Maj • 04:25 • -16.54db
36% Popularity • 19% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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David Arnold
Who You Really Are
129 bpm • A min • 02:35 • -15.59db
18% Popularity • 22% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Alan Silvestri
Night At The Museum
129 bpm • G# Maj • 02:35 • -16.84db
44% Popularity • 19% Danceability • 30% Energy • 18% Liveness
77% Instrumentalness • 6% Positiveness
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Future World Music
Aqua Vitae
130 bpm • C min • 02:35 • -7.26db
50% Popularity • 25% Danceability • 79% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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John Powell
See You Tomorrow
123 bpm • G Maj • 03:53 • -10db
50% Popularity • 43% Danceability • 58% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
49% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Michael Price
Status Symbols
130 bpm • D min • 02:33 • -20.13db
22% Popularity • 24% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Patrick Doyle
The Quidditch World Cup
130 bpm • G# Maj • 01:51 • -14.54db
47% Popularity • 39% Danceability • 54% Energy • 38% Liveness
68% Instrumentalness • 36% Positiveness
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Rupert Gregson-Williams
Rescue Continues
122 bpm • E min • 03:46 • -15db
40% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Blue Planet
130 bpm • E min • 03:17 • -16.7db
31% Popularity • 16% Danceability • 41% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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John Powell
Forbidden Friendship
129 bpm • F# Maj • 04:11 • -15.14db
56% Popularity • 28% Danceability • 30% Energy • 55% Liveness
94% Instrumentalness • 38% Positiveness
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Audiomachine
Above and Beyond
130 bpm • C Maj • 02:51 • -12.6db
44% Popularity • 44% Danceability • 44% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Eternal Eclipse
Dawn of Faith
130 bpm • C min • 03:13 • -9.42db
52% Popularity • 24% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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David Arnold
The Woman
122 bpm • A min • 02:31 • -22.24db
33% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
44% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Hans Zimmer
The Tron Anthem
130 bpm • D min • 02:57 • -10.53db
51% Popularity • 31% Danceability • 60% Energy • 24% Liveness
92% Instrumentalness • 7% Positiveness
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Henry Jackman
Safe Now
130 bpm • D min • 03:12 • -21db
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Alan Silvestri
The Real Hero
130 bpm • G Maj • 05:54 • -18.02db
46% Popularity • 18% Danceability • 6% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Steven Price
Tiangong
122 bpm • D min • 06:28 • -16.96db
25% Popularity • 17% Danceability • 27% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
49% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Lorne Balfe
Assassins Creed Theme
131 bpm • C min • 04:43 • -14.53db
39% Popularity • 18% Danceability • 41% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Michael McCann
Icarus - Main Theme
121 bpm • G min • 03:41 • -12.8db
44% Popularity • 25% Danceability • 68% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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James Newton Howard
Antrozous
131 bpm • D Maj • 03:59 • -19.04db
40% Popularity • 26% Danceability • 22% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Sarah Schachner
Assassin's Creed Origins Main Theme
131 bpm • G# Maj • 03:15 • -12.38db
47% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Howard Shore
The Battle of the Pelennor Fields
121 bpm • E min • 04:10 • -14.87db
52% Popularity • 18% Danceability • 40% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Nicholas Britell
Adagio in C Minor
131 bpm • C min • 01:30 • -17.87db
61% Popularity • 16% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Call Me Joker
121 bpm • D Maj • 04:48 • -14.43db
45% Popularity • 20% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
54% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
45% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Max Richter
November
120 bpm • C Maj • 06:07 • -11.44db
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
45% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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M83
Fearful Odds
120 bpm • F min • 03:09 • -12.85db
48% Popularity • 40% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
46% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Steven Price
Debris
132 bpm • A Maj • 04:24 • -18.2db
28% Popularity • 16% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Hans Zimmer
Supermarine
120 bpm • E min • 08:03 • -13.2db
48% Popularity • 55% Danceability • 87% Energy • 9% Liveness
82% Instrumentalness • 15% Positiveness
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Kevin Kiner
Ahsoka - End Credits
120 bpm • E min • 03:43 • -13.82db
39% Popularity • 20% Danceability • 19% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Murray Gold
This Is Gallifrey: Our Childhood. Our Ho...
120 bpm • F min • 03:17 • -7.88db
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Secession Studios
The Untold
120 bpm • C# Maj • 03:11 • -17.06db
56% Popularity • 44% Danceability • 38% Energy • 6% Liveness
96% Instrumentalness • 9% Positiveness
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Rupert Gregson-Williams
Duck Shoot
120 bpm • D min • 04:07 • -18.79db
50% Popularity • 23% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Jack Wall
Mass Effect Theme
120 bpm • C Maj • 02:20 • -12.55db
40% Popularity • 46% Danceability • 47% Energy • 51% Liveness
84% Instrumentalness • 4% Positiveness
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Hans Zimmer
Coward
120 bpm • C Maj • 08:26 • -18.51db
53% Popularity • 43% Danceability • 26% Energy • 23% Liveness
88% Instrumentalness • 4% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Thomas Bergersen
Freedom Fighters
120 bpm • D# min • 02:31 • -12.21db
54% Popularity • 32% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Steven Price
Emma
120 bpm • D min • 02:35 • -15db
50% Popularity • 41% Danceability • 43% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Michael Price
The Game is On
120 bpm • C Maj • 03:40 • -19.28db
45% Popularity • 32% Danceability • 29% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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John Murphy
Kanada's Death Pt.2 (Adagio in D Minor)
120 bpm • G Maj • 02:58 • -10db
40% Popularity • 33% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Hans Zimmer
Mountains
120 bpm • A min • 03:39 • -16.95db
63% Popularity • 30% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
Intriguing Possibilities
133 bpm • D Maj • 04:24 • -15.03db
44% Popularity • 59% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 2% Positiveness
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John Powell
Zen Ball Master
133 bpm • G Maj • 07:21 • -10.63db
41% Popularity • 24% Danceability • 76% Energy • 32% Liveness
71% Instrumentalness • 13% Positiveness
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Alan Silvestri
The Avengers
119 bpm • G Maj • 02:03 • -8.19db
61% Popularity • 25% Danceability • 55% Energy • 14% Liveness
67% Instrumentalness • 23% Positiveness
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Trevor Rabin
Ben
119 bpm • C Maj • 04:03 • -18.05db
42% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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John Murphy
Adagio in D Minor (Orchestra Mix)
120 bpm • G Maj • 04:21 • -9db
30% Popularity • 19% Danceability • 62% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
64% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Hans Zimmer
Journey to the Line
120 bpm • A min • 09:21 • -24.49db
46% Popularity • 19% Danceability • 9% Energy • 50% Liveness
92% Instrumentalness • 3% Positiveness
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Howard Shore
Feast of Starlight
135 bpm • D Maj • 02:48 • -26.99db
55% Popularity • 18% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Lorne Balfe
Assassin's Creed III Main Theme
135 bpm • D min • 03:06 • -10.68db
50% Popularity • 41% Danceability • 88% Energy • 8% Liveness
81% Instrumentalness • 9% Positiveness
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Jeff Beal
Forward March
117 bpm • C Maj • 02:02 • -17.37db
34% Popularity • 65% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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John Murphy
Sunshine (Adagio in D Minor)
119 bpm • G Maj • 04:44 • -9.46db
50% Popularity • 17% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Hans Zimmer
No Time for Caution
120 bpm • A min • 04:06 • -20.23db
61% Popularity • 26% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Jack Wall
Suicide Mission
117 bpm • D min • 04:45 • -12db
42% Popularity • 46% Danceability • 52% Energy • 32% Liveness
93% Instrumentalness • 12% Positiveness
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Henry Jackman
Manners Maketh Man
117 bpm • B min • 01:37 • -12.15db
43% Popularity • 32% Danceability • 26% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
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Trent Reznor and Atticus Ross
In the Hall of the Mountain King
136 bpm • A# min • 02:21 • -14.01db
40% Popularity • 23% Danceability • 14% Energy • 26% Liveness
91% Instrumentalness • 7% Positiveness
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John Murphy
Adagio in D Minor
119 bpm • G Maj • 04:09 • -8.42db
48% Popularity • 17% Danceability • 48% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Elitsa Alexandrova
Assassin's Creed Rogue Main Theme
136 bpm • D min • 02:08 • -15.11db
48% Popularity • 29% Danceability • 37% Energy • 12% Liveness
97% Instrumentalness • 25% Positiveness
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Joris de Man
Aloy's Theme - Part 1 - Motherland
117 bpm • A min • 02:31 • -19db
48% Popularity • 17% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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David Arnold
One More Miracle
117 bpm • D Maj • 02:08 • -13.01db
27% Popularity • 21% Danceability • 12% Energy • 7% Liveness
74% Instrumentalness • 21% Positiveness
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Henry Jackman
Lemurian Star
136 bpm • C min • 03:06 • -21db
38% Popularity • 40% Danceability • 43% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Jeremy Soule
Awake
116 bpm • C min • 01:32 • -23db
59% Popularity • 17% Danceability • 15% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Alexandre Desplat
A New Beginning
116 bpm • D# Maj • 01:39 • -29.88db
49% Popularity • 17% Danceability • 3% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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John Paesano
Finale
116 bpm • A Maj • 04:17 • -16.3db
43% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Thomas Bergersen
Moving Mountains
116 bpm • C min • 03:01 • -8db
42% Popularity • 36% Danceability • 58% Energy • 36% Liveness
77% Instrumentalness • 16% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
44% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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Jesper Kyd
Home in Florence
116 bpm • A min • 04:30 • -20.31db
42% Popularity • 24% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
One Man At A Time
116 bpm • D Maj • 02:30 • -13db
50% Popularity • 21% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Kevin Kiner
Jedi Eulogy
116 bpm • D# Maj • 01:08 • -9db
52% Popularity • 17% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Audiomachine
Guardians At the Gate
138 bpm • F min • 02:05 • -9.64db
57% Popularity • 49% Danceability • 73% Energy • 10% Liveness
92% Instrumentalness • 51% Positiveness
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Justin Hurwitz
Armstrong Cabin
116 bpm • G min • 01:15 • -27.18db
68% Popularity • 44% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Dream Is Collapsing